New Songs

Still Feel Eyes (UK Drill, Grime)

Gelassenheit (a)

Deutschrap

Deutschrap, Rap, Rapcore, Umgebungsakustik, Hymnenchor, [Chor], deep kicks, HipHop Beats, Eastcoast

When I Get To Spain

Bright Spanish guitar arpeggios open over breezy hand percussion and crisp palmas

Bright Spanish guitar arpeggios open over breezy hand percussion and crisp palmas, establishing a lively feel, Verses center on fluid fingerstyle and melodic bass, with nylon-string lead licks weaving through, The chorus lifts with uplifting chord changes and airy flute melodies layered on top

One Against Twelve (rap + Mongolian)

here’s a rap + Mongolian throat-singing (khoomei) fusion version. The structure is built for performance: low drone hooks

here’s a rap + Mongolian throat-singing (khoomei) fusion version. The structure is built for performance: low drone hooks, tight rap verses, and legend-style repetition. I kept it raw, controlled, and intimidating — no bragging, just presence.

~ ! Di-eM-aX Ruler of them All ! ~ (🖤) ~ UZD ~ [RAP BEAT]

Kicking off with a raw drum break and sampled brass stabs

Kicking off with a raw drum break and sampled brass stabs, this US rap track layers heavy, percussive tumbler sounds for urban grit. The Bronx section hits with bold honking synths and throttle-like effects, Queen’s is illuminated with crisp hi-hats and flickering triplet flows, while Brooklyn surges with syncopated, punchy kicks, gritty bass, and vinyl crackle. The production weaves intricate turntable cuts throughout, cementing an energetic, borough-spanning atmosphere.

A Love So Deep

dark

dark, spine-chilling, despair, macabre, dramatic, deep bass, soulful, rock, ballad, gothic, haunting, gothic folk, sexy r&b, soul, blues, slow, haunting, long drawn out almost howling vocals, seductive, loud guitar riffs, violins, southern rock, 60's rock, British invasion, grunge, folk, deep bass, sultry, flowing, addictive sound, instrumental solo, love ballad, irish, hard rock, classic rock, alternative rock, rockabilly, drum solo, build up to wailing twin electric guitars howling, raspy gravel voice String Quartet, Orchestra, Piano Quintet, Sextet, Requiem Symphony Symphonic Poem Violin Concerto, intense, Cinematic Orchestral, opera, seductive, death, medieval, choir, bagpipes, tribal beat, progressive rock, heavy 808s, metal, doom

Untitled Song

indie rock

indie rock, strings

Anakonda Šustík

rap

rap, Dark hypnotic trap built from a woozy “snake lullaby” motif on plucked koto-like synth and breathy female vocals, 90 BPM. Verses ride a slithery, swung groove with sparse percussion and subby bass; hook blooms with stacked, reverb‑washed harmonies and a simple, menacing topline. Occasional pitched vocal chops answer the rapper, with space in the mix for tight punchlines and ad‑libs., female vocals

some thing is broken in us

male lead pop and soft rooc

male lead pop and soft rooc

Comin' To a Town Near You

Catchy

Catchy ,120-140bpm. country rock some nice heavy saxophone guitar bass drums , male vocals

Semua telah berlalu

Traditional Chinese Ballad Duet with ambient cinematic undertones

Traditional Chinese Ballad Duet with ambient cinematic undertones, blending guzheng, erhu, and soft orchestral textures to evoke longing and irreversible regret

空のプロローグ

Hopeful gothic rock fused with alternative rock

Hopeful gothic rock fused with alternative rock, mid-tempo 120–130 BPM. Floating and uplifting atmosphere, like flying through the sky at dawn. Clean but emotional distorted guitars with wide reverb and delay, arpeggiated guitar intro. Warm synth pads and subtle choir textures creating a gothic but bright sky-like soundscape. Solid rock drums with steady kick and open hi-hat, not aggressive, driving forward. Bass is melodic and supportive, giving a sense of flight and motion. Clear, transparent male vocals, gentle but powerful, singing with hope and sincerity. Chorus opens up wide and anthemic, bright harmonies, emotional lift. Bridge feels like soaring above the clouds, then a melodic electric guitar solo full of emotion. Overall mood: hopeful, emotional, sky, dawn, light gothic, alternative rock, uplifting, cinematic.

