New Songs

Hold On Me

Japanese Singer-Songwriter

Japanese Singer-Songwriter, Clean Acoustic Rock Ballad, Gentle and Sincere Male Vocals, Steady and Natural singing, No Shouting, No Vocal Quirks, Pure Melodic Voice, Precise Fingerstyle Guitar, Dynamic Strumming, Rubato, Emotional Tempo Fluidity, Natural Accelerando, High-Definition Acoustic Clarity, 2026 Sonic Purity

What’s the matter?

バウンスで呼んで

Dancehall / reggae-pop groove with springy offbeat guitar

Dancehall / reggae-pop groove with springy offbeat guitar, rounded subby low end, and a tight, cutting snare. Female vocals ride the rhythm talk-singing in the verses, then burst into layered call-and-response hooks over bright synth stabs in the chorus. Second half lifts with added percussion, dubby echo ad-libs, and a final a cappella singalong outro.

Be near me now

Emotionally passionate male vocals

Emotionally passionate male vocals, moving from the note C to the note B in the choruses, which stand out and are remembered. Orchestral inserts, cinematic, soul-stirring. Moderately fast pace. Beautiful, simple, memorable melody, full of power of feelings. Dark, minimal blues with a hollow, introspective atmosphere. Sparse instrumentation: soft steel guitar moans, distant cello wails, and slow, muted drums that feel like a heartbeat fading into silence. The sound should evoke emotional isolation, empty rooms, and the weight of withdrawing from the world. Long pauses, heavy reverb, and wide open space create a sense of inner retreat. Vocals should be low, rumbling, weary, and intimate — a voice carrying exhaustion, disappointment, and the quiet ache of choosing solitude over pain. Overall mood: shadowed, restrained, and deeply internal, like sinking into the quiet of one’s own mind. violin, piano accompaniment

Clairon, soupe et gamelles 1

Martial fanfare groove with gravelly male vocals; tight snare rolls and brass stabs set a barracks-call vibe

Martial fanfare groove with gravelly male vocals; tight snare rolls and brass stabs set a barracks-call vibe, then a stomping mid-tempo march drops with gang shouts on the hook, low brass and floor toms driving. Verses stay clipped and percussive, chorus opens wider with chant-like unison, subtle room reverb to feel like a mess hall.

Coffee in Soft Light

pop

pop, Chill pop at 92bpm with soft female vocals; clean fingerpicked guitar and warm felt piano carry the chords, subtle lo-fi texture and soft round bass under the verses. Choruses bloom with airy harmonies and a gentle sidechain swell, brushed percussion easing in. Overall a relaxed afternoon café mood, trailing off in a hazy, lingering fade out., clean, light, warm, vocal, lo-fi, soft

SCREAM

Extreme progressive trance

Extreme progressive trance, 138 BPM, F minor, seismic supersaw leads, rolling punchy bass, hard festival kicks, layered triple risers (white noise + synth + choir), uplifters and downlifters, reverse FX, snare fills, orchestral cinematic hits, epic choir pads, arpeggios, tension and release, hypnotic yet aggressive, powerhouse festival energy, euphoric and dark, high-stakes buildup, fake drops, dramatic breakdowns, ultimate festival climax, wide stereo, polished modern mix, crowd-hyping, festival annihilation vibe, cinematic trance symphony, hypnotic progressive structure, aggressive melodic layers, mainstage domination.

The Bus Driver's Hands

[IS_MAX_MODE: MAX

[IS_MAX_MODE: MAX, QUALITY: MAX, REALISM: MAX, AUDIO_DETAIL: MAX, REAL_INSTRUMENTS: TRUE, STUDIO_RECORDING: TRUE, PRO_MIX: TRUE, PRO_MASTER: TRUE, HIGH_FIDELITY: TRUE] Urban soul with mechanical rhythm, bus engine idle as drone, turn signal clicking as metronome, air brake hiss as punctuation, electric piano with tremolo, muted trumpet, rubber-on-steering-wheel percussion, vinyl seat creak, vocal delivery channeling Gil Scott-Heron's observational poetry with D'Angelo's gritty warmth, spoken verses sung choruses, layered bus ambience, passenger murmurs, rain on windshield, route announcement bell, close-mic intimacy with street noise bleeding, 12/8 shuffle feel, urban blues, mechanical heartbeat

I Dimman vid Lützen

Symphonic power metal featuring high-register male vocals in Swedish. The arrangement centers on distorted electric guitar power chords and rapid-fire double-kick drumming. Orchestral elements include a prominent brass section

Symphonic power metal featuring high-register male vocals in Swedish. The arrangement centers on distorted electric guitar power chords and rapid-fire double-kick drumming. Orchestral elements include a prominent brass section, staccato string ostinatos, and cinematic percussion hits. A synthesizer provides bright, saw-tooth lead melodies during instrumental breaks. The bass guitar follows the kick drum with consistent eighth-note drive. The tempo is 165 BPM in 4/4 time, set in the key of B minor. The vocal delivery is operatic and powerful, utilizing vibrato on sustained notes and harmonized layers during the chorus.

