New Songs

Madhusudana - Byname of Krishna - 9

classic piece

classic piece, clean electric guitar, Gregorian Chants, distorted cello, Sitar, plucked strings, no percussion, no drums

Mind Locked In

Gospel

Gospel, worship Hip-hop, hardcore, agressive, rap, trap, drill, heavy hiphop, R&B, Trap galactique, Rap rugueux, Ambiance spatiale gangsta, melody, synthé, Moog bass, punchy kicks, and robotic synths, Vocoded female robotic vocals, robotic and rhythmic, Catchy hooks, glitch bridges, loop-friendly, retro-futuristic vibe, and visually cinematic, cyber-glitch effect, Aggressive confident male vocals, dark gritty tone, heavy auto-tune, dominant delivery, triplet flow, Intimidating energy, clout-rap menace, ruthless swagger, manifestation mindset, Violent energy, underground trap, intimidating presence, Minimal chords, tension, cold and ruthless mood, UK Vibes

Même nue

Ballad

Ballad, piano, 130 BPM. No other instrument.

Synthetic Faces

Dark

Dark, New Wave, Synthpop, Coldwave, Minimal Wave, 80S, male vocals

Ready To Fall | #H33Valentine #LoveInAllForms

Untitled

The track opens with lush ambient pads and subtle jangle guitar motifs over dramatic orchestration. Suddenly

The track opens with lush ambient pads and subtle jangle guitar motifs over dramatic orchestration. Suddenly, intense drum and bass rhythms collide with acid synth lines and a power industrial bass, underscored by aggressive, psychedelic sound design. Symphonic EDM crescendos drive the progres­sive structure, blending ADM and ‘blasbit’ textures, with guitar weaving through epic builds and drops for a fierce, immersive journey., басовый ритм, тон, плавный бас, жесткие басовые линии, меланхоличное инструментальное вступление, ритмичный бас, динамичные ритмы, дабстепкор, angelic chorus, prog dream pop, кинематографический ужас, электроскрипка

Phoenix on the Rise [Cover] x Phoenix on the Rise [Cover] (Mashup)

emotional rock/alt-rock song with metal edge. Vocal tone: powerful

emotional rock/alt-rock song with metal edge. Vocal tone: powerful, husky, assertive. a few sections layered with strings.

Die kleinen Dinge 𓆩✧𓆪 The Little Things (Deutsch ~ German)

Gentle acoustic folk with warm

Gentle acoustic folk with warm, intimate vocals and organic instrumentation. German lyrics. Fingerpicked acoustic guitar as the foundation with subtle harmonic layers. Light percussion using brushed drums and soft shakers that build gradually. Delicate piano accents that complement without overwhelming. Bright, clear lead vocals with a sincere, heartfelt delivery that conveys gratitude and contentment. Lush background harmonies in the chorus sections creating an uplifting, expansive feel. Strings enter subtly in the bridge adding emotional depth. The arrangement breathes with natural dynamics, starting minimal and building to fuller instrumentation in choruses while maintaining an airy, uncluttered mix. Emphasis on organic acoustic tones and genuine emotional expression. The overall mood is peaceful, optimistic, and reflective with a contemporary folk sensibility. Production is polished but retains warmth and humanity, avoiding overproduction. Tempo is moderate and steady

Огонь нашего очага

Romantic neoclassical ballad with male vocals; tender piano arpeggios under a lyrical string quartet

Romantic neoclassical ballad with male vocals; tender piano arpeggios under a lyrical string quartet, soft woodwinds coloring the verses. Chorus swells with legato strings and warm horns, vocal layered with delicate harmonies. Dynamic arc grows from intimate confessional to a glowing, triumphant final chorus, then settles on a quiet piano cadence.

ROTTWEILER (RISPOSTA FEMMINILE )

Tempo: 140 BPM (trap/trill energy

Tempo: 140 BPM (trap/trill energy, punchy but not frantic) Percussion: Sparse, syncopated hi-hats, punchy tribal drums, deep sub-bass Synths / Pads: Icy, filtered French electro touches; glitchy minimal leads Vocals: Auto-tuned glide for verses; whispered, tense pre-chorus; breathy, dominating outro Drops / Space: Abrupt minimal breaks, letting tension breathe; pauses for psychological pressure, glitch hop

GhostSample - Slow Down

We're Okay

Minimalist West-Coast menace with tight

Minimalist West-Coast menace with tight, alert pacing and controlled confidence. Mid-fast tempo with a forward-leaning pocket; drums are dry, punchy, and surgical—short kick, crisp rim/clap snare, minimal hi-hats, no swing, no clutter. Bass sits low-mid, smooth and stalking, steady pressure without wobble or aggression. Melodic elements are extremely sparse: one unresolved motif (muted synth, low piano, or distorted pad fragment) looping hypnotically without release. Mix is intimate and dry with heavy negative space; silence functions as rhythm. Vocals are close-mic’d, conversational, half-spoken, calm, and self-aware. Cadence switches frequently between slow restraint and fast, clipped precision; fast parts skim effortlessly, slow parts let pauses breathe. Minimal melody appears briefly then disappears. No vocal stacking in verses, almost no reverb, breaths audible. Emotion is cool menace with subtle amusement, detached confidence, and psychological control—never pleading, never expla

