New Songs

Hey CEO!

Opens with an upbeat sarcastic golf claps

Opens with an upbeat sarcastic golf claps, then slams into a distorted 808 kick and menacing, repetitive synth bass. Lead baritone vocal skewers over aggressive rave-siren stabs; hype-crew shouts add chaotic layers with slide-whistle jabs. Chorus explodes rhythmically, locking synth hooks into brutal, punchy chants. Bridge strips back to bare percussion and synths for a vicious vocal expose, before a wild, noisy outro layers all elements in manic, percussive fury.

Rebel Alliance

experimental

experimental, theme, pop, pop punk, nostalgic, tv show

FMLY

vocaloid

vocaloid, city pop, mastering, j-core, soul, vocal runs

Hot summer day (v3)

post-punk goth

post-punk goth, clangy bass thick beat

Moonlit Jellyfish Parade

Opening with haunting piano layered over vibrant electronic textures and subtle nature-inspired SFX

Opening with haunting piano layered over vibrant electronic textures and subtle nature-inspired SFX, the song builds an atmospheric sci-fi mood. Nylon guitar arpeggios intertwine with ambient and virtuosic guitar, dynamic layered percussion, and lush melodic techno synths. Male vocals rise with vibrato and dynamic range, culminating in euphoric, emotionally charged crescendos. Electric piano underpins the evolving arrangement, where bold electronic beats alternate with spacious breakdowns, fusing new-age elements, electronic flourishes, and driving rhythms into a powerful, anthemic experience.

H.A.P.P.Y 🥴 (Metal)

Kicking off with distorted industrial synths and mechanical percussion

Kicking off with distorted industrial synths and mechanical percussion, the alternative metal backbone surges forward—heavy, syncopated guitars blend with throbbing NDW bass lines. A muffled vocal punches through dense, pulsing layers, while metallic percussion and grinding electronics drive relentless Neue Deutsche Härte energy from verse to chorus.

𝖍𝖆𝖗𝖉 𝖑𝖎𝖊𝖘 (𝔞𝔲𝔱𝔬𝔟𝔦𝔬𝔤𝔯𝔞𝔭𝔥𝔶 pt 10)

Experimental antifolk track kicks off with atmospheric Ondes Martenot swells

Experimental antifolk track kicks off with atmospheric Ondes Martenot swells, layered with staccato crwth and chromatic Stroh violin. Chapman stick bass and contrabass balalaika trade angular syncopations. Vocals—male countertenor with anxious runs—rise over a whirlwind of crystal chimes, thunder drum accents, and hydraulophone pulses, edging into a chaotic yet cyclical structure. Pyrophone textures intensify the avant-garde energy, while an angelic heavy vibrato chorus periodically blooms, shifting with the evolving arrangement. Nyckelharpa interludes and soloes bring the structure into focus and close. Non-linear, yet cyclical motifs recur in unpredictable cycles, fusing acoustic tradition and wild invention., dark choir, cyberpunk edm, melodic male vocals, ghanaian highlife melodies with contemporary afrobeat sounds, experimental indie sensibilities.

The Internet's Empty

Country Rock

Country Rock, Male Vocals

Küsse aus der Gruft

Dark industrial electro with distorted synths

Dark industrial electro with distorted synths, punchy mechanical beats, haunting female vocals, horror cinematic intro, whispered vampire phrases before the chorus, cold and intense atmosphere with a gothic cyberpunk edge.

In My Head

Male Vocals

Male Vocals, Strong Vocals, Catchy, Pop, Synthpop, heavenly, ambient, electronic, pop rock, futuristic, production, sultry vocals, smooth, moody, breathy vocals, deep bass, melancholy

Im Always Whole

Raw

Raw, unplugged, mezzo-soprano, acoustic guitar, minimal instruments, vulnerability, emotional, raw male vocals, slow-temp, soul, melodic rap

FEELING ELECTRIC - ELECTRONIC MUSIC

1979 Electronic Music

1979 Electronic Music, Yamaha Synth, Roland Synth, Sequencers, Arpeggiators, Artificial Sounds, Plastic Sounds, Hypnotic, Anthemic, Repetitive, Electro Sounds, Pads, Chords, Keys, Vocoder, Filters, Input Output Data Systems, Disk Storage Sounds, Mechanical Functions. Great producers.

How Dare You Harass the Kid

This Road Wasn't Meant to Be Traveled

The track launches with an orchestral intro—strings and brass weaving in drama—then erupts into heavy

The track launches with an orchestral intro—strings and brass weaving in drama—then erupts into heavy, intricate gothic metal guitar riffs. Country-rock elements surface in twangy fills and slide guitar. Drums drive forward with rapid hi-hats and gritty swamp rock grooves, layering dense textures.

H.A.P.P.Y 🥴 (Remix)

indie rock

indie rock, neo-psychedelia, psychedelic rock, spoken word, falsetto vocals

maybe tomorrow

Raspy laid-back male voice over a neo soul and indie rap bounce. Lo-fi textures with jazzy electric piano

Raspy laid-back male voice over a neo soul and indie rap bounce. Lo-fi textures with jazzy electric piano, mellow live drums, soft guitar licks, and a smooth soulful bassline. Storytelling-reflection. Emotional tone is introspective and hopeful. Spoken adlibs, relaxed tempo, warm analog vibe with subtle ambient pads and vinyl crackle. Verse-heavy structure with gentle melodic chorus. Feels like an honest journal entry turned into a soul-hop song. hypnagonic reggae

The Way of Enough

Spoken Word

Spoken Word, Male Vocals

Fastlane

The track fuses pulsing 80s hair metal riffs and thunderous drums with glam metal flair

The track fuses pulsing 80s hair metal riffs and thunderous drums with glam metal flair, layered with bright synth leads. Verses pivot into moments of reggaeton beat under crunchy guitars. Sound design twists add modern sheen, culminating in anthemic, chant-driven choruses with soaring synths.

The aunt that died twice #NDC_Bingo [B4]

A melancholic art rock ballad with British male vocals and expressive ambient accordion. The arrangement features slow–moderate pacing with layered electric guitar swells

A melancholic art rock ballad with British male vocals and expressive ambient accordion. The arrangement features slow–moderate pacing with layered electric guitar swells, minimalist piano, and textured bass. Accordion is clearly audible between sections, offering mournful, melodic phrases that echo or answer the voice. Vocals are soft, emotionally raw, and melodic — British inflection with restrained intensity. No heavy drums, but subtle movement from rhythm guitar or ambient pulses keeps the track alive. The mood is reflective, sorrowful, and emotionally charged — evoking distant family trauma, disorientation, and memory collapse. Inspired by post-Britpop melancholy and ambient rock storytelling.

Ship of Hope

synth

synth, dark, ambient, chaotic, sweet female vocals, glitch textures, bouncy, catchy, intense drum transitions, instrumental breaks, ye-ye, sea shanty,