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Do You Hear Me Ft.G3N

A modern patois alt-folk piece: solo male vocal with strong Jamaican intonation

A modern patois alt-folk piece: solo male vocal with strong Jamaican intonation, earthy and vibrant, recorded close for intimacy. Acoustic guitar fingerpicked on intro and chorus, gently strummed in verses; raw, unpolished, slightly worn. No drums or bass, minimal effects, breath and emotion foregrounded. The mood is intimate, live, wistful—evoking a late-night street corner gathering, with delicate imperfections and hopeful phrasing echoing loss and quiet resolve.

Shchedryk (Cover)

devilish melody

devilish melody, demon summoning, fear, horror, atmospheric haunting dark electronic, female vocals epic

The Christmas Slasher

Ultra-high-tempo extreme death metal fused with violent deathcore and infernal orchestration

Ultra-high-tempo extreme death metal fused with violent deathcore and infernal orchestration, driven at maximum speed with zero slow sections or breaks. Guitars unleash nonstop tremolo barrages, chromatic death riffs, and layered counter-riffs with chaotic dual-lead warfare featuring high-speed shred, divebombs, pinch harmonics, and atonal noise. Drums maintain constant blastbeat pressure with machine-gun snares and relentless double-kick flooding—no half-time, no pauses. Orchestration is aggressive and hellish: demonic choirs, rapid string ostinatos, and brutal brass stabs synced tightly to riffs and drums, adding grand infernal scale without reducing intensity. Bass is fully distorted and locked to the lowest strings. Vocals are exclusively brutal and evil—stacked abyssal growls, feral mids, and demonic lows with nonstop delivery. Dense, hostile, cinematic, and exhausting by design. Theme centers on Anti-Rust,

Unstoppable

Did I ? or Do I?

Dance

nightcrawler

A Fugue of Footsteps in the Snow (Shchedryk Cover)

horror synth

horror synth, classical music fugue, english folk music, christmas sleigh bells, horror xylophone, abrasive bassoon, distorted synths, unsettling, dark, tense, menacing, concert hall ambience, symphonic, dramatic, terrifying, corrupted, marching band drums, murderous, mournful, melancholy, phyrigian, epic, musical odyssey

Shchedryk [Busy Remix]

So tell me, sister 💯

Authentic African-American Vernacular English (AAVE) vocal delivery. Use a laid-back

Authentic African-American Vernacular English (AAVE) vocal delivery. Use a laid-back, conversational flow with rhythmic cadence. The mood should be confident and soulful. Lyrics & Vocals: The lyrics and vocal performance must reflect key features of AAVE grammar and pronunciation. For example: use of habitual "be" (e.g., "he be working"), zero copula (e.g., "she Ø real cool"), monophthongization (e.g., "ah" for "I"), and vocabulary like "finna," "cap," or "drip". The voice should be natural, not robotic. Instrumental: Smooth synth melody, deep 808 bass, crisp hi-hats, and a slow-burning groove around 100-110 BPM. Add subtle vocal samples or ad-libs.

Silicon Serenade

Anthem Of Bells

Anema e viento (napoletano)

YAMAHA CFX Grand Piano solo

YAMAHA CFX Grand Piano solo, C minor and does not go out of the scale, uses ninth chords and eleventh chords, the notes compose a reflective and romantic melody with slowdowns and accelerating dynamics, presence of trills and double repeated notes, the bass uses the first and second scales, almost in a whisper soft baritone man voice

Thunder in Our Frequency

Why All The Fuss?

Experimental

Experimental, hallucinatory, wavy, chill rap, trap, trip hop, smooth male rap vocals, lo-fi, psychedelic, horns. Ethereal

I’m too busy (Cover)

Ahonnan jöttem (FROM WHERE I CAME)

rap

rap, latino, melodic, male

Boogie

自分自身

Double Cup