New Songs

Bom Bom Çiçekler

That's not mon nom (v5.5)

lo-fi post-punk

lo-fi post-punk, lo-fi folk, French and English male vocals, baritone lead vocals, nylon-string guitar, muted electric guitar, picked bass, brushed snare, tape flutter, mono room mic, spring reverb, cassette saturation, 92 BPM, swung backbeat, bittersweet regret, stoic forward motion

Gosalo Osalo

Phonk

Phonk

Smoth Butter

Ruach Afar-Flame

beatbox

beatbox, trap r&b, catchy synths, wind instruments, orkestra, ragtime piano, energetic drops, banjo-driven, dreamcore, breaks, electric guitar riff, overdriven guitar, steel band, belting vocals

Smoth Butter

Pranga - (Remastered) v5.5

Deep baritone Turkish male vocal

Deep baritone Turkish male vocal, strong and raw, no pop, no arabesque, Acoustic guitar with subtle reggae offbeat feel, minimal arrangement, dry mix, intimate and modern, 110–115 BPM

ルッコラ最高！

Fusion Jazz

Fusion Jazz, syncopated drums, full-band, Male Chorus, bright and striking

잊어버릴래요

minimalist pop

minimalist pop, 80s ballad, grand piano ostinato, felt piano close-mic, sparse sub bass, brushed snare, tape saturation, plate reverb, dry vocal lead, string pads swell, half-time groove, bittersweet resolve, restrained lift, 84 BPM, spacious stereo mix

Сделай шаг вперёд пока ты в игре.

rap

rap, Dusty jazz-rap loop with lo-fi crackle, lazy Rhodes chords and warm upright bass; tight hip-hop drums tuck into a relaxed pocket. Male vocals, intimate and close to the mic, almost whispered in the verses; hook opens with layered doubles and soft harmonies. Add subtle vinyl noise and distant horn stabs on the bridge, then strip it back to keys and bass for the final chorus, letting the groove slowly fade., low, jazz, hip-hop

Очень холодно4

rough female vocals

rough female vocals, blues, soul, swing

🐸FrogCroc🐊

hard techno

hard techno, hardcore, industrial techno, distorted kick drums, acid 303 squelch, metal percussion hits, subby rumble bass, scraped synth drones, modular noise bursts, cavernous snare reverb, clipped master bus, tape saturation, horror energy, predatory menace, 170 BPM, relentless four-on-the-floor, tom fills, escalating breakdown, seductive female voice, growling

光影之间 (Between Lights)

duetnu-disco pop

duetnu-disco pop, Chinese pop-rap, groovy slap bass, funky muted guitar, retro polysynth stabs, analog disco strings, syncopated drum machine, four-on-the-floor kick, male rap verses, smooth female chorus, wide stereo mix, tape saturation, plate reverb, filter sweep builds, instrumental breaks, late-night neon, sleek city bounce, 118 BPM, disco drift groove

好きさ、好きさ Ⅱ

Hawaiian

Hawaiian,J-Pop,Ballad.Minor.78BPM.Low male baritone chorus group.Acoustic guitar(strumming),Hawaiian guitar(slide technique),wood bass(pizzicato),tenor saxophone(smooth phrasing),brush drums(soft swing).A pure and earnest love confession filled with longing and devotion

Devils Dance(Remix)

Cinematic Psychedelic Progressive Metal

Cinematic Psychedelic Progressive Metal,2005 style, Clean Audiophile Production, Polyrhythmic Heavy Drumming, Deep Growling Warwick Bass, Intricate Triple-Layered Electric Guitars with clean and heavy distortion, Acoustic Cello replacing electronic pads, Distant Tibetan Singing Bowls, Tribal Percussion, Haunting Melodic Vocals (Maynard style), 32-bit Dynamic Range.

別々の道へ[Live ver.] #ライブ行こうぜ

Из Tindera девчонка

Russian pop-rock with Emo-rock elements. Distorted electric guitar plays power chords and palm-muted rhythmic patterns. A prominent synthesizer provides bright

Russian pop-rock with Emo-rock elements. Distorted electric guitar plays power chords and palm-muted rhythmic patterns. A prominent synthesizer provides bright, staccato lead lines and chordal pads. The bass guitar follows the kick drum with driving eighth-note patterns. Drums feature a punchy snare and consistent hi-hat subdivisions. Male vocals are delivered with a melodic, energetic emo-rock timbre, occasionally utilizing layered harmonies in the chorus. The arrangement includes sudden dynamic shifts between verses and choruses, with electronic sweeps and riser effects used for transitions. 135 BPM, A minor, 4/4 time signature.

ПОТОМ #NEW (2026)

Russian Nu-Metal with electronic elements. Distorted electric guitars play syncopated

Russian Nu-Metal with electronic elements. Distorted electric guitars play syncopated, low-tuned riffs alongside a driving drum kit featuring a crisp snare and double-kick patterns. A prominent synth bass and glitchy electronic textures provide a modern industrial layer. Male vocals alternate between aggressive rapping, melodic singing, and shouted delivery. The track features a high-energy, compressed production style with rapid-fire vocal delivery and heavy rhythmic accents. Tempo is 160 BPM in the key of D Minor. 4/4 time signature.

Gosalo Osalo

Phonk

Phonk

hard rock

russian industrial metal

russian industrial metal