New Songs

Model Friend

dance

dance, Glossy 80s synth-pop / Eurodisco at 124 BPM, male deadpan lead with icy double-tracked hooks. Lush stereo pads and glassy arps over a precise four-on-the-floor beat, orchestral stabs on the chorus. Dramatic church bells punctuate transitions, with a dark gothic shimmer in the reverb. Clean, high-energy mix that still feels sleek and sophisticated, with subtle choir pads lifting the final chorus., pop, dramatic, clean, orchestral, sophisticated, electronic

La di da di di

A cinematic pop track draws on vintage jazz textures: upright bass lays out a cool

A cinematic pop track draws on vintage jazz textures: upright bass lays out a cool, lingering groove, brushed drums keep things restrained, electric piano (or vintage organ) adds velvet harmony. Verses feature nearly monotone, low-register spoken-sung vocals, smoky muted trumpet, and saxophone accents. Pre-chorus shifts with subtler bass movement, hinting tension. The chorus lands with a hypnotic, humming “la di da” hook, strong but understated, as horns layer in soft replies. All remains effortlessly chill, moodily nocturnal, and stylishly restrained.

残響のドレスと、引き裂かれたプリズム

Melancholic 1970s Glam Rock

Melancholic 1970s Glam Rock, heavy stomp-clap beat, deep fuzz bass. Features massive multi-layered phaser effects and excessive layered guitar feedback. Piercing feedback harmonies swirling in a wall of sound. Lush vintage analog synthesizers with tragic oscillating pads. Electric guitars with liquid-like modulation and dramatic "screaming" phaser sweeps. Theatrical but deeply emotional art rock. Ethereal vulnerable male vocals, lush multi-track harmonies, haunting spatial reverb. Decadent, surreal, heartbroken atmosphere. Immersive 3D soundstage, high-fidelity vintage studio character. Focus on swirling feedback waves, dense atmospheric synth layers, cosmic heartbreak, trippy and emotional.

Баллада о кузнеце #Палатка №6

Epic heavy metal power ballad. Clean

Epic heavy metal power ballad. Clean, powerful, and expressive male vocals with a wide melodic range, soaring high notes in the chorus. The verses are sung smoothly over a driving, fast-tempo rhythmic guitar gallop (down-up-down strumming pattern). The chorus is melodic and anthemic. The arrangement features harmonized lead guitar melodies, a solid bass line, and powerful drums. All instrumental sections (intro, fills, solo, outro) are short and concise. The overall sound is dramatic, heroic, and reminiscent of classic Russian heavy metal. HQ professional sound.

One more flight

metal

metal, Epic Latin metal banger with male vocals; galloping double-kick under palm-muted Phrygian riffs, congas and timbales locked to chugging guitar. Verses ride tense, syncopated grooves; chorus explodes with heavy brass stabs and wide power chords. Mid-song percussion breakdown featuring layered hand percussion, then full-band return with soaring lead guitar harmonies. Vocal hooks up front, gritty but melodic., latin metal, soul

Almost Friends

rap

rap, Moody pop built on minor-key piano and sparse trap drums, sub bass pulsing under breathy female vocals; verses intimate and close-mic with hip-hop-influenced phrasing, choruses soar with layered harmonies and distorted guitars swelling in, mild metal crunch on the downbeats; bridge strips back to vocal and piano before slamming into a final heavy chorus and a soft, resigned outro., sad, female vocals, pop, hip hop, metal

Get Back Up Again

rap

rap, High-energy motivational rap over aggressive trap drums and deep sub bass. Male vocals spitting rapid cadences with playful dark humor, layered call-and-response shouts on the hook. Verses stay tight and punchy; chorus widens with gang vocals and octave doubles. Occasional choir-style pads in the background on key lines to hint at spiritual lift, then back to raw, in-your-face bars., strong

" К чему слова " x Heart, Not the Brain (Mashup)

The progressive instrumental rock piece unfolds with pastoral acoustic guitar

The progressive instrumental rock piece unfolds with pastoral acoustic guitar, mandolin, and melodic bass under gentle orchestral strings, evoking Celtic new age vibes, Tubular bells and atmospheric synths sweep in, building to dramatic, multi-layered electric guitar harmonies, Intricate transitions shift between ambient interludes and epic, driving sections with variable tempo, layered vocal textures, and folk-rock elements, The arrangement masterfully blends cinematic orchestral scope with melodic complexity, weaving bell-toned motifs, Celtic ornaments, and dynamic crescendos into a seamless, long-form composition, 432 Hz, Dolby Atmos audiophile analog, Perfect EQ, HQ 3D sound, ‑noise

PRIZM｜Chromatic

Ashes at 52Hz

metal

metal, Psychedelic extreme death metal core with Celtic and Middle Eastern modes; chugging downtuned guitars and didgeridoo drones under blast beats. Verses feature deep, seductive male growl layered with eerie whistling and harmonica swells; choruses bloom into lush Bollywood‑tinged female harmonies over bouzouki, accordion, bagpipes, and violin. Cowbell and maracas accent the groove; saxophone snakes through the bridge with yodel-infused ad‑libs. Huge dynamic swings, from whispered restraint to cataclysmic walls of sound., death metal, accordion, saxophone, violin, male vocals, celtic, didgeridoo

