New Songs

CHAPTER 10 — “THE KING’S DECREE: SAVE THE REALM”

This 148 BPM retro synthwave-trap fusion launches with saturated analog bass

This 148 BPM retro synthwave-trap fusion launches with saturated analog bass, neon pads, hard 808s, and gated snares, Verses layer metal guitar, hyper hi-hats, and bubbling synths, Choruses erupt with double-time trap beats, retro leads, soaring vocals, cinematic strings, swirling arps, bold water FX, and slick transitions, Breakdowns merge vintage strings, wavesynths, overdriven guitar, thick sub-bass, and pounding drums to create a liquid-wave feel, Trap DJ drops, pulsing melodic guitar, and remix-ready breaks deliver an electrifying, retro-modern synthwave soundscape

Banjo Song (OT Remix)

Space Ghost in the Garden

Krautrock

Krautrock

Santa's Snowman Delight (Cover)

A playful

A playful, cheerful nursery rhyme unfolds with sprightly xylophone, ukulele, and bouncing upright bass. Gentle handclaps, glockenspiel, and light percussion add texture. Immersive Dolby Atmos placement creates a surround feel, while analog-touched EQ enhances each element’s warmth and clarity.

Arcane v2 (v5)

orchestra

orchestra, instrumental, sad, soundtrack

🇫🇷 Je suis une sale conne et fière de l’être !

Genre: Slacker punk rock

Genre: Slacker punk rock, garage rock, Grunge, Style: RHYTHM GUITAR (Vocalist): Distorted electric guitars (fuzzy/crunchy, Fuzz/Big Muff distortion), "ACOUSTIC SLAP/CHOPPER TECHNIQUE (UNRELENTING FAST STRUMMING, TIGHT PALM MUTING)", LEAD GUITAR: (wild solos, layered textures), Walking wood bass, DRUMS: Layered Vintage Rock Kit + 808 Drum Machine (snappy snare/heavy kick/tom fill), Emotional power chords, SHARP FUNK GUITAR, LOW END MAXED, FX: Heavy Sludge Reverb, Noise Gate, Psychedelic Noise Filter, Digital Decay, Vocal: FEMALE (Rhythm Guitarist), VERY HARD raspy/husky, voice must crack, PERFECT PITCH, scream half a word then whisper it, chant hooks sound like "BUZZING, CRUDE SHOUTS" + "COUNTRY RASP", ULTIMATE INTENSITY, Restrictions: MONO VOCAL FORCE ONLY, ABANDON ALL VOCAL FILLERS, NO BACKING VOCALS, NO POP-LIKE VOCAL ENDINGS. ABANDON ALL VOCAL FILLERS: NO GRUNTS, NO GROANS, NO EXCLAMATIONS, NO AD-LIBS, NO HUMMING, NO VOCAL TEXTURES, NO SCAT, NO INTERJECTIONS

前髪に残る温度

EDM + Shuffle Guitar Riff + Ska Punk Energy

EDM + Shuffle Guitar Riff + Ska Punk Energy,Deep female soulful vocal,very front

La Ley Innata

Andaluz andalusian balada live orquesta balada street soul rap Epic dramatic cinematic

Andaluz andalusian balada live orquesta balada street soul rap Epic dramatic cinematic

ゆっくり歩こう

J-Pop-folk ballad

J-Pop-folk ballad,French-Polka,96 BPM. Acoustic guitar, fingerpicking,Harmonica, Castanets, warm lo-fi tone. Intimate female soaring resonant vocals — Clearly voice. Theme: self-reflection, healing,Hopeful.Lighthearted, Comforting, Soothing, Relaxing ,The song should feel like a Holiday.

Triste addio (Cover)

Male singer

Male singer, sad, blues

Tu n’as rien compris

French sad chanson

French sad chanson, style Barbara, tempo very slow 60–65 BPM, piano solo only, minor key, intimate nocturnal mood, female low grave voice, close-mic whispery singing, emotional restraint, fragile and lucid, minimal arrangement, analog warmth, pauses and silence important, focus on lyrics and voice, no drums, no strings, no backing vocals.

Raffreddore (ReCover)

This indietronica track opens with lo-fi drum samples

This indietronica track opens with lo-fi drum samples, staccato synth arpeggios, and layered distant guitars. The verses feature filtered vocals and pulsating bass lines; the chorus swells with analog synth pads, glitchy percussion, and a tight, catchy lead hook.

