New Songs

Head Burned

Hilarious Humor Emo

Hilarious Humor Emo, Deathcore, Vocal 1: Slumber Folk, Vocal 2: Deathcore Screamo, Aggressive Circus, Stylish Metal. Whimsical, gentle acoustic lamentations violently interrupted by guttural, unhinged screamo tirades. Jarring circus organ melodies over crushing downtuned riffs. Over-the-top theatrical dynamics. A stylish, self-aware fashion-core meltdown,

Whole In Overflow

Sacred abundance anthem warm

Sacred abundance anthem warm, expansive, joyful authority TEMPO: flowing and confident KEY: Major with suspended chords (sense of continual opening) CORE MESSAGE: Infinite supply is present now. Wealth moves toward me with eagerness and pleasure. Abundance seeks expression through my mind, body, and affairs. LYRICAL ESSENCE (to weave, paraphrase, repeat): • “My supply of all good is at hand” • “The wealth of heaven and earth moves toward me” • “It presses into expression through me — here and now” • “The riches of the kingdom flood my whole being” • “I open wide and receive with joy” VOCALS: Confident, embodied lead Gentle gospel devotion fast style harmonies in chorus no strain FREQUENCIES: 528 Hz — abundance coherence heart-led creation 639 Hz — flow inner and outer supply 432 Hz — embodiment, ease, natural prosperity 8 Hz receiving, safety CHORUS Affirmative, spacious, Abundance now ENDING: being richly held fully supplied

TEACHER’S CUP

TEACHER’S CUP — Café Wedding-Pop (Learning & training vibe) Modern romantic café pop ballad. Piano + soft guitars + subtle strings

TEACHER’S CUP — Café Wedding-Pop (Learning & training vibe) Modern romantic café pop ballad. Piano + soft guitars + subtle strings, big chorus lift. 82 bpm. Human male pop tenor, clean emotional delivery, intimate verses, natural breath.

Hey

Громче сердца

folk

folk, EDM-pop & deep house fusion at 128 BPM with male vocals; tight four-on-the-floor kick and warm sub groove, sidechained pads pumping under glossy pop synth stacks. Verses stay lean with bouncing plucks and subtle folk-style melodic turns; pre-chorus lifts with claps and bright festival brass swells. Chorus explodes into hands-up euphoria with bold brass leads, stacked gang “hey”s on the downbeats, a big anthemic topline, and a call-and-response post-chorus riff between vocal and synth. Final chorus goes maximal with extra octave doubles, crowd chants, and widened reverb tail for a festival-firework finish., pop, vocal, male vocals, edm, deep house, bright

I forgot to wake… (again) (Cover)

Truth in Love

This groove-driven country track opens with syncopated funk drums and a bluesy bass

This groove-driven country track opens with syncopated funk drums and a bluesy bass, layering in crisp electric guitar and sly harmonica, Folk acoustic strums shape the verses, then jazzy chords energize the chorus, A fiery guitar solo and jazz brass build to a playful, folk-tinged harmonica outro

I Hate Me For Hating You

Catchy R&B Trap

Catchy R&B Trap, synth

Red Card Life

funk

funk, High-energy mashup: gritty phonk groove over distorted funk bass, crunchy metal guitars stabbing on downbeats, tight trap hats. Male vocals half-shouted, half-sung; hook stacks gang chants with call-and-response. Verses ride a swaggering pocket that explodes into a shout-along chorus; brief breakdown with filtered drums before the final hit., metal

THEY MUTED 6TH KING JAMES 2

CLASSIC EARLY 70s POWERFUL BASSLINE NAUGHTY HOUSE

CLASSIC EARLY 70s POWERFUL BASSLINE NAUGHTY HOUSE, cinematic loud Chant × Drum afro-beat voodoo Bongo Drums female vocal, ambient, hiphop rap, high-quality female vocal

mashup me x Midsummer Dream (Mashup)

