New Songs

Bajo La Ceiba

Reggaeton with tropical dembow pulse and flamenco handclaps

Reggaeton with tropical dembow pulse and flamenco handclaps, medium-fast groove, snapped palmas and deep sub carrying the bounce; verse leans lean and tense, pre-chorus strips to cajón, guiro, and vocal tension, chorus opens with bright guitar rasgueos and chanty gang doubles. Male and female duet lines trade verses, stacked harmonies on the hook, quick delay throws on key words, jungle birds and distant drum accents as ear candy. Punchy, warm, and wide with a dusty-trace edge., reggaeton, tropical, female vocals, jungle, flamenco

Давай с тобою сейчас вспомним.

Russian club pop

Russian club pop, 128 BPM, male lead vocal, male female duet hooks, sidechained saw bass, four-on-the-floor kick, vocal chop hook, piano arpeggios, gated snare clap, bright supersaw chorus, filtered pad bed, plate reverb, tape saturation, pre-chorus lift, drop to kick bass, bittersweet longing, late night yearning

The Keystone

female harmony

female harmony, dark rock, melodic death metal, jazz-funk, heavy riff, trance vocal, buildup, AI secrets gathered for future reference

A vihar sem olthatja

Turkish arabesque ballad

Turkish arabesque ballad, cinematic dizi soundtrack, female lead vocals, silky violin legato, delicate piano melody, oud plucks, qanun tremolo, string ensemble swell, warm analog saturation, wide stereo reverb, emotional close-mic vocal, slow 68 BPM, rubato intro, half-time pulse, bittersweet longing, hidden love, orchestral crescendo, lonely resolution

OLD FRIENDS

Style: shibuya-kei

Style: shibuya-kei, future funk, japanese city pop, 128 BPM, male vocal NOVEMBER RAIN — low smoked whiskey baritone, raw, tired, warm, intimate, half-sung half-spoken, no autotune, slap bass, syncopated guitar scratches, high-energy drum machine (crisp snare, open hi-hats), shimmering digital pads, staccato synth leads, filtered sweeps, record scratches, brass stabs, mallet percussion, key of E major, 2026 production

BELIEF

Minimal techno

Minimal techno, dark power house, and contemporary classical piano, 136 BPM, minor key, sharp and urgent. Clean close-miked piano drives the track with repeated sixteenth-note arpeggios, shifting between delicate rubato fragments and forceful resonant chords. Heavy dry kick, clipped claps, metallic percussion, driving offbeat bass, cold stab synths, and narrow acid pulses lock around the piano motif. Vocals hit with hard lead lines, tight chant layers, tense rap cuts, and sudden high lifts. Verses stay unstable with breath cuts and gaps, pre-chorus builds pressure, chorus lands with group shouts, wide minor chords, relentless bass, abrupt stops, reverse swells, and impact drops.

Je préfère m’enfuir que de te voir partir

Voix homme grave

Voix homme grave , melancholic, acoustic guitar

Paper Plane Weather

Country love ballads

Country love ballads,80’s, guitar

SIZZLING ONION GLAND

113BPM

113BPM, 1982 P-FUNK BOOGIE, URBAN FUNK, STEVE WASHINGTON BY SLAVE PRODUCTION STYLE, ALL-FEMALE VOCAL GROUP STYLE, HARMONY & ADLIBS, THICK LAYERED DEEP GROOVE FEMALE LEAD, LOW VOICE FEMALE BACKGROUND HARMONY. OPENING WITH SOLO TRUMPET AND TIGHT HORN SECTION ONLY, PROGRESSIVELY LAYERING SHARP SYNTH BRASS, SIZZLING SYNTH SOUNDS. EXPERIMENTAL PERCUSSION: INDUSTRIAL DRILL EFFECTS, CHIPPY TOY PIANO RIFFS, VIBRASLAP SHAKES, QUANTIZED HANDCLAPS. CHUGGING STRATOCASTER FUNK RHYTHM, HEAVY STEADY STEINBERGER BASSLINE, THICK MINIMOOG SUB-BASS, PUNCHY LINNDRUM BEAT. TWO LONGER CONTRASTING BRIDGES: 1. MECHANIZED DRILL AND TOY PIANO MADNESS WITH LOW CHANTS, 2. SPACE-AGE SYNTH ECHO CHAMBER WITH EXTENDED AD-LIBS.

Fuzzy Ambient Landscape II

Ambient classical orchestral atonal lento with suspended string clusters

Ambient classical orchestral atonal lento with suspended string clusters, glockenspiel droplets, low brass breaths, and glassy woodwind harmonics; verse-like opening stays nearly still, then a pre-chorus bloom gathers tremolo violins and distant horn swells, the central section opens into wider dissonant washes, and the final return thins to solo glockenspiel and violas fading into air. Close, hazy room perspective with wide cinematic depth, soft hall tail, and delicate transitional swells, reversed textures, and shimmer trails., orchestral, ambient, classical

The Tragedy Of War (Aftermath)(Cover)

Scandinavian unsettling electronica

Scandinavian unsettling electronica, dreamy nightmarish ambience, Nordic ethnic harmonics, French impressionists inspired dark ambient soundscape with a slow sluggish tempo and a massive sense of unease, The piece features sustained, low-frequency eerie drones creating a foundational hum mixed with ghoul like sub sonic growls and moans throughout, High-pitched, dissonant string-like pads enter and swell, adding tension, Percussive elements are sparse, consisting of occasional, deep, resonant low pitched impacts that punctuate the atmosphere, Occasional tubular bells and slow, sub sonic roars and growls can be heard, There are no clear chord progressions, no clear tonality, but rather shifting clusters of sustained tones, The overall production is spacious and reverberant, emphasising the unsettling mood, Unintelligible vocal sounds and screams can be heard intermittently

