New Songs

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Radio-ready romantic pop duet with a warm cinematic lift

Radio-ready romantic pop duet with a warm cinematic lift, emotional but uplifting, polished modern production, soft piano intro, shimmering synth textures, warm pads, rounded bass, punchy clean pop drums, tasteful plucks, wide catchy choruses, intimate verses, male and female vocals trading lines and joining in rich harmonies, natural English phrasing, crisp diction, glossy mix, melodic and memorable topline, 118 BPM, 4/4

The Ten Shadows Child ( Megumi Fushiguro Fan Made Song) rap ver.

Genres: Aggressive Phonk-Trap

Genres: Aggressive Phonk-Trap, Dark Orchestral Drill, Gloom-Step, Industrial Bass Vibe/Lore & Singer: This track hits like a concrete floor shattering under the weight of a giant. It smells of ozone, wet fur, and the cold ink of a failed contract. The beat is a relentless, high-velocity drill pattern with a sliding 808 that feels like a predator lunging from a corner. Instead of a standard hi-hat, there’s a metallic "clink" of a chain being pulled tight. The singer is a male with a raspy, aggressive delivery—switching from a cold, low-register whisper in the intro to a frantic, high-energy flow in the verses. It’s the sound of a young man reaching his breaking point, realizing that his "potential" is a cage he’s about to break from the inside out. 154 BPM, Distorted Sliding 808 + Industrial Chain Rattles + Sharp Orchestral Strings + Haunting Flute, Aggressive male vocals with rapid-fire enunciation.

Лишь тишина v2 (atmospheric)

120 bpm

120 bpm, Industrial metal, death metal, scratch, trap metal

Ich war schon da (Myrddin's Armee)

Epic powerful rock–reggae–rap–ska fusion anthem in the spirit of Myrddin’s Armee

Epic powerful rock–reggae–rap–ska fusion anthem in the spirit of Myrddin’s Armee, but protective and uplifting rather than confrontational, Rising emotional intensity from intimate warmth to massive stadium unity, Minor-key electric guitars begin restrained and atmospheric, evolving into powerful, driving rock riffs with controlled edge (not oppressive), Deep bass and drums shift between steady reggae pulse and explosive rock propulsion, Reggae offbeats create movement and lift, not tension, Rap sections are clear, mentoring, narrative-driven — guiding, not accusing, Pre-chorus tightens into near-whispered emotional focus before the chorus erupts into a huge, hymn-like surge with oath-style gang vocals, Male lead vocal: gritty yet warm commanding baritone, protective energy, emotional clarity, controlled strength, Children’s choir layered in chorus for innocence and hope, Clear soft harmonies uplifting the hook, Cinematic cello and dynamic strings add depth, Orchestral swells, powerful

Leave me badly

A high-energy alternative rock and electronic hybrid track featuring aggressive male vocals and a driving

A high-energy alternative rock and electronic hybrid track featuring aggressive male vocals and a driving, syncopated rhythm. The song is set in a minor key with a tempo of approximately 120 BPM. It opens with a distorted, filtered synth bass riff and a crisp, processed drum beat characterized by sharp snares and tight hi-hats. The verses feature a gritty, melodic vocal delivery with subtle distortion and reverb. The chorus explodes into a wall of sound with heavily overdriven electric guitars playing power chords, layered with soaring synth leads and intense, belted vocals. Production elements include glitchy transitions, vocal chops, and a polished, modern mix with a wide stereo field. The structure follows a standard verse-chorus-verse-chorus-bridge-chorus format, with a breakdown section featuring stuttering electronic effects and a building drum roll leading into the final climactic chorus.

Reset and Reboot

dark

dark, industrial pulse, mechanical clanks, organic drum skins, wild bass oscillations, broken timing, smeared transients, fretless bass growls, atmospheric noise, sfx, binaural, evolving structure

Swapping Scenes

dark

dark, sludge‑tempo gravity, elastic bass bends, detuned low‑end swells, broken drums, late snares, smeared transients, organic tom resonance, bowed metal textures, warm analog hiss, drifting timing, atmospheric drift, noise fx, binaural space

BΛCK TO THE FUTURE (1985-2026)

Evolving Genre: 80s Synthwave to Modern Future Rave

Evolving Genre: 80s Synthwave to Modern Future Rave, 1985 Analog Synths (Yamaha DX7) & Gated Snare, Transition to 2025 Heavy Neuro Bass & Cyberpunk Glitch, Time Travel FX, Male Vocals Retro to Robotic, 128 BPM.

לבד בתחנת ירושלים

Intimate Israeli folk-pop ballad

Intimate Israeli folk-pop ballad, male vocals. Nylon-string guitar and subtle piano pulse under a close, breathy lead. Verses stay hushed and speech-like; chorus blooms with warm harmonies and light percussion. Organic room reverb, tiny creaks and breaths kept in the mix to feel like a direct confession in the listener’s ear.

