New Songs

Explore trending AI-generated songs from MusicMint. Discover the most popular New Songs tracks created with artificial intelligence.

わたしのうた (Songs you guys hate)

human voice

human voice,Style: Non-Euclidean 155BPM, "Gentle and swaying" rhythmic fluctuations, Distorted "Minna no Uta" aesthetic, Nostalgic City Pop Lullaby, Experimental Dark Ambient, Thermal-delusion aesthetic, "Powapowa" (Soft and Bubbling) textures, Dark and Heartbreaking, Rotting nostalgia, No Vocaloid, No Guitar, No Synths, No Chiptune, Raw Toy Piano and Celesta played with soft fingers, Soft Felt Vibrandoneon and Felt Glockenspiel chords, Wet and echoing "Bubble pulses," Deep vibrating sub-bass hum, Worn-out and muddy Slap-Bass line, Muffled emergency alert tones (like a twilight chime), Weeping Spanish Cello, Glitch-drag, Binaural vertigo, Corrupted but lo-fi and warm production, Suffocating high-pressure mix, Studio quality, Rhythmical, uptempo, fast, dissonance, powerful vocal

Hexed & Unholy

rap

rap, Hybrid of trap-soul and industrial dark pop: heavy 808s and distorted sub, witchy pads, and ritual percussion under ethereal female vocals, Verses in a punk-trap cadence with hyperpop glitch stabs and bit-crushed ad-libs; choruses expand into cinematic horror-core with stacked harmonies and occasional operatic screams tucked behind the lead, Slowed, reverb-soaked turn in the bridge, chopped vocal FX swirling like a cult chant before an EDM-style drop slams back in, Female vocals with bratty, hyper-feminine rage, equal parts venom and vulnerability, edm, rock, sad, pop, glitch, witch house, opera, punk, screamo, industrial, soul, hyperpop, female vocals, emo, Gritty phonk banger built on crushing 808 synth bass and pitched Memphis-style vocal chops, Distant, detuned pads smear the edges; sharp, dry drums hit in a tight pocket, Verses ride low and menacing; hook explodes with stacked female vocals and subtle choir stabs for a haunted, larger-than-life feel, strong

Горбачев 7 версия. агресив рэп металл отл

Style: Rap metal

Style: Rap metal, industrial metal, alternative metal Key: D minor Instruments: Distorted guitars, bass, electronic beats, synth bass, industrial percussion, glitch effects, crowd samples Vocals: Male, aggressive rap in verses, robotic vocoder in slogans, melodic in bridge, crowd chants in final chorus Mood: Political satire, aggressive, ironic, cyberpunk dystopia Structure: Intro 80 BPM — Verse 1 (rap metal) 100 BPM — Chorus (rap metal + vocoder) 120 BPM — Verse 2 (rap metal) 100 BPM — Chorus (rap metal + vocoder) 120 BPM — Bridge (melodic, spoken) 90 BPM — Final Chorus (full power, crowd) 140 BPM — Outro 70 BPM Exclude: Pop, happy, acoustic-only, symphonic, clean-only

Something Stays

A High-Energy Trap And Hip-Hop Track Featuring A Fast-Paced

A High-Energy Trap And Hip-Hop Track Featuring A Fast-Paced, Syncopated Vocal Delivery Over A Heavy, Bass-Driven Production. The Beat Is Characterized By A Prominent, Distorted 808 Bassline That Provides Both The Melodic Foundation And The Rhythmic Punch. Sharp, Crisp Hi-Hat Rolls And A Snapping Snare Drum Create A Modern Trap Groove At Approximately 140 Bpm. The Vocal Performance Is Aggressive And Rhythmic, Utilizing A Staccato Flow With Frequent Internal Rhymes. Atmospheric Synth Pads And Occasional Melodic Plucks Provide A Dark, Moody Backdrop In A Minor Key. The Production Is Polished With Heavy Compression On The Drums And A Slight Reverb On The Vocals To Create Depth. The Structure Follows A Standard Verse-Chorus Format With A Focus On Repetitive, Catchy Rhythmic Hooks., female vocals, emo, epic, beat

Talks by Koshmaider

[Style: West Coast hip-hop

[Style: West Coast hip-hop, 90s gangsta rap, Latin hip-hop influence] [Mood: dark, hazy, menacing, rebellious, street-hardened] [Instruments: heavy boom-bap drum breaks, deep rolling bassline, dusty vinyl samples, eerie organ stabs, wah-wah guitar licks, brass horn samples, smoky jazz piano loops, scratching vinyl turntable cuts] [Vocals: male rapper, deep gravelly voice with slight Latino accent, aggressive delivery mixed with laid-back drawl, double-tracked ad-libs, low pitched backing vocal chants, occasional sung hooks in raspy tone] [Lyrics themes: street life, defiance, smoke culture, neighborhood loyalty, confrontation] [Production: lo-fi gritty texture, heavy low-end 808 kicks, snappy snare, slow to mid tempo around 88 BPM, dense layered sampling, dark cinematic atmosphere, underground West Coast club energy]

