Electronic

Browse AI-generated Electronic songs and create similar music. Discover unique Electronic tracks made with AI on MusicMint.

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32 Jason y Los Argonautas

The song opens at 118 BPM with a melodic harp pattern and pulsing orchestral percussion. Flute weaves mystic lines above sustained electric guitar and electronic bagpipes. Verses feature gritty male vocals with a Spanish accent, leading into anthemic, layered choruses. Interludes amplify rhythm and fusion textures, and the outro fuses all elements for an epic conclusion.

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Contra-Dança do Tempo

Progressive Bossa Nova

Progressive Bossa Nova, starting Acoustic with Nylon Guitar, smooth transformation into Industrial Steampunk, evolving Mechanical Percussion, cinematic buildup, lush Jazz harmony, soft female vocals, subtle electronic glitches, high-end studio polish, 90 BPM.

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Sabar Dulu, Dek. 2

metal

metal, Tuareg desert-metal groove fused with Caribbean boogie and pagan-electronic pulses; chugging distorted riffs over syncopated island percussion, rubbery synth bass, and bright steelpan hooks. Male vocals half-chanted, half-sung, with gang shouts on the hook and a euphoric lift on the final chorus., electronic

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4MINUTE - 'HUH' ( 2026 Remake.)

K-pop

K-pop, electronic dance music, tech house

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Lord of the Blackwood

Dark Nordic / Slavic ritual folk

Dark Nordic / Slavic ritual folk, ancient forest horror Slow 60–70 BPM, deep Aeolian mode, dissonant intervals Prominent expressive solo violin (primary voice, eerie scraping bow textures, slow haunting motifs) Deep bowed drones (low strings, open fifths) Sparse ritual frame drum pulse Bone / wood percussion textures Occasional raven-wing sound accents Low male and female choral hum layers [Female Vocal] Breathy, haunting delivery Low register with controlled vibrato Occasional whisper-like phrasing Korean + English blend Long sustained notes over drones Structure: Wind and drone intro Violin enters before vocal Instrumental tension rise after first chorus Extended eerie violin solo before final chorus Heavy instrumental atmosphere Production: Deep forest ambience Stone / open woodland reverb Organic acoustic instrumentation only No electronics Ancient, ritualistic, predatory atmosphere

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0 sum game

This track fuses R&B’s silky grooves with J-pop’s bright melodic synths and adventurous experimental textures. A pulsing

This track fuses R&B’s silky grooves with J-pop’s bright melodic synths and adventurous experimental textures. A pulsing, syncopated bassline anchors the verses, while swirling electronics and crisp percussion layer over dreamy pads. The chorus intensifies with vocal stacks, chopped samples, and unexpected rhythmic shifts, before melting into an airy breakdown with glitched effects and futuristic flourishes, all unified by the melodic focus of the 2020s era.

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Embedding Jam / 電脳神楽

100% acoustic Japanese percussion only

100% acoustic Japanese percussion only, massive Wadaiko, Shime-daiko, Tsuzumi, Kane gong, Hyoshigi clappers, NO electronic drums, driving cyberpunk synth bass, dark synthwave arpeggios, 126 BPM, guttural festival shouts, clean wide stereo mix, dry punchy acoustic drums, wet synthetic cathedral reverb on synths, glitchy artifacts

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Engineered World

Glitch Hop

Glitch Hop, Corrupt Wave, Dark Electronic Glitch Guitar, Distorted Synth Bass, Fragmented Beats Digital Noise, Glitch Artifacts, Corrupted Audio Signal Japanese Male Vocal Rapid-Fire Melodic Singing Machine-Gun Syllable Flow Fast Articulated Lyrics Emotional Expressive Singing Corrupted Vocal Signal Bitcrushed Vocal Texture Clipping Vocal Distortion Overdriven Vocal Signal Broken Audio Stream Glitched Vocal Fragments Stutter Edit Effects Micro Loop Glitches Timing Error Vocal Cuts Pitch-Shifted Vocal Fragments Fragmented Syllables Heavy Sub-Bass Hits Driving Rhythm Sudden Dynamic Shifts Eerie Silence Breaks Experimental Corrupt System Aesthetic

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Nel Silenzio Io Resto (In the Silence, I Remain)

Italian Cinematic Electronic Tenor

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Shedding Rotten Skin

[slow paced] [haunting etheral melismatic powerful gothic metal young virtuosa female vocals] [complex downtuned gothic doom metal guitar power chords riffs] [synth leads] [80s drums] [dubstep drops] [chiptune textures] Progressive electronic, arpeggiated analog synths, polyphonic counterpoint, sweeping resonant filters, cosmic atmosphere, no percussion, 1970s modular synthesis, melodic complexity, majestic, soaring leads, rubato, minor scale, virtuosa

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我腦海裡的聲音

A high-energy electronic dance track featuring a blend of synth-pop and house elements. The song is driven by a prominent

A high-energy electronic dance track featuring a blend of synth-pop and house elements. The song is driven by a prominent, syncopated bassline and a steady four-on-the-floor kick drum at approximately 124 BPM. The arrangement includes bright, layered synthesizer pads, rhythmic gated synth stabs, and a shimmering lead melody. The male vocals are processed with light reverb and delay, delivered in a smooth, melodic tenor range. The structure follows a standard pop format with a build-up leading into an energetic drop characterized by a pulsing bass and vocal chops. Production is polished with a wide stereo field, sidechain compression on the synths to create a pumping effect, and crisp high-end percussion including claps and electronic hi-hats.

