New Songs

きになる

japanese female idol group

japanese female idol group, cute voice, masterpiece, best quality,

Are We Robots Or Humans

A genre-blurring sonic universe where neon-soaked synthwave meets the industrial pulse of Detroit techno

A genre-blurring sonic universe where neon-soaked synthwave meets the industrial pulse of Detroit techno, layered with darkwave shadows and post-disco shimmer. Gabber kicks crash into brostep growls, dubstep tectonics rumble beneath eurobeat euphoria, while amapiano log drums and afrohouse chants bring global warmth. Indie dance grooves flirt with trap-pop vulnerability, hyperpop chaos, and jersey club bounce. Smooth basslines and hypnotic grooves swirl through soulful indie pop and art rock ambition, as psychedelic textures melt into grunge grit and funk mutations. Boy band harmonies echo over synth pop sparkle, hip pop hooks, and footwork frenzy. Post-post-post disco irony collides with new wave cool and indie rock sincerity—each track a collage of emotional storytelling, club energy, and retro-futurist flair boy band vocals harmonies trap pop hyper pop edm synthwave gabber jazz 80s freestyle 80sdisco latinhouse acid jazz postpostdiscosoulfulindiepop

山海ものがたり ‧ 神話のはじまり

Epic Chinese Fantasy Folk × Hybrid Orchestral Fusion. BPM 120 (intro fast plucked + staccato strings

Epic Chinese Fantasy Folk × Hybrid Orchestral Fusion. BPM 120 (intro fast plucked + staccato strings, dramatic gong hit, wind & echo SFX) → 98 (verse/chorus mid-tempo) → 126 (festival fast part). Key D minor → lifts F/Bb major. Clear storytelling female vocal, lyrical yet light; timbre unchanged. Instruments: guzheng & pipa arpeggios/rolls, erhu soaring lines, bamboo flute lead; orchestral strings, Celtic harp & flute, choir pads. Percussion: Chinese war drums, bells, gong, epic low drums, metallic strikes. Form: Striking intro (gong + wind, choir hum, guzheng/pipa racing, staccato strings) → Verse narrative erhu+gu zheng → Pre-Chorus bells+drums build → Chorus hybrid drums, soaring flute, choir → Fast Part full ensemble, “all things emerge” → Bridge mystical chant + erhu/flute dialogue → Final Chorus epic fusion, dragon & phoenix rising → Outro guzheng, flute, wind fade. Mood: mythical, epic, fantastical; Shanhai Jing reborn as world fantasy.

Plastic

HALLELUJAH /Acoustic Ballad

Style: Acoustic Ballad | Vox: Male Solo | Guitar: Fingerpicking/Soft | Mood: Reflective

Style: Acoustic Ballad | Vox: Male Solo | Guitar: Fingerpicking/Soft | Mood: Reflective, melancholic, raw, unpolished | Code: AB↔SF | SB | TG+SR | MP | BS | GH | LI Description: Perform with only male voice + acoustic guitar. Guitar is soft fingerpicking, flowing and supportive, never intrusive. Vocal is delicate, starting breathy and quiet, gradually opening into rich, expressive tones with soulful resonance. Style recalls Gary Brooker (Procol Harum) — haunting, intimate, with subtle vibrato and emotional phrasing. No drums, no piano, no production layers; just pure resonance of strings and heartfelt voice. Atmosphere: raw, fragile, timeless.

Devil In A Suit [R]Within Me Without

CATCHY CHORUS

CATCHY CHORUS, post-hardcore, pop punk, SYNTHWAVE, alternative rock, alternative punk, nu metal, new wave, BALLAD, FEMALE VOCALS, powerful drops, guitar solo, dynamic shifts, uplifting, haunting echoes, melodic rhythm, melodic synth, smooth melodies, driving guitars, driving synth, haunting piano melody, spoken word vocals, syncopated vocals, angsty vocals, CATCHY MELODIES, bigroom edm, progressive house, rough-edge vocals, reserved vocals, relaxed vocals, syncopated vocals, spoken word vocals, electrohouse, MELODIC DROPS, LOWER PITCHES, QUICK DROPS, LOWER TREBLE, catchy hook, rhythmic delivery, smooth flow, integrated sound, well-blended production, warehouse rave energy, upbeat drops, consistent volume, consistent energy, steady dynamics, festival edm, stadium-sized drops, STRUCTURE LOCKED, EXPLOSIVE IMPACT, dark energy, dark themes, STEADY MELODIC BEAT, laser-like synths, EXPLOSIVE INTRO, HEAVY CHORUS, RAPCORE

A Lizard from Years Ago

Deep House / Melodic Techno Anthem

Deep House / Melodic Techno Anthem

Moeraki Stones Calling

electro ambient dance

electro ambient dance, ambient, pulsing synths, percussive textures, rock, male indigenous maori vocals layered with spoken-word delivery and rhythmic chanting, ethereal pads, deep basslines, electro

Отпускать...тебя

Folk [psychedelic chanson] soulful vocals

Folk [psychedelic chanson] soulful vocals, [emotional drums] minimalism

Smash the system - Real Bish Bday (Remix)

Start with a calm

Start with a calm, spacious ambient intro. Use soft, ethereal pads, gentle evolving textures, and slow-moving granular synths. Light reverb and subtle delay create a vast, cosmic atmosphere. Minimal percussion, just occasional soft clicks or filtered hi-hats. The mood is serene, floating, meditative, evoking a sense of drifting through space before the chaos begins.