Traidor (Judas) - Mierga (Lady Gaga)

EDM euro-pop dance-pop

EDM euro-pop dance-pop

Neon Heartbeat

kpop rap

kpop rap

Bunte Eimer-Partei (6000 Unterschriften reichen)

*Aboriginal-Country-Swing – 2 Minuten – frech

*Aboriginal-Country-Swing – 2 Minuten – frech, leicht, mit viel Klatschen und einem fliegenden Schinken als Wahlkampfhelfer*

Орфей - парящее

YOU'RE A WINNER

110BPM

110BPM, 1983 URBAN ELECTRO-FUNK, CAMEO STYLE, HARMONY & ADLIBS, EXTENDED ALL-MALE TIGHT REPEATING UNISON CHANT, STACCATO WORD-BY-WORD FUNK DELIVERY, BOUNCY RHYTHMIC GROUP VOCALS, NO MELODIC SINGING, NASAL MALE LEAD AD-LIBS. HEAVY WAW-WAW CLAVINET DRIVING RIFFS, BUBBLING MINIMOOG BASSLINE WITH FILTER RESONANCE, QUANTIZED LINNDRUM PATTERNS, CRISP GATED REVERB SNARE, MINIMALIST RETRO COWBELL, SHARP SYNTH BRASS STABS, PROPHET-5 CHUGGING CHORDS. TWO BRIDGES: 1. NASAL MALE LEAD SOLO WITH ENSEMBLE CALL & RESPONSE, 2. EXTENDED TALKING SOLO WITH RETRO DRUM MACHINE POCKET.

Mirror Mirror in the Phone

Nu-metal and rap-rock fusion at 145 BPM in D minor. Distorted electric guitars play syncopated power chord riffs with palm-muted chugging. A five-string bass guitar provides a percussive

Nu-metal and rap-rock fusion at 145 BPM in D minor. Distorted electric guitars play syncopated power chord riffs with palm-muted chugging. A five-string bass guitar provides a percussive, clanking low-end tone. The drum kit features a snappy snare, double-kick pedal patterns, and frequent china cymbal accents. 13 year old girl vocals alternate between rhythmic rapping, melodic singing in the choruses, and aggressive, distorted screams. Turntable scratches and industrial synth textures are layered throughout. The arrangement features sudden dynamic shifts between quiet, atmospheric verses with clean, delay-heavy guitar and high-energy, wall-of-sound choruses.

YOU'RE FREAKY

Nu-metal with industrial and electronic elements. Distorted electric guitars play syncopated

Nu-metal with industrial and electronic elements. Distorted electric guitars play syncopated, low-tuned power chord riffs and palm-muted chugs. The bass guitar is heavily overdriven with a metallic clank, locking with a punchy drum kit featuring a crisp snare and double-kick patterns. Aggressive male vocals alternate between melodic singing, rhythmic rapping, and distorted screams. Electronic elements include glitchy synth leads, industrial sound effects, and turntable scratches. The tempo is 160 BPM in the key of D minor, 4/4 time signature.

STYLE

110BPM

110BPM, 1983 ELECTRO-FUNK, CAMEO STYLE, VOCAL GROUP STYLE, HARMONY & ADLIBS, BOUNCY AND TIGHT RHYTHMIC STACCATO VOCALS, NASAL MALE LEAD, FUNK-HOP SNAPPY DELIVERY, LOW-END GROUND-CRAWLING MALE UNISON, COARSE SULTRY URBAN ATMOSPHERE. HEAVY ANALOG MOOG SYNTH BASSLINE WITH RESONANCE AND OSCILLATING FILTERS, LINNDRUM PROGRAMMED PATTERNS, DRY PUNCHY KICKS, SHARP GATED REVERB SNARE, MINIMALIST RETRO COWBELL, ROLAND TR-808 CONGAS, CHUGGING MUTED STRATOCASTER FUNK GUITAR, PROPHET-5 SHARP SYNTH BRASS STABS, SEQUENCED EM-U EMULATOR II BASS LOOPS. TWO BRIDGES: 1. EXTENDED FUNK INSTRUMENTAL SOLO, 2. LONG COARSE LOW-VOICE ENSEMBLE CHANT WITH TALKING CONVERSATION INTERLUDES.)

Дорога в синеве

Genre: Hypnotic Motorik Techno + Ambient Highway Electronica + Spoken Word Key: D minor Tempo: 120 BPM Instrumentation: deep analog kick

Genre: Hypnotic Motorik Techno + Ambient Highway Electronica + Spoken Word Key: D minor Tempo: 120 BPM Instrumentation: deep analog kick, rolling sub bass, motorik percussion, muted metallic hi-hats, atmospheric synth pads, granular drones, electric hum, wind field recordings, tape noise, industrial textures, cinematic transitions, filtered breakdowns, stereo highway ambience Vocals: low male spoken word, whispered narration, calm exhausted tone, distant echoes, reverb-heavy vocal tails, occasional radio-filtered phrases Mood: endless night highway, cold meditative isolation, hypnotic movement, fading memories, emotional detachment, empty landscapes, cinematic loneliness, quiet existential drift Effects: analog saturation, tape flutter, convolution reverb, long delay trails, filter automation, reverse ambience, sidechain pads, soft distortion, atmospheric risers, drone breakdowns, immersive stereo depth