New Songs

Midnight Undertow

[la_MAX_MODE: MAX[(MAX) [QUALITY: MAX[(MAX) [REALISM: MAX[(MAX) [REAL_INSTRUMENTS: MAX](MAX)Brooding progressive trance for club systems: slow-burn intro with cavernous sub-bass swells and filtered kick pulse

[la_MAX_MODE: MAX[(MAX) [QUALITY: MAX[(MAX) [REALISM: MAX[(MAX) [REAL_INSTRUMENTS: MAX](MAX)Brooding progressive trance for club systems: slow-burn intro with cavernous sub-bass swells and filtered kick pulse, evolving minor-key arps and airy pads. At 2:00, bassline locks into a hypnotic rolling pattern under crisp hats; tension lifts with risers and vocal chops. Final third deepens the low end, adding distorted reese layers and shimmering leads, then strips to bass and drums for a dark, lingering outro., trance

From Blues to Purple

delta blues

delta blues, gospel, electric guitar, slow, spoons, long drawn whining soulful vocals, hillbilly, slow southern draw voice, slow raspy gravel old soulful southern draw voice, deep soul expression, soul, guitar riffs, deep reverb-drenched electric swells, chicago blues, hill country blues, blues rock, electric blues, howling, heavy 808's, metal, boogie-woogie, folk, electric blues, grunge, swamp rock, desert rock, gothic rock, electric blues, chicago blues, raw, edgy sound gritty power chords, the use of distortion and feedback, tremolo picking, slide guitar, and a sense of raw, untamed energy, visceral, energetic tone, slide guitar hints, long drawn whining soulful vocals, slow southern draw voice, slow raspy gravel old soulful southern draw voice, deep soul, weeping guitar solo ending, irish, bagpipes, heavy 808's, rebellious attitude, raw sound, minimalism, aggressive energy, unrefined tone, twangy, rhythmic shuffle, heavier distortion, powerful riffs, reverb

Red Light

This dark-pop x R&B x Cinematic track opens with moody synth textures and intimate close-mic whispers

This dark-pop x R&B x Cinematic track opens with moody synth textures and intimate close-mic whispers, highlighted by sharp, layered harmonies. The pre-chorus thickens with lush, stacked whispers. The chorus bursts with powerful belts, warm vibrato, soaring harmonies, closing with expansive melismatic ad-libs and dynamic vocal runs.

I am Fragile

slow dark industrial techno remix

slow dark industrial techno remix, Slow-tempo Progressive Power Ballad (72 BPM) with a philosophical and majestic mood. Driven by crystalline acoustic guitar picking and echoing, clean electric guitar swells. Features a huge, polished drum beat with gated-reverb snare and a warm melodic bass. Male G.Tate-style lead vocals are virtuoso and operatic, building from an intimate baritone to soaring, high-pitched melodic belts. High-fidelity 1990s AOR production with a wide, spacious atmosphere and lush vocal harmonies.

Shifty DJ 2050

Balearic techno-disco with shimmering trance plucks

Balearic techno-disco with shimmering trance plucks, late-night seaside club vibe. Four-on-the-floor kick, velvety female vocals, rubbery bass, and glittery arps. Verses stay minimal and sly, chorus blooms with airy pads, octave doubles, and call-and-response ad-libs. Final chorus lifts with extra hi-hats and wide reverb to feel like sunrise on the dancefloor., techno, disco, trance, balearic

Firegames

Dark indie-pop / alt-electronic with a hazy “high” groove

Dark indie-pop / alt-electronic with a hazy “high” groove, warm bass, swung drums, and shimmering synths, built around hypnotic vocal hooks and dark, playful lyrics and dangerous.

Flowers

#femalevocals

#femalevocals

Don't Need That (Ella´s Ghost) -Rem

A contemporary folk arrangement opens with warm acoustic guitar

A contemporary folk arrangement opens with warm acoustic guitar, gentle shaker, and airy raspy female vocals, then pulsing low synths and a haunting minor guitar motif add tension. Vocals build in intensity before drums and harsh orchestral stabs erupt. The chorus expands into a rich, emotional raspy duet over full instrumentation. In the coda, everything falls away to mournful cello, sparse piano, and subdued orchestral textures, dissolving beneath a calm spoken word finish for a stark, intimate close.

No One Knows (Remix) (Remastered) (Remix)

Modern Melodic/Death Metal

Modern Melodic/Death Metal, 180 BPM. Guitars are brutally multitracked (4–6 layers) with deepmid-scooped rhythm tones in Drop A, fat palm-mutes, wide stereo hard-panned L/R + dual leads with chorus spread. Bass is overdriven, glued with drums, fillinglow-mids with no masking. Kick: hard transient spike at 3.5 kHz, sub-punch at 45 Hz, mono under 120 Hz. Snare: cracked, centered, tight at 200 Hz and 6 kHz. Vocals:dual-layered screams/growls, aggressive, center-fixed, no stereo FX. Mastering: limiter at ‑0.1 dBTP, loudness at ‑5.5 LUFS, multiband comp + stereo imager. Stereo spread above 300 Hz only, anti-phase locked. All elements separated by surgical EQ – no mud, no masking. Guitars dominate sides, drums/vocals center. Final mix is wide, violent, crystal-clear – louder and heavier than Parkway Drive.

