Global Trending

Street Guardians

Do You Hear Me

An anthemic breakup song with an epic stripped back piano only backing

An anthemic breakup song with an epic stripped back piano only backing, Punk pop vocals beltng out the emotions. no instruments outside of the piano

Still About You

Darkwave / Gothic Techno / Minimal Synth / Coldwave

Darkwave / Gothic Techno / Minimal Synth / Coldwave

HEY, SAILOR! 💯

Authentic African-American Vernacular English (AAVE) vocal delivery. Use a laid-back

Authentic African-American Vernacular English (AAVE) vocal delivery. Use a laid-back, conversational flow with rhythmic cadence. The mood should be confident and soulful. Lyrics & Vocals: The lyrics and vocal performance must reflect key features of AAVE grammar and pronunciation. For example: use of habitual "be" (e.g., "he be working"), zero copula (e.g., "she Ø real cool"), monophthongization (e.g., "ah" for "I"), and vocabulary like "finna," "cap," or "drip". The voice should be natural, not robotic. Instrumental: Smooth synth melody, deep 808 bass, crisp hi-hats, and a slow-burning groove around 100-110 BPM. Add subtle vocal samples or ad-libs.

❦ Nena ❦

Bongos

Bongos, percussion, SLOW

Shchedryk (Still Standing) [Holiday Remix Contest]

Crisp instrumentation. Crisp vocals. High quality and high fidelity studio production. Wild and erratic propulsive tempo

Crisp instrumentation. Crisp vocals. High quality and high fidelity studio production. Wild and erratic propulsive tempo, Avant garde Christmas carol, Gregorian choir, Syncopated post punk revival, New Wave, Electronic and chopped syncopated percussion, Trumpets, layered angular guitars, electropop, Christmas song, christmas bells, 6 point harmony, Main male Post punk revival vocals are chopped, erratic, ironic and highly dynamic, uplifting, Anthemic choruses, wild and rambling tempo. Noise reduction. Crisp Sound quality. Climactic and epic final chorus

Holidays Are Brutal

Sarcastic

Sarcastic, sassy, playful pop punk

Savages

atlanta

atlanta, memphis, new orleans, trap, lo-fi, vocalist: warm, deep resonate voice, clean production, no intro, clean audio, chopped and screwed

67 Shitty Day

warmth swallower

White Spaces

upbeat experimental minimal modular electronic

upbeat experimental minimal modular electronic, Techno, South African House, EDM, female vocals, female chorus, sublab xl—i, holiday sleigh bells;

Come What May

This track is an upbeat electronic pop song with a driving tempo of 128 BPM in the key of A minor. The instrumentation features a prominent synth bass providing a walking bassline

This track is an upbeat electronic pop song with a driving tempo of 128 BPM in the key of A minor. The instrumentation features a prominent synth bass providing a walking bassline, a four-on-the-floor kick drum, a snare drum with a strong backbeat, and hi-hats. Synthesizer pads create a lush harmonic background, while a plucked synth melody carries the main theme. The female lead vocal is clear and forward in the mix, with a bright, slightly processed tone. The song structure follows a typical verse-chorus format with a pre-chorus leading into the chorus. Production elements include reverb on the vocals and some subtle delay effects on the synth melodies, contributing to a spacious yet energetic feel. The chord progression is largely diatonic, providing a sense of forward motion and resolution.

L1GHT_P4TH

Atmospheric

Atmospheric, dark phonk-house; deep male vocal hits, granular tails, hypnotic, subtle glitch textures, deep, vocal, glitch, clean, tight and clean mix, Ambient, Emotional, Dream Pop, Romantic, Tropical House, Synthwave, Synth, Electronic, Indietronica, Vaporwave, Steampunk, EDM, Chillwave, Dream Pop, Uplifting, Chill, epic intro

Astroman

This is an instrumental electronic track with a driving beat and a melancholic yet energetic feel. The tempo is moderately fast. The primary instruments are synthesizers

This is an instrumental electronic track with a driving beat and a melancholic yet energetic feel. The tempo is moderately fast. The primary instruments are synthesizers, drums, and a bass guitar. The song opens with a sustained synth pad, followed by a rhythmic synth arpeggio. A four-on-the-floor kick drum establishes the beat, accompanied by a snare drum on the backbeats and a closed hi-hat playing eighth notes. A prominent synth melody enters, characterized by its sustained notes and slight vibrato. The bass guitar plays a consistent, driving line that underpins the harmonic structure. The track features a clear build-up and release, with layers of synth pads and arpeggios adding to the intensity. The overall production is clean and polished, with a wide stereo image. The harmony is largely minor, contributing to the melancholic mood. There are no vocals.

Nowhere, Everywhere

Progressive Metal

Progressive Metal, Soulful Blues Rock, Boogie Rock, Psychedelic Rock, Funk Metal, Djent, Math Rock, Technical Metal, Groovy, Syncopated, Driving Rhythm, Emotional, Mournful, Virtuosic, Tumultuous, Atmospheric Keyboards, Baritone and Falsetto Vocal Range

Manifest of Power

Рву на Марс: Вперёд!

rock

rock, dreamy mood, epic, energy, positive, megabeat

B@BYDOLL (Cover)

Don't remember me...

EPHEMERAL MOMENTS

A female vocalist sings a melancholic pop song with a driving beat. The instrumentation includes a clean electric guitar playing arpeggiated chords

A female vocalist sings a melancholic pop song with a driving beat. The instrumentation includes a clean electric guitar playing arpeggiated chords, a bass guitar providing a walking bass line, and a drum kit with a prominent kick and snare. The song is in a minor key, creating a somber yet hopeful atmosphere. The vocals are clear and expressive, with occasional ad-libs. The song structure follows a verse-chorus pattern with a bridge and outro. Production elements include a clean mix with a slight reverb on the vocals and a balanced soundstage.