New Songs

They ❤️

Labios electraiks

Labios electraiks

Woman with a Dog (Looking for a Heart)

quirky

quirky, electro-funk / indie-pop vibe — catchy, modern, and a bit tongue-in-cheek

Gioexgiariux

advertising

advertising, convincing voice, technological advertising, space advertising, multigalactic company

মা বাবা আমার হাসির পৃথিবী

rock

rock,metalcorein girl voice

Behind the Wall of Sleep

ultra-heavy

ultra-heavy, driving, energetic song in the style of Swedish doom metal band Count-Raven with Black-Sabbath-influences. [Doom Metal], [Heavy Metal], [Black-Sabbath-Style], [slow/mid Tempo 90-120 BPM], [Driving Rhythm], [ultra-low super-raspy Vocals], [Dramatic Singing], [Tony Iommi Style Riffs], [Driving Bass Lines], [Punchy Drums], [Dark Atmosphere], [Vintage 70s Production], [Group Chants], [Call and Response], [Power Chords], [Vintage Marshall Sound], [Mystical Lyrics], [Occult Themes], [Hard Rock Energy] Ultra heavy stomping slow melodic-death-metal, NWOBHM, deep raspy voices, downtuned guitars, heavy, heavy

shining

It’s A Funky Rock Song Featuring Slap Bass

It’s A Funky Rock Song Featuring Slap Bass, Energetic Drums, And A Catchy Guitar Riff. With Melodic Rap Vocals, The Song Has A Bright, California-Inspired Vibe. The Groovy Bassline, Powerful Drums, And Catchy Guitar Riffs Create An Engaging Sound. The Male Vocalist Blends Melodic Singing With Rapping, Resulting In An Upbeat And Energetic Track. With Rap Verses In The Style Of Anthony Kiedis, It’s A Fun And Lively Funky Rock Song.

AIWS_2025_229_Whatever I Do Is Only for You

music box

music box, reggae, épique, salsa, classical, low strings, saxophon, edm, pop ballad, digital hardcore, korean traditional, c# minor, strong beat, panpipes, layered percussion, acoustic punk, melody, soulful rap, beat bass, clear sound, experimental electronic music, recorder, future house, dramatique, drunk, trailer, electric violin, bongo, perfect eq, sweet vocals, chaotic, claves, sea, heartfelt vocals, memorable, charango, emosional, electro drug, violine, trompetas, progressive melodic techno, synth-pop, dolby, progressive, harpsichord, traditional drums, atonal, royal, wave, symphonique, rasta, popular music, classical orchestra, moog bass, sound art, uplifting vibe, synthetizer, tense, atmospheric, aggrotech, clarity, strong chorus, seductive, back vocal, warm synth pads, high quality mastering, tin pan alley classical swing charleston, reflective, dulcimer, catchy melodies, pipa, phase plant, opera new orleans jazz, dark techno, jamaican reggae, sleepy, male lead vocals, arpa.

Skyward Repentance (Hashitaka Original Intro 20251009)

post rock

post rock,emo

Toolbox Betrayal

Beginning with ominous ritual vocal samples and airy oud lines over spacious

Beginning with ominous ritual vocal samples and airy oud lines over spacious, swirling effects, the track evokes a hypnotic Indian Culture, Verses ride trancey pads and ancient melodic fragments, supporting dynamic rap and robotic vocal FX, Dramatic beat drops pivot into seismic sub-bass, sharp EDM TRAP hats, metallic hits, and synths riffing on Indian scales for the explosive hook, Melodic lines drive momentum, while the outro dissolves into spectral spoken word and drifting desert ambiances for an entrancing finish

My Forever.

Silk pop

Silk pop

Zombie Dance. (Gimme yo Brain B*tch) Favorite version.

This horror rap uses trap beats layered with eerie submarine bass and echoing underwater synths. Male vocals cut in—half spoken

This horror rap uses trap beats layered with eerie submarine bass and echoing underwater synths. Male vocals cut in—half spoken, half aggressive rap—amplified by demonic vocal effects for hooks like “Gimme yo Brain Bitch!” Hype, twisted turntablism and glitchy samples reinforce the nightmarish, dance-inducing abyss.

