New Songs

Muse in the Wires - From A to Z (Extended) (Remix)

a contemporary electro-pop track with a mid-tempo beat and rich synth layering

a contemporary electro-pop track with a mid-tempo beat and rich synth layering,, guitar electric, techno-pop, dynamic rhythm, up-beat, original, drum bass, atmosphérique, original, stomping, midnight

Welcome to the Club of Very Bad Takes. N

Experimental ’60s garage-psych with surfy spring reverb

Experimental ’60s garage-psych with surfy spring reverb, fuzz guitar, tape wow/flutter. Fast jump-cuts like TV channel surfing; frequent section-style switches (bossa, news jingle, cartoon polka, metal sting). Satirical, quick banter, spoken asides, crowd laughs. Lead alternates delivery per [voice:] tags. Keep drums roomy, slapback on vocals, hard-panned ad-libs.

My Friends!

Perfect HENTAI (蜆の静寂の浮遊感Remix)

Pluggnb × Deep House × Kawaii Future Bass × Atmospheric

Pluggnb × Deep House × Kawaii Future Bass × Atmospheric, dreamy floating atmosphere, soft playful twinkle elements, gentle electronic piano chords (Bmaj7, D#m7, A#m7, G#m7) with lush pads, subtle arpeggio, soft 808-style kick, light snare and hi-hat, sub-bass with smooth slides, weak and delicate female vocals whispering, reverb and delay for ethereal feel, tiny bells and chime sounds scattered for sparkle effect, ambient wind/rain textures, LPF/HPF filter sweeps for spatial movement, intro/outro: ambient piano and pads, verse: piano + minimal percussion + soft vocals, chorus: thick pad + chord stab + layered vocals + twinkle effects, bridge: decomposed chords arpeggio + minimal vocals + delicate bells, outro: fade out with lingering pads and piano, soft, sentimental, ethereal, slightly melancholic yet playful, evocative, dreamy, floating, love-scream inspired vibe.

เรือจ้างแห่งฝัน

Genre: Cinematic Acoustic Rock / Modern Thai Rock Ballad Mood: Longing

Genre: Cinematic Acoustic Rock / Modern Thai Rock Ballad Mood: Longing, Emotional, Passionate, Romantic but vulnerable Tempo: 150 BPM Language: Thai Style: A powerful yet intimate reinterpretation of the Thai rock classic, with cinematic dynamics and heartfelt vocals, Instruments: Fingerstyle acoustic guitar, warm electric guitar leads with echo/reverb, soft strings, emotional piano lines, subtle percussive groove Vocal Style: Male vocal, emotional and raw with a touch of vulnerability, Gentle rasp and dynamic expression, especially in lines like “อยากเดินเข้าไปบอกว่ารักเธอ” Production Notes: Begin with a mellow acoustic intro, build gradually with ambient layering, Maintain emotional tension throughout, Echo tail on key lines for dramatic space, Avoid distortion-heavy rock—focus on emotional tone and warmth

Djenttable Rando Mix S3 #1441-2

Opening in D minor with gothic organ and bells

Opening in D minor with gothic organ and bells, immense choir and brass collide with phonk drums, seismic 808s, flamenco, djent-rap, and didgeridoo. Ska-jungle and trance arps spiral into uilleann pipes and surf talkbox, gospel-reggae vocals building pace. Drum and bass erupts: taiko, angular guitars, P-funk bass, layered choirs. An EDM drop cues visual kei horrorcore—blast beats, hardtekk, triphop, vaportrap, hypersynths, deep choirs. Tsunamis of rap-rock, grunge, glam, industrial sub-bass, German techno, funk, operatic duets, nu metal riffs crash in. Doujin, Gregorian moods meld with psybass, DnB, hip hop, R&B chords, vintage FX. For the climax: monumental choir, throat singing, pentatonic shredding, guttural chants, relentless disco/EDM, electric guitar, syncopated funk, hypnotic grooves, djent turntable funk, retro game FX, slap bass, progressive techno, and city pop textures captivate, all fiercely held together by aggressive, dynamic male vocals threading each section.

