Jazz

Browse AI-generated Jazz songs and create similar music. Discover unique Jazz tracks made with AI on MusicMint.

Everyday is Another Chance

Mid-tempo indie pop track with a soulful

Mid-tempo indie pop track with a soulful, laid-back groove, characterized by a clean electric guitar playing rhythmic, syncopated chords and a melodic bassline. The song features a smooth, airy female vocal with a gentle vibrato and a relaxed delivery. The arrangement is minimalist, focusing on the interplay between the guitar, bass, and a steady, crisp drum kit with a prominent snare and hi-hat. A bright, jazzy electric guitar solo with light overdrive and chorus effects appears in the bridge, adding a sophisticated melodic layer. The production is clean and intimate, with subtle reverb on the vocals and a warm, balanced mix that emphasizes the organic feel of the instruments. The song follows a standard verse-chorus structure with a bridge, maintaining a consistent, mellow energy throughout.

No One Can See You Fall (ft. Monochrome Bay)

Minimal experimental deep house with jazz-influenced chord stabs

Minimal experimental deep house with jazz-influenced chord stabs, granular textures, and a smokey, eccentric female vocal, Avoid sustained pads – use prepared piano, upright bass, and organic percussion instead, Vocals should be fragmented, breathy, and delivered with irregular phrasing, Include glitch elements, granular vocal looping, Sparse, broken groove; restrained but hypnotic, like a moth towards the light

Mi Compás, Mi Libertad 作詞作曲:焔歌工房 - Tak - 補詞編曲:森本

Live concert

Live concert,Flamenco,Rumba Flamenca,Gypsy Jazz.Minor.128BPM.Male vocalist(Flamenco singing style,cante jondo,rasgueado vocals),Call and response vocals(lead and crowd interaction,spontaneous audience shouts),Live performance atmosphere(roaring crowd,stomping,clapping compás,raw stage energy).Flamenco guitar(rasgueado,picado,golpe),Acoustic guitar(fingerpicking,strumming),Percussive acoustic guitar(body percussion,tap harmonics),Violin(passionate slides,tremolo),Mandolin(tremolo picking,rhythmic chop).A fierce live flamenco night,a rebellious woman dances with duende and defiance,crowd and singer trading raw passion,chains broken one zapateado at a time.

Vrzající diva

Driven by pulsing deep bass and crisp 4/4 house grooves

Driven by pulsing deep bass and crisp 4/4 house grooves, the intro glows with electric piano chords. Sassy female vocals lead, tossing out hooky lines as jazzy saxophone riffs add flair. The chorus erupts with lush harmonies and bold synth stabs, blending cabaret with vibrant house. A sultry sax solo rides filtered beats in the breakdown, amping energy before an electrifying drop.

Kostas Dousias - The Moaner (O Paraponiaris)

A smooth

A smooth, swinging 1960s jazz instrumental led by a virtuoso electric guitar with a warm, round tone created by thumb-picking. The arrangement features a melody played in octaves, transitioning into sophisticated block chord solos. Supported by a tight rhythm section with a walking upright bass, soft brushed drums, and rhythmic piano comping. The vibe is relaxed. Wes Montgomery style

Bottleneck (I need a)

A weirdcore-inspired piece bursting with fruit flavors

A weirdcore-inspired piece bursting with fruit flavors, abrupt tempo shifts, avant-garde jazz-rock instrumentation, and quirky, complex guitar riffs. Cowbell sections punctuate odd time signatures, while marimba, swirling synths, and experimental percussion create a dense, unpredictable landscape.

Don't Tell Me (What I Can't Do)

Motown

Motown, blues, slow funk, piano, upright bass, blues harmonica, soulful, jazz guitar, funk guitar, kick, snare and high hats, saxophone outro

Петля тел

A slow

A slow, sultry jazz-tango at 121 BPM, led by brushed drums and soft upright bass in a lazy sway, Nylon-string guitar adds pointed tango riffs, light sax curls airily around breathy female vocals with wordless moans woven in, Muted piano glows at the edge, chorus widens with layered sighs and saxophone lines responding to the melody, all in a candlelit, waves-in-the-distance atmosphere—close-mic intimacy throughout, instrumental loop

Tic tac toe (XOXO)

The intro fuses raw guitars and chopped breakbeats

The intro fuses raw guitars and chopped breakbeats, leading into verses with glitchy vocal samples and cut-up synth textures. Choruses explode with heavy breakdowns, distorted bass, and jagged digital edits. Jazz chords, quirky percussion, and retro electronics nod to Shibuya-kei throughout.

