Jazz

Browse AI-generated Jazz songs and create similar music. Discover unique Jazz tracks made with AI on MusicMint.

"4:00 A.M. (The Night I Let Her Go)"

Velvet-tux jazz-bright pop noir

Velvet-tux jazz-bright pop noir, brushed snares, upright bass, muted brass, lush strings, weeping sax, smoky lounge piano, celestial vibraphone, soulful vocals croon-and-hum of love & regret.

These Creeks Didn't Mean Blue

political critique

political critique, poetry, odd rhymes, blues, harmony, psychedelic blues rock, rock, jazz, ambient, soul, taboo imagery, dark lyrics, intricate jazz

다시, 나답게 (Stronger in My Way)

[Acid Jazz

[Acid Jazz, Neo Soul, Jazz fusion], Downtempo Groove, Soulful Female Vocals, Soft Brush Drums, Mellow Instrumentation, Saxophone, Piano, Retro Lounge Vibe, Emotional Spoken Word, Studio quality, Lo-fi

数式のメロディ-Ω.ver

HI-RES

HI-RES,mastering processing,J-Pop + Jazz Pop + Funk Rock + Piano Rock + r&b, dynamic rhythmic flow with syncopated drums and walking basslines, rich piano progressions and clean electric guitar accents, horn section bursts for energy peaks, bright and harmonic chord modulations, emotional themes of self-discovery and urban youth, story-driven songwriting with clever lyrical turns, daytime cityscape vibes, vocals are expressive female soprano with emotional agility, capable of soft delivery and power belt, music feels heartfelt, intricate, and rhythmically alive, layered instrumentation with breakbeat transitions and soulful climaxes,Female voice only

ギルティ・ドライビング | Guilty Driving

sax

sax, city pop, 80s japanese city pop, ambient, disco, 1980s, old, saxophone, emotional, hazy, 80s, jazzy, 70s, retro, nostalgic, driving, brass, new wave, disco, vinyl, horn hits, 80s synth, jazz

Beneath the Clock

Minimal tech house with deep house grooves

Minimal tech house with deep house grooves, Gypsy Jazz vocal female, Minimal, Instrumental, Acoustic Guitar, Upright Bass, Lo-fi Percussion, Soft Electronic Textures, Syncopated Swing Rhythm, Cinematic Layers, Warm Atmosphere, Low BPM (80–100), Clean Mixing Electro-Manouche Lounge, Fingerstyle Guitar, Hand-played Percussion Loops, Deep Subtle Bass, Ambient Pads, Retro Melodic Phrasing, Minimal Electronic FX, Whimsical but Refined : Neo-Folk Electronica, Acoustic Swing Groove, Repetitive Guitar Motifs, Subtle Glitch FX, Warm Analog Synths in Background, Light Reverb, Organic-Mechanical Blend, Nostalgic but ModernRepetitive Vocal

😈👑 sᴘɪɴɴɪɴɢ 𝟸𝟶𝟶 sᴏᴜʟs 👑😈 ( ᴄᴏɴɢʀᴀᴛᴜʟᴀɪᴏɴs @xᴇʟᴀ_ʀᴇᴅ)

Erica Heaven/Pink Devil tribute song to Red’s/Lucifer’s 200 followers

Erica Heaven/Pink Devil tribute song to Red’s/Lucifer’s 200 followers, with back-and-forth vocals and personality switches, fit for an anime-cinematic villain-emperor celebration. It blends the dramatic elegance and theatrical cockiness of the first song with the tender, poetic admiration of the second—while keeping the royal theme bold and unrelenting. Switching vocals, dramatic/cinematic theatrical pop. High-Drama Funk-Pop, With Big Band Brass, Jazz House Grooves, Glam Rock Flair, Broadway Showmanship, Over-The-Top Energy, Choir Harmonies, Snaps, EDM-Funk, Fusion, Devilish Vegas Icon Meets Studio 54. Theatrical, Dramatic, Cinematic and Dolby Atmos. Clear Melodic Vocals.

Prabu Tobi

ukulele

ukulele, keroncong, hawaiian,arab, islamic, gendang, gumbe, gong, e major, pop, japanese jazz

The Living Dead

Barbershop Quartet

Barbershop Quartet, Doowop, 50s Pop, Vintage Pop, Oldies, Jazzy Pop, Swing, Retro Swing, Novelty Song.

