Bloomer - The Antidote (Silver Remix)
upfront synth bass, Sensual ethereal female vocals with short dub delays and long reverb tails, 432hz, ambient stereo effects, 174 BPM, arpeggiated synth bass, arpeggiated synths, liquid drum and bass, vocal-driven drum and bass, 174 BPM, female vocals, brushed breakbeats, ghost-note snare, detuned saw bass trio, deep sine sub-bass, glassy orchestral stabs, analog pad voicings, resonant formant sweeps, multiband saturation, binaural stereo field, half-time breakdown, call and response, controlled lift, nocturnal ache, bittersweet nostalgia, cinematic atmosphere, background choir, high-fidelity
Bloomer - The Antidote (Silver Remix)
upfront synth bass, Sensual ethereal female vocals with short dub delays and long reverb tails, 432hz, ambient stereo effects, 174 BPM, arpeggiated synth bass, arpeggiated synths, liquid drum and bass, vocal-driven drum and bass, 174 BPM, female vocals, brushed breakbeats, ghost-note snare, detuned saw bass trio, deep sine sub-bass, glassy orchestral stabs, analog pad voicings, resonant formant sweeps, multiband saturation, binaural stereo field, half-time breakdown, call and response, controlled lift, nocturnal ache, bittersweet nostalgia, cinematic atmosphere, background choir, high-fidelity
Lyrics
Basement window
Crawling under my skin
I ignored all the warnings
And turned the brain I was born in
To someone I don't know
Oh (oh-oh, whispered double, left ear)
I'm on the brink of the brink (falsetto octave up)
Running dry when I bleed (low octave double, panned wide)
And I know when I go they won't remember me (stereo slapback echo)
But I'd kill to live for thrills
Screaming out a melody I can't hear (distorted megaphone ad‑libs)
I poison everything 'till it wilts
I need the antidote (gang vocal shout on “antidote”)
[acid bassline enters, filter sweep, vocoder pad on root notes]
Notice the darkness growing on you (whisper layer tucked behind lead)
I need the antidote (call‑and‑response high harmony)
Give me catharsis a new point of view (stacked thirds and fifths)
I need the antidote
Ooh ooh (doubled, pitch‑shifted up an octave, hard‑panned)
I need the anti dote
Ooh ooh (reverse‑reverb swell into the phrase)
I need the anti dote
(Down and out I'm out when I'm down and out) (telephone EQ, left)
I'm not like you I'm not like you (doubled center, low harmony)
(Down and out I'm out when I'm down and out) (right channel answer)
I'm not like you I'm not like you (ad‑lib “not like you” throw delay)
(Down and out I'm out when I'm down and out)
I'm not like you I'm not like you (octave gang chant)
(Down and out I'm out when I'm down and out)
I'm not like you (dry, solo, up‑front)
I know when I go they won't remember me (big reverb tail, choir pad)
I need the anti dote (layered harmonies, tight double‑tracking)
Notice the darkness growing on you (whisper counter‑melody)
I need the anti dote (stereo doubler)
Give me catharsis a new point of view (spread three‑part harmony)
I need the anti dote
Ooh ooh (call‑and‑response ooh’s in thirds)
I need the anti dote
Ooh ooh (faint vocoder shadow)
I need the anti dote
Down and out I'm out when I'm down and out (chant, crowd vocals)
I can't keep or hold it together (octave below, bitcrushed)
Down and out I'm out when I'm down and out (ping‑pong delay)
I'll just be falling forever (reversed reverb swell into “forever”)
Down and out I'm out when I'm down and out (stomp‑clap underlay)
I can't keep or hold it together (doubled, hard‑panned L/R)
Down and out I'm out when I'm down and out (filtered low, fading)
I'll just be falling forever (solo airy falsetto, long tail)
Down and out I'm out when I'm down and out (acapella stack)
I can't keep or hold it together (tight triple‑tracking)
Down and out I'm out when I'm down and out (vocoded chord)
I'll just be falling forever (choir‑style harmonies, slow fade)