New Songs

Başkomutan Mustafa Kemal Atatürk (Cover) (Cover) (Cover)

progressive power metal

progressive power metal, symphonic power metal, power metal,, viking metal, church choir, neoclassical metal, military march, epic metal,, dark orchestral, symphonic metal, pagan metal, angelic choir, group vocals, military, new wave of traditional heavy metal, modern metal, slavic folk metal, russian choir, african choir, eurovision, nu metal, slavic cyberpunk, blackmetal, death metal, background singers, opera metal, operatic metal, thrash metal, melodic doom metal, national anthem, electro metal, slow nu metal, dark heavy metal, melodic black metal, children's choir, heavy metal, dark metal, trash metal, Hair Metal, trauriger Metal, ätherischer Chor, eindringlicher Chor, melancholischer Alternative Metal, Fantasy Metal, cyber metal, langsamer Nu-Metal, Metal-Gitarre, metal, newmetal, metal ballads, slawischer Folk-Metal, Gothic-Metal,, Alternative Metal, Blackened Death Metal, Avantgarde-Metal, Dance Metal, Folk-Metal, Trap-Metall, metal fusion, Gothic Metal, Baby Metal, Math Metal

KINGDOM IN THE FLESH***

Style: Underground Hip Hop

Style: Underground Hip Hop, Industrial Psy-Funk, 140 BPM, Holographic 3D Soundstage, 8-string technical riffs, Virtuosic shred guitar, Slap bass, Polyrhythmic boom-bap, Granular synthesis, Vocoder-processed vocals, Binaural immersive imaging, High-fidelity 2026 Analog-warmth, Jazz-fusion licks, Aggressive Soul.

Last Dance Before Oblivion

funk

funk, Big-band swing kit and upright walking bass locked to downtuned, overdriven guitars; sharp brass stabs mirror chugging riffs. Male vocals swing between slick croon and feral growl, with explosive gang vocals and horn blasts on the chorus. Bridge collapses to bass, snaps, and low spoken word before a full brass-and-guitar knockout hit., low, swing, metal, jazz, vocal, male vocals

さよならジルバ

Jive

Jive,City Pop.Minor.132BPM.Female vocal(expressive,bittersweet).Electric guitar(clean tone,rhythmic strumming),2nd electric guitar(melodic lead,sustained bends),Electric bass(walking bass,syncopated groove),Trumpet(bright,punchy stabs),Trombone(warm,sliding fills),Drums(tight swing feel,crisp snare),Orchestra(lush string swells,subtle brass pads).A woman bids farewell to her lover on the dance floor,they met dancing the jive and now part the same way,wishing for a slow cheek dance but smiling through the goodbye.

Velvet Chaos Orchestra

Sleek alt-pop/rock

Sleek alt-pop/rock, male vocals. Verses ride on smoky Rhodes, subtle bass, and tight rimshot groove; pre-chorus brings tremolo guitars and rising synth pads. Choruses explode with distorted power chords, stacked gang vocals, and huge, punchy drums. Bridge strips to voice and distant piano before a final, over-the-top last hook and a hard stop., soft, smooth, loud

Queen Hive

female vocals

female vocals, mature female vocals, adult woman voice, confident female lead, rich chest voice, controlled head voice, glamorous villain pop, high energy pop, addictive pop melody, strong melodic topline, instant hook, huge chorus payoff, soaring pre chorus lift, singable verses, catchy vocal phrasing, polished studio pop, clean modern pop mix, bright vocal presence, clear upper mids, short tight vocal reverb, no hall reverb, bright synthpop, shimmering synth leads, hooky lead melody, melodic counter melody, sparkling arpeggios, bouncy synth bass, punchy dance pop drums, crisp snare, tight kick, rich chord progression, dynamic arrangement, strong section contrast, chorus opens wide, queen bee attitude, sugar and poison theme, glamorous menace, high replay value, clear bright mastering, 132 bpm

Δεν έχω το μυαλό μου…-1

Ultra dark melancholic cinematic ambient track

Ultra dark melancholic cinematic ambient track, heavy dominant keyboard and piano layers throughout, deep haunting minor piano chords with slow arpeggios and low octave sustains, thick atmospheric dark synth pads and drones building slowly, distant reverb-drenched low husky male vocal broken whisper style with pain regret and echo effects, subtle lo-fi vinyl crackle tape hiss and distant rain ambient throughout, minimal heartbeat-like slow drum buried deep in mix, mournful distant cello swells and long glissandos for sorrow, occasional distorted keyboard arpeggios panning left-right, darkwave noir post-rock Kurtlar Vadisi underworld vibe but extremely introspective shadowy, very slow tempo 100-114 BPM, Phrygian/Aeolian minor key feel, long builds and emotional peaks with female vocal stretching on 'gülüm' and 'öldüm de uyandım', vintage analog warmth mixed with modern dark ambient production, no loud elements pure heavy melancholy heavy keys focus layered introspective fade-outs