Der Doktor Lacht Zuletzt

German-accented mad-scientist industrial metal: theatrical spoken lines

German-accented mad-scientist industrial metal: theatrical spoken lines, guttural accented singing (use “ja”, “nein”, clipped vowels, z/th→z), aggressive chug guitars, punchy drums, occasional manic laugh breaks. Vocals shift between theatrical clean delivery and snarled/barked lines; bridge features whispered eerie lines. Keep accent consistent and perform words phonetically as written.

Grateful (Simply Today)

Genre: 1969 Bubblegum comical Garage pop

Genre: 1969 Bubblegum comical Garage pop, 132 BPM. major key, Vibe: Manic, sugary, driving, raw energy. Vocals: Male, nasal, aggressive grit, playful shouting staccato delivery, slight tape slapback (80ms), double-tracked gang chants. Guitars: Rickenbacker 360 12-string, bridge pickup, treble booster, into cranked Vox Super Beatle amp, aggressive downstrokes, jangling metallic texture. Bass: 1965 Fender Precision, flatwound strings, hard pick attack near bridge, Ampeg B-15 Portaflex, slight tube overdrive, melodic fills. Keys: Farfisa Compact organ, piercing high register, fast rhythmic stabbing chords. Drums: Vintage Ludwig Club Date kit, 20" kick, Supraphonic snare with tea towel dampening, dry dead room sound, heavy Fairchild 670 compression, pumping. Mix: Analog tape saturation, Studer A80 warmth, audible tape hiss, mid-forward EQ, EMT 140 plate reverb, hard L/R panning, 4-track limits, warm tube preamps, aggressive limiting, punchy mono-compatible mix, vintage console coloring.

SEa SAw [Lot On My Plate] Tie Tanic xD

Modern trap with heavy 808s

Modern trap with heavy 808s, rolling hi-hats, glitching distorted bass, chopped and stuttered vocals, chaotic digital textures, confident dark rap energy, melodic hooks with subtle anime-inspired synths, aggressive yet playful, viral internet-era sound

Маме (сл. А. Самчук)

Husky Deep Resonance Baritone Solo No Effects Quiet Chanson Quiet slow tempo minor flute saxophone cello guitar piano

Husky Deep Resonance Baritone Solo No Effects Quiet Chanson Quiet slow tempo minor flute saxophone cello guitar piano

Future work

heavy metal

heavy metal, indie pop, edm, epic, futuristic, trap

24/7 CALLING (이 밤은 계속 울려)

K-pop

K-pop, Pop-Rock, Distorted Electric Guitar, Heavy Bass, Girl Crush, Fast Tempo (128 BPM), High Energy

Go West

[Is_MAX_MODE: MAX](MAX) [QUALITY: MAX](MAX) [REALISM: MAX](MAX) [REAL_INSTRUMENTS: MAX](MAX) Soviet Propaganda Anthem March

[Is_MAX_MODE: MAX](MAX) [QUALITY: MAX](MAX) [REALISM: MAX](MAX) [REAL_INSTRUMENTS: MAX](MAX) Soviet Propaganda Anthem March, 100 BPM, 4/4, Triumphant, Massive Brass Fanfare, Trumpets+Horns+Trombones+Tubas, Military Snare+Bass Drum+Timpani, Male Choir Strong, Collective Shouts, Baritone Lead (stern, straight tone, no jazz, no crooner), Cold Reverb, Iron-Curtain Aesthetic, Subtle EDM Sub Pulse (very light), Big Stadium Energy

Lana and Vicky

techno

techno, electro swing, trance,high energy, female, club, remix