New Songs

పాట నీడ(J:son would be proud)

Feral live energy

Feral live energy, Swedish ethnic folk, Nyckelharpa, raunchy high school choir, sultry celtic voices, nordic chamber choir, Norwegian Tromsø electronica, Swedish 80's pristine pop production, fretless electric bass

What was I doing?! (Experimental)

Screaming

Screaming, angry brass, minor key, hip-hop , 808 subs, relentless driving rhythm, angry trumpet improvisation, endlessly repetitive melody, intrusive memory, no resolution, 185 BPM, sad, irritated, shame, crazy drum solo

Better Every Morning

indie folk

indie folk, stomp clap percussion, rhythmic melodic talking vocals, acoustic guitar driven, emotional storytelling, male vocal, festival folk anthem energy Tempo: 104 BPM base Key: G Major dynamic vocal pacing, sections with faster rhythmic singing, explosive stomp clap bursts, indie folk anthem energy, emotional storytelling

BETWEEN WORLDS (feat. SI:REN)

dark cinematic emotional trap

dark cinematic emotional trap, multilingual cinematic pop trap duet, D minor key, 142 bpm, atmospheric futuristic production, deep 808 sub bass, crisp trap hi-hats, cinematic pads and textures, dramatic buildup and tension, mysterious night atmosphere, emotional melodic pre-chorus, epic cinematic chorus, VE:NOM male vocal — deep, controlled, rhythmic trap rap delivery, close mic, intimate tone, SI:REN female vocal — soft emotional melodic tone, airy but powerful, close mic cinematic delivery, multilingual verses (English, Russian, German), French melodic sections, cinematic duet interaction, layered chorus harmonies, modern k-pop trap influence, dark dramatic energy, emotional but powerful atmosphere, epic, powerful

VIAGGETTO PROGRESSIVO

Full electronic track

Full electronic track, immersive and dynamic, deep driving bassline, powerful club kick, rich melodic synths, evolving arpeggios, atmospheric pads, emotional hooks, long progressive arrangement, cinematic tension and release, hypnotic rhythms, euphoric breakdowns, energetic drops, versatile style (techno, progressive, trance, dream, melodic, club), modern European electronic sound, analog and digital synth textures, immersive sound design, 120-130 BPM, instrumental focus, festival-ready or underground club vibe, perfect balance between rhythm, melody, and atmosphere

Первобытная нежность DS

This vocals and instrumental piece is a blues-rock track with a moderate tempo and a driving rhythm

This vocals and instrumental piece is a blues-rock track with a moderate tempo and a driving rhythm, The primary instruments are electric guitar, bass guitar, and drums, The electric guitar features a clean, slightly overdriven tone with a wah effect used prominently throughout, The bass provides a solid, walking bass line, anchoring the harmony, The drums maintain a steady 4/4 beat with a shuffle feel, utilizing cymbals and snare accents to add texture, The song structure is largely improvisational, with the guitar taking the lead through various melodic phrases and solos, The overall key appears to be in a minor blues scale, contributing to the soulful and slightly melancholic mood, Production elements include a clear mix with the guitar forward, and a natural-sounding reverb on the instruments

Fly, Fly, Fly

2000s

2000s, y2k, female, beats, banger, dance-popteen pop, and electropop. Known for her, high-energy, produced sound, she has evolved from late '90s bubblegum pop to incorporating darker, EDM-influenced, and urban-flavored dance music, significantly influencing modern pop music

No Atheists in the Foxhole (God's Plan Cover)

Genres: Djent

Genres: Djent, industrial metal, blackened noise rock, mathcore, breakcore-inspired electronics, glitchcore, power electronics, harsh noise, darkwave, goth metal. Tones: hostile devotion, delusional faith, spiritual violence, manic conviction, ritualized suffering, unstable worship, punishing, digitally violent, accusatory, unraveling. Vocal delivery: all vocals screamed by a male vocalist, delivered with low, controlled aggression, tight rhythmic phrasing, barked gang reinforcements, and feral escalation in climactic sections; no clean vocals, no melodic singing, no soft passages, no comforting contrast. Instrumentation: percussive low-tuned djent guitars, dissonant texture-lead guitar, distorted bass locked to kick and breakcore programming, hybrid drums with violent stop-start patterns, blast-like break edits, glitch stutters, static tears, power electronics, harsh noise walls, darkwave synth drones, cold metallic strikes, and hostile gang-shout reinforcements used as rhythmic impac

FUCK THIS WORLD AND PEOPLE

Out on Open Water

Beautiful piano and horn song with indie mal persona singing

Beautiful piano and horn song with indie mal persona singing

Blackjack

Cinematic EDM × Brazilian phonk hybrid about blackjack in a neon midnight casino. 100 BPM

