What goes around comes around #和フェス
Japanese industrial break-rave energy, driven by traditional instruments. Long instrumental opening establishes the track. Relentless breakbeat-derived floor with sudden single-hit impacts. Constant forward-driving groove with pressure, drop illusion, and snap-back. Low end functions as physical mass. Groove is driven by impact and repetition. Japanese drums form the low-frequency engine. Fast, aggressive repetition with high-density pulses and heavy impact hits. Human-played, forceful, raw. Shamisen dominates the foreground as a fuzzed percussive noise weapon. Metal pick striking and slapping. Extreme fuzz, clipping, overload. Sharp metallic attack with intense texture. High frequencies are filled by metallic shamisen and harsh distortion noise. Mid and high aggression is carried by shamisen texture. Biwa performs ultra-aggressive slap and chopper techniques. Fast, punchy low-mid attacks that bounce and collide. Percussive movement creates kinetic drive.
What goes around comes around #和フェス
Japanese industrial break-rave energy, driven by traditional instruments. Long instrumental opening establishes the track. Relentless breakbeat-derived floor with sudden single-hit impacts. Constant forward-driving groove with pressure, drop illusion, and snap-back. Low end functions as physical mass. Groove is driven by impact and repetition. Japanese drums form the low-frequency engine. Fast, aggressive repetition with high-density pulses and heavy impact hits. Human-played, forceful, raw. Shamisen dominates the foreground as a fuzzed percussive noise weapon. Metal pick striking and slapping. Extreme fuzz, clipping, overload. Sharp metallic attack with intense texture. High frequencies are filled by metallic shamisen and harsh distortion noise. Mid and high aggression is carried by shamisen texture. Biwa performs ultra-aggressive slap and chopper techniques. Fast, punchy low-mid attacks that bounce and collide. Percussive movement creates kinetic drive.
Lyrics
explosive delivery.Voice cracks and breaks.
Vocals appear as short rhythmic hits and accents.]
[Instrumental sections remain prominent between vocal hits.After each vocal accent, the track returns immediately to instrumental focus.]
[Abrupt ending with sudden cutoff.]
[Dense physical pressure, no atmospheric layers]
[INTRO – INSTRUMENT]
RIGHT HERE RIGHT NOW
”WHAT GOES AROUND”
NO CONTROL
[Fast taiko floor already moving]
[Fuzzed shamisen dominant, violent metal-pick strikes]
[Biwa slap/chopper bouncing underneath]
因果応報
NO ESCAPE
[Fuzzed shamisen dominant, violent metal-pick strikes]
”STILL ALIVE”
我思う故に我あり
[Fuzzed shamisen dominant, violent metal-pick strikes]
STILL HERE
[Immediately disappear]
[INSTRUMENTAL BLOCK]
[Taiko density increases]
[Biwa keeps fast slap bounce]
諸行無常
[Fuzzed shamisen dominant, violent metal-pick strikes]
[RETURN TO INSTRUMENTS]
[Same groove continues, pressure unchanged]
[Shamisen stays loud and aggressive]
[Fuzzed shamisen dominant, violent metal-pick strikes]
[EXTENDED INSTRUMENTAL]
[High-speed taiko repetition]
[Fuzzed shamisen attacking constantly]
[Biwa chopper hits collide with drums]
[ONE-LINE DELIVERY: tight, restrained, breathy, cracked at the end]
[Drop back to instruments]
[Fuzzed shamisen dominant, violent metal-pick strikes]
[FINAL INSTRUMENTAL PUSH]
[Maximum density]
[Shamisen and taiko dominate]
夢のまた夢
NOT REAL
夢のまた夢
NOT REAL
[VERY QUIET SHOUT: burned-out, broken, almost whispered]
[Voice vanishes]
[Fuzzed shamisen dominant, violent metal-pick strikes]
[High-speed taiko repetition]
[END]
[Abrupt cutoff]