Brillando en la Niebla

Distorted supersaw synths

Distorted supersaw synths, UK Garage, Trap, 144 bpm, emotional

見過ごされた機会

Genre: Ultra Heavy Ritual Metal / Blackened Death Metal + Abyssal Choir Tempo: 102–104 BPM (bold midtempo war-groove) Drums: Midtempo war-groove

Genre: Ultra Heavy Ritual Metal / Blackened Death Metal + Abyssal Choir Tempo: 102–104 BPM (bold midtempo war-groove) Drums: Midtempo war-groove, Crushing kick + snare like blunt strikes, Execution pause before every chorus hit, Simple but massive double-kick in drop sections, Rhythm Guitars (2): Drop F / Drop E, Ultra-fat palm-mutes, Repetitive groove-riff, Stop-start chugs for crowd impact, Bass: Distorted low-end wall glued to kick, Sub-layer pressure you feel in the chest, Lead Guitar: Short dissonant stabs, Feedback screams between vocal lines, No solos — only menace, Choir: Male abyssal mob-chant in unison, Layered like a marching execution crowd, Atmosphere: Low drones, Breath noise, Distant chains dragging, Vocals: Ultra-low growl in verses, Barked commands in pre-hook, Hook screamed by crowd + choir together

There's something toxic about you

Country industrial

Country industrial, dynamic shifts, catchy, clear lyrics, slow tempo, conversational. Emergency sounds

rice and salmon

Modern Rap

Modern Rap, Trap

Son Bakış-1960s Ýe Ýe Pop

1960s French ye-ye pop

1960s French ye-ye pop, Françoise Hardy France Gall Sylvie Vartan style, upbeat cheerful young girl first love with playful heartbreak twist, bright jangle guitar, driving piano riff, light shaker handclaps, doo-wop "ooh-la-la" female backing harmonies, energetic catchy hooks with swing, warm analog vintage production, high sweet female vocal playful flirty phrasing, nostalgic 60s retro pop joy, tempo 122 BPM, sparkling glockenspiel touches, pristine warm mix, happy heart-pounding danceable teen crush vibe, Turkish lyrics

愛情盡頭

Male voice chords all the song heartbreak emotional chorus harmonica synth violin girl voice

На грани огня 🔥🔥🔥

Russian lyrics

Russian lyrics, A dramatic and cinematic Russian pop ballad featuring a duet between a male baritone and a female soprano. The track begins with a melancholic piano melody and atmospheric synth pads, building into a powerful orchestral arrangement with soaring strings and a steady mid-tempo electronic drum beat. The chord progression follows a minor-key emotional arc, utilizing lush reverb and polished production. The vocals are expressive and theatrical, characterized by harmonized choruses and intense emotional delivery. The structure includes a slow build-up, a grand crescendo in the chorus, and a bridge with heightened orchestral intensity before a fading outro. The tempo is approximately 75 BPM in a 4/4 time signature.

Donde Empieza el Mar (Reggaeton)

Modern reggaeton-pop

Modern reggaeton-pop, ~98 BPM, Minimal, sleek dembow beat, deep sub-bass, warm synth pads, subtle guitar plucks, Moody, intimate club vibe—dark but danceable, Female vocal: smoky, husky, smooth and controlled, Rhythmic verses, melodic pre-chorus with light harmonies, Catchy, simple, repetitive chorus with a strong hook and clean topline, Polished, radio-ready, modern Latin sound, No clichés, Language: Spanish (light Spanglish ok), Theme: subtle attraction, confident, effortless chemistry

QUARTIERE (feat.AR28)

Italian Trap Melodic

Italian Trap Melodic, 120 BPM, Melancholic, Nostalgic, Street, Emotional, Piano Melody, Soft Pads, 808 Sub Bass, Trap Drums, Hi-hat Rolls, Male Vocals, Auto-tuned, Melodic Rap, Emotional Delivery

Blue Forest 3

deep ambiant synth

deep ambiant synth, deep roaring effect along the track

Не Унывайте Пацаны

The track opens with a sparse

The track opens with a sparse, atmospheric guitar loop, evoking a sense of melancholy. Minimalist layers of ambient synths subtly fill the background. A crisp, modern trap beat enters—sharp claps, tight hi-hats, and a deep bass anchor the groove. A single male vocalist delivers the verses in a laid-back, gritty Russian rap flow, occasionally drifting into melodic phrasing. The arrangement stays uncluttered and intimate, letting the vocals and moody texture dominate, with each section using drops

🕊Liberté Je Te Veux 🕊

The track opens with layered white and pink noise pulses

The track opens with layered white and pink noise pulses, modulated by filter sweeps and ring modulation. Industrial hits and glitchy percussive bursts create an evolving, unpredictable texture. Each section introduces granular synthesis, feedback loops, and abrupt silence for dynamic tension.