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Addams Family Gothic Tango (Morticia & Gomez) 44

Instrumental only no vocals

Instrumental only no vocals, cinematic gothic tango 2/4 inspired by Addams Family, orchestral-electronic hybrid premium production, ultra-lush live string orchestra with passionate melismatic violin solos, dramatic bandoneon lead, grand piano staccato accents, ethereal harp glissandos, sparkling celesta and glockenspiel mystical touches, subtle orchestral percussion with dramatic pauses, ornamented seductive melodic motifs, flowing dramatic crescendos and sudden stops, immersive spatial audio mixing Dolby Atmos depth, mysterious sensual atmosphere, playful gothic comic accents, dynamic tango rhythms reflecting dance steps, heroic passionate passages, rich layered orchestration blended with modern subtle synth textures, Morticia's seduction meets Gomez's fire, sophisticated arrangement with unexpected twists, timeless cinematic quality, authentic tango tempo 120bpm, minor key with dramatic tension, breathtaking instrumental storytelling, spatial depth and clarity

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Anakku, Kau Harus Tangguh

Opening with distorted guitars and raw rap verses over a syncopated electronic beat

Opening with distorted guitars and raw rap verses over a syncopated electronic beat, the track integrates nu rock riffs and driving bass. Traditional Balinese gamelan percussion weaves through the chorus, fusing with digital textures. Male vocals oscillate between forceful rap and melodic hooks, creating dynamic intensity across verses and chorus, while a gamelan-led bridge adds intrigue before a heavy, electrified finale.

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wth is this

cajun

cajun, neşeli, short, ‑techno, lush harmonies, forgotten lyrics, christian music, lo-fi pop, sad and beautiful, orchestral crescendos, high energy, whisper, high notes, doomer, roland tr-808 bass, powerful chorus, svenska, guitar electric, synthesizer-driven, revolution, dark sad, melodious, akustik, metal, jazz, synth stabs, alternative rock, synthwave, swedish pop, punk, noise, rebellion, modal interchange, chaos, chants to match music, black male vocals, atmospheric synth, creative, downbeat, jewish, 1985, 175 bpm, chip hop, celtic pop, professional production, country, classical crossover, techno, male vocals rock, iconic, r&b, sol/m⁷, house, electronic, verse 2, surprise me, kids pop, double beat, angry, exciting. heavily synth melodies, eighties, dreamy, wide sound stage, alone, dark synthpop, cheap, latin trap, explosive chorus, fantastic, pacific reggae afrobeat, trap, ambient, emotional ballad, hip hop, harmonics, reggae, country blues, satanic, turkish arabesque, punk

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Dağların Andı [Oath of the Mountains] SedCel Music

Deep Early 2000s Crunk Dirty South Trap Energy Memphis Bounce Groove Electro-Funk Fusion Cinematic Anatolian Atmosphere Tempo: 129 BPM Target Length: 3:10–3:30 Continuous Drive Dry Club Mix Serious Tone Aggressive TR-808 drums Heavy sustained 808 sub pressure Rolling rapid hi-hats Southern swing snare claps Raw distorted synth bass Dark synth brass accents Punchy electronic percussion Emotional Turkish clarinet lead theme Deep haunting flute layer Subtle Anatolian string textures Wide atmospheric pads Male vocal only Strong chest-voice delivery Serious warrior tone Continuous melodic singing No rap No spoken parts Structure: Intro – 25–30 seconds instrumental tension build Verse Pre-Hook Hook Instrumental Drive Verse 2 Pre-Hook Hook Final Hook Extended Outro

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33 Atalanta, la flecha del viento

New Age

New Age, Celtic Fusion, fast melodic harp, agile mystic flute, electric guitar with sustain, electronic bagpipes, rhythmic orchestral percussion, Krotala and Sistro accents, Female agile and powerful vocals, Spanish accent from Spain, 128 BPM, [Structure: Instrumental Intro, Verse 1, Powerful Chorus, Instrumental Interlude, Verse 2, Intense Chorus, Instrumental Outro]

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Идеальный пациент (Ветер)

Electronic

Electronic, Ambient, reflective vocals,

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疾走のHot Beat

A sense of speed and powerful singing and performance.

A sense of speed and powerful singing and performance., Rough beats and electronic sounds, beep sound, Heavy metal, rock, Female solo vocals, Cyberpunk, Synthwave, Electropop, Fast-paced, High energy, Gritty synth bass, Glitch hop elements, Neon atmosphere, 135 BPM, Dramatic buildup, Futuristic, High fidelity.

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舞い上がりすぎてイカロス (Cover of Embedding Jam)

denpa

denpa, kawaii, otacore, japanese electro pop, glitchy synths, chiptune elements, dreamy pads, emotional melodic edm, hyperpop influence, female anime vocal, cute but melancholic mood, bright digital leads, fast electronic beat, dramatic synth drop

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Gewebe aus Fluss

Minimalistischer Electronica-Track

Minimalistischer Electronica-Track, schwebende Pads, dezente Puls-Kicks, sanfte Arpeggios. Männliche, nah aufgenommene Vocals, fast gesprochen, mit geflüsterten Doppeln im Refrain. Langsamer Aufbau, in der Hook öffnen sich breite Chöre und ein warmer Sub. Letzter Chorus halbiert die Drums, dafür mehr Reverb und Delays auf der Stimme.

4:45

32 Jason y Los Argonautas

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