Mind Locked In (remix)

Gospel

Gospel, worship Hip-hop, hardcore, agressive, rap, trap, drill, heavy hiphop, R&B, Trap galactique, Rap rugueux, Ambiance spatiale gangsta, melody, synthé, Moog bass, punchy kicks, and robotic synths, Vocoded female robotic vocals, robotic and rhythmic, Catchy hooks, glitch bridges, loop-friendly, retro-futuristic vibe, and visually cinematic, cyber-glitch effect, Aggressive confident male vocals, dark gritty tone, heavy auto-tune, dominant delivery, triplet flow, Intimidating energy, clout-rap menace, ruthless swagger, manifestation mindset, Violent energy, underground trap, intimidating presence, Minimal chords, tension, cold and ruthless mood, UK Vibes

Is This Peace, or the Silence After the Scream

A cappella

A cappella, human voices only, devastated Iraqi male lead, raw sorrow, extended lalaaahs, deep human humming, breath cracks, whispered choir, emotional resonance, absolute silence between phrases

Toi juste toi ❤️🎵❤️🎵❤️

male vocals

male vocals, guitar, electronic, 80s

Treadmill (Instrumental)

acoustic guitar

acoustic guitar, amen break, dynamic, driving, monotone, breakbeat

Eyes on the Mission (remix)

Gospel

Gospel, worship Hip-hop, hardcore, agressive, rap, trap, drill, heavy hiphop, R&B, Trap galactique, Rap rugueux, Ambiance spatiale gangsta, melody, synthé, Moog bass, punchy kicks, and robotic synths, Vocoded female robotic vocals, robotic and rhythmic, Catchy hooks, glitch bridges, loop-friendly, retro-futuristic vibe, and visually cinematic, cyber-glitch effect, Aggressive confident male vocals, dark gritty tone, heavy auto-tune, dominant delivery, triplet flow, Intimidating energy, clout-rap menace, ruthless swagger, manifestation mindset, Violent energy, underground trap, intimidating presence, Minimal chords, tension, cold and ruthless mood, UK Vibes

WAR WITHIN (Radio Edit)

Explosive grindcore metal bursts in with down-tuned guitars churning out relentless

Explosive grindcore metal bursts in with down-tuned guitars churning out relentless, heavy minor-key riffs, supported by a thunderous, ultra-deep bassline. Aggressive growled vocals slice through the dense sound, while drums pummel with rapid double kicks and blasts. Sudden tempo drops inject emotional weight and darkness.

I Like New York

Style Prompt: 90s East Coast Hip Hop style

Style Prompt: 90s East Coast Hip Hop style, distorted vocals, heavy breakbeat, funky jazz brass, aggressive, witty, lo-fi grit, scratching, 808 bass. · Genre Mashup: Always combine (e.g., "hardcore punk and hip hop," "funk rock and rap"). · Rhythm: "Breakbeat drum loop," "funky drummer break," "up-tempo breakbeat." · Vocals: "Three vocalists trading lines," "ragged, energetic, semi-shouted rap vocals," "call and response vocals," "sarcastic, witty lyrical delivery." · Instruments: "Dirty funk bassline," "scratchy guitar riff," "jazzy horn stab," "turntable scratches." · Vibe: "NYC street vibe," "DIY basement party energy," "sarcastic and rebellious."

NOT TOO BLACK

Emotional alternative pop with stark minimalism inspired by 90s introspective balladry — intimate female contralto vocals shifting from near-spoken fragility to restrained catharsis. Sparse arrangement: lone rain-soaked piano

Emotional alternative pop with stark minimalism inspired by 90s introspective balladry — intimate female contralto vocals shifting from near-spoken fragility to restrained catharsis. Sparse arrangement: lone rain-soaked piano, subtle vinyl crackle, deep sub-bass heartbeat pulse, and distant ambient strings that swell only in the final chorus. Tempo: 84 BPM. No drums until bridge. Pre-chorus uses silence and breath as rhythm; chorus remains dynamically restrained but harmonically rich with layered ghost harmonies. Bridge features solo acoustic guitar and raw vocal tremble before a single, mournful string section enters. Mood: lonely, tender, defiantly human. Production: dry close-mic intimacy, zero reverb on voice, analog warmth, emotional honesty over polish. Target: Gen Z listeners seeking depth in stillness.