Cinematic EDM × Brazilian phonk hybrid about blackjack in a neon midnight casino. 100 BPM, key F# minor. Dark piano, muted trumpet spy melody, suspense strings, electric guitar stabs for tension, and powerful festival synth leads. Energetic Brazilian phonk groove with syncopated kicks, punchy bass, and aggressive percussion. Deep distorted 808 and glitch-heavy bass processing with stutter edits and digital artifacts. Signature lead motif F#–C#–E–F# in the drop. Atmosphere filled with casino sounds: card shuffles, chips stacking, roulette spin, slot machine jackpot coins, bright WIN chimes accenting drop hits. Pre-drop villain voice: “Place your bets… the house doesn’t lose.” One-beat silence fake drop, then explosive hybrid trap EDM drop. Chant hook: “Blackjack — stack that / Twenty-one — don’t crack.” Memphis-style rap verse mid-track. Use deep glitch textures, reversed chip sounds, and granular distortion to create dark, hypnotic tension.

Falling into the Abyss - Dark Psy-Metal, Trance

The epic Goa-trance banger opens at 140 BPM with crisp breakbeats

The epic Goa-trance banger opens at 140 BPM with crisp breakbeats, punchy kicks, off-beat snares, and rapid hi-hats. Demonic virus pads and soaring horn-like synths. Dark dementia builds as tempo rises to 145 BPM with swirling rusty synths, growling bass, and dark hooks. Gated reverbs and intricate breakdowns intensify, leading to hyper-synth solos, massive crescendo drops, stacked eerie synth layers, apocalyptic beats, and backgrounds screams and inaudible vocals murmuring. Vocal: Distorted Demonic Voice Extra: Metal Pipes, Sirens, Barking Hoovers, Sinister laughter

Ты задала тон

Moody midtempo Russian pop ballad with airy synth pads

Moody midtempo Russian pop ballad with airy synth pads, deep sub-bass, and crisp electronic drums; male vocals intimate in the verses, blooming into wide, layered harmonies on the hook. Subtle piano doubles the topline in the chorus; second half adds filtered arpeggios and a lifting key change feel for emotional climax, then drops to a near-acapella tag on the final line.

людина приходить на Землю любити

Opening with a driving acoustic guitar and warm piano

Opening with a driving acoustic guitar and warm piano, the indie folk–soft rock fusion weaves autumnal textures, Punchy, gated reverb drums and fretless bass maintain steady momentum,

If I Talk About Love

Soulful

Soulful, gritty early 1970s R&B with raw emotion and deep grooves. Smooth yet urgent vocals, blending heartfelt storytelling with rich instrumentation—funky guitar licks, warm basslines, and tight rhythm sections create an intimate, timeless vibe. Moderate to upbeat tempo.

Want Can't Have

velvelty black female volcals

velvelty black female volcals

DJ JACK - Bedroom Balcony Love Song

rock

rock, Intimate 80s-inspired power ballad: warm acoustic guitar fingerpicking in the verses, then strummed chords with soft floor toms and airy cymbals in the chorus. Raspy mature male vocals up close, brushed with plate reverb. Subtle fretless bass, gentle organ pad in the background; chorus swells with stacked harmonies and a lyrical, singing lead guitar answering the vocal lines., metal, classic, easy listening, romantic

Meeting You in Colombia

Moody ambient pads

Moody ambient pads, water-ripple effects, and delayed ethereal guitars open into a synthwave atmosphere. Electric violin and melodica intertwine over 140 BPM boom bap drums, seismic 808s, sliding subs, and fast hat triplets. Piano motifs and cinematic violin swells add drama, while hard kicks, snare rolls, and impact FX fuel a wide crescendo. Jazz-tinged melodies cut through trap textures, clean male vocals, and folk-electric fusion, resulting in a mystical, neo-classical electronic landscape driven by a deep bass groove and an unforgettable, melodic hook.

ROBOTS

low strings

low strings, nu-metal, fusion, acoustic guitar

All for the Cheeseburgers (Side B)

_

_, _glossy, flirty Disco Pop anthem launches with crisp drums and groovy bass, swirling sparkly synths and funk guitar flicks establishing a sassy, party-ready vibe. Summer night energy fizzes through playful, confident female lead vocals, breathy verses, and punchy choruses with vocal fry and head-voice flutters. Echo-draped hooks, reverb-laden spoken asides, whispered commentary, and teasing phrasing add scandal and cheek. Handpan and polyrhythmic infectious mathy patterns drive a progressive, danceable energy bed, accented with pulsating binaural arpeggiators, granular vocoder, pygmy yodels, and acid jazz fusion. Country-edged guitar licks blend with darksynth, 80s EDM, underground bedroom rave, and retro Italo-Disco textures. Choral layers shift from angelic girls' choir to liturgical Gregorian and apocalyptic gospel, answered by tormented, dramatic lead and heavy-re binaural arpeggiators, Pulsating, frenetic, math, polyrhythmic, Infectious, Hypnotic, Hand pan, Talkbox, bounce drop