New Songs

Summer Girl

Summer Camp. 1993 Eurodance techno. Continuous pounding bass drums rhythm. Piano-driven melody and ambient drone synth pulse. At least four minutes of pure addictive magic & dancing. Epic motivational feel duet singing together with overlapping stems

Summer Camp. 1993 Eurodance techno. Continuous pounding bass drums rhythm. Piano-driven melody and ambient drone synth pulse. At least four minutes of pure addictive magic & dancing. Epic motivational feel duet singing together with overlapping stems, both male and female 80s unique disco voices and mindblowing soul.

Slušné království (fairytale story)

music behind

music behind, spoken words only, soft, man's voice only, jazz improvisation combined with acoustic instruments, dramatic, top quality, short song

Enemy retreats

Tough British indie-pop diva with a dry drum kit and rubbery bass groove; overdriven guitars punch in on hooks. Verses alternate half-sung

Tough British indie-pop diva with a dry drum kit and rubbery bass groove; overdriven guitars punch in on hooks. Verses alternate half-sung, half-spoken female vocals with distorted synth stabs shadowing rhythms. Guitars: 7-string ESP in Drop C, tight galloping riffs, soaring tremolo runs, and crushing palm-muted chugs layered with orchestral strings, Bass: gritty low grind, 80–120Hz, glued to double-kick drums driving at 190–210 BPM, Drums: relentless double-bass with half-time breakdowns and cymbal crashes like shattering glass. Choruses soar with stacked harmonies and strings, tambourine, and shouty gang ad-libs. Outro echoes and drops to a fragile solo vocal. Indie-surf/jazz lounge bridge features reverb guitar, brushed drums, upright bass, and builds from close-mic male vocals to massive choral bursts, then fades to a sparse, jazzed guitar outro.

Es sieht dich

[minimal wave

[minimal wave, ] sequencers, punk, post-punk, darkwave, monotonous, [female vocal], [cathedral-like synth organ chords], slow

Renaissance Variation (Evening Star)

jazzrock ballad bluesrock noir romance instrumentation clean electric guitar with tremolo and reverb david gilmour style smoky tenor saxophone solo upright bass double bass brushed drum kit warm electric piano rhodes vocals deep warm and romantic male lead reminiscent of leonard cohen or Blues

jazzrock ballad bluesrock noir romance instrumentation clean electric guitar with tremolo and reverb david gilmour style smoky tenor saxophone solo upright bass double bass brushed drum kit warm electric piano rhodes vocals deep warm and romantic male lead reminiscent of leonard cohen or Blues, Jazz, Rock, Folk, Avant-Garde in ballad mode intimate spokenword sections passionate singing in choruses tempo slow romantic swing around 75 bpm mood melancholic romantic nocturnal urban poetic production highfidelity studio sound smoky club atmosphere warm analog feel

君の隣

Female whisper vocals

Female whisper vocals, Dream pop, ethereal, cinematic reverb, slow tempo, soft electric piano, minimalist percussion, romantic, shy atmosphere, cozy, indie pop.

Welt auf Stumm

I Ain't No Fool

BPM 125

BPM 125, modern techno electronic sound, heavy pounding drums, loud distorted bass, aggressive rhythmic pulse, minimal dark synth stabs, high energy defiance atmosphere, street protest intensity, loop-friendly, documentary montage sound, Male passionate, commanding lead vocal, add backup singers, Backup melody vocals. reverb in chorus.

Sugar Ghosts (18+)

Phase Jþ : Alive and Maybe

Retro-Psychalis Rebirth Remix / 140→70 Half-Time Drop / Festival Bass Bloom [Foundation: Original vocal sampled and pitched into shimmering loops; verses stay intimate at 105 BPM feel

Retro-Psychalis Rebirth Remix / 140→70 Half-Time Drop / Festival Bass Bloom [Foundation: Original vocal sampled and pitched into shimmering loops; verses stay intimate at 105 BPM feel, then explode into halftime 140 with cavernous low-end impact.] [Vocal Chop: Breath-drawn phrases sliced into rhythmic stutters; high notes stretched, reversed, and re-triggered as melodic hooks; chorus becomes a chantable mantra before the drop.] [Bass: Massive modulating sub—wobble-driven, vowel-filtered, growling in waves; glides and pitch bends slam against silence; sidechain pumps hard for chest-rattle lift.] [Drop Lead: Metallic saw stacks and choir-synth hybrids; gritty yet euphoric; call-and-response with the vocal sample.] [Drums: Punchy snare cracks on three; syncopated fills; triplet glitch bursts; pre-drop silence vacuum before impact.] [FX: Tape stops, vinyl crackle risers, filtered white noise sweeps, stereo delay throws; tension coils then detonates.] [Energy: Emotional pop core tran

