New Songs

No Name Holy Night

light percussion

light percussion, slow swing feel that lifts into a big, heartfelt, and congregational singalong energy. warm, musical, brass choir, joyful refrain. arrangement moves from intimate solo vocal and organ to full horns and choir by final chorus., festive church christmas ballad with pipe organ, folk

Hip Danzón: Lesson 1

Electro Jazz

Electro Jazz, Bolero, Ranchera, Cuban Danzón, Charango, B-Boy Breaks, Boom Box, Avant Garde Electronica, Soft Hip Hop, French Touch, Dark Synth, Cuban Piano, güiro, subtle beat, no vocal, complex harmonies

If we flatline, we flatline together... (dubstep)

cyberpunk+ dubstep

cyberpunk+ dubstep, reverb, distorted, high volume and energy, punchy techy sounds, at 145 bpm with intricate syncopation Bass and Drop Design: -Complex wobbling mid-bass with pitch modulation, -Layered distorted sub-bass + clean sine layer, -Riddim-style syncopation and occasional triplets, Leads and Melodics: -Bright, detuned supersaw leads for melodies, -Short plucks and stabs in higher frequencies for rhythm, -Vocal chops, sometimes heavily processed with formant shifts, Percussion: -Punchy, clean kicks with snappy snares, -Triplets and glitchy hi-hats, sometimes heavily gated, -Crash and FX emphasis for drops, Sound Design & FX: -Filter automation, phasers, and wobble LFOs, -Glitch effects, stutters, bitcrush on secondary layers, -Sweeps, risers, impacts, and metallic textures for tension/release, Mix & Atmosphere -Wide stereo imaging, but tight low-end, -Dynamic contrasts between minimal verses and “maxed-out” drops, -Aggressive energy but melodic overtones for emotional lift

Forsaken (Remix)

Immediate cold open with distorted 303 bass pulse and harsh electronic layers.

Immediate cold open with distorted 303 bass pulse and harsh electronic layers., dark ritual fusion. Symphonic metal, acid house, distorted digital textures. 17/8 time signature, Symphonic metal, electric guitars, Liturgical choral tones introduced later and slowly detuning. Vocals delivered as psalm like lament and accusation. Unholy sacred atmosphere. End without resolution., trumpets, deep tone

Signals

Hot And High

Singer songwriter Hiphop layered organs synthesizers for ambience layered harmonies minor key

Singer songwriter Hiphop layered organs synthesizers for ambience layered harmonies minor key

Sing me a love song (Cover)

A Pop-NuMetal-Electronica-ballad with male vocals

A Pop-NuMetal-Electronica-ballad with male vocals

STAY RIGHT HERE

A radio-length minimalist funk track built on an immediate bass-and-drum groove that establishes the melody from the first bar. The rhythm section leads with restraint and clarity

A radio-length minimalist funk track built on an immediate bass-and-drum groove that establishes the melody from the first bar. The rhythm section leads with restraint and clarity, locking into a deep pocket while leaving space for the vocal to breathe. Electric guitar appears sparingly as rhythmic texture rather than melody. Short instrumental accents and fills are placed between vocal lines to maintain momentum without clutter. The vocal delivery is calm, smooth, and intimate, riding the groove rather than pushing it. The song stays focused, hypnotic, and repeatable, designed to feel effortless while staying rhythmically engaging.

You and Me

Wild Fauna Resources - e12 - The Century-Old Claim

[A sleek

[A sleek, R&B-infused blues track that feels like a high-tech surgical strike on a muddy problem. A robotic drum loop provides a cold, ticking foundation, while a sterile synth bass line creates a sense of slow, inevitable pressure. Lucinda’s vocals are detached and raspy during the verses, highlighting her professionalism, but the chorus erupts into a powerful burst of soulful frustration, reflecting the annoyance of dealing with a 350-year-old bureaucrat. The high, persistent electronic whine in the bridge serves as a sonic "scanner," emphasizing that despite Magnus's ancient history, the modern WFR system is always one step ahead.]

The Theft of Time.

ballade

ballade, instrumental, cello, solo, vocal singing, high notes, C minor, D minor changing tempo, orchestra, heartfelt, largo, andante, drumbeat, 12-string lute, male

Open Season for Peegion

Rap. Diss

Rap. Diss, Minimal Trap

**“Speak the Truth"**

Warm female vocals float over fingerpicked acoustic guitar

Warm female vocals float over fingerpicked acoustic guitar, joined by soft synth pads. Subtle dubstep elements—restrained wobbly bass, syncopated distant hi-hats, and sparing drops—enter in the chorus, creating a delicate fusion. Minimalist beats groove beneath the intimate melody.

Born Blank

Kayfabe

The song begins with vinyl crackle

The song begins with vinyl crackle, lo-fi jazz piano, upright bass, and brushed swing drums. Snappy horns and full big band brass riff over doo-wop backing. Midway, country steel guitar, slap bass, banjo, fiddle, and bluesy guitar introduce rockabilly and Americana flavor. Organ and gospel choir swell into ragtime piano, with classical strings and Tin Pan Alley modulations uniting jazz, bluegrass, rockabilly, and swing in an exuberant, seamless finale.

Fake News Je Me Marre

fake

fake, electro-pop, playful synths with a driving bassline

Can't Tell You (Cover)

Male vocals. thin

Male vocals. thin, nasal, and restrained, with whispered phrases and sharp, anxious shouts. Detached and claustrophobic, clean tone. No growl, no gravel, no deep voice. Dark industrial rock with pulsing electronic beats, disorienting, distorted bass, and mechanical rhythms. Dance groove, Minimalist, repetitive. Heavy layers of synths and glitch textures. Hypnotic, looping patterns that evolve with intensity. Harsh, metallic percussion with a cold, machine-like groove. Mood is claustrophobic, mechanical, and paranoid.

Шалаш из палок и клеенки

soviet post-punk slow

soviet post-punk slow, 80s era, female vocals

Shchedryk (Cover)

A throwback 90s vibe built around punchy drum loops

A throwback 90s vibe built around punchy drum loops, prominent DJ scratch techniques, and expertly spliced vocal samples. The arrangement rides on layered turntable manipulations, each drop and rise interspersed with filtered breakbeats, creating a dynamic, club-ready instrumental.

If we flatline, we flatline together... (garage)

cyberpunk+uk garage

cyberpunk+uk garage, heavy, distorted, high volume and energy, punchy techy sounds, at 145 bpm with intricate syncopation Bass and Drop Design: -Complex wobbling mid-bass with pitch modulation, -Layered distorted sub-bass + clean sine layer, -Riddim-style syncopation and occasional triplets, Leads and Melodics: -Bright, detuned supersaw leads for melodies, -Short plucks and stabs in higher frequencies for rhythm, -Vocal chops, sometimes heavily processed with formant shifts, Percussion: -Punchy, clean kicks with snappy snares, -Triplets and glitchy hi-hats, sometimes heavily gated, -Crash and FX emphasis for drops, Sound Design & FX: -Filter automation, phasers, and wobble LFOs, -Glitch effects, stutters, bitcrush on secondary layers, -Sweeps, risers, impacts, and metallic textures for tension/release, Mix & Atmosphere -Wide stereo imaging, but tight low-end, -Dynamic contrasts between minimal verses and “maxed-out” drops, -Aggressive energy but melodic overtones for emotional lift