New Songs

watch me go

dream pop

dream pop, indie folk, atmospheric, electronic

벚꽃 사이 너와 나 V1

[K-POP Ballad / Pop] [Warm

[K-POP Ballad / Pop] [Warm, Romantic, Emotional, Youthful] [Grand Piano, Acoustic Guitar, Soft Strings, Live Drums, Warm Analog Pad] [90–110 BPM] [Chord Progression: I–V–vi–IV (example: D–A–Bm–G), Secondary: vi–IV–I–V, Bridge: ii–V transition] [Song Structure: Intro (5s instrumental only) → Verse → Pre-Chorus → Chorus → Post-Chorus → Verse → Pre-Chorus → Chorus → Bridge → Final Chorus (key up) → Outro (3s instrumental only)] [Lyrics Style: Conversational, emotional storytelling, call & response, short repetitive hook (2–3 words), open vowels (ah/oh/ya)] [Vocal Type: Male (warm tenor, chest-voice, close-mic, natural vibrato, soft emotion) + Female (bright mezzo, airy, clean diction, emotional vibrato) Duet with call & response, unison → thirds harmony, final octave doubling] [Sound & Mix: Humanized timing and pitch, natural imperfections, warm analog tone, Vocal presence 2–5kHz, soft de-esser, short plate reverb, no harsh high frequencies, no synthetic texture] Human voice

밀고 당기고 미끄러져 내려 - 2

Afro tribal Rwanda × modern techno b-boy fusion

Afro tribal Rwanda × modern techno b-boy fusion, 128 BPM, G# minor, heavy polyrhythmic percussion (ingoma drums, kicks, snares, stomps, claps), syncopated pluck + marimba/inanga tones, Rwandan lead vocal in Kinyarwanda (chant-driven), Korean-sung hooks (short, punchy), layered vocals (lead/doubles/harmonies/ad-libs), strong call & response crew shouts, catchy choreography-focused hook, pre-chorus build + clean drop, performance-driven energy, tight sub, wide stereo, sharp transients, organic tribal texture blended with modern clean mix, high-energy movement-driven composition

Everyone Wants You (acoustic demo)

Mask-Slip Promises

Early 2000s Pop Rock

Early 2000s Pop Rock, Female Vocals, Skater Punk, Emotional but Upbeat, Electric Guitar, Catchy Chorus, Nostalgic.

Тёмный (Фильтрованный) (Re-Cover Lungcorf)

drum and bass track 174 bpm energetic and smooth with powerful breakbeats deep sub bass and futuristic synth textures male vocal in the style of Pop

drum and bass track 174 bpm energetic and smooth with powerful breakbeats deep sub bass and futuristic synth textures male vocal in the style of Pop, R&B, Soul, Funk, Rock, Disco, Dance smooth expressive with emotional control and sharp rhythmic phrasing lyrics about dancing under the stars freedom and unstoppable energy include iconic ad libs hee hee hoo shamone a ooh yeeep placed naturally after phrases blend singing and rhythmic spoken parts add finger snaps light percussion and vinyl crackle for vintage vibe clean professional mix with vocals upfront uplifting and dynamic atmosphere perfect for a midnight dancefloor

Эта жизнь

Slavic post punk

Slavic post punk, witch house, 92 BPM, overdriven baritone guitar, syncopated bassline, analog drum machine, floor tom march, detuned synth pads, coldwave lead synth, plate reverb, tape saturation, stereo delay, sparse verse build, dense chorus lift, nocturnal club momentum, minor key, driving 16th-note hi-hats, breakdown drop

Başkomutan Mustafa Kemal Atatürk (Cover) (Cover) (Cover)

progressive power metal

progressive power metal, symphonic power metal, power metal,, viking metal, church choir, neoclassical metal, military march, epic metal,, dark orchestral, symphonic metal, pagan metal, angelic choir, group vocals, military, new wave of traditional heavy metal, modern metal, slavic folk metal, russian choir, african choir, eurovision, nu metal, slavic cyberpunk, blackmetal, death metal, background singers, opera metal, operatic metal, thrash metal, melodic doom metal, national anthem, electro metal, slow nu metal, dark heavy metal, melodic black metal, children's choir, heavy metal, dark metal, trash metal, Hair Metal, trauriger Metal, ätherischer Chor, eindringlicher Chor, melancholischer Alternative Metal, Fantasy Metal, cyber metal, langsamer Nu-Metal, Metal-Gitarre, metal, newmetal, metal ballads, slawischer Folk-Metal, Gothic-Metal,, Alternative Metal, Blackened Death Metal, Avantgarde-Metal, Dance Metal, Folk-Metal, Trap-Metall, metal fusion, Gothic Metal, Baby Metal, Math Metal

KINGDOM IN THE FLESH***

Style: Underground Hip Hop

Style: Underground Hip Hop, Industrial Psy-Funk, 140 BPM, Holographic 3D Soundstage, 8-string technical riffs, Virtuosic shred guitar, Slap bass, Polyrhythmic boom-bap, Granular synthesis, Vocoder-processed vocals, Binaural immersive imaging, High-fidelity 2026 Analog-warmth, Jazz-fusion licks, Aggressive Soul.

