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Trip-hop/art pop/chamber pop at 92 BPM with a broken-beat groove that feels slightly lopsided before settling into a tight pocket. Female breathy close-mic vocals

Trip-hop/art pop/chamber pop at 92 BPM with a broken-beat groove that feels slightly lopsided before settling into a tight pocket. Female breathy close-mic vocals, stacked harmonies, clean arpeggiated guitar, bowed vibraphone, analog synth bass, sidechained pads, tape saturation, plate reverb, and gated snare. Spacious pauses used as rhythmic punctuation; sensual, lush, evolving.

Minimal

underground hip-hop

underground hip-hop, boom bap, trap beat, 140 BPM, dark gritty atmosphere, strong kick and snare with 808 bass, minimal piano stabs, dusty texture, vinyl crackle, turntable scratch, raw unpolished sound, underground female rap, intense delivery, malay rap, intense aggressive lyrical content, diss track vibe, old school vinyl feel

Midnight Air Glitch

trip-hop

trip-hop, art pop, chamber pop, female breathy vocals, close-mic whispers, clean guitar arpeggios, bowed vibraphone,, tape saturation, plate reverb, gated snare, broken beat groove, stumbling to steady, 92 BPM, sensual, lush

Hands of mine time blind

Nostalgic tech-house with airy

Nostalgic tech-house with airy, spacey pads and granular glitch textures; mesmerizing vocals tight 4-on-the-floor kick under shuffling hats, sidechained synth swells, and a rubbery bass groove, Vocals sit slightly filtered and distant, like a broadcast from the past, with stuttered chops echoing key words in the hook, Builds from a minimal, hazy verse into a big, euphoric chorus wash, then strips back for a late dreamy break before the final lift, glitch, nostalgic

Blue Eyed Rip Tide (Tech House)

Nostalgic tech-house with airy

Nostalgic tech-house with airy, spacey pads and granular glitch textures; mesmerizing vocals tight 4-on-the-floor kick under shuffling hats, sidechained synth swells, and a rubbery bass groove, Vocals sit slightly filtered and distant, like a broadcast from the past, with stuttered chops echoing key words in the hook, Builds from a minimal, hazy verse into a big, euphoric chorus wash, then strips back for a late dreamy break before the final lift, glitch, nostalgic

SYSTEM ERROR

Into Cinders

airy female vocal

airy female vocal, soft alternative, cinematic violin, minimal piano, intimate and emotional delivery, slow build, subtle but powerful chorus, ambient textures, melancholic, vulnerable, reverb heavy

Dead Energy

Big Beat

Big Beat

Midnight Bloom

alt-pop ballad

alt-pop ballad, dark pop, 92 BPM, close-mic talk-sung lead, stacked harmony chorus, soft piano stabs, muted electric guitar arpeggios, humming bass, brushed snare, distant toms, tape saturation, plate reverb, reverse piano swells, half-time pre-chorus, dynamic chorus lift, late-night intimacy, bittersweet obsession

Sweet Spell (Electro-Reggae Mix)

electro-reggae

electro-reggae

Burning Ring of Fire (Reimagined)

Gold-Thread Queen

Trip-Hop

Trip-Hop, Art Pop, Chamber Pop, Female Breathy Vocals, Close-Mic Whispers, Stacked Harmonies, Clean Guitar Arpeggios, Bowed Vibraphone, Analog Synth Bass, Sidechained Synth Pads, Tape Saturation, Plate Reverb, Gated Snare, Broken Beat Groove, Stumbling To Steady, 92 Bpm, Sensual , Lush

I Love a DJ

I Am The Antidote(Response)

[Voice: female

[Voice: female, low-mid pitch, flat tone, dry, unimpressed, minimal melody, almost spoken, no vibrato, no softness] [Style: industrial rhythm, heavy beat, minimal melody, percussive vocal delivery, tight phrasing, no pop, no emo]

Tell Him I’m Hungover

Loose alt-rock groove with male vocals; crunch guitars and roomy live drums keep a laid-back swagger. Verses sit half-spoken

Loose alt-rock groove with male vocals; crunch guitars and roomy live drums keep a laid-back swagger. Verses sit half-spoken, close-mic, with lazy drawl; chorus opens into wide, shout-along gang vocals and bright overheads. Bass walks with a tipsy wobble; subtle organ pad glues the mix and a quick, messy guitar lick leads into the final hook.

Ten-X My Heart

Smooth 70s Soul

Smooth 70s Soul, R&B, Sexy Saxophone, Silky Vocals.

Rude Customers

Upbeat acoustic pop instrumental with a light

Upbeat acoustic pop instrumental with a light, breezy feel. Tempo: ~105–115 BPM. Bright acoustic guitar strumming, subtle percussive hits, and a warm, steady bassline. Clean, natural sound with a touch of room reverb. Smooth, rhythmic groove—lively but relaxed, with an easygoing, feel-good flow without being overly energetic.

Slide On Me

funk

funk, Glossy early-2000s R&B-pop hybrid at ~108 BPM, male vocals with smooth falsetto on the hook, Tight, punchy drums and snappy claps locking with a rubbery, funky bassline, plus clean rhythm guitar licks and bright synth pads, Verses stay sleek and slightly understated; pre-chorus builds with stacked harmonies and rising chords; chorus explodes into a dancefloor-ready, repetitive hook with ad-libs, Polished, radio-ready mix with a nostalgic sheen and modern low-end weight, nostalgic, funky, rhythmic, bassline, pop, smooth, r&b, clean

Seven-Eleven Halo

Nostalgic tech-house with airy

Nostalgic tech-house with airy, spacey pads and granular glitch textures; mesmerizing vocals tight 4-on-the-floor kick under shuffling hats, sidechained synth swells, and a rubbery bass groove, Vocals sit slightly filtered and distant, like a broadcast from the past, with stuttered chops echoing key words in the hook, Builds from a minimal, hazy verse into a big, euphoric chorus wash, then strips back for a late dreamy break before the final lift, glitch, nostalgic

I Know x Kapeline des proutes (Mashup)

deep UK house

deep UK house, 124 BPM, A♯ minor, low-register piano stabs, rubbery donk bassline, sidechained kick, clipped clap pattern, shuffle hi-hats, distorted diva vocals, light autotune, plate reverb, tape saturation, vocal hook repeats, peak-time bounce, bittersweet longing, early 2000s club mix