Ақылым басымда емес-2

Ultra dark melancholic cinematic ambient track

Ultra dark melancholic cinematic ambient track, heavy dominant keyboard and piano layers throughout, deep haunting minor piano chords with slow arpeggios and low octave sustains, thick atmospheric dark synth pads and drones building slowly, distant reverb-drenched low husky male vocal broken whisper style with pain regret and echo effects, subtle lo-fi vinyl crackle tape hiss and distant rain ambient throughout, minimal heartbeat-like slow drum buried deep in mix, mournful distant cello swells and long glissandos for sorrow, occasional distorted keyboard arpeggios panning left-right, darkwave noir post-rock Kurtlar Vadisi underworld vibe but extremely introspective shadowy, very slow tempo 100-114 BPM, Phrygian/Aeolian minor key feel, long builds and emotional peaks with female vocal stretching on 'gülüm' and 'öldüm de uyandım', vintage analog warmth mixed with modern dark ambient production, no loud elements pure heavy melancholy heavy keys focus layered introspective fade-outs

ᠰᠣᠭᠲᠣᠭ ᠳᠤᠭ 酒歌

Japanese-inspired

Japanese-inspired, Alternative R&B, Contemporary Hip-Hop, Foolish punk electro scene, retro-futuristic mood, vocoder lead, compressed robotic vocals, layered metallic harmonies, pitch-shifted punk screech, analog synth warmth, punchy drum machines, sidechain breathing bassline, electric guitar stabs, low-pass filter sweeps, tape saturation, phaser modulation, glitchy loop sampling, sidechain compression, bit-crush｜Morin Khuur (horsehead fiddle) playing rhythmic, staccato bowed patterns and melodic leads. Modern electronic production includes a programmed drum machine with a crisp snare on 2 and 4 and a syncopated kick. A clean, muted electric guitar plays rhythmic 16th-note patterns. The bass is a deep, rounded synth tone following the root notes. Male vocals utilize traditional throat singing techniques (Khöömei) for low-frequency drones and melodic passages in a mid-tenor range. The arrangement features a prominent Morin Khuur solo with rapid ornamentation. Key of G minor, 120 BPM.

Я не в себе…-1

Ultra dark melancholic cinematic ambient track

Ultra dark melancholic cinematic ambient track, heavy dominant keyboard and piano layers throughout, deep haunting minor piano chords with slow arpeggios and low octave sustains, thick atmospheric dark synth pads and drones building slowly, distant reverb-drenched low husky male vocal broken whisper style with pain regret and echo effects, subtle lo-fi vinyl crackle tape hiss and distant rain ambient throughout, minimal heartbeat-like slow drum buried deep in mix, mournful distant cello swells and long glissandos for sorrow, occasional distorted keyboard arpeggios panning left-right, darkwave noir post-rock Kurtlar Vadisi underworld vibe but extremely introspective shadowy, very slow tempo 100-114 BPM, Phrygian/Aeolian minor key feel, long builds and emotional peaks with female vocal stretching on 'gülüm' and 'öldüm de uyandım', vintage analog warmth mixed with modern dark ambient production, no loud elements pure heavy melancholy heavy keys focus layered introspective fade-outs

Flame dance

Afro House Dancefloor Ignition 134 BPM instant hook zero milliseconds 26Hz sub-bass + kick + djembe SLAP DROP simultaneously female contralto raw powerful voice four-on-floor punchy kick djembe rapid slap patterns congas tumbao dunun deep bass drum shekere continuous shakers kalimba rapid arpeggios fire crackle hi-hats locked polyrhythm body-moving hypnotic rhythm chest vibration physical pressure non-stop groove no breakdowns no silence relentless energy structure hook → fire drop → chant → fire drop → mantra fade

Afro House Dancefloor Ignition 134 BPM instant hook zero milliseconds 26Hz sub-bass + kick + djembe SLAP DROP simultaneously female contralto raw powerful voice four-on-floor punchy kick djembe rapid slap patterns congas tumbao dunun deep bass drum shekere continuous shakers kalimba rapid arpeggios fire crackle hi-hats locked polyrhythm body-moving hypnotic rhythm chest vibration physical pressure non-stop groove no breakdowns no silence relentless energy structure hook → fire drop → chant → fire drop → mantra fade

