New Songs

Осень, ветер, ….мам.

A cinematic orchestral piece with a slow tempo and a melancholic mood. The instrumentation features a prominent string section

A cinematic orchestral piece with a slow tempo and a melancholic mood. The instrumentation features a prominent string section, including violins, violas, cellos, and double basses, playing sustained chords and melodic lines. A piano provides harmonic support with arpeggiated figures and sustained chords. There are no percussive elements. The piece is in a minor key, contributing to its somber atmosphere. The dynamics are generally soft to medium, with subtle crescendos and decrescendos. The overall production is clean and spacious, allowing each instrument to be clearly heard. The piece has a free-flowing structure, evolving through different melodic and harmonic ideas without strict adherence to traditional song forms. The melody is lyrical and expressive, often carried by the higher strings. Female vocal,, guitar, dreamy, lo-fi, unplugged

🇮🇹 Peaky Roma

male voice

male voice, A dark voice, but a baet with hope in it

Лабиринт Фавна

"An emotional

"An emotional, dramatic pop ballad with subtle R’n’B undertones, soulful and expressive female vocals, a deep pulsating beat with resonant bass, atmospheric synth layers, and haunting guitar melodies, The mood is intense and cinematic, capturing the pain of unspoken words, burning desire, and the weight of late-night emotions

Desert Citadel Zone

An upbeat EDM track kicks off with lively clapping and strummed acoustic guitar

An upbeat EDM track kicks off with lively clapping and strummed acoustic guitar, layered over a pulsing electronic beat. Punchy brass stabs drive the adventurous energy, while electric guitar riffs add edge. The chorus bursts with bold brass melodies and soaring synths, fueling the high-spirited mood.

Le Sermon de la Gadoue by Fierro y Fe ft Hann

[Style of Music: Primal

[Style of Music: Primal, a capella Swamp-Funk Gospel. A raw and hypnotic ritual. The entire rhythm is created organically: deep, rhythmic foot stomps on a wooden porch, raw hip-hop beatboxing, the scraping sound of a washboard, and shaker sounds from a jar of pebbles. The bassline is a deep, guttural vocal chant from a massive choir. Lead vocals are a powerful, raw, French baritone rap. The chorus explodes into a soulful, multilingual gospel celebration.]

Just One of Those Days

upbeat disco uplifting melodies

upbeat disco uplifting melodies, pop, heavy sub bass female singer husky voice, lo-fi reverb echo soul r&b fiery, frustration

JUST ONE OF THOSE DAYS

pop rock

pop rock, uplifting melodies, pop, heavy sub bass female singer husky voice, lo-fi reverb echo soul r&b fiery, frustration

So sorry... (I am broken)

luv ya :3

luv ya :3, natural, clean prodution, raw and flawed weary breathy vocals, echoing, choir, broken

Real Bish Bday - 015 - (DJ KNEK ”ud rocashaas” Remix)

[GENRE: EXPERIMENTAL Turntablism-first ULTRA-MELLOW JAZZ-DnB SOUL

[GENRE: EXPERIMENTAL Turntablism-first ULTRA-MELLOW JAZZ-DnB SOUL, SWEET Avant-garde JAZZ x Vocal (NEVER DO FORCE/BUILD-UP, KEEP COOL/Moody, BUT SUPER-TECHNICAL)] [RUNTIME: 3:33 HARD STOP] [CORE: Turntablism Masterpiece 195BPM; SCRATCH=LEAD; ~90% scratches/min; DRIVING FUNK engine; JAZZ core; 9-color vocals; EPIC stab/RIFF/Arpeggio] [SCRATCH: hyper crabs; 5/6-click flares; orbit/tear/transformer; autobahn; hydroplane; melodic; chordal stack; counterpoint phrasing] [BAR RULE: every 4 bars = intricate fill OR unison stab OR shocking wreck] [MICROTIMING: 64th-note control; pocket swing; ±8ms drift; humanized velocity] [MIX: studio-grade/audiophile/release-ready; tight sub; punchy mids; clear phantom center; glue bus comp; headroom -3dBFS] [ARRANGE+MOOD: TOP QUALITY BUILD-UP; Flute/PIANO/Guitar Impeccable hooks; melodic bass; tasteful chromatic approaches; modal‑minor body; Dorian/Phrygian] [MANTRA: AMAZING SCRATCH EVERYWHERE, SERVE SONG, honor structure+lyrics; EPIC climax 3:33 full stop]

Elyre

Male broken vocals

Male broken vocals, contemporary R&b, Building a good rhythm through the song, bass, silent bass, The Impact of Trap Opera, semi-falsetto, music, end

Annihilation Fuse (Original Cut Acoustic)

