New Songs

HEAR ME BREATHE (Feat. Adele)

Jungle Music (Ambient)

Ambient electronic composition with a slow

Ambient electronic composition with a slow, meditative tempo of approximately 60 BPM. The track features lush, evolving synthesizer pads that create a dense atmospheric texture. A prominent, high-pitched digital synth melody plays a repetitive, four-note motif with significant reverb and delay. Subtle percussive elements include a soft, muffled kick drum and occasional metallic chimes. The harmonic structure is centered around a minor key, utilizing long-held chords that transition smoothly. Production is characterized by a wide stereo field, heavy use of spatial effects, and a clean, digital aesthetic. The arrangement is minimalist, focusing on gradual timbral shifts rather than complex rhythmic patterns.

SV2-Standin' in the Seats (Bee Baby & Chae)

Female vocals

Female vocals, black girl voice, feminine trap, dj scratches, rap turn table scratches, turn tablism, hard trap, hype trap, black girl vocals only, melodic trap music, chicago trap, trap, only girl vocals, melodic rap and melodic trap, Asian female vocals, Asian girl voice

You smell so good (vampire)

Horror and Vampire

Horror and Vampire, rap, male vocals, electric metal meets house, metal, Refrain with Aggressives dark Voice, blending heavy guitar riffs with pulsing electronic beats, dark and high-energy atmosphere, electric, japanese, remix,

Drift Into the Unknown (cinematic space rock, orchestral rock)

Cinematic space rock anthem characterized by a dramatic

Cinematic space rock anthem characterized by a dramatic, atmospheric build-up and high-energy orchestral fusion. The track begins with a slow, ethereal tempo featuring haunting female vocalizations and ambient synth pads, transitioning into a mid-tempo rock structure at 120 BPM. Instrumentation includes distorted electric guitars, a driving drum kit with heavy snare hits, and a full orchestral string section providing melodic counterpoints. The vocal arrangement features a powerful male lead with a gritty, soaring rock timbre, supported by layered choral harmonies and operatic female soprano ad-libs. Production is polished with expansive reverb, stereo-widened guitars, and dynamic compression to emphasize the transition from sparse, mysterious verses to explosive, anthemic choruses. The harmonic structure utilizes minor-key progressions with epic, suspended chords to create a sense of cosmic scale.

Angel on the Frontline

rock

rock, Emotional female vocals with an angelic yet broken edge, alto range. Gritty heavy metal rhythm guitars and double-kick drums under sharp punk rock energy. Verses start tense with palm-muted riffs and bass growl; choruses explode into wide, distorted power chords and soaring stacked harmonies. Occasional dissonant lead lines mirror the character’s duality, with a raw, cracked vocal climax in the bridge before a final anthemic chorus., harmony, world, punk, emotional, vocal

Morgensonne

[Gênero pop gospel/blues moderno

[Gênero pop gospel/blues moderno, alegre e libertador, 74 BPM com groove enérgico, bateria pulsante desde o primeiro segundo, baixo quente e presente, guitarra blues suave fazendo camadas (sem solos de abertura), Música já entra no REFRÃO com força, Coral gospel forte respondendo ao cantor e crescendo ao longo da música, Voz masculina rouca e intensa + voz feminina emocional e brilhante alternando versos, Clímax no refrão com coral completo, Atmosfera de vitória, libertação e cura, Ignorar tudo entre colchetes, ]

