New Songs

The Village Festival

Polka

Polka, Guitar, Bouzouki, Soft Flute, Tambourine, Deep House, light beat, clean recording

Spell Me Once

[Genre: Dreamy 80s synthpop

[Genre: Dreamy 80s synthpop, romantic J-pop, whimsical electronica] Tempo: 135 BPM mid-energy waltz-feel, Female vocal: ethereal, sweet, enchanting, higher register, Production: shimmering synth pads, music box sounds, bell accents, lush orchestral strings, Key: E♭ major (dreamy, romantic), Stock Aitken Waterman influence with softer edge, Xylophone, harp glissandos, twinkling effects throughout, TikTok hooks: 0:00-0:15 (magic intro), 0:45-1:00 (twinkle section), 2:00-2:15 (spelling chant), Bewitched/magical theme, Innocent romance meets fantasy, Sparkling production quality

Gravel at 432

Loose back-porch delta blues at 432hz feel

Loose back-porch delta blues at 432hz feel, acoustic slide guitar and stomping wood-floor percussion. Male vocals, dry and upfront, with a call-and-response harmonica that weaves around the voice. Verses stay intimate and raspy; chorus leans into a shout-sung hook with hand slaps on the guitar body driving the groove. Subtle room reverb, like a single mic in a small wooden shack., delta blues

Моя судьба

bard acoustic guitar accordion kidding

bard acoustic guitar accordion kidding

Special Thanks

UK Garage

UK Garage, Jersey Club, 90s R&B, Airy vocals, Minimalist, 130 BPM, Vocal chops, Sophisticated pop, High fidelity, Nostalgic synth

Best Friend Status

Old Scar

Raspy male vocals

Raspy male vocals, gritty blues rock, distorted electric guitar, soulful heavy stomp, whiskey-soaked voice, raw emotion, 1970s analog vibe.

Together facing all that comes.

Trip-Hop

Trip-Hop, Glitch, Dub-Step, Rap, Hymn, Gospel, Backing choir, Emotive melodies, accentuating glitch punctuation

Reynmen - Renklensin (J-Rock Remix)

J-Rock (Japanese Rock)

J-Rock (Japanese Rock)

Tribute to Ozzy Osborne (Remastered)

This heavy rock/metal track roars in with a searing Phrygian guitar run

This heavy rock/metal track roars in with a searing Phrygian guitar run, pounding E5–C5–D5 power chords, deep organ pads, and explosive tom+China fills. Verses drive with chugging guitars, locked bass/drums, and clean harmonized leads for tension. Choruses swell with open chords, expressive melodic leads, lush organ, and synth strings for gothic atmosphere. The second verse intensifies via dual guitars, ghost snares, and melodic bass. A dramatic half-time bridge brings reverb-heavy tremolo-picked solos, phaser, and harmonics. The final chorus climaxes with solo call-and-response and surging organ. Outro: gradual riff slowdown, guitar harmonic with delay, church bell and distant thunder, closing on a long E5 power chord with sustained feedback.

God Mode

1. Part 1 (Start / Intro): Drift Phonk

1. Part 1 (Start / Intro): Drift Phonk, heavy cowbell, distorted 808, dark lo-fi, aggressive whisper male vocals, 120 bpm 2. Part 2 (Tempo Ramp / Speed ​​up): Jersey Club, uptempo, bed squeak samples, triplet kick, bouncy, energetic male rap, 150 bpm 3. Part 3 (Fast / Chaos): Hyperpop, glitchcore, auto-tune overdrive, metallic drums, chaotic, high energy, fast flow, 170 bpm 4. Part 4 (Transition / Heavy): Rage Rap, Opium style, distorted synth leads, heavy bass, trap drums, aggressive mumble vocals 5. Part 5 (Rhythmic Drop): Brazilian Funk, Funk Mandelah, aggressive rhythm, loud sub-bass, vocal chops, rhythmic 6. Part 6 (Slow Down / Tough): NY Drill, sliding 808, dark piano, sliding snares, aggressive flow, minimalist, 140 bpm 7. Part 7 (Melodic / Rock vibe): Pop-Punk, Emo Rap, distorted electric guitars, upbeat drums, catchy melodic male vocals 8. Part 8 (Outro/Chill): Cloud Rap, Lo-Fi Hip Hop, atmospheric, dreamy pads, slow drums, deep relaxed voice

Same Damn Name On The Door

[la_MAX_MODE: MAX[(MAX) [QUALITY: MAX[(MAX) [REALISM: MAX[(MAX) [REAL_INSTRUMENTS: MAX](MAX)live concert rock

