New Songs

Sounds from a Scary Movie (Cover) 👈🎃👍— machina Bradonis numquam dormit

This ambitious piece fuses classical elements—a sweeping overture of lush strings

This ambitious piece fuses classical elements—a sweeping overture of lush strings, bold brass, timpani—with eerie weirdcore via analog synth pads and phased guitars. Verses feature solo vocals with woodwind interplay, swelling to orchestral choruses with choir. A dramatic piano solo bridges brass surges and dense, evolving orchestral layers. Reverb-heavy organ, pulsing bass, and syncopated drums build tension, soon warped by theremin, modulated synths, and waves of crushing death metal guitar riffs. Dungeon synth and horrorcore FX interludes provide eerie contrast, interspersed with psychedelic orchestral sections and abrupt djent guitar grooves. Witch house textures and morphing, spectral synths thread haunting transitions, weaving an ever-morphing, genre-blending Halloween-inspired soundscape.

"Она сидела у окна"

love ballad [(темп: -70)]

love ballad [(темп: -70)]

🎤 Burning Shadows - Rap Version

Genre: EDM Funk Rap / Jazz-Fusion hybrid Tempo: 100 BPM Mood: dark yet groovy

Genre: EDM Funk Rap / Jazz-Fusion hybrid Tempo: 100 BPM Mood: dark yet groovy, confident, nocturnal Vocal: androgynous male, rhythmic rap delivery with smooth tone, bilingual (Japanese & English) Instrumentation: electric bass with syncopated groove, tight drums, brass stabs, subtle electric piano chords, synth layers, atmospheric pads Arrangement: intro (bass groove) → verse 1 → hook → verse 2 → bridge (instrumental horn break) → final chorus → outro fade Production: strong kick-bass interaction, rhythmic sidechain, deep low-end funk, crisp hi-hats, reverb-drenched ambience Atmosphere: city night energy, mysterious yet empowering

テレクラって何かな？ (Self_Cover)

The track should embrace a comedic theatrical flair with a dramatic choir-like intro

The track should embrace a comedic theatrical flair with a dramatic choir-like intro, echoing a parody of religious ritual music. The verses lean into upbeat J-pop comedy rap with bouncy synth basslines, quirky percussion, and playful call-and-response ad-libs. The breakdown sections adopt a mock-sermon spoken-word delivery over exaggerated orchestral stabs and electronic timpani hits, heightening the absurdity. The bridge swells with a gospel-inspired chorus drenched in reverb before collapsing back into a hyperactive electro-pop groove. Vocal delivery should alternate between solemn, tongue-in-cheek chanting and animated comedic rap-style performance, creating a balance of parody and catchiness. Production should use layered choirs, slap bass synths, and EDM-style buildups to exaggerate the “sermon of food sins” theme. Think of a blend between denpa-song absurdity, Vocaloid parody energy, and over-the-top theatrical pop arrangements.

Poetry

oldshool boom-bap beat with scratching an vocal samples and heavy use of samples and vocal chops in the drop

oldshool boom-bap beat with scratching an vocal samples and heavy use of samples and vocal chops in the drop

Ciao Hermano

Emotional live performance in a large stadium. The intro begins with a spoken voice

Emotional live performance in a large stadium. The intro begins with a spoken voice, trembling and intimate, like a personal dedication in front of a silent audience. There’s soft reverb and a still atmosphere, as if time had stopped. Then the piano starts, playing warm arpeggios and sustained chords, creating a heartfelt, melodic foundation. A soulful solo voice sings each verse with deep emotion — soft and fragile at first, then more intense. The pre-chorus and chorus grow with powerful vocal expression and harmonic richness. In the middle of the song, there is a long and expressive piano solo, with a romantic and dramatic melody reminiscent of classical concert pieces — emotional like a nocturne, lyrical and soaring, as if the piano itself is singing. This solo makes the crowd hold their breath. The performance then returns to the final chorus, blooming with breathtaking power and hope, echoing through the stadium. Use long natural reverbs, live ambience, and subtle microphone breat

그날의 약속(That day's promise)...Live..Re-Mastered & Edited

Genre: Hard Rock Ballad stadium live Mood: emotional

Genre: Hard Rock Ballad stadium live Mood: emotional, dramatic, powerful yet tender Instruments: piano intro, strings, melodic electric guitar riffs, bass, live drums, stadium reverb Vocals: male lead, raw but controlled, chest voice with expressive high notes and falsetto, wide dynamics Ambience: soft piano + faint crowd intro, immersive stadium feel, wide reverb Performance: focus on vocal emotion, strong guitar/piano interplay, build-ups into explosive choruses, controlled resonance Special: audience support (soft chant, emotional sing-along), bridge with guitar solo + string rise, outro with piano fade and narration into silence Tempo: slow–mid with emotional peaks Structure: intro – v1 – v2 – pre-chorus – chorus – v3 – chorus – bridge – final chorus – outro Narrative: eternal promise, longing, devotion, journey from tenderness to climax Language: Korean with some English

Not Too Late

Female vocal

Female vocal, modern Country-Folk-Pop, 125 BPM. Heartfelt, storytelling. Intimate verses with acoustic guitar/vocals. Build in pre-chorus with harmonies. Full, cathartic choruses with fiddle, banjo, driving rhythm section, and subtle synth pads. Dynamic arrangement reflecting emotional lyrics.

