Folk

Browse AI-generated Folk songs and create similar music. Discover unique Folk tracks made with AI on MusicMint.

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Tumbuh di Reruntuhan

Indonesian Indie folk

Indonesian Indie folk, Sad Chamber Folk, Post-Rock (third act), 100 BPM, Reverb hall (3.2s), slight tape saturation, Melancholic music, Single acoustic guitar, fingerpicking pattern: Travis picking varian, Group Band Music.

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Apa Lagi Kau Nak? V2

Classic Malay traditional love song with Malaysia folk influence

Classic Malay traditional love song with Malaysia folk influence, 95–105 BPM, blending joget and zapin rhythms with a chill groovy swing and nostalgic kampung romantic vibe. Intro opens with fast bright accordion, soft gambus, bamboo flute, and expressive violin creating rich traditional texture. Rhythm driven by rebana, gendang, kompang, and hand claps with smooth dance groove. Warm walking bass and rhythmic acoustic guitar add relaxed feel. Mixed male & female duet vocals, expressive, playful, romantic storytelling with call-and-response. Verses melodic and engaging, pre-chorus builds with rising accordion, layered violin, and claps. Chorus very catchy, high energy yet smooth, romantic sing-along hook. Bridge features gambus, flute, and violin duet. Final chorus big, joyful, viral, full kampung energy. Overall sound: traditional Malay love, rich, chill groove, nostalgic-modern fusion, catchy and addictive.

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Метро 2033

martial rock

martial rock, marching rock,studio sound, hard rock, 115 BPM, 4/4. Military drum pattern: kick drum on every beat (1-2-3-4), snare rimshots on 2 and 4. Bass guitar: front and center, plays aggressive quarter notes like a walking wall of low end, warm overdrive, long sustain, mono centered. Drums: deep sub-low kick (not clicky), sharp snare, crash cymbals only on chorus downbeats. Guitars: distorted power chords played choppy and short — like rifle shots, quick attack, fast decay. Verse: palm-muted, tight. Chorus: wide open but keeping marching rhythm. No accordion, no bayán, no folk instruments. Pure guitar-bass-drums rock. Vocals: male , strong, measured, chanting style. Verse: single voice, firm, slightly melancholic. Chorus: doubled voice giving squad singing feel. , no criminal slang, no folk singing.

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ИСПОВЕДЬ/CONFESSION

Acoustic melodic folk rock haevy metal ballads. A single acoustic guitar plays a rhythmic strumming pattern with a percussive backbeat created by hitting the guitar body. The guitar uses a standard tuning and a bright, steel-string timbre. A baritone male vocal performs with a gritty, emotive delivery. The tempo is 112 BPM in 4/4 time. The arrangement is sparse, focusing entirely on the interplay between the rhythmic acoustic guitar and the vocal melody. The guitar pattern features frequent palm muting and accented upstrums.

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MathémaVie V5.5

style: unplugged acoustic math rock / j-rock

style: unplugged acoustic math rock / j-rock, raw and intimate, dark tension, controlled intensity, subtle celtic cinematic touch instrumental: acoustic guitars tapping, angular riffs, percussive hits, rough attack, light saturation gritty acoustic bass, woody, tight and rhythmic celtic violin, expressive bowing, fast ornaments, precise phrasing bagpipes soft drone, warm and distant hurdy gurdy subtle drone, organic texture bodhran earthy pulse, taiko sparse deep hits arrangement: tight minimal verses, fingerpicking, stop/start accents, asymmetrical phrasing chorus fuller, aggressive strum, layered acoustics, violin swells, taiko accents, bodhran support rhythm: tight, angular groove, shifting accents, math feel with slight folk swing drums: bodhran lead, taiko impact hits, stomps, claps, body percussion ambience & mix: dry studio, close mic, low reverb, tape warmth, slight grit natural imperfections, strong dynamics, intimate yet structured

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黄沙 (Yellow Sand)