Last Dance Before Oblivion

funk

funk, Big-band swing kit and upright walking bass locked to downtuned, overdriven guitars; sharp brass stabs mirror chugging riffs. Male vocals swing between slick croon and feral growl, with explosive gang vocals and horn blasts on the chorus. Bridge collapses to bass, snaps, and low spoken word before a full brass-and-guitar knockout hit., low, swing, metal, jazz, vocal, male vocals

さよならジルバ

Jive

Jive,City Pop.Minor.132BPM.Female vocal(expressive,bittersweet).Electric guitar(clean tone,rhythmic strumming),2nd electric guitar(melodic lead,sustained bends),Electric bass(walking bass,syncopated groove),Trumpet(bright,punchy stabs),Trombone(warm,sliding fills),Drums(tight swing feel,crisp snare),Orchestra(lush string swells,subtle brass pads).A woman bids farewell to her lover on the dance floor,they met dancing the jive and now part the same way,wishing for a slow cheek dance but smiling through the goodbye.

Velvet Chaos Orchestra

Sleek alt-pop/rock

Sleek alt-pop/rock, male vocals. Verses ride on smoky Rhodes, subtle bass, and tight rimshot groove; pre-chorus brings tremolo guitars and rising synth pads. Choruses explode with distorted power chords, stacked gang vocals, and huge, punchy drums. Bridge strips to voice and distant piano before a final, over-the-top last hook and a hard stop., soft, smooth, loud

Queen Hive

female vocals

female vocals, mature female vocals, adult woman voice, confident female lead, rich chest voice, controlled head voice, glamorous villain pop, high energy pop, addictive pop melody, strong melodic topline, instant hook, huge chorus payoff, soaring pre chorus lift, singable verses, catchy vocal phrasing, polished studio pop, clean modern pop mix, bright vocal presence, clear upper mids, short tight vocal reverb, no hall reverb, bright synthpop, shimmering synth leads, hooky lead melody, melodic counter melody, sparkling arpeggios, bouncy synth bass, punchy dance pop drums, crisp snare, tight kick, rich chord progression, dynamic arrangement, strong section contrast, chorus opens wide, queen bee attitude, sugar and poison theme, glamorous menace, high replay value, clear bright mastering, 132 bpm

Δεν έχω το μυαλό μου…-1

Ultra dark melancholic cinematic ambient track

Ultra dark melancholic cinematic ambient track, heavy dominant keyboard and piano layers throughout, deep haunting minor piano chords with slow arpeggios and low octave sustains, thick atmospheric dark synth pads and drones building slowly, distant reverb-drenched low husky male vocal broken whisper style with pain regret and echo effects, subtle lo-fi vinyl crackle tape hiss and distant rain ambient throughout, minimal heartbeat-like slow drum buried deep in mix, mournful distant cello swells and long glissandos for sorrow, occasional distorted keyboard arpeggios panning left-right, darkwave noir post-rock Kurtlar Vadisi underworld vibe but extremely introspective shadowy, very slow tempo 100-114 BPM, Phrygian/Aeolian minor key feel, long builds and emotional peaks with female vocal stretching on 'gülüm' and 'öldüm de uyandım', vintage analog warmth mixed with modern dark ambient production, no loud elements pure heavy melancholy heavy keys focus layered introspective fade-outs

Ақылым басымда емес-2

Ultra dark melancholic cinematic ambient track

Ultra dark melancholic cinematic ambient track, heavy dominant keyboard and piano layers throughout, deep haunting minor piano chords with slow arpeggios and low octave sustains, thick atmospheric dark synth pads and drones building slowly, distant reverb-drenched low husky male vocal broken whisper style with pain regret and echo effects, subtle lo-fi vinyl crackle tape hiss and distant rain ambient throughout, minimal heartbeat-like slow drum buried deep in mix, mournful distant cello swells and long glissandos for sorrow, occasional distorted keyboard arpeggios panning left-right, darkwave noir post-rock Kurtlar Vadisi underworld vibe but extremely introspective shadowy, very slow tempo 100-114 BPM, Phrygian/Aeolian minor key feel, long builds and emotional peaks with female vocal stretching on 'gülüm' and 'öldüm de uyandım', vintage analog warmth mixed with modern dark ambient production, no loud elements pure heavy melancholy heavy keys focus layered introspective fade-outs

