New Songs

Iterative Self

Progressive metalcore/djent in F# minor at 150 BPM with syncopated 7-string guitar chugs

Progressive metalcore/djent in F# minor at 150 BPM with syncopated 7-string guitar chugs, palm-muted polyrhythms, and technical pinch-harmonic leads. 5-string bass locks with double-kick, ghost-note snare, and crashing cymbals. Atmospheric synths and digital sampler pads add an ethereal, haunting layer under harsh screams and airy female vocals. Heavy breakdown hits in half-time.

Pinos de Ibiza

Yacht Rock

Yacht Rock

Не проспи (ft. Remdёnok)

An uplifting pop-rock song with warm and modern vocals

An uplifting pop-rock song with warm and modern vocals, a strong and emotional chorus, and piano in the beginning.

King Without a Throne

Aggressive underground trap at 140 BPM with blown-out 808 sub-bass

Aggressive underground trap at 140 BPM with blown-out 808 sub-bass, trap claps, and rapid hi-hat rolls chopped into glitchy fills. Haunting stacked choir pads and eerie violin motifs float behind close-mic male vocals drenched in reverb. Tom builds, syncopated drops, dark opera flourishes, hypnotizing hook.

Silence Sous la Lune (Remastered)

L’intro dévoile un silence glacé

L’intro dévoile un silence glacé, bientôt traversé par des choeurs fantomatiques en nappes harmoniques et des voix éthérées. Pads granulaires, drones lents, field recordings nocturnes habillent l’espace, plongé dans une reverb cathédrale. Beat trap downtempo minimal, sub-bass profonde, piano éthéré aux intervalles longs. Les couplets hypnotisent sur cette texture, avant qu’un refrain majestueux, saturé de delays et harmonies, n’amplifie l’immersion onirique.

Mr Big Stuff - Bau Bau _

Hand percussion drives a polyrhythmic groove with layered congas

Hand percussion drives a polyrhythmic groove with layered congas, shakers, bongos, and frame drums, all interlocking in gritty, off-kilter textures. Bursts of grunge-leaning drop-tuned guitar crash in with fuzz, heavy compression, and amp overdrive, while shoegaze guitar passages bloom through chorus, delay, and wall-of-sound reverb.

Whoy

MY DAY

A mid-tempo Latin Pop and Reggaeton track characterized by a syncopated dembow drum pattern and a prominent

A mid-tempo Latin Pop and Reggaeton track characterized by a syncopated dembow drum pattern and a prominent, repetitive acoustic guitar riff. The song features a male vocalist with a smooth, melodic delivery, utilizing subtle pitch correction and reverb. The arrangement is built on a foundation of a deep, rounded sub-bass that follows the chord progression, complemented by crisp electronic percussion including sharp snares and high-frequency shakers. Atmospheric synth pads provide a lush background texture during the transitions. The structure follows a standard pop format with a clear distinction between the rhythmic verses and a more melodic, catchy chorus. The production is polished and modern, with a clean mix that emphasizes the vocal clarity and the rhythmic drive of the percussion. The tempo is approximately 95 BPM, set in a minor key to evoke a soulful yet danceable mood.

Prodigy (Hiromi Higuruma Fan Made Song)

Genres: Japanese Jazz-Fusion

Genres: Japanese Jazz-Fusion, Legal-Thriller Core, Sophisticated Phonk Vibe/Lore & Singer Description: The track hits with the sharp, intellectual snap of a briefcase closing in a silent courtroom. It’s built on a frantic, walking upright bassline and a crisp, "dry" drum kit that feels like a ticking clock. Layered over the jazz foundation is a modern, aggressive synth that growls whenever the "evidence" mounts. The atmosphere is suffocating and high-stakes, like a private office filled with cigarette smoke and heavy law books. The singer is a male with a smooth, articulate baritone—he sounds composed, logical, and dangerously calm—until the chorus, where his voice breaks into a desperate, soaring melodic plea that reflects the "burden of the soul."

Thee, O Christ, the Father's Splendor (Falkenbach)

Fast dark symphonic black metal

Fast dark symphonic black metal, haunted orchestra, epic choir, bells, harpsichord

В мире вечной любви || In a world of eternal love

Melodic ethereal folk ambient built from solo male tenor voice

Melodic ethereal folk ambient built from solo male tenor voice, intimate and clear, floating over bowed cello and soft felt piano. Neo-classical string pads, low drone harmonium, and Russian sacred choir intervals add ancient resonance. Wide plate reverb, faint tape hiss, sparse dynamics, and slow evolving harmonic beds deepen the nostalgic, airy texture.