[Genre: Whimsical Chamber Orchestral

[Genre: Whimsical Chamber Orchestral, Farcical Opera] [Style: Slapstick Cinematic, 18th Century Neo-Classical] [Groove: Scherzando, Incalzando] [Voice 1: Male, Light Baritone, Playful, Papageno style] [Voice 2: Female, Bright Soprano, Chirpy, Papagena style] [Featured: Piccolo Flute, Pizzicato Violins, Glockenspiel] [Motive: Rapid Woodwind Arpeggios, Staccato Strings] [Lead: Flute (Virtuosic, Bird-like)] [Bass: Bassoon (Staccato, Bouncing)] [Kit: Orchestral Percussion, Timpani, Woodblock] [Acoustics: Dry, Theatrical Stage Reverb, Isolated Stems] [Spatialization: Wide Stereo, Phase-Aligned, Orchestral Depth] [Mastering: Studio Master, High Fidelity] [Themes: ThInt(Largo to Presto, C-Chromatic), ThA1(Allegretto, G-Dorian), ThB1(Presto, D-Ionian), ThC1(Moderato, C-Aeolian), ThOutro(Presto to Largo, C-Chromatic)]

Electric Ocean

FUNK CRIMINAL (SLOWED) - ICEDMANE, DYSMANE (Remix)

Dark Brazilian funk slowed

Dark Brazilian funk slowed, criminal and underground vibe. Tempo slow (≈120 BPM slowed feel), heavy distorted 808 with long sustain, deep punchy kick spaced out, minimal percussion. Dark ambient intro with reverb and eerie textures, tension build up. Drop with aggressive bass, gritty low-end, raw and dirty mix. Pitch-down male vocal samples, menacing and hypnotic, short phrases, lots of reverb and delay. Minimal melody, focus on rhythm and atmosphere. Cinematic, nocturnal, threatening mood, street/crime aesthetic. Simple structure: ambient intro → heavy drop → short break → second drop → dark outro. Slowed and heavy, oppressive energy, phonk/funk fusion.

In your Eyes

Boyband Country Pop romantic love Ballade with orchestra strings Synthizer catchy Melody

Boyband Country Pop romantic love Ballade with orchestra strings Synthizer catchy Melody , heartfelt delivery acoustic guitar Harmony's , fx, mehrstimmiger Gesang, country, piano, echoing, himmlisch, k-pop, guitar acustic, epic chorus, gregorian chant, cinematic build-ups, classic piano, country, dramatic crescendo, mehrstimmiger Gesang, Pop Italiano, capella, mehrstimmiger Gesang, beatmaker

BOHVNNON -LONELY NIGHTS

Minimal psychedelic groove launches with a muted neon pulse

Minimal psychedelic groove launches with a muted neon pulse, stark four-on-the-floor beat, sparse bass, angular dissonant guitars, and sharp funk licks, layered with fragmented, abstract sax. Verses play with mouth harp and skittering insectile electronics, sudden fiddle motifs, building hypnotic tension through extreme repetition and shifting polymeters. Choruses shift to richer textures—slightly warmer but tightly wound. The interlude erupts in buzzing modular synths and jagged, off-kilter guitar/sax syncopation. Outro scatters sonic “embers” as all elements dissolve.

Teeth (Nu-Metal Cover)

female vocals

female vocals, teenager voice, angry song about hurt and betrayal, emotional, 2000s nu-metal song, alternative metal

「복음이면 충분해」 Gospel Is Enough

Upbeat global worship

Upbeat global worship, youth revival praise, joyful and hopeful atmosphere, mid-tempo (92–100 BPM), modern praise band, energetic drums, rhythmic electric guitar, bright synth layers, anthemic chorus, male and female youth vocal blend, congregational sing-along, festival-style worship, international church conference vibe, celebrative and faith-filled

Foolish Man

FEEL GOOD

rennie - hustle crow LOIVE x "mar… x Die Geige, sie singet (BAILAMashup)

LIVE !!!LiveSession!!! melodic catchy StreetPunk MALE SkatePunk Oi Skapunk UpliftingMetalcore ScratchingLiquidDnB epicSolo technoSoloMelodicBusted IrishFolkPunk ViolineSolo

LIVE !!!LiveSession!!! melodic catchy StreetPunk MALE SkatePunk Oi Skapunk UpliftingMetalcore ScratchingLiquidDnB epicSolo technoSoloMelodicBusted IrishFolkPunk ViolineSolo