New Songs

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High-energy Slavic dance-pop with crisp four-on-the-floor kick

High-energy Slavic dance-pop with crisp four-on-the-floor kick, bright synth leads, and a bouncy bassline. Verses stay slightly sparser with rhythmic backing vocals; hook explodes with stacked gang shouts and shimmering pads. Short spoken ad-libs between lines keep the club vibe, with a brief breakdown before the final chorus to make the drop hit harder. Female vocals, present and playful on top of a polished modern mix.

My Reflection Talks Back

Rap Rock

Rap Rock, Comedy Rock,

I'm Still Here

acoustic grunge guitar hip hop

acoustic grunge guitar hip hop

SUPERPOSITION OF PAIN (The Observer Effect)

Big beat meets neoclassicism with psychedelic elements

Big beat meets neoclassicism with psychedelic elements, 200 BPM driving four-on-floor foundation, massive breakbeat drums with orchestral timpani hits creating explosive energy, distorted breakbeat loops layered with live string quartet playing dramatic neoclassical arrangements, psychedelic synthesizer leads with heavy modulation and filter sweeps creating mind-bending textures, sub-bass drops with orchestral brass stabs, baroque harpsichord arpeggios processed through heavy distortion and delay, electric guitar riffs meeting cello pizzicato, buildups using orchestral crescendos combined with electronic risers, drops featuring full orchestra hits with aggressive breakbeats, vocal delivery ranging from operatic soprano verses to rap-sung psychedelic choruses with heavy reverb and delay, production incorporating binaural panning and phase shifting creating disorienting spatial effects, orchestral elements treated with psychedelic effects like flanging phasing and ring modulation, overal

Our feelings are a secret place

High-energy Slavic dance-pop with crisp four-on-the-floor kick

High-energy Slavic dance-pop with crisp four-on-the-floor kick, bright synth leads, and a bouncy bassline. Verses stay slightly sparser with rhythmic backing vocals; hook explodes with stacked gang shouts and shimmering pads. Short spoken ad-libs between lines keep the club vibe, with a brief breakdown before the final chorus to make the drop hit harder. Female vocals, present and playful on top of a polished modern mix.

Off The Top

The track opens with classic hip-hop drums and a bold brass orchestra riff. Trap-inspired bass drops punch in as synthesizers and energetic 90’s dance rhythms drive the verses. Electronic textures swirl under rapid-fire rap flows

The track opens with classic hip-hop drums and a bold brass orchestra riff. Trap-inspired bass drops punch in as synthesizers and energetic 90’s dance rhythms drive the verses. Electronic textures swirl under rapid-fire rap flows, culminating in explosive brass hooks over floor-filling EDM drops.

Ritmo de Mi Alma

Afro-Caribbean tribal dance

Afro-Caribbean tribal dance, spiritual Afrobeat groove, mid-tempo, hypnotic and uplifting. Deep tribal drums, Puerto Rican barril percussion, hand claps, shakers, warm bass, subtle choir hums. Minimal chant-style vocals, soulful female lead with light reverb, call-and-response background voices. Beach ritual energy, sunset vibe, rhythmic and body-driven,

Pizzicato [Explicit]

The song is a metal track with a driving tempo of 120 BPM. It features a male vocalist with a clean

The song is a metal track with a driving tempo of 120 BPM. It features a male vocalist with a clean, powerful delivery, singing in French. The instrumentation includes distorted electric guitars playing heavy riffs, a prominent bass guitar providing a strong low end, and a drum kit with a powerful kick and snare. The song structure follows a typical verse-chorus format, with an instrumental break. The melody is strong and memorable, particularly in the chorus. The production is clean and powerful, with a good balance between all instruments and vocals. The overall feel is aggressive and energetic.

Ты, Рассея моя… Рааассея… ( почти Есенин )

Punk

Punk, Acoustic, punk , Minimalist, Raw, Spoken Word, Half-spoken male vocal, Emotional delivery, Near-whisper to shout dynamics , high emotional , dark energy , guitar only , minimal lo-fi, high emotional vocal , punk , melancholy

Wir Knien Nicht (Myrddin's Armee)

German epic powerful energetic rock–reggae–rap–ska fusion anthem in the spirit of Myrddin’s Armee

German epic powerful energetic rock–reggae–rap–ska fusion anthem in the spirit of Myrddin’s Armee, Rising intensity, confrontational and awakening in tone, Minor-key electric guitars deliver sharp, oppressive riffs; deep bass and drums switch between tense reggae pulse and driving rock force, Reggae offbeats add pressure, not warmth, Sparse ska brass hits act as warning signals, Rap verses are precise, accusatory, and narrative-driven, Pre-chorus tightens into near-whispered restraint before the chorus erupts into a massive, hymn-like rock surge with oath-style gang vocals, Male lead vocal: gritty, commanding baritone with absolute clarity and controlled aggression, Production is raw, cinematic, punchy, minimal reverb—focused on exposing lies, stripping masks, and uniting through truth, not comfort, Clear warm voices uplifting upbeating cinematic hym, epic-cello, fast-paced, indie rock, metal, future rock, dynamic strings

Wonder (Remastered)

heavy drop

heavy drop, Heavy bass, robot, death drop, Brutal djent, medieval

rebellion.

