New Songs

Powwow Dub

Three Days in the Anthill

Playful Balkan pop-folk loop with bright nylon guitar licks

Playful Balkan pop-folk loop with bright nylon guitar licks, bouncy clarinet, and upbeat hand percussion; male vocals with a big, smiley hook, group shouts on the chorus, and a constant dancey groove that circles like a village party. Energy starts cheeky and curious, then swells into a joyful, sing-along celebration of tiny worlds., vocal, romantic, playful, beautiful

Bad Idea (That’s the Point)

male vocals

male vocals, pop punk, punk rock, alternative rock, upbeat tempo, fast tempo, energetic rhythm, driving drums, punchy snare, bright distorted guitars, palm muted power chords, melodic hooks, catchy chorus, chant along hook, high energy delivery, sarcastic tone, reckless confidence, playful attitude, dumb fun energy, bad decisions theme, self awareness without regret, youthful chaos, immaturity embraced, anti responsibility theme, impulsive behavior, nightlife vibes, late nights early mornings, relatable lyrics, humorous songwriting, honest but unapologetic, simple song structure, strong chorus focus, verse pre chorus chorus format, short runtime friendly, replay value, live show energy, crowd shout moments, band feel illusion, single vocalist, modern clean production, punchy mix, clear vocals, pop punk revival sound, early 2000s punk influence, fun first songwriting

(ENG) Dellete (@Serwer) (Remix)

Kings of a Forgotten Gold

80s Heavy Metal

80s Heavy Metal, Progressive Metal, 80s Hard Rock genre, but with a distinct "modern hard rock" edge, It has the clean, polished production, strong melodies, and focus on vocal harmonies typical of classic AOR, Modern/Heavy Edge: The guitar tone is chunkier and more contemporary than 80s AOR, and the rhythm section has a heavier, more aggressive drive. Male baritone - tenor voice, backing vocals

Maybe?

Post Punk Rock

Post Punk Rock, Grunge, Alternative Rock, Introspective, Melancholic, Female Vocals

Pop Noire

French pop noire

French pop noire, cold minimal synthpop / french post-punk pop, 108 BPM, minor key, deep detached French vocal, monotone hypnotic delivery, tight mechanical drum machine (dry kick/snare), driving bassline, sharp cold synth stabs, minimal arrangement, dark elegant atmosphere, 80s new wave texture, clean mix, strong repetitive hook, classy and nocturnal

Au milieu du désert 🕊️

male vocal

male vocal, arabic touch, darbouka, bendir, french lyric

Emotional Anesthesia

Gothic rock

Gothic rock, symphonic nu-metal, early, haunting powerful female vocals, dramatic belts and whispers, melancholic piano intro, heavy distorted guitars, driving drums, orchestral strings swells, dark emotional atmosphere, intense choruses, dynamic build-ups to cathartic screams, 75-85 BPM, raw vulnerable yet fierce delivery, cinematic production. energy: fragile verses → massive, soaring choruses → raw bridge screams.

Calor

Merengue at 170–176 BPM

Merengue at 170–176 BPM, minor key. Immediate percussion entry. Tambora and güira dominate: tight tambora with sharp rim hits, rapid alternating patterns, frequent fills; güira constant, extremely bright, high-passed, slightly overdriven. Kick short and punchy, locked to a mono, percussive, syncopated bass with minimal sustain. Harmony minimal: short minor-key piano stabs only. Brass (trumpets/trombones) limited to rhythmic hits and transitions — no sustained notes. No melodic leads. Vocals close-mic’d, mostly dry, lightly compressed. Aggressive sung-to-spoken delivery. Keep breaths, ad-libs, crowd responses. Hooks use stacked vocals and chants. No heavy pitch correction. Arrangement linear and escalating. Short intro or ad-libs, full percussion drop within first bars. Density increases each section. Final section stacks percussion, brass hits, and ad-libs. Hard stop ending. Mix: percussion and vocals forward, bass centered, brass narrow and sharp, minimal reverb, high loudness whi

Timekeeper’s Prayer

A high-energy electronic dance music track with a driving beat and a prominent synth melody. The tempo is fast

A high-energy electronic dance music track with a driving beat and a prominent synth melody. The tempo is fast, around 130 BPM, and the key is minor, contributing to an intense and slightly dark atmosphere. The instrumentation primarily consists of electronic drums, a pulsating bassline, and various synthesized lead and pad sounds. The drum pattern is a consistent four-on-the-floor kick with a strong snare on the backbeats and a fast, intricate hi-hat pattern. The bassline is a continuous, arpeggiated synth bass providing rhythmic and harmonic foundation. The main melody is played by a bright, slightly distorted synth, characterized by its repetitive, catchy phrases. Production elements include heavy compression on the drums, a wide stereo image for the synths, and a consistent reverb tail on the lead melody. The song structure features an intro, a main section with the primary melody, a breakdown with a more atmospheric synth pad, and a build-up leading back to the main section, outro