Halloween Future

Halloween

Halloween, Chiptune, chiptune, Glitch-Hop, Future house, electronic, upbeat, futuristic, 134bpm, Halloween, Witch Hop, Witch House, Glitch-Hop, Future house, electronic, upbeat, chiptune, trap

Terbang Bersamamu (Fly With You)

Female Vocals

Female Vocals, Indonesian Folk, Chinese Folk, Light Swelling Flamenco Guitar, Dance-Pop, Mid-Tempo, Balkan, Uplifting, Melodically, Soothing, Airy, Suling, Dreamy, Light Drums

The Edge Of Being Known

Guitars: Clean

Guitars: Clean, shimmering Fender-style tones with gentle chorus and reverb, creating a warm, sunset-hued texture. Keyboards: Electric piano (Rhodes) and subtle string synth layers replace the darker organ tones, giving the song a more romantic, yacht-rock glow. Bass & Drums: Smooth, rounded bass lines and steady, laid-back mid-tempo drums with soft snare and brushed cymbals, anchoring the song in a mellow groove. Guitar Solo: Still emotional and expressive, but more melodic and lyrical, restrained, silky, with emphasis on phrasing rather than soaring distortion. Lead Vocals: A tender, yearning tenor with romantic vulnerability. Tone would glide between smooth pop clarity and soulful inflection, Counter Vocals: Delivering them in a softer, conversational croon instead of a distant narrative, a dialogue between two hearts. Harmonies: Layered three-part harmonies bloom in the chorus, lush, West Coast-style blend that transforms into an ethereal, bittersweet refrain of surrender.

The Way We Move

Retro-pop

Retro-pop

Babie leto

slovak language

slovak language, uikl song

Gardener

Late 90s to early 2000s Norwegian folk finger picking acoustic Northwest indie rock

Late 90s to early 2000s Norwegian folk finger picking acoustic Northwest indie rock, slow burn and dry. Andante tempo in 4-4.

Praying (Five Stars Dance Mix)

The Ibiza club track launches with a pulsing four-on-the-floor kick

The Ibiza club track launches with a pulsing four-on-the-floor kick, syncopated hi-hats, and a deep house bass driving the groove. Bright, punchy trumpet riffs deliver melodic hooks over lush synth pads, airy FX, and hints of smooth jazz and disco phrasing. A breakdown pares back to trumpet with minimal percussion, before a dynamic, densely layered drop. Polished male vocals glide above sleek R&B harmonies, with everything crisply mastered for maximum club energy.

Diesel Motion - Fast Life, Flash Life

create a gritty

create a gritty, fast-flow, rapid-fire, high-tempo, melodic and euphoric, powerful and uplifting uk grime/drill x trap house x speed garage track, female vocals, male vocals

TRICK OR TREAT

🎵 “Mitad de mí

íntima

íntima, casi hablada por momentos. Respira, suspira, Beat: R&B oscuro/trap melancolico. Pads atmosféricos, bajo húmedo, ritmo lento,Tempo: 60–65 BPM.

Dä Anker (Dat es d'r kölsche Strahl!)

Akustischer Pop-Folk

Akustischer Pop-Folk, Kölscher Marsch, Schunkel-Polka (Classic), Ballade mit Bläsersatz, Brass-Pop / Power-Rock, Electro-Karneval / EDM-Polka, Kick: 909 base → distortion chain (overdrive + clipper) → EQ boost 80 Hz + 3, 5 kHz → limiter –0, 1 dB, Bass: saw + sine → lowpass 120 Hz → saturation → sidechain to kick, Hats: short 909 samples → transient boost → layer with filtered white noise, Screech lead: bandpass 1, 8 kHz → resonance boost → distortion, FX: glitch bursts, metallic impacts, reverb tail cut to 300 ms, Master: parallel compression (4:1) → clip → limiter ceiling –0, 2 dB → RMS –4 LUFS, Final tone: crisp, heavy, fast, club-ready – a hybrid of groove and pure aggression, ] doom fight, hard housecore, fast schranz, raw techno, raw hardcore, Industrial Groove, hardcore, bagatek, frenchcore, breakbeat, speedcore, uptempo, aggressive Bassline, 220-420 bpm

G.O.D(Gospel of Death)#Rock (Cover)

Live concert

Live concert, audience sound, psychedelic rock, hard core, minor, 148BPM, powerful and husky female soprano vocal with a raw, cracked, smoky tone from tobacco and alcohol, bursting with wounded emotion, live shout chorus, twin electric guitars with heavy distortion and long feedback sustain, growling electric bass driving beneath, vintage electric organ with swirling Leslie effect creating eerie atmospheres, aggressive live drums with thunderous tom rolls. The performance unfolds like a chaotic sermon—guitar feedback howling like sirens, bass vibrating like a collapsing cathedral, vocals shifting between whispering confessions and explosive screams. The audience roars in smoke and light as the singer cries out against false gods, every chord dripping with fury, despair, and revelation—faith burning, truth bleeding, the stage becomes a crucifix of sound.