New Songs

Phase Xï : Late Air Max

Grave-Pressure Clubwave / 122 BPM / Soul-Weighted Descent] [Foundation: A living low-end core built to feel—sub and mid-bass collide

Grave-Pressure Clubwave / 122 BPM / Soul-Weighted Descent] [Foundation: A living low-end core built to feel—sub and mid-bass collide, breathe, and fracture, pressing into the chest before releasing into hollow space; tension is emotional, not decorative.] [Beats: Locked four-on-the-floor with surgical punch; kicks thud like heartbeats under stress, snares crack then dissolve into metallic dust; micro-percussion jitters and snaps, keeping the body alert.] [Bass & Drive: Modular bass systems mutate in motion—filter sweeps grind downward, harmonics tear open, sidechain surges like gravity pulling and letting go; motion feels dangerous but addictive.] [Harmony & Melody: Minor-key progressions stretch and ache; chords smear and bend, unresolved and haunted; melodies hover like ghosts just out of reach, bleeding into the mix.] [Synths & Texture: Cold, spectral pads clash with liquid arps and distorted stabs; pitch drift, phase wobble, and saturation add grit and soul—nothing clean, ever

Out Here

Как в кино, но не моё

pop

pop, Classic romantic mariachi with nylon guitars, guitarrón, and warm trumpets; male vocals in Russian delivered with a lilting, Mexican-tinged phrasing. Verses stay intimate and close-mic, almost whispered over gentle strums; chorus swells as trumpets answer the vocal lines and group backing “ay-ay-ay” harmonies lift the hook. Subtle reverb for a plaza-at-midnight feel, final chorus held back slightly for a bittersweet, reflective landing., deep, romantic, mariachi, lyrical

розмова с GPT

Heavy Metal

Heavy Metal, funk rock, fusion jazz

Lady Are You Crying For Me

high tenor male vocals

high tenor male vocals, flute, resonator guitar, electric guitar, acoustic guitar, classical guitar, banjo, cello, violin, piano, beautiful full vocal harmonies, soft country rock

Timelines Collide... (@Leslie Dale Hall)

dark modern groove metal

dark modern groove metal, riff-first stomp with sinister swagger, drop-D/drop-C down-tuned guitars, wide stereo double-tracked crunch, bright pick attack, tight gate, palm-muted verse chugs, open-string pedal riffs, syncopated stop-start punches, halftime breakdown chant, chorus massive singalong lift, gang-shout backups, vocals gritty shout verses to melodic high belts, lead guitar shred spotlight, wah sweeps, pinch harmonics, singing sustain, controlled feedback, wide vibrato, huge bends, pentatonic fire, legato runs, harmonic-minor flashes, arpeggio sweeps, bass as co-lead, warm low-mid growl plus clanky bite, fingerstyle precision, melodic counterlines, tapping fills, drums heavy kick, sharp snare, ghost notes, tom fills, cymbal chokes, occasional double-kick surges, bridge clean arpeggios with chorus delay, moody chords, airy pads, organ swell, FX throws and reverb, tape warmth, modern punch, tight low end, punchy mids, clear cymbals, wide, loud yet dynamic master, last-hit ending

i'm in the way

Melancholic dream pop

Melancholic dream pop, slow-core, intimate ethereal male vocals, heavy reverb, fuzzy distorted guitar, minimalist drums, emotional, yearning, lo-fi aesthetic, 90s indie rock influence, atmospheric, somber. Hazy textures. No big chorus.

wasabi

The track launches with energetic Brazilian basslines and punchy electronic drums

The track launches with energetic Brazilian basslines and punchy electronic drums, layering syncopated hi-hats. Horns and trumpet riffs cut through, driving sharp hooks between bouncy pop rap verses. Alternative indie synth textures weave in, adding surprise and depth, while house piano stabs push the groove.

Babali Boon

classical

classical, orchestrial, brit rock, art pop, electro swing, violin, obo, harp, accordian,

momotaro

Epic opera and Japanese rap fusion

Epic opera and Japanese rap fusion, grand operatic choir and orchestra, dramatic soprano and low male choir, calm narrative Japanese rap verses, mythological storytelling, clear contrast between rap verses and operatic chorus, theatrical, solemn, heroic

розмова с GPT

Progressive House

Progressive House, Melodic Techno, Epic Trance, 128 BPM, 4/4, male lead vocal melodic, emotional, expressive, always foreground, strictly follows melodic frames, no instrumental

Mermaid Cry

Du tanzt in mein Herz

pop

pop, catchy, bright, modern pop, bright, simple, uplifting, vocal, strong, rhythmic, emotional, clean

ぞうさん

bold

bold, unapologetic female vocal with a sharp, teasing tone. Lyrics driven by self-acceptance, irony, and rebellion, embracing flaws and “low-grade” labels as power. Minimal but punchy beat, heavy bass, trap-influenced rhythm, edgy synths. Attitude-first delivery: confident, sarcastic, playful yet emotionally raw. Mood is provocative, fearless, street-smart, balancing vulnerability and dominance. Catchy hooks with talk-rap verses, modern J-pop × hip-hop aesthetic. No sweetness, no apology — turning stigma into identity.

Black Monday From Mars

rock

rock, Dark 90s alt-rock colliding with hard funk groove: deep, rolling bass and snarling, wah-drenched guitars over heavily syncopated drums at 92 BPM, male vocals ragged and emotional. Verses stay tense and palm-muted, choruses explode with stacked distortion and stadium-wide reverb tails. Bridges drift into atmospheric, delay-soaked soundscapes before slamming back with cinematic tom builds and shredding lead guitar answering the vocal hooks. Mix is wide and towering, with raw, front-of-stage energy and ominous low-end weight., funk, raw, theme, tone, male vocals, alternative rock, deep

Nie mehr

pop

pop, modern pop, upbeat, bright, clean, repetitive, catchy, easy singalong, instant connection, vocal, strong, simple, rhythmic, emotional, uplifting, clean, bright

Fire 2

male vocals

male vocals, rap, trap, 808, experimental, Memphis sound

SUTEKH

dark death metal

dark death metal, 170 bpm, D minor, ominous, galloping riffs, twin lead guitars, fast double-kick, cinematic strings, low brass, epic choir, dramatic male vocals (gritty but melodic), modern polished mix, wide stereo, storm ambience, heavy rain, thunder rolls, lightning cracks storm ambience louder, thunder prominent

四智圓明的家鄉

Ethereal Chinese spiritual pop ballad with sparse piano and guzheng

Ethereal Chinese spiritual pop ballad with sparse piano and guzheng, airy pads, and male vocals. Verse stays intimate and close-mic'd; chorus swells with string ensemble, layered harmonies, and subtle choirs. Gentle percussion enters on the second chorus to lift energy, then a soft breakdown bridge with reverb-drenched vocal ad-libs before a final, glowing refrain.

First Love, Last Love

Blue

Blue, slow rock, crying vocalist