L’ORACOLO DELLA DOMENICA (Mano Galattica Blu – Vivo ciò in cui credo) Intro – parlato / sussurrato Non è la mano che guarisce. È ciò che passa attraverso di lei. Oggi non chiedo segni. Oggi divento strumento. Strofa I Mi armonizzo per conoscere non con la mente ma con il gesto Ogni ferita è una soglia ogni fine un completamento sacro Ho creduto di essere piccolo di dover dimostrare di fare per valere Ora so: la realizzazione accade quando smetto di forzare Pre-Ritornello Se mi perdo negli strumenti mi ricordo del respiro Se mi sento inadeguato torno al centro e resto (resto) Ritornello – Mantra Vivo ciò in cui credo non a metà non domani Vivo ciò in cui credo con mani aperte e cuore integro Vivo ciò in cui credo sono porta sono passaggio sono guarigione in atto Strofa II – Guida & Sfida La Scimmia ride e mi ricorda il gioco La Terra trema e mi chiede presenza Non sono qui per fuggire non sono qui per capire tutto Sono qui per danzare anche quando il passo non è perfetto Bridge – Ombra → Trasformazione Quando penso che il potere sia fuori mi fermo Quando cerco conferme mi svuoto Io non uso la luce (pausa) mi lascio usare Io non faccio la guarigione la permetto Ritornello – Corale Vivo ciò in cui credo con integrità (pausa) Galattica Ogni gesto è allineato ogni scelta è verità incarnata Vivo ciò in cui credo mano blu che conosce mano blu che completa Outro – Nascosto (Stregone) Nel silenzio la magia opera Non devo cercarla Sono già dentro il cerchio (sussurrato) Oggi non chiedo: sono.

drums

drums, female girl voice, deep, female chorus voice, tuba, dance, male vocals, bongos, cymbals, violin, deep bass, acoustic, acoustic guitars, harps, folk, tambourines, fast, pianos, saxophones, epic strings, pop, slow romantic Mara as tango

Desperate Romance

Fast

Fast, angular indie dance-punk built on sharp staccato guitars in jittery interplay, basslines locked tightly to punchy, syncopated drums. Energetic, urgent vocals—rhythmic and slightly strained—cut through with playful call-and-response, creating chaotic, stylish tension and a frantic groove.

2017

Psychedelic

Psychedelic, Thai funk

Riemergi House Pop, Tech House, trance

RADIO EDIT (short 3 minutes) .Suno interprete

RADIO EDIT (short 3 minutes) .Suno interprete, Suno super dance, Suno great hit, Suno riff, [Genere: House Pop / Tech House. Lip Sync, Dance Challenge.] [Tempo: 130 BPM. Atmosfera di festa, libertà e fiducia in sé stessi.], trance

Мля, Это Финиш!

Artist Suggestion: Male Solo

Artist Suggestion: Male Solo, Hooligan Vocals ​Genre Name: Ska-Punk, Russian Yard Chanson, Storytelling, Satirical ​BPM: 130 ​Detailed Style Description: High-energy ska with a fast brass section. The vocal is a fast-paced, expressive "hooligan" male voice. The singer is telling a story, changing tone from cheeky to surprised. No brackets in lyrics. English descriptions only.

SAY IT TO MY FACE Original BY Crimson Omen

At 140 BPM in E minor

At 140 BPM in E minor, this country-pop/rock anthem launches with aggressive distorted guitar riffs and tight power chords, tightly meshed with a punchy live bass and deep 808 sub. 909 double kicks blend under a relentless live rock kit groove. Raspy, dynamic male vocals command the forefront, processed with heavy compression and expansive reverb. Lush synth pads and infectious melodic hooks color each section, escalating the pop-leaning choruses. Verses and pre-choruses contrast in energy and arrangement, while the bridge and instrumental break burst with layered guitars, glitching vocals, sweeping effects, echo trails, and soaring melodic riffs for full-throttle intensity.

BOHVNNON - LONELY NIGHTS (COVER)

Classic 90s West Coast G-funk

Classic 90s West Coast G-funk, smooth laid-back groove, deep rolling bassline, crisp snare, punchy but warm kick, funky electric bass guitar feel. Bright high-pitched sine lead synth melody, плав gliding analog synths, subtle talkbox accents, and soft background pads. Clean melodic production with lots of space, not crowded. Male vocal: calm, smooth, confident West Coast rap flow, storytelling tone, relaxed delivery slightly behind the beat. Female vocal: warm, soulful R&B voice, emotional but controlled, silky smooth tone on hooks, layered harmonies in chorus. Mood is reflective, nostalgic, and hopeful — about leaving loneliness and being ready for real love. Sunset lowrider cruise energy, palm trees, city lights, ocean breeze feeling. No trap drums, no aggressive or fast hi-hats. Keep it groovy, melodic, and timeless. Tempo around 90 BPM. Radio-friendly mix, clear vocals, strong melodic hook, classic G-funk atmosphere with modern clarity.