Dwa Głosy

Angelic-Devilish Schizocore is an experimental electronic genre blending dark ambient

Angelic-Devilish Schizocore is an experimental electronic genre blending dark ambient, glitch, industrial noise, and musique concrète to evoke auditory hallucinations of schizophrenia. Core feature: dual contrasting voice layers simulating inner voices—one calm, angelic whisper in the left stereo channel (reverbed, ethereal pads, softly urging good decisions), the other aggressive, distorted demonic scream in the right (glitched, noisy, pushing evil impulses). Voices overlap, interrupt, and battle for dominance. Backing tracks shift chaotically from serene drones to explosive noise walls, mirroring mental turmoil. Minimal central melody represents the self, drowned by conflicting voices. Long, immersive pieces (8–15 min) with unpredictable structures. Guitar heavy glam solo punk

The Way You Move

rnb-pop

rnb-pop, contemporary-rnb, minimal-rnb, groove-centric, sultry-mood, intimate-vibe, feminine-perspective, quiet-confidence, slow-burn-attraction, late-night-energy, sensual-undertone, understated-sexy, body-awareness, tactile-imagery, emotional-chemistry, flirtatious-restraint, conversational-lyrics, soft-power, low-register-focus, breathy-vocals, smooth-delivery, subtle-melisma, layered-harmonies, whisper-adlibs, loop-based-production, syncopated-percussion, muted-drums, deep-sub-bass, warm-bassline, plucked-synths, marimba-texture, sparse-chords, space-heavy-mix, close-mic-feel, dark-tonal-palette, steady-tempo, hypnotic-groove, night-drive-feel, radio-smooth, modern-female-rnb

Same Street, New Day

Cнаружи и внутри

A genre-bending melancholic trap ballad blending styles. Low male vocals. Slow

A genre-bending melancholic trap ballad blending styles. Low male vocals. Slow, atmospheric trap beat with heavy 808 bass, crisp hi-hats, and sparse, haunting piano or synth melodies. Emotionally raw, Auto-Tune-processed R&B vocals delivering a melancholic, introspective chorus. Verses shift to a more rhythmic, confident rap flow, adding dynamic contrast. The production bridges minimalist, somber verses with a lush, emotive, and catchy hip-hop chorus. Overall vibe is a fusion of introspective sadness and polished, melodic hip-hop.

ここで息をしてる

A folk-style song with a slow

A folk-style song with a slow, steady tempo (around 70–80 BPM). Built around a single acoustic guitar, minimal and honest. The intro begins with gentle fingerpicking, leaving space like a quiet street at night. Vocals should sound young, slightly raw, and breathy, carrying vulnerability rather than polish. Verses stay restrained, capturing the tension of singing alone on a street corner. In the chorus, the guitar shifts to soft strumming, widening emotionally without becoming loud. The bridge pulls back into near silence, almost spoken, before returning with quiet resolve. The overall mood is intimate, sincere, and grounded—focused on presence, truth, and choosing to keep singing.

Get Out Of Here (Remix)

Moody

Moody, bass-forward slow-groove indie built around soft falsetto vocals, warm low-end movement, and a laid-back 84 BPM pulse. The drums are minimal but tight: soft kick thump, brushed/snapped snare, air-light hi-hats that feel like breathing. Bass is smooth, melodic, slightly rubbery, carrying the groove without overpowering. Guitars are clean, glassy, and understated — gentle plucks, hazy slides, lightly overdriven ambience, nothing sharp or busy. Synths sit low and warm, adding subtle pads or dusty keys for atmosphere. Vocals are intimate, breathy, and close to the mic, with falsetto highlights and soft echoes that glide rather than bounce. Layered harmonies appear sparingly for texture, never crowding the lead. The overall feel is moody, late-night, minimal, and hypnotic — a slow sway rather than a drive. Production should feel warm and analog-leaning, with small-room reverb, soft tape flavor, and plenty of space between sounds. Tone: dreamy, understated, indie-smooth.

The Pain of Being Dead

Brutal Death Metal

Brutal Death Metal,Brutal Slam Death Metal,Lead and Rythym Guitars,Bass follows Guitars Closely,Tuned to the Key of Drop D (D-A-D-G-B-E),Heavy focus on deep dark tones,Aggressive and relentless double bass drumming,Tempo set to 350 BPM's,Bragato,Agony,Suffering,Pain

KALT WIE EIS

Cinematic melancholic pop with a dark

Cinematic melancholic pop with a dark, sarcastic undertone. Slow to mid-tempo. Deep piano chords in minor key, soft but heavy sub-bass, atmospheric synth pads, subtle electronic pulses. No aggressive drums, no shouting. Vocals are intimate, restrained, slightly tired but confident. Half-sung, half-spoken delivery, close to the microphone. Emotional tension comes from understatement, not volume. Chorus is melodic and cold, not explosive. Overall mood: emotional distance, clarity, quiet superiority, waking up from illusion. Think modern cinematic pop with emotional control, not rap, not trap.