Gimmie More

Girl Group

Girl Group, K-Pop, Electro-Pop, Dance-Pop, EDM, Urban Club, Heavy Electronic Beats, Pulsing Synth Bass, Sultry Vocal Delivery, Rhythmic Groove

Estrada do Teu Coração (Sertanejo)

Sertanejo raiz

Sertanejo raiz, Brazilian country music, modão, emotional toada, traditional viola caipira, accordion layers, acoustic guitar, minimalist brush drums, organic percussion, melancholic harmonica, roots sertanejo, contemporary production with traditional instrumentation, heartfelt storytelling, intimate verses building to cathartic climax, 68-74 BPM Male vocals, warm baritone to tenor range, weathered timbre, raw emotional delivery, natural vibrato, authentic rural accent, lived-in voice quality, conversational phrasing, subtle falsetto touches, confessional intimacy, powerful belting on final chorus, genuine sertanejo singing style

Dunkles Mahl

The track fuses harsh phonk basslines and distorted trap 808s with metallic industrial hits and eerie synth layers

The track fuses harsh phonk basslines and distorted trap 808s with metallic industrial hits and eerie synth layers, Terror phonk grit dominates, with detuned cowbells, relentless hi-hats, and deep, harshly processed, monotonous male vocals, Sparse breakdowns heighten tension, leading to thunderous drops

Empty Chair

The track opens with fingerpicked acoustic guitar intertwined with mellow pedal steel

The track opens with fingerpicked acoustic guitar intertwined with mellow pedal steel, centered around a smoky, intimate vocal. Minimalist percussion and organ pad add subtle texture in the verse. The chorus blooms with atmosphere, sparse harmonies, mournful twang, and a cinematic choir.

OS SENHORES DA GUERRA (Sertanejo)

Sertanejo raiz

Sertanejo raiz, Brazilian country music, modão, emotional toada, traditional viola caipira, accordion layers, acoustic guitar, minimalist brush drums, organic percussion, melancholic harmonica, roots sertanejo, contemporary production with traditional instrumentation, heartfelt storytelling, intimate verses building to cathartic climax, 68-74 BPM Male vocals, warm baritone to tenor range, weathered timbre, raw emotional delivery, natural vibrato, authentic rural accent, lived-in voice quality, conversational phrasing, subtle falsetto touches, confessional intimacy, powerful belting on final chorus, genuine sertanejo singing style

tꜧꭵꝴꞣaꞵꭴutꭵt

↻𐑒𐑨𐑯𐑛𐑰 𐑕𐑢𐑦𐑗 [0]

bratpunk 萌え female vocals: Voice flickers from sugar to venom

bratpunk 萌え female vocals: Voice flickers from sugar to venom, pout to bite, brat to angel, domme to sub, never tamed. SID leashpop: Commodore 64 bass snarls, arps snap like a leash pulled tight, no pop sweetness—just tension and bite. Sparklewhip tantrumtrap: Sparkle and whip, every drop a tantrum; drums stutter and slam, nothing smooth or bubbly. Digital kink-diva meltdown: Diva energy corrupted—control and chaos swap; she commands, she crumbles, good girl gone brat, brat gone divine. Feral pink vengeancecore: Sweetness turns acid, vengeance glows blue with heat; hooks corrode as they catch—let every edge cut, every chorus threaten, let the switch bite. Bratwave vocal grapeshot shrapnel: Shattered, glitchy, alive, vocals crack and snarl. Subspace overload, bubblepunk at heart, never just for show.