أنا لست في وعيي…1

Ultra dark melancholic cinematic ambient track

Ultra dark melancholic cinematic ambient track, heavy dominant keyboard and piano layers throughout, deep haunting minor piano chords with slow arpeggios and low octave sustains, thick atmospheric dark synth pads and drones building slowly, distant reverb-drenched low husky male vocal broken whisper style with pain regret and echo effects, subtle lo-fi vinyl crackle tape hiss and distant rain ambient throughout, minimal heartbeat-like slow drum buried deep in mix, mournful distant cello swells and long glissandos for sorrow, occasional distorted keyboard arpeggios panning left-right, darkwave noir post-rock Kurtlar Vadisi underworld vibe but extremely introspective shadowy, very slow tempo 100-114 BPM, Phrygian/Aeolian minor key feel, long builds and emotional peaks with female vocal stretching on 'gülüm' and 'öldüm de uyandım', vintage analog warmth mixed with modern dark ambient production, no loud elements pure heavy melancholy heavy keys focus layered introspective fade-outs

The End

,Very long Instrumental in the intro and in the outro, breathy vocals,church bells,atmospheric track,Whisper singing,disco sound wave, bass guitar, a bass with a jangly guitar and a kick,80s,soft voice,atmospheric, soft ethereal ,groovy beat, as a house-influenced track, specifically a fusion of house-pop and modern electronic elements. Percussion: Modern Software, disco elements, house bass, sampling machines,drum machines,Alternative,Industrial,indie electronic, hypnagogic popSynth-pop, Guitar analog melancholia (warm), pastel paranoia, soft core surreal pop, childhood nostalgia mood, neon lullaby pop, indie shoegaze, emotionally distant, foggy, slowed, lo-fi pop that feels animated but lonely, soft bubblegum trap, sad Ethereal Atmosphere, Dreamy Pads, Lullaby-Like Melody, Dark R&B Pop (Sweet Sound), Soft Vocals, Minimal-Ish Production, Intimate Feel, Bedroom Pop – Whispery Delivery ,

Спи, маленький мой друг

Russian indie pop lullaby featuring a clean

Russian indie pop lullaby featuring a clean, fingerpicked acoustic guitar and a soft, melodic male vocal. The arrangement is minimalist, centered around the rhythmic acoustic guitar pattern and a subtle, atmospheric synth pad that provides harmonic depth. A gentle, high-pitched glockenspiel or bell-like synth melody enters during the instrumental breaks, doubling the vocal melody. The tempo is a steady 85 BPM in 4/4 time, likely in the key of G Major. The production is clean with a light hall reverb on the vocals and acoustic guitar, creating a spacious yet intimate sonic environment. The bass is understated, following the root notes of the guitar chords with a warm, rounded tone.

Blackout dream

rock

rock, Slow, deep breakbeat at mid-tempo with down-tuned guitars grinding under dissonant cathedral organ. Distorted male vocals drenched in long tail reverb, glitchy chiptune arps snaking around the riffs. Extended organ solo in the middle mutates into a DJ-style remix section with stutters, filters, bit-crush, abrupt dropouts. Final chorus hits huge with eerie choir pads, sub-heavy low-end, and stacked gang vocals for a dark funk-metal climax., slow, breakbeat, low, mashup, metal, deep, funk, tone, techno, chiptune, remix, male vocals

MARCH, The city is glowing

A mély

A mély, pulzáló basszus adja az alapot, melyre gyors, pattogó hi-hat-ek rétegeződnek. Laza, de éles dob groove tartja a lendületet. Az instrumentális rétegeket minimalista szintetizátor motívumok színezik, rideg hangolással, hogy erősítsék a flegma, megfigyelő hangulatot.

Turtleneck

electro R&B

electro R&B, modern electronica, lo-fi

Last Fly - OFFLINE (Just Fly Mix)

Last walk to the freedom. Just cut the wire.

Last walk to the freedom. Just cut the wire.

🧚The Hollow Cross🧚

Modern Emotional Country

Modern Emotional Country, Post-Americana Ballad, 75 BPM. Soulful Storytelling, Gritty Raw Male Lead, Breathy Fragile Female Harmony, Intimate ASMR-style Vocals, Symbolic Child-like Echo. Main Instrument: Soft Felt Piano, Muted Acoustic Guitar. Subtle Church Bell Tones, Airy Atmospheric Pads. Production: Slow Emotional Build, Lots of Space and Silence, Analog Warmth. Glitch Dynamics: Subtle Micro-Glitches in Mid-section, Brief Digital Artifacts, Memory Distortion, Unexpected Audio Dropouts, Ghostly Shimmer. Final Chorus: Pure and Clean, Strings Swell, Emotional Authenticity. Outro: Fading Piano, Distant Whisper.

MARCH, The city is glowing

A mély

A mély, pulzáló basszus adja az alapot, melyre gyors, pattogó hi-hat-ek rétegeződnek. Laza, de éles dob groove tartja a lendületet. Az instrumentális rétegeket minimalista szintetizátor motívumok színezik, rideg hangolással, hogy erősítsék a flegma, megfigyelő hangulatot.