Jazz

Browse AI-generated Jazz songs and create similar music. Discover unique Jazz tracks made with AI on MusicMint.

Shadows and Wishes

deep house

deep house, 116 BPM, 90s club, jazzy Rhodes chords, syncopated sub-bass, four-on-the-floor kick, shuffled closed hats, warm drum bus saturation, tape delay stabs, sidechain pumping, wide stereo pads, filtered breakdowns, lift-and-drop arrangement, late-night groove, sensual momentum

हार्ट ढूंढता है लव x अब्रकदबरा (मैशअप)

432hz

432hz, free jazz, melodic techno[PERFECT STUDIO RECORDING QUALITY, HIGH DEFINITION] [intro:BINAURAL SURROUND HEART BEAT SOUND FX] ✨ 🦇💖✨ 🌿🍷💫🌼 🌈🍃🌌🌺🍃🌟 🌑🔒❌🌹🔑🌫️💖 🌻🌍📞🌿Sensual flamenco-disco hybrid, male vocals deep and raspy, Nylon guitar and palmas lock with a four-on-the-floor kick and bouncing bass; verses stay smoky and hypnotic, pre-chorus adds shimmering synth arps and risers, chorus explodes with crowd shouts, vocoder doubles, and a sliding lead synth, Breakdown mid-track with filtered drums and whispered ad-libs before a final explosive drop, disco, flamenco, remix🌙 🌼📖💭✨ 🌈💌Bolly-Pop Fusion, Operatic Pop, High Energy, Sitar and Mandolin Blend, Dramatic Strings, Driving Dance Beat, Romantic Duet, Italian and Hindi Lyrics, Cinematic, Cultural Crossover🜁🜂🜃🜄🜅🜆🜇🜈🜉🜊🜋🜌🜍🜎🜏🜐🜑🜒🜓🜔🜕🜖🜗🜘🜙🜚🜛🜜🜝🜞🜟🜠🜡🜢🜣🜤🜥🜦🜧🜨🜩🜪🜫🜬🜭🜮🜯🜰🜱🜲🜳🜴🜵🜶🜷🜸🜹🜺🜻🜼🜽🜾🜿

あなたの温度～showa nostalgia

restrained Japanese noir jazz waltz

restrained Japanese noir jazz waltz, 3/4, early summer night, tatami room, veranda, one firefly, woman in yukata waiting quietly. dark sensual Showa-era cabaret mood, decadent elegance, art-rock tension, sharp feminine presence, but private and minimal, never theatrical. acoustic trio only: nylon guitar, upright bass, soft hand drums. no piano, no brass, no strings, no orchestra, no rock band, no synth. guitar uses complex floating harmony: maj9, m9, 6/9, add9, add11, sus, #11, 13, quartal and rootless voicings. weak tonal center, unresolved colors, no plain triads, no pop progressions. close dry female vocal, low, breathy, fragile, almost spoken, free timing, late entrances, drifting off melody, imperfect pitch. no high notes, no belting, no falsetto, no chorus lift, no climax, no dramatic explosion, no J-pop ballad, no enka. second half stays smaller, quieter, sparser, more unresolved. end incomplete.

Rach

Female vocals

Female vocals, metal, K-pop, Epic song, slow piano, Fast speed, slow chorus, super long song, Beautiful rhythm, Jazz, heavy strings, cute vocals

有一點孤單

1970s

1970s, enka, lyricism, sweet female voice, romance Showa kayo, 70s pop, Melancholic, Female vocal, Slow tempo BPM82, Dramatic, Romantic, Orchestral, Soft voice, Sweet mood Saxophone, jazz, funk, rain, neo-retro wave/Emotionally dark fantasy bard, harp, strings, orchestra, female singer, deep voice, strong rhythm, smooth, R&B, K-pop, piano, organ, xylophone, drum kit, hip-hop music, heavy bass, bathroom music.

