New Songs

SNS はドライに！ Stay Dry on SNS (Cover) [SSS]

A dramatic Enka vocal delivery weaves over brooding downtuned nu metal guitars

A dramatic Enka vocal delivery weaves over brooding downtuned nu metal guitars, assertive drums, and atmospheric synths. The verses use modal ornamentation and Entekhno-style orchestration—bouzouki, strings—while chorus explodes with distorted riffs. Afghan folk percussion (daira, tabla) and rubab accent interludes, fusing global textures in dense, dynamic layers.

Legend has it

Rap

Rap, Rap, Rap, Rap, Rap, Rap, Rap, Rap, Rap, Rap

Ready??

rock

rock

8th拍子を遺せ、名を遺すな

Ultra-fast math rock anime song

Ultra-fast math rock anime song, very high BPM, complex rhythm changes, dense Japanese lyrics, vocaloid style female vocal, philosophical and intense, progressive rock with sharp guitar riffs, dramatic and intellectual, lyrics about legacy, responsibility, inheritance, leadership, chaotic but precise, emotional overload

& & & { SHE MOTHER FOREVER } & & &

Тридцать три салата # не удавшийся Кулинарный бунт

Bouncy acoustic guitar opens over crisp

Bouncy acoustic guitar opens over crisp, lively percussion and a bright, fast-paced rhythm, setting an infectious upbeat groove. Female lead vocals bring playful energy, embellished by light harmonies. Warm, polished production keeps the arrangement cohesive and inviting throughout.

Mental Note: Don't Touch the Thermostat

Genre: Dark Country Novelty song with a smooth

Genre: Dark Country Novelty song with a smooth, slightly sinister Western/Mariachi rhythm. The music should have a slow, methodical tempo driven by a smooth bassline and featuring a melancholic trumpet lead, underpinned by a rhythmic acoustic guitar strum and subtle castanets to establish the secretive, paranoid mood. The lead vocal MUST be a single, manic MALE vocalist who speaks and sings with a fast, rambling, and confused tone, expressing creeping paranoia like a hushed confession. Integrate the following high-quality sound effects subtly into the background: a telephone ringing quietly, a solid click of a door locking, a clear microwave oven 'ding,' and a subtle, high-quality industrial hum/static that fades in and out.

The Body Knows

A female vocalist sings in a breathy

A female vocalist sings in a breathy, ethereal style over a downtempo electronic track. The song is in a minor key, with a tempo of approximately 80 beats per minute. The instrumentation includes a prominent synth bass providing a deep, resonant foundation, a simple drum machine beat with a kick and snare, and atmospheric synth pads creating a spacious soundscape. The vocal melody is largely syllabic, with occasional sustained notes. There are no complex chord progressions, focusing instead on a consistent harmonic minor feel. Production elements include reverb on the vocals and synth pads, creating a sense of depth and space. The song structure is verse-chorus based, with a consistent mood throughout. The vocal delivery is intimate and close-miked, emphasizing the breathy quality.

I’m Still Here (That’s The Damage)

ultra-heavy hardcore-punk

ultra-heavy hardcore-punk, crust-punk, raw, dirty d-beat, uk82, brutal ultra-low hyper-raspy female&male voices, brutal gang-shouts (oh), down-tuned guitars, aggressive, angry, fast (160-180bpm)

Wounded Wolf

Generate a Shoegaze Indie-Rock track (135 BPM

Generate a Shoegaze Indie-Rock track (135 BPM, D Major/B Minor) with a nostalgic, 'wall of sound' atmosphere. The instrumentation must be driven by heavily processed electric guitars using E-Bow and heavy Chorus effects to create thick, pad-like textures (no synths). Anchor the groove with a melodic finger-style electric bass and a rigid, Vocal production should use a 'choir of one' layering technique: soft, breathy male vocals, double-tracked and formant-shifted slightly down for a detached, ghostly quality. Build from a delicate acoustic guitar intro into a euphoric, washed-out crescendo where the guitars create a massive, swirling ocean of sound representing a bittersweet farewell to a city

Zakopane Nights ❤️⭐v1

Emotional reggae track with warm

Emotional reggae track with warm, intimate atmosphere. Smooth reggae groove, deep bass, soft guitar skanks and organic drums. Male vocal with sincere, heartfelt delivery. Female vocal with gentle, emotional tone. Natural storytelling feeling, calm and soulful. Focus on longing, togetherness, memories and new beginnings. Studio quality, clean and warm production.