Kan Selalu Cinta

A remix smooth jazz orchestra female vocal in the key of E major at approximately 70 BPM. The instrumentation consists of a tenor saxophone playing the lead melody and improvisation

A remix smooth jazz orchestra female vocal in the key of E major at approximately 70 BPM. The instrumentation consists of a tenor saxophone playing the lead melody and improvisation, an electric bass providing a root-fifth pattern with occasional fills, a grand piano playing lush jazz chords and providing harmonic support, and a drum kit with brushes laying down a relaxed swing rhythm on the ride cymbal and snare. The mix features the saxophone prominent in the foreground, the piano providing a wide stereo image with reverb, the bass centered and slightly compressed, and the drums providing a solid but understated foundation. The song structure is AABA. The A section features the main melody. The B section is a bridge with a slightly different chord progression. Following the head, there is an extended saxophone solo over the AABA structure. The saxophone has a clean tone with a touch of room reverb. The piano is EQ'd to emphasize the mid-range for clarity. assisted by a choir.

Not Quite Right

Starts sparse with lo-fi acoustic guitar and ambient piano

Starts sparse with lo-fi acoustic guitar and ambient piano, then layers soft rock drums, subtle synths, and gentle alt pop melodies. Cinematic ballad crescendos with lush indie folk textures, melancholy jazz chords on electric piano, chilled beats, and expansive post-rock guitars, blending minimal electronica for atmosphere.

you never let me go

nostalgic 1980 male vocals; slow minimal melancholicn

nostalgic 1980 male vocals; slow minimal melancholicn, nostalgic, vocal layering, accented English, Idol kayō, City Pop, Jazz-Funk, Kayōkyoku, nostalgic 1980s lush chords, juno-106, nocturnal

What Goes Around v2

A genre-fusing journey starts with atmospheric chill lounge textures and filtered jazz samples. Glitched percussion bursts introduce boom bap-rooted drums underneath growling bass. Sudden switch: punchy electro swing breaks and warped house stabs rise with detuned rave synths, witch house pads, and chopped vocals, culminating in a frenetic, layered electronic climax before a minimal, airy outro.

Deserto Elétrico

Afrobeat

Afrobeat, jazz, rock, psicodélico, experimental, tribal, mediterrânico, groove, improvisação, instrumental, percussivo, intenso, ritualístico, cinemático, orgânico, elétrico, dinâmico, hipnótico, nostálgico, urbano, livre, espiritual, vibrante, multicultural, alternativo, minimalista, atmosférico, viajante, enérgico, identitário

A Amante Sem Moral

Jazz Sertanejo

جَز

persian

persian, jazz, arabic, fusion

イヤホンから始まる恋　　　（1）

Jazzy Electropop with Shibuya-kei influences

Jazzy Electropop with Shibuya-kei influences, A mix of vibrant energy and deep sentimentality, blending playful rhythms with melancholic undertones, 120-130 BPM, Bouncy 8/8 Time Signature, Vibraphone, syncopated bass grooves, airy synth pads, layered scat vocals, tight drum loops, The song conveys an evolving emotional journey, shifting from curiosity → excitement → longing → acceptance. Wireless signals symbolize emotional distance and misaligned connections, representing the push-and-pull of unresolved feelings. The outro should linger with a nostalgic yet hopeful touch, allowing the melody to feel like an echo of past emotions. {bouncy_beat} → Creates an upbeat and rhythmic bounce throughout the track. {electro_edge} → Introduces subtle electronic elements to drive energy and momentum. {spacey_reverb} → Adds dreamy ambient layers, especially in transitions and outro. {dynamic_build} → Gradually builds intensity in pre-chorus and final chorus for an emotional climax. female voc

Ich hab das Leben halb vergessen

Female vocals

Female vocals, Chanson, Kabarett, Jazz, Salonmusik, Film noir, melancholisch, rauchig, lasziv, unterkühlt, halbgesprochen, theatralisch, ironisch, sentimental, expressiv, nostalgisch, antibürgerlich, kosmopolitisch, dekadent,Sehnsucht, Zeitlosigkeit, weibliche Stimme

《夢裡自由飛》 (Remix)

[K-POP dance music

[K-POP dance music, acid jazz style, radiant bass] [fast rhythm, 200BPM reverb] [Dual female voices: charming rap, charming rap, bass voice, shouting +30DB, elastic delay]

Soviet Counter: red

winter ice pool surf rock

winter ice pool surf rock, minimal dubstep, sunny, brostep, liquid, french touch, psychobilly, electric pop, slow trap, wind, grime, chill beat, west coast hip-hop, slow core, grime, water, jazz, r&b~