Cinematic Chinese folk score with slow martial opening feel

Cinematic Chinese folk score with slow martial opening feel, free-rubato to steady pulse, led by piercing suona over erhu drones and low taiko hits; intro begins solo and cracked like an old tape, verse-like pass adds frame drum and plucked guzheng, then a wider opening swells with brass hits and suspended strings; final return strips back to suona with ghostly echo tails. Dusty, widescreen, vintage film print character, theme, female mando-pop high pitch vocal

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Pixie 💙

singer-songwriter

singer-songwriter, indie folk, pulsating, uk girl

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The Art of Losing Gracefully (While Others Pay)

A melancholic folk metal ballad in the style of Skyclad’s “The One Piece Puzzle” from Prince of the Poverty Line. Gentle acoustic guitar leads the arrangement

A melancholic folk metal ballad in the style of Skyclad’s “The One Piece Puzzle” from Prince of the Poverty Line. Gentle acoustic guitar leads the arrangement, supported by soft fiddle, subtle keyboard pads, and light bass. Minimal, restrained drumming that builds gradually in intensity. Electric guitars enter later with emotional, melodic lines rather than heavy riffs. Vocals in the style of Martin Walkyier — clear, expressive, and narrative-driven, with a slightly rough edge and poetic phrasing. The delivery should feel reflective and bittersweet, with emphasis on storytelling and lyrical clarity. The tone is melancholic, ironic, and emotionally resonant, with a slow build toward a more powerful final chorus.

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記憶のない島、沖縄 #Live

live concert

live concert,Okinawan folk,Ryukyu folk,Okinawan scale(CEFGB).major.116BPM.male baritone vocal,live shout chorus,call and response.sanshin(fingerpicking),hayashi,hand clapping.a man born in Okinawa who left as a baby mourns his lost roots through a song his late parents used to sing,longing for an island he never knew.fade out ending

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🐰Petits bonds sur le goudron

Acoustic intro led by fingerpicked steel-string guitar

Acoustic intro led by fingerpicked steel-string guitar, low city-traffic ambience, shaker and woodblock ticking quietly underneath. French alt-pop/indie folk build with staccato string figures, tense pre-chorus rise, warm bass, brushed snare, and layered harmonies. Start the track with a single environmental hit, not a vocal cue.

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Такой сюжет

art folk

art folk, neofolk, Russian ballad, acoustic guitar fingerpicking, nylon string guitar harmonics, flute countermelody, gusli drone, bowed psaltery swells, chamber strings, sparse piano, plate reverb, tape saturation, mono room bleed, slow 72 BPM, rubato phrasing, bittersweet longing, winter tenderness

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Augenblick aus Licht I - Cover - 999 Hz Tuning

Clear Dolby Vision Sound The Song Opens With A Raw

Clear Dolby Vision Sound The Song Opens With A Raw, Unison Vikings Choir, 999 Hz Tuning, Voices Earthy And Forceful, A Box Zither Weaves Droning, Percussive Tones Beneath, Grounding The Verses In Folk Tradition, The Arrangement Is Sparse, Building Tension With Layered Vocals And Rhythmic Strumming, African Bass Backround Included, Ending Stark, 432 Hz Backround Mastered

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An Dá Thaobh (Korean Remix)

Progressive psytrance x cinematic orchestral electro x Celtic ritual folk

Progressive psytrance x cinematic orchestral electro x Celtic ritual folk, 136 BPM, D Dorian. Tight rolling psy bass, punchy kick, subtle bodhrán drive, uilleann pipes mid-forward, expressive solo violin as primary emotional lead. Sparse cinematic strings, ambient dusk pads, light piano, deep clean sub bass, spacious reverb. Female Korean vocal, soft breathy tone, restrained and ethereal; minimal lyrics, short ritual chants, call-response, wordless humming, airy falsetto, processed vocal chops slightly recessed. Mood: sacred dusk ritual, introspective trance, ancient folk energy, emotional restraint. No over-bright leads, minimal distortion. Structure: violin-led ritual intro → groove build → chant drop → sacred violin breakdown → stronger second drop → peak with vocal chops and violin/pipes unison → stripped outro.