PU$H IT

A high-energy electronic dance track with a driving beat and a female rapper. The song is in a minor key

A high-energy electronic dance track with a driving beat and a female rapper. The song is in a minor key, likely A minor, with a tempo of approximately 128 BPM. The primary instrumentation includes a prominent synth bassline, a four-on-the-floor kick drum, a snare drum with a strong backbeat, and various percussive elements including hi-hats and shakers. A distinctive synth melody with a slightly detuned or wobbly quality plays throughout the track. The vocal delivery is a confident, rhythmic rap with a slightly aggressive edge. Production elements include a tight mix with clear separation between instruments, a moderate amount of reverb on the vocals, and some subtle delay effects on the synth melody. The song structure alternates between instrumental sections featuring the main synth melody and vocal verses, with a recurring vocal hook "Push it, push it, push it" acting as a pseudo-chorus. There are also sections where the beat drops out or simplifies, creating dynamic shifts. The overall feel is dark and intense, suitable for a club environment.

Cammino.

female vocals

female vocals, guitar, sad, piano, dolce, violin, melodia, amore, flute, indie, estexion vocals, romantic, malanochic, famale vocals, coro,male voice.

Djenttable Rando Mix S3 #1445-1

A vaportrap epic in G major opens with glitchy R&B-trap drums

A vaportrap epic in G major opens with glitchy R&B-trap drums, polyrhythmic djent guitars, slap bass, and robotic ’80s synths. Verses shape-shift with modular sweeps, flamenco, expressive sax, didgeridoo, lush brass/strings, and tribal grooves. Explosive transitions unleash funk-metal, roaring 808s, J-core thrash, acid rap, and punk. Hooks stack city pop sax, pulsing synths, throat singing, death growls, J-pop speed rap, Vocaloid-Gregorian choir, and layered R&B harmonies. Bridges leap through EDM, taiko percussion, intense solos, and genre-hopping from synth-pop to funk, Slavic folk metal, idol pop, Italo-disco, eurodance, EBM, jazz, ska-punk, reggae, jams, and dancehall. Sirens, dynamic drops, distorted guitars, prog oddities, atmospheric pads, shoegaze textures, hard-hitting metalcore drums, and psychedelic funk keep dance pop sheen and orchestral-punk-metal intensity blazing throughout.

Djenttable Rando Mix S3 #1442-1

The song erupts in D minor with gothic organ

The song erupts in D minor with gothic organ, bell echoes, thunderous choir, brass, phonk drums, and seismic 808s. Flamenco guitar runs fuse with djent-rap flow, didgeridoo, and trance arps spiraling into uilleann pipes and talkbox surf licks. Gospel-reggae vocals swell as ska-jungle builds to drum and bass with taiko, angular guitars, P-funk bass, and layered choirs. The EDM drop unleashes visual kei horrorcore: blast beats, hardtekk, vaportrap, triphop, hypersynths, and choirs. Rap-rock, grunge, nu metal, glam, industrial bass, techno, and funk drive surging transitions; operatic and Gregorian touches blend into psybass, DnB, hip hop, R&B chords, lo-fi FX. The finale explodes with monumental choir, throat singing, pentatonic solos, guttural chants, disco/EDM, electric guitar, funk grooves, djent turntable cuts, retro game and slap bass, progressive techno, city pop—each section propelled by relentless, aggressive male vocals and textured growls.

The Djenter channel 265

The lo-fi song launches with phased electric piano

The lo-fi song launches with phased electric piano, glitch drums, lush pads, disco synth bass, flamenco guitar, and vocoded talkbox. Gospel, city pop, acid rap, J-metal, and Latin percussion leap into Eurodisco, liquid funk, thundering drums, West Coast synths, phonk, orchestral blasts, nu-metal guitar, slap bass, prog-techno keys, skate-punk riffs. The finale blends R&B haze, hypertrap, bubblegum bass, synthwave, 808s, glockenspiel, banjo, robotic FX, dreamwave, scratches, djent-funk, jazzy stabs, pedal steel, and German trap. Climactic hyperpop, glitch, neon synths, dubstep drops, metallic claps, choral harmonies, kawaii pop, Brazilian phonk, avant-jazz, dizi flute, 80s grooves, chillsynth, soaring melodies, mass chants, bittersweet grooves, nu-disco breaks, relentless drums, gritty bass, Gregorian hints, Japanese retro, psy trance, and more—surging into a surreal, genre-spanning dance odyssey.