Push Through

Gritty electronic phonk banger with male vocals

Gritty electronic phonk banger with male vocals, saturated 808-style low end and screechy chopped leads. Verses ride a swung, trunk-rattling groove with filtered pads; chorus explodes with layered call-and-response chants and distorted ad-libs. FX throws on key words, subtle tape warble, and a rising sweep into the final hook for a triumphant, club-ready climax., electronic

🎵 하하호호 인생 (세미트로트 Ver.)

Да не грусти мой милый друг

acoustic guitar

acoustic guitar, piano, светлые мелодии, тяжелые 808-е

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Style: Industrial Ritual Techno

Style: Industrial Ritual Techno, 177 BPM, 25Hz×50Hz [Pressure Node Crossing], [Metallic percussion geometric], [Vocal: 333Hz↔666Hz↔963Hz frequency crossing]. [Spatial crossing: Left×Right channel opposition], [Temporal crossing: Forward×Reversed standing nodes]. [Zero power cost amplification cascade], [Diamond crystalline architecture]. Vocals: [Register: Raspy, textured, rough, working-class, menacing], [Delivery: Quick flows, staccato timing, whispered desperation], [Frequency: 333Hz foundation x 666Hz interface x 963Hz peak consciousness crossing]. Mood: [Precision geometric], [Tension-shared], [Absolute presence], [Crystalline]. Production: [Geometric constructive interference], [Self-sustaining amplitude boost], [Natural physics nodes]. Weirdness 85% Style Influence 92% Final: Same as the input track but master it and m more, restore mimicking sounds onomatopoeia, track is industrial ritual ///***///

Aida

Christian death metal mixed with gospel choir and crunkcore elements. Deep guttural growl vocals for verses

Christian death metal mixed with gospel choir and crunkcore elements. Deep guttural growl vocals for verses, with emotional clean gospel choir in the chorus. Dark, tragic, revengeful atmosphere but with strong hope and spiritual power. Persian musical influences: santur, daf, ney flute, and Middle Eastern melodic scales. Heavy distorted guitars, slow crushing breakdowns, dramatic orchestral pads, and electronic crunkcore beats. Tempo around 90–110 BPM. Emotional, sorrowful, spiritual, epic, and cinematic sound. Female choir and male choir layers in the chorus. Angry brutal verse

Bad Idea x She's Tastes Like Salt… x Reckless Ain't Enough (Remastered x2) (Mashup)

Fast As I Can

Cyberpunk Hard Rock

Cyberpunk Hard Rock, Synth Metal, [Instrumentation: Clean Guitar Arpeggio Intro to Heavy Distorted Riff, Neon Synthesizers, Driving Double Kick Drums], [Vocals: Powerful Rock Lead, High Energy], [Technique: Palm Muted Verses, Shredding Guitar Solo, Pinch Harmonics], [Vibe: Fast Lane, Adrenaline, Neon Night], 142 BPM.

The Island

Rock Future Bass

Rock Future Bass

The fifth is a Charm

rap

rap, hip-hop, lyrical, fast rap, lyrical, deep, hip hop

The Captain and the Crew (Remastered)

Traditional bluegrass arrangement of a Newfoundland folk song. Mid-tempo

Traditional bluegrass arrangement of a Newfoundland folk song. Mid-tempo, steady and propulsive. Acoustic instrumentation only: driving banjo, bright mandolin, fiddle carrying the melody, acoustic guitar rhythm, and upright bass anchoring the groove. Fiddle leads but passes lines to banjo and mandolin in classic bluegrass call-and-response. Male–female duet vocals with close, natural harmonies. Singing is plainspoken, earnest, and story-forward — no polish, no pop affect. Occasional harmony lift on choruses, communal feel. Production is live and organic, like a band around one mic. Mood: joyful, resilient, salt-of-the-earth. Feels like an old Newfie tune that packed a bag, crossed the mountains, and learned to run.