New Songs

Who Gives a F**K?

Raw early-2000s rap/hip-hop. Aggressive delivery with a gritty

Raw early-2000s rap/hip-hop. Aggressive delivery with a gritty, raspy vocal tone. Minimalistic beat driven by hard-hitting kick and snare, with repetitive, chant-like structure. Dark, stripped instrumental with subtle orchestral hits and low brass stabs. Tempo around 90–100 BPM. Heavy emphasis on rhythm and vocal presence over melody. Background ad-libs, crowd-style shouts, and call-and-response hooks. Slight distortion on vocals for intensity. Street energy, confrontational attitude, and high dynamic impact with explosive chorus sections.

RESURRECTION

Genre: Ultra Heavy Ritual Metal / Blackened Death Metal + Abyssal Choir Tempo: 102–104 BPM (bold midtempo war-groove) Drums: Midtempo war-groove

Genre: Ultra Heavy Ritual Metal / Blackened Death Metal + Abyssal Choir Tempo: 102–104 BPM (bold midtempo war-groove) Drums: Midtempo war-groove, Crushing kick + snare like blunt strikes, Execution pause before every chorus hit, Simple but massive double-kick in drop sections, Rhythm Guitars (2): Drop F / Drop E, Ultra-fat palm-mutes, Repetitive groove-riff, Stop-start chugs for crowd impact, Bass: Distorted low-end wall glued to kick, Sub-layer pressure you feel in the chest, Lead Guitar: Short dissonant stabs, Feedback screams between vocal lines, No solos — only menace, Choir: Male abyssal mob-chant in unison, Layered like a marching execution crowd, Atmosphere: Low drones, Breath noise, Distant chains dragging, Vocals: Ultra-low growl in verses, Barked commands in pre-hook, Hook screamed by crowd + choir together

Vinaka for Loving Me

Reggae

Reggae, male vocals,melodies,

トイレ我慢

Domingo de Ramos

Vals

Vals, puentes instrumentales, ritmos industriales, trampa rusa, female vocalist

मैं सिर्फ कहता सुनता हि नहीं, जो कहता हुँ वो हि करता भि हुँ, नफरत कि निगाह से नहीं बस एक बार मोह्हबत कि निगाह से प्यार में पुकार भर लो मैं तुमम्हारी हर कही बात अमल में लेकर हर बात में मुझे जो सही लगता है तुम्हें वह उत्तऱ भि तुरंत हि सोंच समझ कर देता हुँ, मैं फिर से तुम्हें बता दूँ मैं कोई ईश्वर विश्वर या चमत्कारी भगवान नहीं वरन एक सच्चा इंसान भर हुँ (मनोज कुमार गौर )

drum

drum, electropop, pop rock, classical

Jellybean V1

brass band pop

brass band pop, 118 BPM, swung eighth feel, call and response phrasing, acoustic guitar strums, muted brass stabs, marching snare, tambourine backbeat, glockenspiel accents, warm bassline, gospel brass swell, brush drum pickup, halftime bridge, stereo room reverb, plate reverb, analog console saturation, clear front mix, sidechain glue, bittersweet uplift,duet(female, male)

Abi Nachholen part 2. Der Pizza-Mann.

Pop

Pop, Doo-Wop, Indie Pop, Swing | Style: Classic Doo-Wop swing with nostalgic undertones, alternating intimate storytelling, light-hearted yet determined vibe, late-night urban apartment atmosphere. The energy is focused but with a playful, teasing edge. A sense of connection through shared struggle with moments of distraction. Atmospheric but grounded, warm and close-knit feel, with hints of comedic tension. | Music: 128 bpm, swinging claps and finger snaps, smooth guitar and subtle piano interplay. Gentle, warm backing vocals. Church organ undertones for emotional shifts, and occasional sudden breakdowns. | Voice(s): Female voices with a raw, intimate tone. Berlin girl with a strong Berlin accent, delivering lines with passion and confidence. Dutch girl with a light Dutch accent, softer, but still passionate. Their dynamic is teasing, playful, yet serious when needed. Performance is heartfelt but grounded, with a light comedic timing to their back-and-forth. The vocals feel close, alm