Corsair

pirate metal

pirate metal, folk metal, extreme metal, dark metal, aggressive, bloodthirsty, feral, brutal, maritimedistorted guitars, downtuned riffs, crushing bass, pounding drums, double-kick drums, gang shouts, folk percussion, low dronessea shanty influence, nautical, raiding, battle at sea, salt and blood, lawless, violent, mythic brutality, female vocals

amaneceres (nanas)# flamenco fusión hindú

“ cantaor with a raspy voice and wide melismas and ‘quejidos’ (lamenting cries). Instruments: Indian sitar only

“ cantaor with a raspy voice and wide melismas and ‘quejidos’ (lamenting cries). Instruments: Indian sitar only, this instrument alone accompanying each phrase.”espacios con pausas y silencios.

I’ll Try Again Tomorrow

female vocals

female vocals, country-rock, dance, road trip, upbeat

LILĪTU ✦ AFTER THE CURSE ✦ THEY NAMED ME

Dark ritual symphonic piece with restrained fury. Original non-remix composition generated from scratch

Dark ritual symphonic piece with restrained fury. Original non-remix composition generated from scratch, no reference audio. Female low alto / contralto lead, intimate and controlled, no hysteria. Sparse male choir used as distant weight, not harmony. Slow to mid-tempo, heavy gravity. Dark strings, low drones, frame drums, muted brass, ritual percussion. Akadyjski whispers as scars, not spells. Texture-driven sound: ash in air, stone memory, cold fire, breath held. Mood: lucid, defiant, post-myth clarity. Long-form arc without obvious chorus. Start immediately with voice — no intro, no overture, no vocalizations. Clip Volume: Vocals +3 / Choir +1 / Strings +2 / Percussion +2 / Drones +1 Style 90 / Weird 68 Language: English + Akadyjski

Carol of The Bells (Dark Remix)

hybrid electro house and drum & bass black metal remix of Trans-Siberian Orchestra's 'Christmas Eve/Sarajevo 12/24'. Start with slow

hybrid electro house and drum & bass black metal remix of Trans-Siberian Orchestra's 'Christmas Eve/Sarajevo 12/24'. Start with slow, ominous orchestral cello and strings intro on 'God Rest Ye Merry, Gentlemen' with dark reverb. Transition to intense fusion: four-on-the-floor electro house kicks at 128-140 BPM layered with fast chopped amen breaks and neurofunk reese basslines accelerating to 170 BPM feel, heavily distorted black metal electric guitars playing tremolo-picked riffs and the 'Carol of the Bells' ostinato, blistering electric guitar solos replacing any piano sections, full symphony orchestra strings and brass with aggressive swells, symphonic choir chanting motifs with heavy reverb and dark harmonies, chimes, wobbly bass drops, and epic builds. Maintain a dark, intense, sinister undertone throughout while preserving the holiday melodic feel, in G minor

Kanton Übrig (Brass Edit)

Saxophone Ensemble

Saxophone Ensemble, Baritone Saxophone Solo

Привереды ...

Horror hyper-crunk plus cheerful ambient techno

Horror hyper-crunk plus cheerful ambient techno, grave ogre male vocals, hoarse didgeridoo solo prime, nasal double mocking backing vocals, hellish cymbals, experimental wailing flavor, hypnogogic gloomy pads, vile mocking insider

SOCIAL MEDIA DREAM

Proteus

Ultra-high-energy Bass’n’Drum weapon with relentless drive and aggression. Crossbreed

Ultra-high-energy Bass’n’Drum weapon with relentless drive and aggression. Crossbreed, skullstep and hoodtrap fused into a nonstop assault at 170–175 BPM. Explosive drum & bass breakbeats slam into brutal half-time trap drops, no downtime, constant forward momentum. Massive overdriven reese and neuro bass tearing through the mix, layered with chest-rattling hoodtrap 808 subs. Sound design pulls from the entire E-MU Proteus legacy: Proteus 1 & 2 punchy 90s rompler basses and stabs, Proteus 3 evolving digital textures and motion pads, Proteus FX industrial hits, distorted percussion and glitch effects, Proteus 2000 sharp Y2K leads, cold synthetic strings and crunchy DAC grit. Hyper-tight kicks, snapping snares, relentless hi-hat rolls, ride cymbal pressure, aggressive fills, risers and drop-slams. Dark industrial rave energy, riot-level intensity, sci-fi violence, zero chill, minimal or no vocals.