New Songs

Love you more〜壊れるほど愛して〜

Gothic J-pop

Gothic J-pop, Dramatic strings, Emotional, Dark fantasy, Orchestral rock, Powerful yet elegant vocals

Ashes in the Coffee Cup

metal

metal, Smoky bossa groove with brushed drums and nylon guitar, ghosted by distant, washed-out black-metal guitars buried in the mix; male vocals almost whispered. Choruses bloom with hazy lo-fi keys and detuned background hummed harmonies. Tape-saturated atmosphere, eerie room reverb, and a slow-build swell of distorted pads near the end that never fully explodes., lo-fi, black metal, bossa nova

Angels Let’s Sing

rap

rap, Warm gospel rap over soulful piano and choir pads, mid-tempo bounce. Confident male vocals with stacked harmonies in the hook; verses ride a head-nod groove with subtle organ swells and deep bass. Choruses bloom with call-and-response choir, claps, and a lifted drum pattern that opens up the stereo field. Final hook adds ad-libs and octave-doubled lead for a triumphant, church-like climax., gospel

Ақылым басымда емес-1

Ultra dark melancholic cinematic ambient track

Ultra dark melancholic cinematic ambient track, heavy dominant keyboard and piano layers throughout, deep haunting minor piano chords with slow arpeggios and low octave sustains, thick atmospheric dark synth pads and drones building slowly, distant reverb-drenched low husky male vocal broken whisper style with pain regret and echo effects, subtle lo-fi vinyl crackle tape hiss and distant rain ambient throughout, minimal heartbeat-like slow drum buried deep in mix, mournful distant cello swells and long glissandos for sorrow, occasional distorted keyboard arpeggios panning left-right, darkwave noir post-rock Kurtlar Vadisi underworld vibe but extremely introspective shadowy, very slow tempo 100-114 BPM, Phrygian/Aeolian minor key feel, long builds and emotional peaks with female vocal stretching on 'gülüm' and 'öldüm de uyandım', vintage analog warmth mixed with modern dark ambient production, no loud elements pure heavy melancholy heavy keys focus layered introspective fade-outs

Last Dance in the Photo Album

Romantic folk-funk with country swing at a mid-tempo groove

Romantic folk-funk with country swing at a mid-tempo groove, built on fingerpicked electric guitar, warm picked bass, brushed drums, and syncopated slapback rhythms. Expressive saxophone lines weave through the arrangement, while female vocals sit upfront with intimate close-mic warmth, subtle vibrato, and lush harmony layers.

Dondok (Money Poisoned) 💰

aggressive gangster rap

aggressive gangster rap, West Coast hip-hop, hard trap beat, heavy 808 bass, dark orchestral strings, rolling hi-hats, deep male rapper, raw gritty vocal delivery, fast punchy flow, cynical money-obsessed lyrics, street narrative, verse-hook structure, emotional bridge with tempo drop, BPM 138, dark cinematic boom bap meets trap, distorted synth stabs, hard snare, underground hip-hop energy, social commentary, cold ruthless tone, English lyrics

Welcome to the Twisted Paradise (v5 Remake)

gothic rock × industrial rock

gothic rock × industrial rock, BPM120-130, band style with heavy electric guitars, distorted low riffs, mechanical percussive hits, metallic clanks, glitch noise fragments, marching-like drum patterns, deep bass groove, darkwave synth layers, haunting choir pads, twisted carnival atmosphere, tension-building pre-chorus, explosive anthem chorus, eerie music box accents, bright yet translucent male vocals, expressive and slightly unhinged delivery, energetic groove that still feels dangerous, chaotic surreal imagery, dissonant melodic intervals, short glitch breaks, industrial transitions, dramatic build-ups, sinister fairy-tale vibe, emotional darkness mixed with playful madness, overall atmosphere: deranged yet catchy gothic industrial rock for a twisted theme-park world

-2أنا لست في وعيي…

Ultra dark melancholic cinematic ambient track

Ultra dark melancholic cinematic ambient track, heavy dominant keyboard and piano layers throughout, deep haunting minor piano chords with slow arpeggios and low octave sustains, thick atmospheric dark synth pads and drones building slowly, distant reverb-drenched low husky male vocal broken whisper style with pain regret and echo effects, subtle lo-fi vinyl crackle tape hiss and distant rain ambient throughout, minimal heartbeat-like slow drum buried deep in mix, mournful distant cello swells and long glissandos for sorrow, occasional distorted keyboard arpeggios panning left-right, darkwave noir post-rock Kurtlar Vadisi underworld vibe but extremely introspective shadowy, very slow tempo 100-114 BPM, Phrygian/Aeolian minor key feel, long builds and emotional peaks with female vocal stretching on 'gülüm' and 'öldüm de uyandım', vintage analog warmth mixed with modern dark ambient production, no loud elements pure heavy melancholy heavy keys focus layered introspective fade-outs

Парапсихолог

Trippy Russian alt-pop with swirling synth arps

Trippy Russian alt-pop with swirling synth arps, woozy bass, and tight hip-hop drums; verses half-whispered, half-rapped, chorus opened up with wide reverb female vocals and washed-out harmonies, brief glitchy FX in turnarounds to heighten the psychedelic paranoia

путь

xip-xop

xip-xop

Погоня

Industrial Metal

Industrial Metal, Dark Electro-Industrial, Heavy Alternative Metal, aggressive vocals, raw gritty voice, driving heavy guitar riffs, powerful drumming, atmospheric synth pads, dystopian atmosphere, post-apocalyptic mood, cinematic soundscapes, relentless energy, industrial sound design, heavy breakdowns.