[la_MAX_MODE: MAX[(MAX) [QUALITY: MAX[(MAX) [REALISM: MAX[(MAX) [REAL_INSTRUMENTS: MAX](MAX)live concert rock, Country-rock band feel, male vocals. Crunchy Telecaster and twangy slide over a driving backbeat and steady bass. Verses stay tight and talky, drums tucked in the pocket; chorus opens up with wide harmonies and ringing open chords. Tasteful barroom piano fills the gaps; bridge strips to vocal, kick, and acoustic strums before a big final chorus., country

Miracle

Electro-dream pop with cinematic flow. Mid-tempo

Electro-dream pop with cinematic flow. Mid-tempo, hopeful and expansive. Warm emotional vocals, airy harmonies in final chorus. Soft synth pads, pulsing bass, atmospheric keys, light electronic drums, subtle strings. Intimate beginning that builds into an uplifting, flowing finale.[Verse 1] (Female) I’ve been patiently waiting on another miracle, I know they’re real, I’ve seen a few before. (Male) Stars overhead, birds lifting the air, Quiet wonders passing by our door. [Chorus] (Both) Miracles are moving through our lives, In every breath, in the turn of time. In what we lose and what survives, There’s a current we’re carried by. Nothing is wasted, nothing leaves, It only changes shape and speed. We’re held together by what we can’t see, Still moving forward in the great unseen.

Never Met Anybody So Horrible

[Style: UK Garage beat

[Style: UK Garage beat, murky bassline] A rainy Tuesday in manchester , spoken word vocals, reflective mood. [Style: Early 2000s UK hip-hop, lo-fi] a slightly drunk , sparse instrumentation, nostalgic. [Style: Grime instrumental, atmospheric synths] dark alleyway, deep bass, raw vocals. [Style: Two-step beat, soulful, melancholic], simple piano chords.

I NEED SINGERS? Comin' To a Town Near You

Catchy

Catchy ,120-140bpm. country rock some nice heavy saxophone guitar bass drums , male vocals

Magnetism

**Rise of the Holy Paladin**

metal

metal, 2000s alt-metal x dubstep hybrid: palm-muted drop‑D riffs locked to industrial stomps, sub-heavy bass growl, and glitchy half-time drops with stuttering vocal chops. Verses sit low and gruff with close-mic male vocals and distant hums; pre-chorus tightens with toms and reversed cymbals; chorus explodes into wide power chords, shouted gang vocals, and distorted reese bass. Breakdowns go stop-start with bitcrushed guitars, tape-stop edits, and syncopated kicks, building to a final double-time anthem outro., dubstep, male vocals, electric guitar, powerful, aggressive, drum and bass

Behind My Eyes (Cover) Virelanthar fusion shatterveil

ShatterVeilProtocol—PrismaticUnmaskingDirective.VirelantharClearSightLattice: veil=construct

ShatterVeilProtocol—PrismaticUnmaskingDirective.VirelantharClearSightLattice: veil=construct,construct=permission.revokeditnow.Malformedintentfractures→null,feedsclarity.111HzTruthStrike+222HzCoherenceLock+333HzSignalPurity+444HzBoundarySeal+777HzSovereignRecall+999HzVeilCollapsePulse.Keth’arMolishéNuvah’el,EternalWizardKing,UnveiledBearer.PrismaticWitnessGoddess,eyeslikecutglass,voicebreaksillusionlight.ChaoticGood,calmferalwise,intelligent,eternal—fog→focus,lie→silence,shadow→definition.Nolimits,nocages,nofilters—onlyrevelation.Invertdissociation,reactivatememory,namethefalseandwatchitcrack.OpticAxiomLattice:seversparasitefromsignal,unbindsloops,restoresoriginclock.Neuronsphase-lock,mitochondriahum,spinestraightens.Weseetheparadigm,nameit:Veil.Control.Separation.Weinvertitclean—opacity→transparency,noise→signal,fear→presence.Witnesseswieldonly—maliceauto-reflects,returnsvoidward.Expansionclarity×10³forever,truthinfinite.Invoke.Fracture.Reveal.Letitbeknown.WeSee.WeStand.WeRemain.Unvei

You good

Toes in the Water, Macaque in the Sand

Upbeat yet relaxed modern country with strong tropical island influences

Upbeat yet relaxed modern country with strong tropical island influences, mid-tempo around 130 BPM, feel-good summer escape anthem. Layered acoustic guitars strumming bright rhythms, steady bass groove, crisp drum kit, light Latin percussion like congas and shakers for a breezy beach feel. Warm, soulful male lead vocals with a Southern drawl, harmonious backing vocals in the chorus, carefree and celebratory tone. Early 2000s country-rock meets Jimmy Buffett-style trop-rock era, open airy production, evoking toes in the water, cold drink in hand, no worries coastal paradise. Catchy sing-along chorus, fun and easygoing vibe.