Nem kértem hangot, mikor bennem tört a csend, csak figyeltem, ahogy minden lassan elcsendesedett. A falak beszéltek, de én nem válaszoltam, mert amit mondtak, azt már rég elhordoztam. Lépteim alatt repedt minden biztos talaj, és a múltam visszhangja lett a leghangosabb zaj. A tükör nem mutat, csak torz árnyakat vet, én már nem keresem azt, aki régen lehettem. És nincs már kérdés, nincs már mi lett volna ha, csak egy mély sodrás, ami visz valahova… ÉN VAGYOK A VÍZ, AMI ELNYELI A FÉLELMET! NEM FULLADOK MEG, MERT ÉN LÉLEGZEM BENNE! HA EL IS TŰNÖK, AZ NEM VÉG – CSAK KEZDET, MERT AMI MÉLYRE HÚZ, AZ TANÍT MEG ÉLNI ENGEM! ÉN VAGYOK A VÍZ, AMI ELNYELI A FÉLELMET! NINCS TÖBB LÁNC, NINCS, AMI VISSZATART ENGEM! HA SZÉTSZAKADOK, AZ IS ÉN LESZEK EGÉSZBEN, MERT A MÉLYSÉG NEM VESZ EL – CSAK ÚJRATEREMT BENNEM! A hideg már nem fáj, csak emlékeztet, hogy volt idő, mikor még hittem bennetek. De minden ígéret vízbe írt jel maradt, amit elsodort bennem egy hangtalan harag. A horizont nem hív, csak pengévé válik, minden lépés előre egy újabb seb rám ír. De már nem futok, nem keresek menedéket, én lettem az út, és én lettem a végzet. És ha elsüllyedek, az sem bukás nekem, mert a mélyben végre önmagam lehetek… ÉN VAGYOK A VÍZ, AMI ELNYELI A FÉLELMET! SZÉTFESZÍT BELÜLRŐL MINDEN ELTEMETETT KÉPZET! NEM KÉREK KEZET, NEM KÉREK ÍTÉLETET, MERT AMIT TÚLÉLTEM, AZ FORMÁLT ENGEM ÉLETTÉ! ÉN VAGYOK A VÍZ, AMI ELNYELI A FÉLELMET! ÉS HA ELMERÜLÖK, AZ SEM JELENT VÉGET! MINDEN SÚLY, AMI HÚZOTT, MOST ERŐVÉ LETT BENNEM, ÉS A MÉLYSÉG ORDÍT: SOSEM TÖRTÉL MEG TELJESEN! Nem várok mentőövet – késő már ahhoz, a hullám bennem él, nem kívül csapódott. Ragaszkodtam addig, míg minden megfagyott, most elengedek mindent… és végre szabad vagyok. Álarc mögött éltem, most levetem csendben, mert nincs mitől félni, ha elvesztem mindenem. A víz nem kér, nem vár, nem hazudik többé, csak elnyel… és visszaad valami erővé. ÉN VAGYOK A VÍZ, AMI ELNYELI A FÉLELMET! NEM MENEKÜLÖK – ÉN VAGYOK AZ ÍTÉLET! A MÉLYBEN SZÜLETTEM, OTT LETTEM EGÉSZ, ÉS AMITŐL FÉLTEM… AZZÁ VÁLTAM ÉN RÉG! ÉN VAGYOK A VÍZ, AMI ELNYELI A FÉLELMET! ÉS NINCS AZ A SÚLY, AMI MÉLYEBBRE TÉPNE! MERT AKI LEÉRT, AZ MÁR NEM ZUHAN TOVÁBB… CSAK FEL EMELKEDIK – SAJÁT MAGÁBÓL ÚJRÁBB!

Soft

Soft, emotional verses (almost whisper-like), building tension. Strong, powerful chorus with higher pitch and full vocal release. No rock style. Each chorus gets bigger and more intense. Clean, modern pop ballad

Quelque chose la nuit

Crée une mélodie originale pour un film d’horreur sombre et oppressant

Crée une mélodie originale pour un film d’horreur sombre et oppressant, avec les instruments suivants : cordes frottées (violons et violoncelles) jouant des notes lentes et dissonantes, piano avec accords graves et décalés, synthétiseur sombre pour créer une atmosphère inquiétante, percussions légères et irrégulières comme des coups distants ou des frottements métalliques, et des effets de souffle ou vent pour accentuer la tension. La mélodie doit commencer doucement, avec une progression lente et mystérieuse, puis monter en tension par des arpèges irréguliers au piano et des cordes tremblantes, créant une sensation de peur latente., mix maison, climax, night drive, syncopated rhythms. falsetto vocals

Thoughtfulness

Create a 3–4‑minute instrumental piece titled «The Pain Inside Me» featuring a prominent tenor saxophone conveying deep emotional pain and loneliness; slow tempo (60–70 BPM)

Create a 3–4‑minute instrumental piece titled «The Pain Inside Me» featuring a prominent tenor saxophone conveying deep emotional pain and loneliness; slow tempo (60–70 BPM), minor key (A minor or D minor), expressive melody with long notes and subtle glissando; accompaniment by soft strings (cello, viola) and minimal piano, no percussion; dynamics mostly piano (p) and mezzo‑piano (mp), with gentle crescendos that fade back; free, almost improvisational rhythm, ending with a solitary saxophone note.