Rock energico

Rock energico, BPM 100, con riff di chitarra elettrica distorti e aggressivi, batteria potente con doppio pedale e fill intensi. Strumenti: chitarra lead con assoli graffianti nel bridge, basso distorto per un groove pesante, voce roca e urlata con armonizzazioni nei cori (Ooooh). Effetti: overdrive sulle chitarre, riverbero sulla voce per un sound da stadio, compressione forte sulla batteria per un impatto esplosivo. Intro con un feedback di chitarra che sfuma in un riff principale, crescendo dinamico nel chorus con l’aggiunta di piatti crash. Bridge con un breakdown lento e pesante, poi un’esplosione finale. Usare un delay sulla voce nell’outro per un effetto epico. Mix: chitarre in primo piano, voce leggermente indietro ma tagliente, basso che ruggisce. Durata: 6:45 min, con un finale che si spegne con un ultimo colpo di batteria e feedback. Sound ispirato al rock anni ’90, con un tocco moderno per un impatto live.

On the floor - B Side

Afro house

Afro house, 122–124 BPM, dark tribal groove with Detroit minimal attitude. Heavy rounded kick, off-grid percussion, muted toms, shakers drifting behind the beat. Bass is thick, elastic, slightly detuned, short and punchy. Sparse stabs, filtered organ or Rhodes, long dub delays. Vocals: male lead, monotone, half-spoken, exaggerated pauses, awkward emphasis, chopped timing, formant-shifted doubles, pitched-down whispers, occasional call-and-response fragments. Voices feel odd, intimate, slightly uncomfortable in a good way. Arrangement stays stripped and repetitive, built for tension and sweat.

The EVIL Roller Coaster

Seether (Veruca Salt Cover)

This track fuses raw 90s grunge

This track fuses raw 90s grunge, cosmic funk, and skatepunk, with distorted guitars and a fuzzy, fluid bass anchoring the groove. Massive live-feeling drums collide with glitch percussion and electronic hits. Aggressive synths, feedback swells, filtered scream synths, and static noise intensify hooks. Verses pulse with moody, electronic low-end, while choruses burst with layered distortion and saturated, flowing melodies. Vocals shift from strained rasps to intimate whispers, doubled and warped with distortion. Glitchy drops and rumbling bass keep the chaos energized and unpredictable.

Silent River

A live stage Afrobeat fusion: intricate drums and layered snares kick off

A live stage Afrobeat fusion: intricate drums and layered snares kick off, tight fills accenting the energetic intro. Electric guitars converse via solos over syncopated, bass quartet textures. Pulsing Afrobeat grooves and atmospheric reverb mingle with bamboo flute. Male duo vocals weave RnB smoothness, breathy timbres, and growling distortion, spiced with Korean motifs and sharp corrido tumbado energy. The intense chorus features robotic vocal effects and bold dynamics.ráckovaní

Smell the Sylt'n Salt N°5

A country song with an exotic and modern feel

A country song with an exotic and modern feel, an infectious groove and palpable theatrical storytelling elements. Powerful resonant cool jazz androgynous female and female vocals smooth sexy sensual sultry low deep raspy gravelly, intensely nonchalant and nonchalantly intense delivery, twangy guitar virtuoso, guitar virtuoso solos virtouso and/or duels virtouso.

I Learned to Pray

heartfelt

heartfelt, rock, male voice, blues, violin, country, catchy, guitar

MYCELIAL KISS

The entire song is spoken word

The entire song is spoken word, indie, LoFi, emo, cheap mic and a garage recording

Zurück Zur Fantasie – Lass Meine Sinne... Explodieren...

A magnificent waltz-tasted symphony in 3/4 time signature

A magnificent waltz-tasted symphony in 3/4 time signature, 12-string acoustic guitar, complex sensitive electric slide guitar solos, psychedelic ambient full orchestra, massive choir work, complex rhythm section, grand and cinematic movie trailer style, atmospheric, lush textures, intense crescendos, huge dynamic range, intricate percussion and harmonies, Climax with immersive and awe-inspiring, sad female vocalist, B Minor, 96 bpm