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Kagetsu Mirai

folk

folk,guitar,shamisen, dreamy soft female vocal,harmony, layered harmony vocal, koto

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MAELSTROM

female vocals

female vocals, clear powerful female lead, Nordic folk fusion, drum and bass, dark alternative rock, fast Nordic fiddle hook, rolling sub bass, cold synth arpeggio, heavy tom drums, breakbeat drums, urgent rhythmic drive, wide melodic chorus, layered female vocals, fiddle counter-melody, dark water atmosphere, maelstrom theme, undertow tension, intense chorus lift, fast percussion, cold cinematic texture without trailer choir, dramatic but song-focused, strong vocal melody, high replay value, 160 bpm, studio quality

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Wey Aye, Wood Man

British folk rock with Celtic undertones

British folk rock with Celtic undertones, mid-tempo (95 BPM), warm analog early-2000s sound. Male vocal, low, calm, intimate storytelling with slight Geordie accent, conversational phrasing, understated emotion. Fingerstyle electric guitar lead (quenopfler style): clean Strat tone, soft attack, expressive, melodic. Acoustic guitar underneath, warm simple bass. Light organic drums, minimal fills, slightly behind beat. Subtle accordion and faint fiddle textures. Mood: nostalgic, working-class realism, melancholic yet dignified. Lyrics: woodcutter works long days, sells timber cheap, returns late to sleeping children with drawings. Misses their childhood but provides. They grow up, succeed, leave, return with diplomas. Bittersweet pride and loneliness. Structure: intro, verse, pre, chorus, verse, pre, chorus, bridge, verse, final chorus, outro. No autotune, no modern polish, organic, spacious mix. “strong Geordie dialect phrasing, regional vocabulary (bairns, gan canny, wey aye)”

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Beyond the Veil of Control V3 ( ENG/PT)

cinematic ambient

cinematic ambient, ritual folk, morin khuur lead, bowed string drones, male female duet, whispered Portuguese vocals layered with English lead, soft whisper textures, subtle choir pads, light tribal percussion, slow 76 BPM, evolving build, wide spatial reverb, sci-fi spiritual atmosphere, deep emotional delivery, minor key tension, warm piano accents, organic imperfections, ethereal soundscape

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Don’t Look to the Eyes of Control

bass-dominant symphonic gothic arena-rock

bass-dominant symphonic gothic arena-rock, late-romantic grand piano thunder, octave storms, arpeggio cascades, cello-led metal chamber drama, operatic soprano, heroic tenor, emotional baritone, layered choirs, occult organ haze, cathedral drones, Mellotron mist, analog synth arps, dark trip-hop pulse, cinematic downtempo beats, heavy sub bass, reese swells, ritual folk percussion, frame drums, throat chants, Middle Eastern modal ornaments, hurdy-gurdy, bowed strings, desert scales, shamanic drones, psytrance shimmer, darksynth neon, electro bite, glitch edits, brass fanfares, string swells, timpani and taiko impacts, galloping riffs, twin-guitar harmonies, palm-muted chugs, soaring sustain leads, neoclassical flashes, bass-forward growl, metallic clank, walking lines, octave jumps, tapping bursts, trip-hop whispers, ethereal female topline, soulful belts, mystical chants, bridge, explosive chorus, key-change finale, wide stereo, tape warmth, tight lows, clear highs, dynamic master UHD

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"Mephisto's Secret"

Folkmetal

Folkmetal, folkmusik ,opera metal, polka punk, trall punk, circus brass stabs, shouted gang vocals, distorted accordion riffs, tuba octave lines, double kick barrage, marching snare rolls, violin tremolo, pipe organ drones, choir pads, tape saturation, plate reverb, wide stereo mix, frantic swagger, dark carnival, 170 BPM

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Titaanien laakso

folk rock

folk rock, pop, harpischord