Η ζωή είναι ελευθερία (reggae)

Reggae Fusion

Reggae Fusion, Modern Roots Reggae, Conscious Reggae, Groovy mid-tempo, Positive drive, Warm punchy bass, Crisp offbeat guitar, Tight live drums, Organic feel, Soulful male vocals, Dry upfront, Clear articulation, Natural vocal flow inspired by instrumental

Zostań na zawsze (Mashup)

Polish pop-rock track featuring bright electric guitars

Polish pop-rock track featuring bright electric guitars, driving acoustic drums, and melodic male vocals. The arrangement centers on a rhythmic palm-muted electric guitar riff in the verses that opens into wide, distorted power chords during the chorus. A clean, chorused electric guitar provides arpeggiated textures in the background. The bass guitar follows the kick drum with a consistent eighth-note pulse. The drums feature a prominent snare on beats 2 and 4 with active hi-hat patterns and frequent crash cymbal accents at phrase transitions. The vocal delivery is energetic with a slight rasp in the higher register during the chorus. Tempo is 128 BPM in 4/4 time, likely in the key of B major.

Come to me (SamAI)

Velvet Sunset – After Dark (Deutsch Duett)

Ibiza afro house after dark duet

Ibiza afro house after dark duet, two equal lead vocalists, clear male and female voices, strong vocal separation, female vocal smooth emotional German, male vocal deep warm German clearly audible and dominant in second verse, male voice NOT background and NOT whisper only, alternating structure (female verse 1, male verse 2), both voices together in chorus, call and response between male and female, intimate but clear duet performance, sensual slow groove, warm deep bass, soft tribal percussion, minimal elegant drums, luxury beach club at night, ocean ambience, sunset into night transition, hypnotic flow, no aggressive drops, deep house style, 120 BPM, studio quality, clean vocal mix, balanced male and female presence

Rocker, réveille ta voix 1

High-energy rock warmup

High-energy rock warmup, female vocals: crunchy overdriven guitars on a steady mid‑tempo groove, tight bass and dry punchy drums. Verses sit in a lower, smoky register; chorus jumps up with belt-y rasp and stacked “aaah / yeah” harmonies. Brief a cappella call‑and‑response on the vocalises, then band slams back in for the last hook.

Я не в себе…-2

Ultra dark melancholic cinematic ambient track

Ultra dark melancholic cinematic ambient track, heavy dominant keyboard and piano layers throughout, deep haunting minor piano chords with slow arpeggios and low octave sustains, thick atmospheric dark synth pads and drones building slowly, distant reverb-drenched low husky male vocal broken whisper style with pain regret and echo effects, subtle lo-fi vinyl crackle tape hiss and distant rain ambient throughout, minimal heartbeat-like slow drum buried deep in mix, mournful distant cello swells and long glissandos for sorrow, occasional distorted keyboard arpeggios panning left-right, darkwave noir post-rock Kurtlar Vadisi underworld vibe but extremely introspective shadowy, very slow tempo 100-114 BPM, Phrygian/Aeolian minor key feel, long builds and emotional peaks with female vocal stretching on 'gülüm' and 'öldüm de uyandım', vintage analog warmth mixed with modern dark ambient production, no loud elements pure heavy melancholy heavy keys focus layered introspective fade-outs

Sovngarde Calls Me Home

Nordic sacred folk ballad

Nordic sacred folk ballad, [Female Vocal], solo lead, choir only in final chorus. Slow tempo. Frame drum, low strings, tagelharpa, horn, soft bells. Clear pronunciation, slow build, long final note.

"Fields of Elysium" (Hardstyle Remix)

Mix of Melodic Trance/Progressive House Mix with Electro

Mix of Melodic Trance/Progressive House Mix with Electro, Hardstyle, Deep male vocals, Low pitched male vocals, Sexy male vocals, Spoken words, Repetitive, Hypnotic, Bass house, relentless

Speak My Heart

female vocals

female vocals, arabic-inspired pop, emotional, modern, mid to fast paced, warm vocal tone with clear diction, subtle melisma, oud plucks, qanun arpeggios, soft darbuka and bendir percussion creating gentle rhythmic variations, warm synth pads for depth, layered string textures for emotional lift, piano accenting melody, occasional minor scale motifs for authentic arabic feel, dynamics flowing to highlight lyrical phrases, chorus supported by harmonic backing vocals, bridge with sparse instrumentation to emphasize intimacy, outro fading with soft percussion and strings, expressive but natural phrasing, intimate and cinematic atmosphere, mood reflective and heartfelt