New Songs

Cognitive (Instrumental)

Djent

Djent

The moon was made for dancing

Polish hip-hop with raw

Polish hip-hop with raw, edgy female vocals, trap and house beats, sharp rap verses, melodic auto-tuned hooks, dynamic flow, urban nightlife energy, and bold, authentic storytelling.

I Bought a Cow

male singer in melodic metal blended with reggae fusion style. The verses should have a relaxed

male singer in melodic metal blended with reggae fusion style. The verses should have a relaxed, syncopated reggae groove, while the choruses should be powerful melodic metal with harmonized guitars and dynamic drums. Include melodic leads, heavy riffs, and a driving rhythm in choruses, with a laid-back, funky bass and offbeat guitar skanks in verses. Keep the overall tempo medium-fast, energetic, and emotional. Use expressive male vocals throughout.

Baddie Queen Day

Female Vocals

Female Vocals, Rap, Hip Hop, Pop, Trap, City Pop, Upbeat, Groovy, Catchy, Smooth

ICOMA: 残酷な天使の論文&1st Oct update

J-trance / Super Eurobeat/ High-Energy Italo Dance Fast-paced power duet over blazing synth stabs

J-trance / Super Eurobeat/ High-Energy Italo Dance Fast-paced power duet over blazing synth stabs, slap bass, and punchy drums, Male and female vocals swap lines with energetic tension, converging in explosive harmonized choruses

Before It Slips (feat. cyndrs)

Key of A minor

Key of A minor, 114 BPM, genres: psychedelic rock, funk, nu-disco, euphoric and hypnotic tone, male lead vocal with smooth delivery and falsetto accents, female backing harmonies, brief spoken ad-libs, instrumentation: wah-driven rhythm guitar, fuzzed psych leads, slap funk bass with octave jumps, disco kick on every beat, syncopated hi-hats, claps, congas, Rhodes swells, analog synth arps, vocoder pads, structure: compact riff-based intro, verse to pre-chorus lift, hook chorus, psychedelic bridge with solo, climactic final chorus, production: polished analog warmth, wide stereo, ping-pong delays, vocal reverb tails, rhythm locked between funk syncopation and nu-disco pulse, atmosphere: rooftop party at sunset, influences: Hendrix-style psych textures, African percussion, Chic-inspired disco guitar, unique traits: riff motif returns, vocoder chants, swirling feedback transitions.

A 'Suddenly' A

Synth-pop

Synth-pop, hymn, Catholic, hi-NRG music and heavy metal, catchy melody, upbeat tempo, and a dramatic production, synthesizers, orchestra hits, ambience, choir sound, dynamics

Fall Away

hardtech

hardtech, dubstep, Edm drops

Don’t Mess With Our Dreams

Girl Group

Girl Group, Modern Dance-Pop, Hip Hop, Trap, Maltese Folk, Complex Rythm, Unhinged

Thornlit Grace

Dark ambient gothic anathem ritual hymn gotic symphony Metal ballad rock/ cinematic spoken-word

Dark ambient gothic anathem ritual hymn gotic symphony Metal ballad rock/ cinematic spoken-word, Tempo: medium, reflective, Deep powerful hyper demonical bass baritone male vocal style Diablo, F/X

Believer

reggaetonwave

reggaetonwave, indie pop, experimental, electro pop

Bach – Celestial Invention-Good Night

Instrumental core: Fazioli Grand piano counterpoint

Instrumental core: Fazioli Grand piano counterpoint, ethereal choir pads, harp glissandi, subtle strings, reverb & delay textures like starlight. Add vox_Kawaii angelic voice singing poetic English lyrics. Tempo moderato (110 BPM). Mood: heavenly, tender, divine lullaby infused with Bach’s logic and cosmic dream. AB↔Pf(Faz)|ChPad|HpGls|StrSub|DlyTx|RevCel|vox_Kawaii

Un Jeu d’Enfants [NDC -TT]

Playful Halloween doo-wop rockabilly song. Female lead vocal (Marlow) – bright

Playful Halloween doo-wop rockabilly song. Female lead vocal (Marlow) – bright, cheeky, 50s style delivery. Backing vocals in doo-wop “shooby-doo, sha-la-la, ooh-wah” harmonies. Upright bass walking line, twangy electric guitar with slapback echo, steady snare shuffle. Fun spooky vibe with bats, ghosts, pumpkins. Tempo upbeat, danceable.