The Last Chip

Trip-hop beats

Trip-hop beats, mid-to-fast tempo groove, prominent nervous piano, lush string arrangements, cinematic atmosphere, male vocals, jazzy harmonies, warm basslines, atmospheric synth pads, orchestral layers, dramatic mood, tense energy

08. Le Lièvre / A Lebre

spoken word French

spoken word French, authoritative recitation, Parisian male vocal, PT-PT spoken voice, neoclassical chamber pop, acid jazz, French chanson, Portuguese fado, piano melody lead, sparse fado guitar, accordion accents, string quartet, brushed snare, upright bass, dry close-mic vocals, room reverb, lesson-like cadence, ceremonial restraint, 96 BPM, call-and-response phrasing

I WANNA RIDE

1983 NYC Boogie Funk meets Late 80s New Jack Swing

1983 NYC Boogie Funk meets Late 80s New Jack Swing, Sophisticated, High-Energy, Produced by Charlie Wilson. Sample by Pebbles “Mercedes Boy” Tempo: 115 BPM Vocals: Vocals Group Style, Thick layered Smooth soulful Male Lead with powerful Range; Multi-layered Male Group Harmonies for Chorus and Bridges. Instrumentation: Deep slap bass (Music Man style), rhythmic Stratocaster scratches, steady LinnDrum percussion with heavy 2/4 claps, Minimoog synth bass lines, warm analog poly-synths, and melodic Jazzy piano stabs

Cozy Mantra – Itipiso Jazz Version

Female vocal Thai Buddhist chant fused with cozy coffee shop jazz

Female vocal Thai Buddhist chant fused with cozy coffee shop jazz, lo-fi neo soul, and smooth late-night lounge R&B. Soft smoky female voice with airy breathy delivery, intimate whisper-like chanting, elegant layered harmonies, and calm feminine presence. Warm Rhodes electric piano, mellow jazz guitar, upright bass, brushed drums, soft tenor saxophone fills, vinyl crackle, rainy café ambience, and spacious atmospheric reverb. Relaxed slow groove with healing and meditative mood. Inspired by late-night Bangkok cafés, incense smoke, rain outside the window, warm dim lights, bookshelves, and peaceful urban spirituality. Thai Pali chanting flows naturally like soothing jazz poetry. Gentle and hypnotic atmosphere, cozy café playlist energy, emotionally healing and immersive. No dramatic climax, smooth continuous flow throughout the track.

VERTIGE

female singer

female singer, cinematic, drum and bass, smooth, sad, catchy, melodic, electric guitar, experimental, funk noir jazz

No Weapon [Neo-Soul]

Neo-Soul

Neo-Soul, Jazz Elements, Trap Soul, Vibey, Background Vocals, Melodic, ALT-R&B, Heavy Bass, Duo

Espada de Paz

MPB-soul with samba-jazz sway and epic orchestral lift; swung percussion and warm bass on the verses

MPB-soul with samba-jazz sway and epic orchestral lift; swung percussion and warm bass on the verses, pre-chorus thins to voice, piano and suspended strings, chorus opens with female lead plus harmonic choir, oboe solos weave against violins in the breaks, final section blooms with full philharmonic brass and choral resolve. Close-mic intimate vocals, doubled on the hook, with reverberant ad-libs, cinematic risers, and bright, polished mix., soul, jazz, mpb, samba, female vocals

影戯のワルツ

progressive jazz

progressive jazz, odd-meter jazz, jazz waltz, progressive fusion, electronic/IDM, jazz fusion

I hope this boom down

smashing 1920s' jazzy Hip Hop anthemic opening with Blending boom-bap drum kit

smashing 1920s' jazzy Hip Hop anthemic opening with Blending boom-bap drum kit, 1950s' acid rap, accented by finger snaping, swung 16th hi-hats, tight dry snares and lo-fi filtered loops, the groove rides a syncopated rolling bassline with percussive flourishes, SP-1200 grit and lo-fi dusty organ playing Infection Boogiewoogie phrase loops, layered with phasing, glitch-punk tempo jumps, reversed break fills, minimal 808s, "Spatial audio" "3D audio" "3D sound", Chopped pizzicato walking basslines, unforgettable phrase loops, dynamic, Wide stereo imaging perfect EQ. vocal intelligibility, stereo separation, Instruments Silent situation, All silence, bounce rhythm, humanized swing and groovy, Use funky Japanese old school hip hop Cipher rap atmospheric heavily, edgy J-rap: soft (male rap), smooth rap while backing voice support aggressive rap, rapid-fire interplay, and rolling tongue technique, smooth flow, and slick verses, seamless flow, delivering a catchy and cheap Turntablism.