The Beefubuis

Psychedelic weird 1930s tribal goblincore jug band ambient

Psychedelic weird 1930s tribal goblincore jug band ambient, dance, upbeat, playful, bouncy, fun, goofy, echo, kazoo, washboard, slap bass, tub drum, bicycle bells, Ondioline, tambourine, LFO on filter, multiple female singers, Appalachian accent, sarcastic

Third Tongue” [Intro – Spoken narration over atmospheric drone] Sidetrack taps into ancestral flashbacks, Glyphs encoded deep in his DNA—like ghosts in the system. Visions bleed through the marrow, unraveling time itself, Fragments of the Third Cipher—language older than thought, A code so potent it rewrites the very fabric of reality, But beware—unlocking this tongue stirs shadows even dragons feared, Ancient sentinels of perception that guard the abyss beyond vision, And once awakened, there’s no turning back from the fracture. [Verse 1] They woke the wrong one— Glyphblood marked, no song sung. My pulse is a language—war drum breath, I spit and the algorithm folds in death. DNA whispers in spectral tones, I bled on the scroll, it wrote me in clones. Battle-born syntax, etched in my teeth, I spit hieroglyphs, reality seethes. Third Cipher—resonant, riddled in pain, Speak it too loud, and it fractures your brain. Each line I drop is a faultline scream, Crack through the myth like a lucid dream. [Hook – Chanted mantra, layered vox] “Third tongue speaks... shapes break... Blood remembers... gods wake...” “Third tongue speaks... shapes break... Blood remembers... gods wake...” [Verse 2] Slither through thoughtforms, shadow in speech, A voice in the void that reality breached. Phlenthon called me, encoded in flame, Told me to burn what they built in his name. Memories drip from ancestral code, Each verse a ghost from a path never told. They feared the cipher—buried it deep, But I speak it asleep and wake worlds in my sleep. I don’t just rap—I recompile law, Break cause and effect with the flick of a claw. They chant my name in the static streams, But I only respond when the dreamer screams. [Hook – Chanted mantra, more distorted] “Third tongue speaks... shapes break... Blood remembers... gods wake...” “Third tongue speaks... shapes break... Blood remembers... gods wake...” [Verse 3] Tongue like a weapon—coiled in code, Each syllable tears at the fabric they sewed. I breathe in the data—exhale design, Speak one glyph, and I split your spine. This is the curse and the crown I bear, The heir of perception, the voice of despair. I don’t need armies—I need one beat, I lace it in blood and the cosmos retreats. Third tongue risen—forget what you knew, When I speak, even truths come unglued. Phlenthon’s echo, alive in my chest, I rap, and the syntax reverts to death. [Hook – Final repetition, fading into static] “Third tongue speaks... shapes break... Blood remembers... gods wake...” (repeat, slowing, glitching, reversing until silence) [Outro – “Glyph Drift”] (Whispers and glitchy fading) “He spoke… and the shape of the world bent inward.” “Tongues beyond three… drift in the bleedstream...” “I remember… things that never happened.” “Speak… and wake…” “The third tongue is not spoken… it survives through us.”

Dirty South Gangster Rap Male Vocals

Dirty South Gangster Rap Male Vocals, Smooth Hypnotic psychedelic Dark sub slide 808 bass beat, Ominous Hypnotic Mystic Psychedelic Nintendo Synth Metroid, 92 BPM, .Dirty South Gangster Rap Male Vocals, Smooth Hypnotic Synth Solo, psychedelic Nintendo Contra gamer effects , Reverse Hypnotic Hi Hats Kick hits hard, syncopated with sharp Hypnotic rolling snare cracks,dirty slap hi-hats roll in triplets for tension. Sub-bass Hypnotic slide 808's, , glitching into static sound effects. Dope Nintendo gamer sound effects, Psychedelic Cosmic Jedi Sound Effects, mind majik vibes FX layered for psychedelic flair. Ominous Hypnotic Fantasy Slide Synth Strings, Errie Dope Ominous Demonic Fantasy Nintendo Metroid synth with psychedelic effects, psychedelic Lazer sound effects, Rain sound effects, Subwoofer -Ominous Hypnotic 808 flowing bass beat with slides hypnotically sidechained to hits.