Concrete Face

Progressive Soul

Progressive Soul, Blues Rock, Funk Rock

Слышу Голос Вселенной...💗

Мелодичная песня о Любви Космосе и детстве;Warm orchestral ballad with female vocals+chorus children’s choir ; melodic

Мелодичная песня о Любви Космосе и детстве;Warm orchestral ballad with female vocals+chorus children’s choir ; melodic,gentle piano and soft strings in the verses, then a wide, shimmering lift into the chorus. Subtle bass and brushed drums support a nostalgic sway, bells and wordless choir textures bloom on key phrases. Dynamics build from intimate storytelling to an open, emotional sing-along, then ease back to a tender, hopeful outro, electro guitar solo.

오마주 Homage

Korean dark folk pop with strong dramatic impact

Korean dark folk pop with strong dramatic impact, sharp and haunting female vocal, clear diction with cold emotional tone, half-sung half-spoken delivery, minor key with traditional Korean scale feeling, very strong intro that immediately sets a dark scene, low piano hit at the start, followed by tense string stabs, minimal but heavy rhythm, ritual-like atmosphere, subtle traditional percussion texture, slow build with sudden emotional drops, theatrical but restrained arrangement, focus on lyrics and vocal presence, no pop brightness, no softness, intense, eerie, and cinematic mood, tempo around 80 BPM, 4:00–4:30 length

Июльская липа...

This is a russian unusual rock song with a moderate tempo and a romantic and melancholic mood

This is a russian unusual rock song with a moderate tempo and a romantic and melancholic mood, The instrumentation includes lead tenor male vocal, a piano, a bass guitar, drums, and a synth pad, The song is in a minor key, with a chord progression that frequently uses major chords and resolves to a major chord for a sense of hope, The male lead vocal is smooth and clear, with a slightly romantic tone, The female backing vocal provides harmonies, often in a higher register, adding depth and warmth, The piano plays arpeggiated figures and sustained chords, providing harmonic support and melodic embellishments, The bass guitar lays down a steady, foundational rhythm, The drums provide a simple, consistent beat with a focus on the kick and snare, occasionally incorporating subtle cymbal work, A synth pad provides a sustained, ethereal background texture throughout the song, The song structure follows a typical verse-chorus format with an instrumental passage, DOLBY Atmos, wide stereo mix

The Dreaming Reel (Celtic folk meets didgeridoo)

didgeridoo drone

didgeridoo drone, Celtic folk, Irish traditional, fiddle, tin whistle, bodhrán, uilleann pipes, circular breathing, sean-nós vocal, jig reel, Gaelic chant, bouzouki, folk drone fusion, acoustic Celtic tribal

Going Down

dark pop

dark pop, mainstream pop, pop-R&B crossover, boy band modernized, late-night pop radio, sensual restraint, seductive but polished, chant-ready hooks, Drake-approved melodic minimalism, conversational lyric flow, emotional coolness, understated confidence, Ryan Tedder hook engineering, universal chorus architecture, simple but addictive topline, Timbaland-led rhythm design, off-grid percussion, breathing drums, syncopated kick patterns, negative space groove, sub-bass swells, Pharrell-minimalist funk, skeletal production, elastic rhythm, muted synth stabs, glossy pad layers, Sebastian Mikael-atmospheric R&B textures, moody ambience, whispered male vocals, low-register delivery, breathy intimacy, layered boy band harmonies, call-and-response group vocals, alternating lead lines, dynamic contrast (solo verse → group hook), cinematic pop build, slow-tempo seduction, romantic undertone, club-safe but radio-ready, TikTok-loopable chorus, debut-single energy, modern heartthrob pop