Aklım Başımda Değil -CLub Beat-1-( Lyrics: @HighEndKlaxon110 )

Energetic Turkish pop dance remix

Energetic Turkish pop dance remix, female vocal like , upbeat club beat, catchy synths, 120-130 BPM, modern production, oriental elements, Turkish fusion pop, dance remix style, powerful female vocals, vibe, electronic drops, festive energy,,Remix in dance pop club style, preserve original melody, add heavy bass and synth leads, female singer, energetic and catchy

Humpty Dumpty’s Fall

authentic dirty cockney-accent

authentic dirty cockney-accent, british invasion, low, dirty, ultra-heavy, merseybeat, super-fast (200-220 bpm), punk, sludgy guitars, super-catchy, rock, multiple harmonic layered low raspy voices, driving, 60’s british invasion, raw, sing-along mod-punk, hyper-melodic, dirty background-choir (oh), 1977’s british buzzcocks-punk

Mercy Don’t Make Noise (Remastered) 550

Slow 6/8 country ballad

Slow 6/8 country ballad, Johnny Cash-like intimacy, Willie Nelson-like phrasing, sparse acoustic and pedal steel, subtle spiritual undertones, reflective and restrained.

The Beauty Inside Our Hearts

Jazz Fusion

Jazz Fusion, Slap Bass, Keyboard, Orchestra, Cinematic, Melancholic, Dolby Surround

Midnight Blue (Dark Continent)

Bright piano chords open the track

Bright piano chords open the track, supported by crisp acoustic guitar and dynamic afro beat patterns on tribal toms, underpinned by driving drums, Verses pulse with lively strumming, light synth pads add air, while the soaring chorus explodes with layered harmonies and punchy, infectious rhythms

Get Back Up Again

rap

rap, High-energy motivational rap over aggressive trap drums and deep sub bass. Male vocals spitting rapid cadences with playful dark humor, layered call-and-response shouts on the hook. Verses stay tight and punchy; chorus widens with gang vocals and octave doubles. Occasional choir-style pads in the background on key lines to hint at spiritual lift, then back to raw, in-your-face bars., strong

銀紙のドレスと極彩色の目眩

1970s Glam Rock style

1970s Glam Rock style, heavy stomp-clap rhythmic beat, driving fuzz bass. Core sound features massive multi-layered phaser and flanger effects on all tracks, creating a swirling wall of sound. Electric guitars with vintage distortion, liquid-like modulation, and dramatic jet-plane phaser sweeps panning in stereo. Theatrical and grandiose art rock production. Ethereal powerful male vocals with lush multi-track harmonies, slapback delay, and spatial reverb. Glittery, decadent, surreal atmosphere. Hypnotic rhythmic modulation synced to tempo. Immersive 3D soundstage, high-fidelity vintage studio character. Focus on swirling sound waves in a kaleidoscope of noise. Dense atmospheric layers, liquid textures, cosmic soundscapes, shimmering metallic percussion, trippy audio experience.

SecondThought2

slow haeavy smokey 20th century night club accoustic bass and a tide shhh drum set. a bit blusy a bit melancholic a slowly builing energy up arrangement. a female way deep down vocalist . a deep string instrument and Very clever and discreetly placed brass elements in the background

slow haeavy smokey 20th century night club accoustic bass and a tide shhh drum set. a bit blusy a bit melancholic a slowly builing energy up arrangement. a female way deep down vocalist . a deep string instrument and Very clever and discreetly placed brass elements in the background, which slowly increase in intensity over time

The 200ms Delay

Is_MAX_MODE: MAX](MAX) [QUALITY: MAX](MAX) [REALISM: MAX](MAX) [REAL_INSTRUMENTS: MAX](MAX) Atmospheric Soft Metal

Is_MAX_MODE: MAX](MAX) [QUALITY: MAX](MAX) [REALISM: MAX](MAX) [REAL_INSTRUMENTS: MAX](MAX) Atmospheric Soft Metal, Post-Rock, Shoegaze, Alternative Metal, Progressive Rock, Cinematic Orchestral Elements, Live String Quartet, Dual Guitar Layering with Heavy Distortion and Shimmer Reverb, Half-Time Drumming with Complex Crash Cymbal Fills, Dynamic Contrast Between Mechanical Heaviness and Ethereal Space, Deftones-inspired Vocal Range from Whisper to Melodic Scream, Open Tuning Guitar with Gated Reverb, Reverse Delay Arpeggios, String Glissandos Under Distortion, Organic Pain Meets Digital Coldness, 85 BPM, Droptuned Guitars (Drop B), Emotional Intensity, Modern Production with Analog Warmth

Hoverboards vs Hoverboots (Extra Remix)

Extreme-tempo electronic track

Extreme-tempo electronic track, heavy distorted 909 kicks, aggressive snare bursts, sharp staccato synths, fast melodic stabs and harsh arpeggios, glitchy effects, sudden silence cuts, raw overcompressed mix, playful or absurd pitched-up +6 semitone vocal samples, chaotic but danceable, hyperactive, fun, relentless wall of sound, hardstyle/hardcore-adjacent, coherent rhythm, precise yet unhinged. Avoid chiptune or 8-bit textures.