Do To You

high quality reggae pop love song with stylish solfege flavor bpm96 key d e fusion of higedan style piano lift and melodic bass story jason style breezy wordplay and optimism bruno style intimate jazz pop warmth jacob style colorful reharm surprise sound bright piano attack rhodes glow nylon guitar Reggae, Ska, Rock, Pop Rock melodic bass as second hook dry rim reggae groove soft shaker close male english vocal with smiling phrasing and airy falsetto edge hook uses playful do re mi like upward syllables without direct quote harmony maj9 6 9 maj13 11 13sus slash chords passing dim altered dominant chromatic mediant cluster warmth pedal tension one tasteful wrongness only melody instant chorus top note obsession guide tone landing blue note touch elastic reggae phrasing lyrics butterflies first date sparkle romance excitement not childish avoid coffee neon rainy night city lights cigarette lonely road apartment intro inter outro no humming no scat no choir no spoken no sample

Kiedy natura przemawia czuję życie w nas Ver.1

slow jazz piano lead

slow jazz piano lead, warm upright bass, soft brushed drums, muted trumpet improvisation, late-night jazz club atmosphere, emotional and intimate cinematic mood, Female vocal begins the first verse, soft smoky alto with delicate expressive phrasing, Male vocal enters in later verses with warm deep baritone tone, gentle call-and-response between verses, romantic duet storytelling, chorus always sung together by male and female vocals in rich close harmony, emotional duet refrains, blended male-female vocal harmonies, lush cinematic jazz atmosphere, subtle saxophone textures, elegant piano improvisation, vintage analog jazz club feel, slow tempo, intimate live performance ambiance, emotional and melodic

Trust the Detour

jazz trap

jazz trap, 78 BPM, smoky late-night, muted trumpet lead, alto sax fills, warm Rhodes piano with 9th and 13th chords, walking upright bass doubled with sub 808s, brushed snare layered with trap claps, rolling triplet hi-hats, vinyl crackle, finger snaps, close mic vocal with short reverb, half-spoken half-sung delivery, introspective cobalt-blue mood

So Leer Ohne Dich

german

german, male vocals, emotional pop-ballad, clear intimate voice with exact phrasing, harmonic base: Steinway & Sons Model D grand piano, soft dynamics. Fender Rhodes Mark I electric piano for warm tonal support. Electric guitar: Fender American Professional II Stratocaster through Roland Jazz Chorus 120, clean tone, minimal modulation. Bass: Fender Precision Bass, warm rounded low end. Drums: Ludwig Classic Maple kit samples, tight snare, controlled kick, dry modern pop groove, precise timing. Sub bass: Moog Sub 37. Subtle pads: Sequential Prophet-6, sparingly used. Chord progression vi–IV–I–V with variations in relative minor/major, occasional ii–V in pre-chorus for tension and release. Focus on emotional vulnerability, minimal arrangement, strong instrumental separation, dynamic chorus lift through harmonic movement and layering, radio-ready structure

轉角巷弄那條街

alt R&B

alt R&B, synth-pop, 72 BPM, Mandarin tenor, breathy chest voice, falsetto lifts, stacked English hook, clean electric guitar, jazz chord voicings, chorus guitar, deep synth bass, sub-heavy kick, crisp electronic snare, analog synth pads, vocal compression, wide stereo image, 1980s sheen, bittersweet nostalgia

🎶 Pas La Guerre

Sparse spoken-word over downtempo hip-hop with jazz-rap and trip-hop leanings. Dusty kick-snare

Sparse spoken-word over downtempo hip-hop with jazz-rap and trip-hop leanings. Dusty kick-snare, brushed rimshots, muted upright bass, Rhodes chords, and distant vinyl hiss. Melody stays talk-like: half-spoken, rhythmically precise, dry close-mic delivery with subtle slap delay, low-pass pads, and minimal atmospheric percussion.