Fading In The Dark

Slow 68 BPM blue‑eyed soul ballad. Intimate felt-piano intro under rich

Slow 68 BPM blue‑eyed soul ballad. Intimate felt-piano intro under rich, slightly gritty male vocal; close, roomy reverb at first. Warm legato strings and deep, round bass swell in pre-chorus, with brushed percussion easing in. Chorus blooms into full orchestral lift, timpani swells, and gospel-style stacked harmonies answering the lead. Second chorus carries more intensity, with high strings and organ pad adding church-like depth. Final chorus features drop-to-piano moment before a huge vocal crescendo, then a soft, echoing outro., deep, slow, gospel, soul, ballad, dramatic, warm, male vocals, soaring, orchestral, soft, emotional, rich, romantic

The Day After She Stayed

Americana

Americana, Red Dirt country, male lead vocal, low warm tone, intimate and conversational delivery, slightly behind the beat, minimal vibrato, natural phrasing with audible breath and subtle imperfections tempo around 70–85 BPM, slow steady groove, brushed or light snare, soft kick, acoustic guitar as the main rhythmic foundation, sparse electric guitar swells with light reverb, subtle pedal steel textures, occasional restrained fiddle lines, warm bass sitting low in the mix production is organic and understated, live room feel, minimal compression, no glossy polish, vocals up front and close-mic’d, light room reverb for depth, no heavy effects arrangement builds gently but never peaks, chorus only slightly wider with soft harmonies, bridge strips down further, leaving space and silence between phrases overall mood reflective, restrained, late-night kitchen table feel, quiet tension, grounded realism, no cinematic swell, no dramatic resolution

ANCIENT SPIRIT

high energy psytrance festival track with hypnotic rolling bassline at 138–140 BPM

high energy psytrance festival track with hypnotic rolling bassline at 138–140 BPM, tribal ritual atmosphere with shamanic chants and deep percussion, mystical intro with desert ambience and spiritual vocal textures, gradual build up with rising tension, snare rolls and rhythmic bass pulses, tribal chant vocal phrases leading into a dramatic short silence, explosive psytrance drop with fast rolling bassline, psychedelic arpeggios and acid synth sequences, hypnotic loop driven groove, second drop faster and more aggressive with layered psy leads and tribal drums, massive outdoor festival energy, modern clean psytrance production

Children of the Last Light

1990s trip-hop

1990s trip-hop, blending smoky, punk, pop sensibilities, moody atmospheres, indie-rock elements, [epic synthwave], sequencers

Белая птица 🐦

Dramatic Soft Rock Ballad

Dramatic Soft Rock Ballad, Powerful Female Vocals, Charismatic and Expressive Tone, Electric Guitar Arpeggio, Strong Chorus, Philosophical Vibe, Slow Tempo, Cinematic Atmosphere, 75 BPM.

Прошлая версия тебя

Spin it, In My Heartbeat 🦋

Psychedelic rock

Psychedelic rock, hard rock, jungle breakbeat, J-rock [inspired by the energy and surreal atmosphere of Psychedelic rock, but reimagined with female vocals, The tempo should be around fast bpm, featuring a rhythmic, hypnotic groove combining jungle's fast-paced breakbeats and glitchy electronic textures with Psychedelic rock elements, The sound should be rich, immersive, and experimental, with a dominant presence of noisy, overdriven electric guitar riffs and expressive sitar melodies woven into the mix.handpan] [Vocal]breathy female voice, seductive and mysterious and emotional voice, catchy chorus, catchy hook, [sitar]Boldly featuring the sitar, Dramatic sitar solo, expressive sitar melodies, sitar performance

now I see

Opens with raw distorted guitar

Opens with raw distorted guitar, Chopped electro samples and bursts of noise rock energy pulse throughout, with breaks of glitch and fuzz, airy effect, électro, synthé The track opens with swirling distorted ambient layers and twisted samples, setting an experimental tone, Phonk-influenced Memphis drums and lo-fi 808s underpin syncopated gangsta rap verses, Glitchy bursts, angular synths, and warped drum patterns fuse with airy pads, crafting a chaotic, restless French avant-garde rap soundscape

SOBER (Clean Version) - Radio Mix

Cinematic dark pop outro

Cinematic dark pop outro, female vocal (soft, breathy, emotional), 72 BPM, minor key, minimal piano and ambient pads building into layered vocal climax, deep bass, subtle guitar, melancholic and haunting mood, toxic love theme, professional mix, wide stereo, reverb-heavy, slow fade out.

Fight Song

Dark

Dark, moody rock track with a melancholic minor key progression. Slow to mid-tempo groove with a deep, sticky rhythm rooted in acid jazz and funk. Tight drum pocket with swung hi-hats, syncopated bassline, and muted electric guitar cutting through with subtle overdrive. Verses feel heavy, introspective, and slightly unsettling, with sparse instrumentation and space. Build tension gradually using layered textures like low strings, ambient pads, and dissonant chords. In the chorus, everything bursts open — bold brass section enters (trumpets, trombones, saxophones) with powerful, uplifting harmonies, creating a striking contrast against the dark verses. The groove becomes more driving and expansive, giving a sense of emotional release and elevation. Add elements of experimental production: glitchy transitions, reversed sounds, subtle distortion, and organic-imperfect textures. Female vocals: deep, husky, and powerful tone with a slightly tired, languid delivery. Expressive but restra

🎶 NICO – SAUDADE QUE NÃO VAI EMBORA

Very slow 1970s Angolan classic semba blended with jazz and blues

Very slow 1970s Angolan classic semba blended with jazz and blues, deeply emotional mourning atmosphere, traditional dikanza percussion, soft congas and batuque, expressive acoustic guitar and viola, warm upright bass, very emotional saxophone solos, gentle piano chords, vintage analog sound, deep aged hoarse male voice inspired by Bonga, crying and grieving vocal delivery, tribute song for a lost friend, nostalgic and painful mood