Хрупкая роза

Ethereal dark pop

Ethereal dark pop, cinematic alternative rock, slow burning tension, haunting female vocals with breathy intimacy, layered harmonies, atmospheric guitars drenched in reverb, pulsing bass, delicate piano, strings swelling from restrained to cathartic, gothic romantic undertones, sensual yet dangerous, quiet-loud dynamics, 75 BPM, wide stereo, polished but emotionally raw, no distortion, no harshness.

🎵 "Ag Pleez Deddy (Verby Is Verby)" 🎵

[Genre: Afrikaans Beatbox Comedy Anthem | Akoestiese Beatbox Vocal | Uptempo] [Voice: Very Deep Bass Male | Gritty en Warm | Northern Transvaal | Sterk Vocal Driven | Beatbox Perkussie Ingeweef] [Instruments: Akoestiese kitaar

[Genre: Afrikaans Beatbox Comedy Anthem | Akoestiese Beatbox Vocal | Uptempo] [Voice: Very Deep Bass Male | Gritty en Warm | Northern Transvaal | Sterk Vocal Driven | Beatbox Perkussie Ingeweef] [Instruments: Akoestiese kitaar, mondperkussie beatbox, handeklap, ligte bas, tong-in-die-kies energie] [Mood: Nostalgie wat Skeef Loop, Herkenbaar Snaaks, Warm Chaos, Glorieryke Afloop]

Leftover Balloons

Glam Poprock Metal

Glam Poprock Metal,Coro Vocals, 90s,Intense Saxofón Rock,Opera,Guitar, Techno,Dance, female singer, heavy metal, electric guitar,Country, Reguetónmix, Vocals Latino,

Yellow Walls Keep Watching

cinematic dark trap

cinematic dark trap, darkwave, 92 BPM, syncopated half-time, taiko tom cascades, industrial percussion grid, syncopated trap snares, brutalist drum hits, detuned string clusters, orchestral stabs, growling synth bass, sub bass drones, metallic glitch fills, ice-cold ambient pads, wide hall reverb, tape saturation, minor key chorus, melodic drop, industrial groove, haunted dread

Day Dreamin’

Japanese Singer-Songwriter

Japanese Singer-Songwriter, Clean Acoustic Rock, Gentle and Sincere Male Vocals, Steady and Natural singing, No Shouting, No Vocal Quirks, Pure Melodic Voice, Precise Fingerstyle Guitar, Dynamic Strumming, Rubato, Emotional Tempo Fluidity, Natural Accelerando, High-Definition Acoustic Clarity, 2026 Sonic Purity

Window Open Air

folk

folk, Soft female vocals over mellow chill-pop groove, close-miked acoustic guitar and warm felted piano sharing the lead. Gentle round bass and brushed snare keep it swaying at 90 bpm. Verses stay intimate and conversational; chorus opens with airy harmonies that feel like a breeze through curtains. Subtle pads swell on the bridge, then everything slowly strips back to a single guitar and voice for a tender fade out., gentle, pop, acoustic, mellow, female vocals, warm, soft

Wär ich ein Hund

In the Air (2026)

Appalachian dub

Appalachian dub, dark folktronica, 84 BPM, fingerpicked acoustic guitar, low drone banjo, bowed bass harmonics, modular synth pad, spring reverb, tape delay echoes, dub siren accents, brushed snare groove, half-time, room mic grit, cassette age, rural nocturne, unresolved drift

İhtiyar Gece (Ritmik)

Delicately played Appalachian santur weaves over sparse acoustic guitar and double bass

Delicately played Appalachian santur weaves over sparse acoustic guitar and double bass, 80s retro pop arrangement, robot voice, vocoder, funk-inspired rhythm with short syncopated notes for the groove, powerful bassline, twist, dancehall reggae, r&b rock blues blossom with harmonies, light percussion and expressive violin, Anti-folk interludes, strumming rhythms, brushed kicks, Anatolian folk instruments (fast bağlama, oud) merge with electric guitar and psychedelic, mystical, poetic snare drum and dissonant banjo, acid jazz sections jump with syncopated Rhodes, deep funk bass, abstract synths lead to a tight, grooved bridge, glitch, fragmented runs, muffled beats, inverted sounds, irregular beats, sitar, oud and percussion meets tabla/darbuka layers, gritty disco bass and funk guitar fuel the punchy chorus, accented by synth beats, verses blend spoken word, rap, whispers and backhanded effects, chic electro disco

call on the lord

upbeat

upbeat, drum and bass male vocals outlaw gospel blues gritty

sueño o realidad

rock

rock, dark guitar, punk