Let's Get High (ft. Timbaland) - (Drip Remix)

Maggo-Style Vocals. A late-90s hip-hop remix inspired by Timbaland-&-Magoo’s signature sound

Maggo-Style Vocals. A late-90s hip-hop remix inspired by Timbaland-&-Magoo’s signature sound, featuring off-kilter rhythmic flows, quirky vocal delivery, and experimental percussion. We want Magoo-Style Sound with the Vocals. The beat is driven by syncopated drums, hollow kicks, unusual snare placement, and minimal melodic elements. Includes playful vocal ad-libs, call-and-response moments, and unconventional timing that creates a unique, head-nodding groove. The production is sparse but bouncy, with futuristic sound effects and classic Timbaland-style bounce.

Relentless (by heavy_nova)

Dark progressive metal / groove metal track with a sinister

Dark progressive metal / groove metal track with a sinister, ironic tone. Heavy downtuned riffs, tight oppressive rhythm, minimal but crushing arrangement. Vocals are deep, calm, and menacing — spoken-word verses that sound like polite customer support turning into cold authority, shifting into gritty, threatening cleans and restrained growls in the chorus. Tempo is steady but tense, with subtle breakdowns that feel procedural and inevitable. Lyrics are satirical and dark, portraying the devil as a corporate customer service agent enforcing contracts for souls, mocking bureaucracy, fine print, and modern consent culture. Mood is eerie, sarcastic, and oppressive rather than chaotic — evil with a headset and a script. No humor music-wise, humor only in concept. Cinematic, cold, and heavy.

So High

Suno v5.5検証/verifi

Tech House_Ibiza-Inspired

Tech House_Ibiza-Inspired, Energetic_Groovy_Hypnotic_Vibrant, Punchy Kick Drum, Rolling Bassline, Crisp Hi-Hats, Layered Claps, Atmospheric Pads, Modular Synth Lines, Percussive Loops

Who helps me out of my life?

grunge

grunge, hard rock, aggressive, male vocals, emo, drum, male voice, deep, melancholic, dark

Crown Of Blasphemy

Brutal and technical Brazilian dark death metal

Brutal and technical Brazilian dark death metal,dark and heavy guitar riffs with fast tremolo picking, deep demonic growls, fast double bass drums, distorted and technical guitar riffs, blasphemous and anti-religious lyrical themes, and an atmosphere of chaos and infernal rage , ultra-heavy, down-tuned guitars with groovy mid-tempo riffs, dark and crushing atmosphere, brutal guttural male vocals, simple but powerful drum patterns, and an overall raw, old-school , deep low-tuned guitars, intricate melodic leads, tight and aggressive bass lines, relentless blast beats mixed with groovy mid-tempo sections, powerful double bass drumming, guttural growls with commanding intensity, old-school death metal roots blended with modern production clarity, sinister and occult atmosphere, themes of death, darkness and existential dread, crushing and immersive sound, precise musicianship with raw aggression.Sound with a sinister, morbid vibe.

1 в поле воин (ориг + суно)

A high-energy Russian alternative rock track characterized by a blend of post-punk atmosphere and modern hard rock intensity. The song features a driving tempo of approximately 140 BPM in a minor key. The instrumentation consists of heavily distorted electric guitars playing power chords and melodic lead lines

A high-energy Russian alternative rock track characterized by a blend of post-punk atmosphere and modern hard rock intensity. The song features a driving tempo of approximately 140 BPM in a minor key. The instrumentation consists of heavily distorted electric guitars playing power chords and melodic lead lines, a prominent and gritty bass guitar, and a powerful acoustic drum kit with a crisp snare and active hi-hat patterns. The male vocals are delivered with an emotive, raspy quality, transitioning from melodic verses to strained, anthemic shouting in the chorus. Production elements include a wide stereo field for the guitars, subtle reverb on the vocals, and a clean, punchy mix that emphasizes the rhythmic drive. The structure follows a traditional verse-chorus-bridge format with a melodic guitar solo featuring delay and wah-wah effects.

エイプリルフール

Style: EDM

Style: EDM, Future Bass, Japanese Pop, Female Vocal, Playful, Cute but Emotional, Festival Prompt: A playful EDM track with Japanese female vocals about April Fool’s Day. Theme is harmless everyday lies (like “I’m on my way”, “I overslept”, “my phone died”) mixed with teasing romantic feelings. Bright, catchy, slightly mischievous vibe. Short phrases, repetitive hook, strong emotional drop. Feels like a fun lie that might hide real feelings. Clean modern future bass production.

Stay With Me Forever (Jerseyで跳ねよう)

gothic rock

gothic rock, Jersey Club rhythm, anime opening style, BPM 140, romantic love theme, uplifting and emotional, melodic and cinematic, driving rhythm, fast-paced groove, Jersey Club kick pattern, energetic drums, syncopated rhythm, distorted guitars, strong bass, atmospheric synths, piano accents, dark yet beautiful, emotional build-up, explosive and anthemic chorus, transparent male vocals, clear and ethereal voice, emotional but controlled, no screaming