Caprice Express

French Electro Pop with heavy dance beat

French Electro Pop with heavy dance beat, energetic female solo voice, no spoken word, no duet. Catchy chorus, driving synths, funky bassline, powerful club energy. Style inspired by modern pop queens with ironic lyrics and uptempo grooves. Vibe like a summer dancefloor anthem, playful, theatrical and fierce. Tempo 120-130bpm.

The Journey You Own

Create a heartwarming bilingual (English/Japanese) acoustic-pop song with reggae and gentle hip-hop influences. Lead female vocals should feel warm

Create a heartwarming bilingual (English/Japanese) acoustic-pop song with reggae and gentle hip-hop influences. Lead female vocals should feel warm, embracing, and soothing, with soft harmonies layered in the chorus. Instrumentation: acoustic guitar strumming/arpeggios, light reggae-style offbeat rhythm, gentle hip-hop percussion, warm upright piano, cajón and shakers, sparse handclaps, subtle background strings, optional soft synth pads for chorus. Tempo: ~114 BPM, 4/4, Key: G major. Overall mood: hopeful, heartfelt, like sunlight filtering through leaves after rain, blending acoustic-pop sweetness with reggae swing and hip-hop groove.

Behind It All Lies the Castle Yard

Epic folk-rock joust. Kalevi’s rough rasp leads a duel with Betonfuss in Turku Castle yard: Olkku beer vs. sauna duty

Epic folk-rock joust. Kalevi’s rough rasp leads a duel with Betonfuss in Turku Castle yard: Olkku beer vs. sauna duty, secrets from Spain may slip. Spoken intro only (Matti & Teppo joke: “Kaiken takana on nainen, kaapin takana on nainen”). No female backing vocals. Warm but raw, oil-paint vibe, subtle tape hiss. Key: D minor Tempo: 112 BPM Chord Progression (verse): Dm–C–G–Dm Chord Progression (chorus): F–G–Dm–C–Dm Instruments & Effects: acoustic strums, mandolin flourishes, overdrive guitar stabs, galloping bass, folk percussion + rock kit, chant backing (“Olkkuseen! Saunaan!”), analog reverb & tape hiss.

🎶 SUE SUE SISAO 🎶 (Phil Collins parody style)

slow jamaican slang mongolian throat singing acoustic ballad (HARD ROCK

slow jamaican slang mongolian throat singing acoustic ballad (HARD ROCK, heavy tempo ~210 BPM, savage growl vocals, killer riffs, solos after each chorus), 1960's A psychedelic rock track featuring swirling organ, fuzz guitar riffs, and hypnotic basslines over driving drums, The intensity remains high throughout, with layered effects, panned electronic textures, and fluid guitar solos weaving between sections, creating a seamless journey of sonic exploration, LOUD FOG HORN, TUBA, rapid tribal drum beats, TUBULAR BELLS, LIGHT PIANO KEYS, SAXOPHONE, AGGRESSIVE 400 BPM, Trap 808s, heavy kicks, broken vinyl effect, Deliberate stutters, choppy edits, three different types of BASS saxophone, male vocals HUMMING, Vocals: Deep death growl / shriek layering, Crüe vocals

Mephistopheles

black metal

black metal , black metal , black metal , dsbm , depressive suicidal black metal , sad , sad , black metal

Spotted Lake Dance

electro

electro, ambient, dance, rhythmic, with indigenous-inspired apache vocal ad-libs and atmospheric synth layers blending with tribal percussion for a hypnotic groove, electro ambient, textured, male vocals

Momentum

intricate and technical guitar solo section

intricate and technical guitar solo section, jazz rock fusion, vibrant instrumental, jazz, modern instrumental guitar virtuosity, lush harmonies, energetic drums, rock

I’m gonna play with my PC cat - Real Bish Bday (Remix)

This remix track features a 4/4 base with beats subdivided into 16th–32nd notes

This remix track features a 4/4 base with beats subdivided into 16th–32nd notes, creating polyrhythmic illusions. The vocal hook is pitch-shifted and time-stretched, repeated in fragmented loops. The melody is minimal, relying on motif repetition, with the hook functioning as an acoustic refrain. Structure follows intro → theme → development → reprise → outro, contrasting stability and collapse. Drums use sliced breakbeat samples with individual filters and envelopes, turning rhythm into melody. The bass is synthetic and inorganic, shaped by filter modulation to convey a “speaking pressure.” Synth pads and leads are fluid, using filter sweeps, pitch modulation, delay, and reverb to create flowing spatial textures. Collapse sections employ near silence, noise bursts, and fragmentary returns to produce auditory chaos. Mastering is dry with emphasized articulation, balancing pop sensibility with experimental sound design and human vs. mechanical tension.

The Summoning Mistake

Progressive symphonic metal meets 2000s metalcore. Guitars in Drop C with wide crunch tones: soaring melodic tremolo runs

Progressive symphonic metal meets 2000s metalcore. Guitars in Drop C with wide crunch tones: soaring melodic tremolo runs, palm-muted chugs, and orchestral backing riffs layered with choirs. Bass sits heavy and resonant, locking the low end at 80–120Hz. Drums drive at 170–200 BPM with double kicks, blast beats for chaos, and cinematic tom rolls for transitions. Female vocals carry the narrative with soaring operatic highs and dramatic cleans, male vocals split between harsh growls for breakdowns and commanding cleans for chorus punch. Choir pads and orchestral strings build an epic fantasy backdrop, while synth accents add sci-fi shimmer. Song structure shifts between theatrical symphony, heavy breakdowns, and climactic choirs to match the Grey’s rise from “mistake” to galactic overlord.

Faith Undone

christian rock

christian rock, rap, rock, glitch, blues, glitchy rap beats with bluesy guitar riffs; layered male vocals; raw and gritty texture blending spoken word and melodic hooks