All-Acoustic

All-Acoustic, Mostly Unplugged Hardcore-Blackened-Slam-Metalcore/Blackened-Acoustic-Neo-Nu-Metal Band With Driving Octave-Rich Gritty Well Rounded, Ultra Deep And Masterfully Crafted Frequent Walking Fills On The Acoustic 7-String Bass Anchoring Each Section, Acoustic Lead And Rhythm Guitars Tightly Interplaying With Precision And Razor-Sharp Articulation, Part-Synth Textures Provide Dark, Metallic Atmospheres While Maintaining Intensity Without Electric Guitars, Drums Are Aggressive, Intricate, With Complex Fills, Dynamic Cymbals, And Shifting Rhythms, Vocals Cut Through With Raspy Clarity, Pitched Highs, And Guttural Lows, Each Section Layered And Polished, Blending Expressive Acoustic Textures And Synth Atmospheres With Flawless Rhythm Transitions, Delivering Masterfully Skilled Raw Acoustic Energy, Combining All Acoustic Instruments And Synths On An Acoustical Unplugged Hardcore-Blackened-Slam-Metalcore Energy Into Acoustic-Driven Arrangements, Exluded Anything Related To Pop!

Lashes in the Sink

Indie Pop

Indie Pop, Jangle Pop, Chillwave, Dream Pop, Baroque Pop, Twee Pop, Soft Rock, Synthpop, Glam House, Folk Pop, 94 bpm

Yanımda Sen Olmayınca (Inspired by Koray Avcı)

Turkish pop ballad with arabesque influences

Turkish pop ballad with arabesque influences, emotional and dramatic. Deep male vocal (thud, rich, warm, powerful voice). Instrumentation: bağlama and acoustic guitar arpeggios as harmonic base, soft darbuka and bendir for rhythm, warm bass guitar, emotional strings (violin, cello), and clarinet for melodic ornaments. Structure: Intro (soft bağlama + guitar), Verse (intimate vocal, minimal percussion), Pre-Chorus (strings rise, emotional build), Chorus (full arrangement with bağlama, strings, bass, percussion, clarinet countermelody, strong vocal), Verse 2 (slightly more intense), Pre-Chorus (dynamic), Chorus (full and powerful), Bridge (clarinet solo + strings, dramatic peak), Final Chorus (maximum intensity, heartfelt vocal, soaring strings), Outro (fade with bağlama + clarinet). Mood: melancholic, longing, heartfelt, intimate yet powerful.

Bound By Sin (Remix) Original By Maylee

This Miami bass anthem opens with seismic sub-bass 808 kicks

This Miami bass anthem opens with seismic sub-bass 808 kicks, sharp TR-808 snares, and crisp hi-hats locked in relentless syncopation, Rich glossy synths swell around explosive bass drops, Aggressive female rap verses punch through, accented by energetic low hertz bass, clear vocals, studio quality, climactic

Внутри моего сознания

transcendental dance

transcendental dance, spoken breath vox, celestial, hypnotisch

Clockwork Rose

steampunk baroque

steampunk baroque, subtle psytrance elements, sound design, strong vocals, Dolby Atmos, neoclassical, cabaret, waltz

run away, fade away

A synth-pop track with a driving beat and ethereal female vocals. The song is in a minor key

A synth-pop track with a driving beat and ethereal female vocals. The song is in a minor key, creating a melancholic yet uplifting atmosphere. Instrumentation includes a prominent synth bass line, arpeggiated synth melodies, and a four-on-the-floor drum machine beat with a strong snare emphasis. The female vocals are clear and slightly processed with reverb, often featuring sustained notes and a soaring quality. The song structure follows a verse-chorus pattern with instrumental breaks. Production is clean with a wide stereo image and a focus on synth textures. The tempo is moderately fast.

Heroes of the Shore

Title: Heroes of the Shore (Celtic Tribute) Style: Celtic folk / historical ballad Prompt: Create a heartfelt Celtic folk tribute song honoring the heroes of D-Day. Use only traditional acoustic instruments like bagpipes

Title: Heroes of the Shore (Celtic Tribute) Style: Celtic folk / historical ballad Prompt: Create a heartfelt Celtic folk tribute song honoring the heroes of D-Day. Use only traditional acoustic instruments like bagpipes, flutes, fiddles, war drums, harp, and hammered dulcimer. The vocals should be emotional and chant-like, telling the story of June 6th and the bravery of those who stormed the beaches. Include lyrics with historical imagery: “June 6th, the morning broke,” “From Omaha to Sword they ran,” and “Heroes of the shore, we remember.” Add a spoken word bridge with lines like “They came not for glory, but for duty, for love.” The mood should be solemn, proud, and cinematic — a timeless Celtic tribute to sacrifice and courage.

Iron Bloom Ballad

Hit The Ground 🕊

Spoken word / spoken-singing track in the style of a poet like Makowski

Spoken word / spoken-singing track in the style of a poet like Makowski, Male tenor voice, calm and deep, with airy delivery almost whispered, poetic, and rhythmic, The tone should carry empathy and quiet euphoria, vulnerable yet uplifting, Focus on phrasing and cadence rather than melody, Background music: indie electronica with dream pop atmosphere, Use soft ambient synth pads, subtle piano echoes, warm drones, and gentle reverb-soaked textures, Minimal beat, but with a slow, steady pulse that grows toward the chorus, The mood should feel intimate, luminous, and emotional like a mix of Beach House, James Blake (spoken parts), and modern indie spoken word