パラレル通勤列車

J-pop

J-pop, jazzyfunk, upbeat, emotional, malevocals, expressivesinging, pianoled, brasssection, syncopatedbass, groovedrums, dynamicmelody, urbanmood, realisticlyrics, fastphrasing, catchychorus, bittersweetvibe

Gratulation aus Höheren Sphären

A hyper-kinetic 90s West Coast Hip Hop fusion: deep G-Funk bass and gritty boom bap drums dominate

A hyper-kinetic 90s West Coast Hip Hop fusion: deep G-Funk bass and gritty boom bap drums dominate, spiked with Phonk cowbells for swing. Distorted 808s, glitch hop noise, and cartoon FX—sirens, whistle synths—escalate the chaos. Hype ad-libs, chopped rap vocals, and bold retro talkbox leads fuel lively hooks. Lo-fi grit and experimental, jazz-tinged breakbeats twist the form, merging hip hop and hyperpop into a mischievous, genre-bending club banger, loaded with irony and theatrical energy.

Dein Name

deutsche Sprache

deutsche Sprache, evelation, melodramatic, jazz, ambient, heart, female voice

Gods Weg is Volmaakt

Rockabilly

Rockabilly, Gregorian Chant, Memphis Blues, Americana, Nederpop, Bass, Jazz Piano, Harmonica, Rock Guitar, Modern Production, Clear Voice, Clear Sound

난청

Lo-fi hip-hop vibe with a boom bap beat

Lo-fi hip-hop vibe with a boom bap beat, jazzy piano loop, warm bass groove, crisp snare, tight hi-hats, and subtle record scratches. Verses feature dry, conversational Korean male rap with deadpan wit. Chorus lifts energy—catchy, half-rapped or sung hook. Bridge brings heartfelt sincerity.

New hope - 3

slow acid jazz

slow acid jazz, art pop, art house, tenor saxophone, original theme, lead guitar, flute, heavy drums, double bass, hypnotic bass, polyphony, snare drums, flute

Monoman

Lo-fi hip-hop with nostalgic boom bap flavor

Lo-fi hip-hop with nostalgic boom bap flavor, built on a vinyl crackle drum loop, warm bass, dusty jazzy piano, and subtle, reverb‑washed guitar. Laid-back, head-nodding midtempo groove (85–92 BPM). Verses feature dry, conversational English rap; chorus lifts with fuller production and a melodic hook. Bridge mellows with reflective keys and extra guitar layers, capturing a school night vibe with warmth and self-aware wit.

BEN JOSHUA - STANDING IN THE QUIET

Melancholic Lo-Fi Indie

Melancholic Lo-Fi Indie,Soft Piano, Sad Atmosphere, Slow Tempo, Minimalist Acoustic Folk,Soft Acoustic Guitar,Breathless Emotional Vocals, Melancholic Atmosphere,Soft Ambient Cello in the Background,No Drums,No Distortion,Clean, Warm & Intimate Production, Minimalist Sad Piano,No Distortion, Clean, Somber & Calm Vocals. Male Vocalist: His voice is iconic with a rich,deep tone,warm with strong resonance. His singing style is calm yet powerful, conveying deep&sincere emotional nuances. Bass-Baritone. Very low & deep voice. The sound color is warm, heavy, "soft," & very mature. Low Note: Very powerful and is the main advantage. Has good vocal control. Vocals tell stories, calm & honest. Able to maintain the timbre of the voice. Has a distinctive vocal with a strong hoarse accent, giving a unique impression & character,Deep male bass,70 BPM, stable rhythmic acoustic,with a very low,deep & typical bass-baritone vocal character for the jazz or country genre.

⚠️最後だと分かっていたなら…

Starts with gentle piano chords layered over a soft-tach base

Starts with gentle piano chords layered over a soft-tach base, airy pads introduce a pensive mood. Sparse psybase rhythms pulse faintly beneath melancholic jazz-tinged harmonies. Occasional noise reduction sweeps create pockets of clarity, letting emotive vocals float atop. Mid-song, a jazz-influenced instrumental bridges to a requiem-like section, with haunting motifs and subtle dissonance, before fading into a minimalist piano outro.

Tinh dang mot dieu bong hoa - jazzhop

Jazz

Jazz, Hip hop,rap

Güneşim Ol

Delicately played Appalachian santur weaves over sparse acoustic guitar and double bass

Delicately played Appalachian santur weaves over sparse acoustic guitar and double bass, 80s retro pop arrangement, robot voice, vocoder, funk-inspired rhythm with short syncopated notes for the groove, powerful bassline, twist, dancehall reggae, r&b rock blues blossom with harmonies, light percussion and expressive violin, Anti-folk interludes, strumming rhythms, brushed kicks, Anatolian folk instruments (fast bağlama, oud) merge with electric guitar and psychedelic, mystical, poetic snare drum and dissonant banjo, acid jazz sections jump with syncopated Rhodes, deep funk bass, abstract synths lead to a tight, grooved bridge, glitch, fragmented runs, muffled beats, inverted sounds, irregular beats, sitar, oud and percussion meets tabla/darbuka layers, gritty disco bass and funk guitar fuel the punchy chorus, accented by synth beats, verses blend spoken word, rap, whispers and backhanded effects, chic electro disco