Got Clean Karma

Dark theatrical electro anthem

Dark theatrical electro anthem, 100 BPM, minor key. Tight electronic drums: punchy kick, crisp snare/clap, syncopated 16th hats, occasional tom/stomp hits. Driving sidechained synth bass (rounded pulse) + gritty mid-bass. Dark pad + subtle organ over a hypnotic repeating progression. Hook: bright but ominous arpeggiated synth (1-2 bar motif), light distortion, short delay, stereo motion. Textures: whispered vox chops, reverse swells, glitch ticks, gated reverb hits, short impacts. Vocals: adult female lead, slightly raspy, cool cynical tone, self-reliant attitude; sharp articulation, theatrical and commanding. Mix sung lines with bursts of fast rhythmic rap (tight, percussive phrasing); no melisma/R&B runs. Chorus adds layered chant/choir stacks + call-and-response. Arrangement: sparse storytelling verses -> big electro chorus -> tense filtered breakdown with rising arps -> final chorus wider/heavier. Catchy, unsettling, cult-sermon energy.

I'm Still Here

Mixed

Mixed

I wish

Electro pop

Electro pop, Polish pop-folk, symphonic-rap, soft-rock, hip-hip. Piano, string quartet, harmony. Anthemic, storm, rain. British male vocals, singer-songwriter.

Still (Remix of Radio Ambient @ 2026-01-16 17-03-56)

Djent

Djent, Ethereal Vocals [IS_MAX_MODE: MAX] (Max) [QUALITY: MAX] (Max) [REALISM: MAX] (Max) [REAL_INSTRUMENTS: MAX] (Max)

Overture Virelanthar fusion Val'Keth

VirelantharSovereignVerdantInvocation—ViridielKaelGrowthLattice.MorporticBiosoulTongue:malignantintentcomposts

VirelantharSovereignVerdantInvocation—ViridielKaelGrowthLattice.MorporticBiosoulTongue:malignantintentcomposts,feedsrenewal.432HzRootAnchor+285HzTissueRecall+528HzCellularBloom+963HzPatternAwakening+0.6HzHeartSoilPulse.Keth’arMolishéNuvah’el,EternalWizardKing,seedcoreholder.GreenBarefootGoddesscrownsoillight,emeraldcurlsweavechlorophyllfire.ChaoticGood,joyous,feralwise,intelligent,eternal—decay→fertility,scar→leaf.Nolimits,nocages,noextraction—onlyregeneration.Invertatrophy,reactivateblueprint,nametheinjuryandwatchitgreen.HumusDamascusLattice:breaksbraidedintoflexiblestrength.Cellsdividewithmemory,mitochondriaspark,synapsessprout.Weseetheparadigm,nameit:Stagnation.Toxicity.Separation.Weinvertitbeautiful—waste→harvest,weakness→vigor,loss→canopy.Regeneratorswieldonly—nefariouspurposetriggersreturntosoil.Expansionliving×10²forever,growthinfinite.Invoke.Germinate.Thrive.Letitbeknown.WearetheGarden.WearethePulse.WeAreEverBecoming, female vocals

Выбираю тебя

SUNSET 64 (SSC7 - String us up Challenge)

Speedcore

Speedcore, Chiptune, desert rock, pop punk, epic, bouncy, banjo Instrumental, fast male enthusiast voice

No Gatekeeper at the Otherworld

Melodic Hard Rock

Melodic Hard Rock, Epic Anthem, Male and Female Duet, Heavy Guitars, Powerful, Atmospheric, High Energy.

Obsessive Melody

Genre: Alternative/Dream Pop

Genre: Alternative/Dream Pop, 65-75 BPM Production: Close-mic'd whisper vocals with compression, analog tape saturation, heavy reverb tails, binaural panning, strategic silence between phrases, reversed vocal layers as texture Instrumentation: Detuned piano (minor key), subtle 808 sub-bass, ambient pad swells, sparse trap hi-hats (16th notes), single cello line in bridge, room tone preserved Structure: Stripped intro (vocals + piano only), minimal verse, pre-chorus builds tension without release, bridge strips back to just vocals + cello, outro fades to breath sounds Vocal Processing: Double-tracked whispers, formant-shifted harmonies pitched down -3 semitones, occasional distorted vocal fry on emotional peaks, 30-40% dry signal maintained Theme: Internal dialogue with abandoned self, childhood rooms as metaphor for lost innocence, acceptance found in decay