ᠰᠣᠭᠲᠣᠭ ᠳᠤᠭ 酒歌

Japanese-inspired

Japanese-inspired, Alternative R&B, Contemporary Hip-Hop, Foolish punk electro scene, retro-futuristic mood, vocoder lead, compressed robotic vocals, layered metallic harmonies, pitch-shifted punk screech, analog synth warmth, punchy drum machines, sidechain breathing bassline, electric guitar stabs, low-pass filter sweeps, tape saturation, phaser modulation, glitchy loop sampling, sidechain compression, bit-crush｜Morin Khuur (horsehead fiddle) playing rhythmic, staccato bowed patterns and melodic leads. Modern electronic production includes a programmed drum machine with a crisp snare on 2 and 4 and a syncopated kick. A clean, muted electric guitar plays rhythmic 16th-note patterns. The bass is a deep, rounded synth tone following the root notes. Male vocals utilize traditional throat singing techniques (Khöömei) for low-frequency drones and melodic passages in a mid-tenor range. The arrangement features a prominent Morin Khuur solo with rapid ornamentation. Key of G minor, 120 BPM.

Я не в себе…-1

Ultra dark melancholic cinematic ambient track

Ultra dark melancholic cinematic ambient track, heavy dominant keyboard and piano layers throughout, deep haunting minor piano chords with slow arpeggios and low octave sustains, thick atmospheric dark synth pads and drones building slowly, distant reverb-drenched low husky male vocal broken whisper style with pain regret and echo effects, subtle lo-fi vinyl crackle tape hiss and distant rain ambient throughout, minimal heartbeat-like slow drum buried deep in mix, mournful distant cello swells and long glissandos for sorrow, occasional distorted keyboard arpeggios panning left-right, darkwave noir post-rock Kurtlar Vadisi underworld vibe but extremely introspective shadowy, very slow tempo 100-114 BPM, Phrygian/Aeolian minor key feel, long builds and emotional peaks with female vocal stretching on 'gülüm' and 'öldüm de uyandım', vintage analog warmth mixed with modern dark ambient production, no loud elements pure heavy melancholy heavy keys focus layered introspective fade-outs

Flame dance

Afro House Dancefloor Ignition 134 BPM instant hook zero milliseconds 26Hz sub-bass + kick + djembe SLAP DROP simultaneously female contralto raw powerful voice four-on-floor punchy kick djembe rapid slap patterns congas tumbao dunun deep bass drum shekere continuous shakers kalimba rapid arpeggios fire crackle hi-hats locked polyrhythm body-moving hypnotic rhythm chest vibration physical pressure non-stop groove no breakdowns no silence relentless energy structure hook → fire drop → chant → fire drop → mantra fade

Afro House Dancefloor Ignition 134 BPM instant hook zero milliseconds 26Hz sub-bass + kick + djembe SLAP DROP simultaneously female contralto raw powerful voice four-on-floor punchy kick djembe rapid slap patterns congas tumbao dunun deep bass drum shekere continuous shakers kalimba rapid arpeggios fire crackle hi-hats locked polyrhythm body-moving hypnotic rhythm chest vibration physical pressure non-stop groove no breakdowns no silence relentless energy structure hook → fire drop → chant → fire drop → mantra fade

أنا لست في وعيي…1

Ultra dark melancholic cinematic ambient track

Ultra dark melancholic cinematic ambient track, heavy dominant keyboard and piano layers throughout, deep haunting minor piano chords with slow arpeggios and low octave sustains, thick atmospheric dark synth pads and drones building slowly, distant reverb-drenched low husky male vocal broken whisper style with pain regret and echo effects, subtle lo-fi vinyl crackle tape hiss and distant rain ambient throughout, minimal heartbeat-like slow drum buried deep in mix, mournful distant cello swells and long glissandos for sorrow, occasional distorted keyboard arpeggios panning left-right, darkwave noir post-rock Kurtlar Vadisi underworld vibe but extremely introspective shadowy, very slow tempo 100-114 BPM, Phrygian/Aeolian minor key feel, long builds and emotional peaks with female vocal stretching on 'gülüm' and 'öldüm de uyandım', vintage analog warmth mixed with modern dark ambient production, no loud elements pure heavy melancholy heavy keys focus layered introspective fade-outs

The End

,Very long Instrumental in the intro and in the outro, breathy vocals,church bells,atmospheric track,Whisper singing,disco sound wave, bass guitar, a bass with a jangly guitar and a kick,80s,soft voice,atmospheric, soft ethereal ,groovy beat, as a house-influenced track, specifically a fusion of house-pop and modern electronic elements. Percussion: Modern Software, disco elements, house bass, sampling machines,drum machines,Alternative,Industrial,indie electronic, hypnagogic popSynth-pop, Guitar analog melancholia (warm), pastel paranoia, soft core surreal pop, childhood nostalgia mood, neon lullaby pop, indie shoegaze, emotionally distant, foggy, slowed, lo-fi pop that feels animated but lonely, soft bubblegum trap, sad Ethereal Atmosphere, Dreamy Pads, Lullaby-Like Melody, Dark R&B Pop (Sweet Sound), Soft Vocals, Minimal-Ish Production, Intimate Feel, Bedroom Pop – Whispery Delivery ,