Desencanto - Manuel Bandeira

Forró

Forró, acoustic nylon string guitar arpeggios, sanfona accordion with expressive bellows phrasing, zabumba with deep round bass hits and dry rim clicks, triangle with bright metallic pulses, pandeiro with subtle jingles and muted slaps, fretless bass with warm legato slides, light shaker texture, faint agogo bells for color, soft brushed snare for airy accents, lead male vocal warm baritone with gentle nasal inflection and soft vibrato, backing vocals in tight two part harmony with smooth sustained notes and occasional parallel thirds, occasional call and response interjections, natural reverb creating a spacious rural ambience, subtle plate reverb on accordion for shimmering sustain, slight tape saturation for vintage warmth, low level field recording of distant night insects blended for atmosphere, dynamic swells in accordion to mimic sighing lament, overall slow to medium tempo with syncopated forró swing, melancholy yet tender harmonic progression with modal touches

The Old Mixtape

Explosive Nu metal groove kicks off with down-tuned guitars and syncopated drums

Explosive Nu metal groove kicks off with down-tuned guitars and syncopated drums, transitioning into skate punk verses with rapid riffs and punchy drums. Aggressive choruses hit with shouted gang vocals, while breakdowns add DJ scratches, seismic bass drops, and fierce female vocals.

A Quiet Light

Warm

Warm, reflective mid-tempo song with introspective male lead vocals and soft layered harmonies. Minimal piano, gentle electronic textures, airy synth pads, and subtle orchestral strings create a spacious, uplifting atmosphere. Slow, contemplative yet joyful mood with gentle optimism. Whispered backup vocals, cinematic yet cozy, immersive sound. High fidelity, ultra wide stereo, gentle reverb, optional bass boost, soft ambient production, emotionally resonant and lightly uplifting.

Ik Weet Niet Hoe

Male Voice

Male Voice, Indie Pop, R&B, Mellow, Chillwave, Upbeat, Reggae, Ambient Melody, Epic Rap

King Boka by Nikko (uploaded)

[Music Style]: [An epic and theatrical fusion of Savanna-Country and Afrobeat-Rap. The atmosphere is grand

[Music Style]: [An epic and theatrical fusion of Savanna-Country and Afrobeat-Rap. The atmosphere is grand, paranoid, and tragicomic, like a Jungle Blues opera about a fallen god. It blends the storytelling soul of deep country with the hypnotic, driving rhythm of Afrobeat. The vibe is a charismatic dictator's rise and fall, told as a boastful, yet haunting, legend.] [Instrumentation]: [Lead vocals by a divine, powerful male baritone with a distinct South African English accent (Nikko). The core is a hypnotic, driving Afrobeat drum groove layered with tribal percussion (calabash, djembe). A gritty, weeping slide guitar plays bluesy, country-style melodies. A wailing "savanna" harmonica provides haunting hooks. A deep, simple, and funky bassline holds down the foundation.]

The Way You Love Me (Cover) Thursday

Golden

A high-energy pop-punk track driven by distorted electric guitar power chords

A high-energy pop-punk track driven by distorted electric guitar power chords, melodic wah-infused leads, and relentless eighth-note bass, anchored by punchy, bright drums packed with snare fills and cymbal crashes. Female vocals shine with raspy, belted hooks and conversational verses. The tight mix highlights anthemic choruses, a classic verse-chorus-pre-chorus build, and a dynamic bridge before a final explosive chorus.