The Djenter channel 266

The lo-fi song launches with phased electric piano

The lo-fi song launches with phased electric piano, glitch drums, lush pads, disco synth bass, flamenco guitar, and vocoded talkbox. Gospel, city pop, acid rap, J-metal, and Latin percussion leap into Eurodisco, liquid funk, thundering drums, West Coast synths, phonk, orchestral blasts, nu-metal guitar, slap bass, prog-techno keys, skate-punk riffs. The finale blends R&B haze, hypertrap, bubblegum bass, synthwave, 808s, glockenspiel, banjo, robotic FX, dreamwave, scratches, djent-funk, jazzy stabs, pedal steel, and German trap. Climactic hyperpop, glitch, neon synths, dubstep drops, metallic claps, choral harmonies, kawaii pop, Brazilian phonk, avant-jazz, dizi flute, 80s grooves, chillsynth, soaring melodies, mass chants, bittersweet grooves, nu-disco breaks, relentless drums, gritty bass, Gregorian hints, Japanese retro, psy trance, and more—surging into a surreal, genre-spanning dance odyssey.

Grumblicious II

Relentless but Sultry Gospel House Turntablist Grooves

Relentless but Sultry Gospel House Turntablist Grooves, featuring sample-based xylophone and clarinet jazz from the 1930s, entwined with plunderphonics of orchestral pop choir ornamentations and vaudeville interludes, keep it weird but danceable and hypnotic, a lush analog bass arpeggiates and drones making the beat strange but ominously groovy

Christina

Neo soul 90's rap and r&b

Neo soul 90's rap and r&b

Hurry, Hurry

Genre: Electro-swing × skweee × cartoon pop

Genre: Electro-swing × skweee × cartoon pop, Tempo: 135 BPM, minor key. Elastic slap bass, clarinet & sax mocking riffs, marimba plinks crash into glitchy skweee synth burps, frantic brass stabs like honking taxis. Cartoon SFX: whistles, alarm clocks, rubber duck squeals, bike bell. Drums chaotic: brush snare skids, hi-hats trip like running feet, upright bass jogs. Drops: brass + slap bass collide with glitch bursts. Bridge: only ticking clock + toy keyboard distortion, clarinet trills rebuild. Outro: bass slap, synth squeal, horn honk. Vibe: Slapstick chase, playful chaos, breathless but comic. Story: Always rushing, missing buses, shoes untied, wallet falling — frantic but funny. Vocals: Half-rapped swing style, theatrical, slightly out of breath; verses rhythmic & witty, choruses shouted like a cartoon announcer mid-chase.

The Animal That Forgot

acoustic punk

acoustic punk, broken raspy female vocals, unhinged, drunk, slurry, throat fry, doo-wop, acoustic guitar, clapping, layered vocals, dark teenybopper

& & & >> OK !! << { * * >>> IN THE RAIN <<< * * } & & &

soulful

soulful, smooth, gospel [ VOICE FEMALE ] GUITAR HERO EMO

The Djenter channel 267

The song opens with phased electric piano

The song opens with phased electric piano, glitch drums, and synth bass, layered by swelling pads, flamenco guitar flourishes, and vocoder. It morphs through disco grooves, gospel choirs, explosive J-metal riffs, acid rap, lush city pop, and slap guitar, pulsing with Latin percussion and nu-metal crunch. Orchestral swells segue into neon synths, until bright city pop crests, then cascades into an R&B hypertrap outro of bubblegum synths, rapid edits, banjo, glockenspiel, pedal steel, and Brazilian dark phonk textures. Dubstep drops, liquid D&B rhythms, and synthwave colors fuse with soaring leads, dreamy jazz chorale, punk energy, warped talkbox cuts, epic stacked vocals, and analog synth washes. Psy trance pulses, underwater FX, arpeggiated synths, melodic jazz chords, soulful piano, and futuristic drumlines create non-stop evolution—anchored by atmospheric beats, rolling 808s, vaporwave motifs, catchy city pop melodies, and maximalist, kaleidoscopic sound design.

R.E.S.P.EC.T.

The audience celebrates and sings along. Call and response.emotional depth and intense live concert atmosphere. The female lead vocal should be raw

The audience celebrates and sings along. Call and response.emotional depth and intense live concert atmosphere. The female lead vocal should be raw, rough,bolt,gritty,expressive, and soul-rock infused—like a singer who embodies pain, strength, and rebellion. The public crowd sings loud with the vocal lead the lyrics )). High energy powerful , verry active crowd loud . The crowd sing loud (R.E.S.P.EC.T.) and the bridge sing the crowd alone. Loud hand claps from crowd

Wrong Number

Sexy female

Sexy female