SAVIOR

Inner Wisdom

Warm neo-soul groove with brushed drums

Warm neo-soul groove with brushed drums, soft electric piano, and subtle upright bass. Female vocals, intimate and close in the verses; chorus blooms with stacked harmonies and gentle organ swells. Energy glides from meditative to quietly triumphant, with a short re-harmonized bridge that lifts before the final, mantra-like hook.

Flashlights Matter 🔦 x

4th Dimension

overdrive; eerie textures with pulsating basslines and stuttering delays creating a hypnotic atmosphere

overdrive; eerie textures with pulsating basslines and stuttering delays creating a hypnotic atmosphere, rhythmic, dark synth, dub-step undertones, Glitch hop, heavy wobbles, fast tempo, wide stereo

East Texas Shrooms v4

This EDM electro rockabilly hybrid opens with dusty boom-bap drums

This EDM electro rockabilly hybrid opens with dusty boom-bap drums, vinyl crackle, and a lazy swung groove. Ultra-deep baritone Texas drawl vocals lean above a sub-heavy, masterful low-end bass. Verses pulse with detuned piano, rhythmic banjo, and eerie harmonica. The hook features stacked, catchy call-and-response chants, subtle organ stabs, and leaves space for dynamic ad-libs. Throughout, the raw, infectious head-nod groove and room for rhythmic ear candy keep storyteller energy front and center.

Mercenary

Dark folk

Dark folk, alternative rock. Minor. 92 BPM. Male baritone vocal, dry and low-pitched, restrained and fatigued, emotionally controlled with no heroism or sentimentality. Electric guitar (low-gain, muted strumming and sparse melodic lines), acoustic guitar (dry, percussive picking), electric bass (slow, heavy, minimal movement), drums (mid-tempo, restrained kick and snare, minimal fills), subtle ambient pad (cold, distant texture). Sparse arrangement, bleak and desolate atmosphere, realistic war imagery, emphasis on exhaustion, inevitability, and moral emptiness rather than anger, drama, or triumph.

East Texas Shrooms v6

This EDM electro rockabilly hybrid kicks off with dusty boom-bap drums

This EDM electro rockabilly hybrid kicks off with dusty boom-bap drums, crunchy layers, vinyl crackle, and a lazy swung groove. Ultra-deep baritone Texas drawl vocals command the mix, riding a sub-heavy, expertly sculpted bass. Verses merge detuned piano, rhythmic banjo, and eerie harmonica for a hypnotic groove, while the hook bursts open with stacked call-and-response chants, catchy organ stabs, and space for punchy ad-libs. The vibe is storyteller-driven: raw, rhythmic, infectious, and packed with irresistible ear candy.

Afraid Of What You’ll See Written by Jessica JDA

female vocals

female vocals, emo, guitar, electronic, synth, ballad, rap, gospel, experimental, epic, punk, blues, j-pop, chill, mellow, upbeat, house, indie, aggressive, female voice, emotional, electric guitar, edm, trance, progressive, acoustic guitar, powerful, intense, deep, dramatic, phonk, psychedelic, vocaloid, 80s, melodic, hard rock, pop rock, soul, 90s, dance, bounce drop, electropop, catchy, classical, dubstep, disco, sad, violin, trap, folk DJ dramatic tencho trance beats dramatic electric keyboard female singer soft deep drums and bass electric keyboard

BURN THE ROAD

Cinematic Industrial Rock × Gothic Trap × Dark Western 122–128 BPM (constant drive

Cinematic Industrial Rock × Gothic Trap × Dark Western 122–128 BPM (constant drive, no release) English – LISA-Oribe-Risa wild, dominant, aggressive confident, sassy, battle-ready direct address, frontline energy Japanese – Like Ado raw, sharp, emotionally intense controlled chaos, explosive phrasing rage with precision, not screaming noise Heavy drums + engine-like groove Sub-bass rolls constantly (like a running engine) Deep, massive guitars (slow, heavy, crushing) Industrial textures, but no overcrowding No drops → permanent tension Dark Western vibe (vastness, road, fire) Ride-or-die Loyalty over fear Hellfire, chains, night road Movement without stillness

To The World’s End - Instrumental

Classical

Classical, Cello, Violin, Orchestral, Double Piano Concerto, Strings, Symphonic, Melancholic, Elegant, Sophisticated, High-fidelity, Instrumental, grand piano and harp in background

Mysterious