За стеклом витрин — еда без вкуса, Свет экранов — развлеченья-пустошь. Цели, словно с чужого плеча костюмы, Дни летят под диктовку бессмысленных кнопок. Мы забыли, как пахнет земля после ливня, Как ладонь тяжелеет от спелой пшеницы. В суете обесценился хлеб насущный — Его режут квадратами, в плёнку, в глянец. А ведь счастье — в глотке родниковой воды, В хрусте веток в лесу, в незажжённой звезде. В том, чтобы просто идти, не сверяя следы С картой выдуманных побед и идей. Остановимся. Выключим шум. Посмотрим, Как закат примеряет последний багрянец. В этом мире, где фальшь продают литрами, тоннами, Настоящее — тихий, живой ручей. Пусть оно не блестит, не зовёт в переполох, Не упаковано в яркий, кричащий фантик. Но под вечными звёздами каждый цветок Дышит просто, без фильтров, в подлинном трансе

Nieznany Świat

Polish pop-rock

Polish pop-rock, piano arpeggios, bowed cello lines, accordion stabs, clean electric guitar riffs, synth pad layers, orchestral string stabs, sub-bass underlay, sidechain pumping, plate reverb, verse breakdown, pre-chorus lift, chorus stack, road-trip nostalgia, defiant recovery, 104 BPM, four-on-the-floor kick, syncopated snare accents

There's a time

Experimental beautiful violin music

Experimental beautiful violin music, male and Female vocals

Names They Made (Myrddin's Armee COVER)

Epic rock–reggae–rap–ska fusion in the spirit of Myrddin’s Armee

Epic rock–reggae–rap–ska fusion in the spirit of Myrddin’s Armee, focused on identity, societal labeling, and collective awakening rather than confrontation. Emotional arc evolves from reflective observation to powerful unity and liberation. Minor-key foundation. Intro uses glitchy vocal samples (generation labels), subtle radio/static textures, wind ambience, and low pulse. Verses begin minimal and thoughtful with deep bass, light percussion, and restrained guitars, gradually building intensity. Reggae offbeats add movement and lift without tension. Verse 2 may include rhythmic spoken/rap delivery. Pre-chorus tightens into intimate, near-whispered tension. Chorus expands into a strong, melodic, hymn-like hook with layered gang vocals and wide stereo energy. Male lead vocal: warm, gritty baritone with calm authority and clarity. Subtle children’s choir and soft harmonies add emotional depth and hope. Cinematic strings and orchestral swells enhance scale. Final chorus maximal, unifying,

Gadis berambut panjang

Dangdut Koplo Romance Groove

Dangdut Koplo Romance Groove, bamboo flute, full bass from kendang

Mélodie à Deux

male vocals

male vocals, male singers, beautiful voice, guitar, electronic, harmonica, accordion, piano, violin, emotional, flute, pop, 90s, powerful, baritone, soul, passionate, Ballad romantic.

Penélope x Não vai, mais fica (Mashup)

Funk eletrônico 150 BPM with orchestral strings inspired by classical romantic drama

Funk eletrônico 150 BPM with orchestral strings inspired by classical romantic drama, emotional and elegant vibe, female vocals, dramatic and expressive, mix of modern beat with violin and piano, theme of invisibility, unrecognized beauty, and inner strength, cinematic atmosphere like a period drama with contemporary twist

TechnoDreamscape

Techno

Techno, belly dancing, Super Energetic cyberpunk dance K-pop synthwave EDM track with bright female vocals, retro 80s synthwave pads, pulsing basslines, glitch effects and digital stutters, futuristic cyberpunk atmosphere, emotional pre-chorus building into a powerful EDM club drop.

Material desire in a Life

Pop + Electronic + Rap Fusion

Pop + Electronic + Rap Fusion

Forgive Me (The Devil’s Confession)***

blues rock

blues rock, hard rock, dual lead guitars, call and response, virtuoso shredding, high gain, emotional male vocals, driving drums, raw production, key of E minor, tempo 82 BPM, swing feel, dramatic confession lyrics

The Croc

Rock pop

Rock pop, jazz, soundtrack, drums, guitars, new wave, double bass, 1990s

ONE LESS DAY

hard rock

hard rock, progressive rock, 92 BPM, downtuned power chords, syncopated palm muting, galloping bass guitar, tom-heavy drum fills, distorted lead guitar harmonies, vintage tube saturation, plate reverb snare, tape compression, wide stereo guitars, dynamic breakdowns, stormy resolve