New Songs

Big Orange Mower

Country-pop with a driving mid-tempo two-step groove

Country-pop with a driving mid-tempo two-step groove, tight acoustic strums and stomp-clap percussion; verse rides on playful storytelling, pre-chorus opens up with rising harmony stacks, chorus hits with gang vocals and a chantable hook. Lead vocal is warm and cheeky with doubles on the hook, little slide-guitar fills between lines, lawnmower-start revs and clap lifts into choruses, bright punchy mix with a glossy radio sheen.

Je Compte Le Silence 2 🌼

Feels like Fate (Neon Cut)

Dark doom metal fused with industrial rave

Dark doom metal fused with industrial rave, neo-classical orchestration, cinematic post-rock, and atmospheric darkwave. Deep gruff Southern baritone male vocals filled with exhaustion, longing, rage, and doomed devotion. Slow crushing funeral-doom passages collide with pulsing industrial beats, distorted synth bass, metallic percussion, and euphoric dark rave drops. Themes of fated love, missed timing, cosmic connection, memory, and loving someone so deeply it feels written into existence itself. Massive emotional atmosphere with cello drones, mournful violins, felt piano, ambient guitar swells, taiko drums, low brass, cathedral choir textures, analog synths, and huge reverb. Songs build from intimate sorrow into towering cinematic crescendos before collapsing into soft ambient endings. Romantic, tragic, sacred, neon-lit, apocalyptic, and deeply human.

Fallen Queen

Symphonic power metal with dual male and female lead vocals

Symphonic power metal with dual male and female lead vocals, Distorted electric guitars play palm-muted gallop rhythms and harmonized lead lines, Orchestral elements include a prominent string section, brass stabs, and a choir, The drums feature rapid double-kick patterns and a crisp snare, Male vocals range from clean baritone to aggressive grit, while female vocals are operatic and soaring, The arrangement is dense with layered synth pads and cinematic percussion, 160 BPM, E minor, 4/4 time

Backroom of the Mind (C1 T1)

Driving Detroit house kick and offbeat Melbourne bounce bass

Driving Detroit house kick and offbeat Melbourne bounce bass, syncopated hats and crunchy clap stacks. Vocoder male vocals chopped with tight stutters, filtered “backroom” spoken bits tucked low. Turntable scratches as percussive hooks, big sidechained synth stabs in the chorus, risers and tape stops for energy lifts, arranged for a 2:30 club weapon., melbourne bounce

11. Kintsugi (金継ぎ · Golden Repair)

This alternative R&B track opens with fragmented shamisen melodies interwoven with dusty lo-fi breaks

This alternative R&B track opens with fragmented shamisen melodies interwoven with dusty lo-fi breaks, while analog synth pads in warm gold hues wash gently behind. Verses pulse atop hushed trap hi-hats and distorted sub-bass, layered with intimate, commanding lead vocals and spectral harmonies. Heavy, ritualistic 808s fuse with neo-soul grooves, gradually building to a chorus where sub-bass swells with urgency. The bridge strips back to fragile harmonies and a biwa’s slow, deliberate phrases, riding Rhodes chords and brushed drums that barely anchor time. The mix grows ever sparser, discarding harmonies until left with a solitary voice amid lingering synth warmth and the ghost of rhythm—grand, intimate, expensive yet bruised.

Gears of time ( Tick Tock )

78 BPM mid-tempo 1985 powerful reckless heavy rock

78 BPM mid-tempo 1985 powerful reckless heavy rock, with thunderous distorted electric guitars, punchy live toms, snare gated reverb, and driving bass guitar. 1920s-inspired neo-classical string section undertones—violas, cellos, and violins in dramatic counterpoint—lift the arrangement, while unstable dynamics and sudden drops make it feel like it could fall apart any second.

Vibrational Gates

didgereedoo

didgereedoo , dance, turtle drums, native flutes

BLUE TICK KA ISHQ

Dark romantic Bollywood anthem

Dark romantic Bollywood anthem, deep emotional male vocals, toxic love theme, Punjabi EDM drop, Marathi tasha, Gujarati folk rhythm, Haryanvi swag, night drive atmosphere, cinematic synth pads, heavy bass, viral Instagram reel hook, emotional intro to explosive club chorus, modern desi fusion, addictive and atmospheric.

Rooftop Sermons (Reggae Rock Cipher)

Reggae rock hip-hop fusion with syncopated offbeat guitar skanks

Reggae rock hip-hop fusion with syncopated offbeat guitar skanks, warm electric bass grooves, punchy live drums, layered brass horn stabs, melodic saxophone riffs, bouncy whistle hook intro, dub-style reverb and delay echoes, upbeat island swing, energetic rap verses with sing-along chorus, spacious but powerful low-end mix, vibrant festival-ready atmosphere

Больше страх не правит мной,

neo-classical cinematic pop

neo-classical cinematic pop, german emotional synth-pop, spoken-word intro, soft piano arpeggios, atmospheric string ostinato, massed choir unison, deep tom ensemble, orchestral boom hits, analog synth pulse, sidechain compression, tape saturation, 1980s film score sheen, verse to chorus lift, dark to hopeful arc, martial 4/4 march, anthemic release, spiritual awakening, final key change

Mask Of Happiness

Glitchcore hyperpop at breakneck tempo with male vocals chopped into stutter edits

Glitchcore hyperpop at breakneck tempo with male vocals chopped into stutter edits, formant-shifted glitches, and word-as-rhythm percussion snippets. Neon saw synths, bitcrushed leads, distorted 808 sub-bass, microedited fills, and hard-clipped drums. Dense auto-tuned hooks, FM bleeps, and rapid-fire granular textures.

Die High

Dark Industrial Reggae

Dark Industrial Reggae, Dark Dubstep, Doom Metal

หิวเมื่อไหร่ก็แวะมารักกัน 7-Eleven

Thai Pop Dance

Thai Pop Dance, female vocal, early 2000s Thai dance-pop vibe inspired by Debbie Bazoo. Energetic beat, emotional drama, sweet romantic lyrics, powerful vocal performance. Story: girl falls in love with a handsome guy at 7-Eleven under neon lights. Slurpee, Mama noodles, Yakult, Hotdog Smoky, Lay’s chips become symbols of love and memories. Emotional longing, waiting all day at 7-Eleven hoping to see him again. Mood: sexy, playful, dramatic, romantic, nostalgic, catchy chorus, synth dance beat, emotional climax, powerful high notes. Hook idea: “หิวเมื่อไหร่ก็แวะมา 7-Eleven / แต่ฉันแวะมาเพราะรักเธอ / กด Slurpee แล้วใจละเมอ / ตกหลุมรักเธอทุกคืน”

Sunday (Indie)

Indie rock with a bright

Indie rock with a bright, clean production style. The arrangement features a strummed acoustic guitar, a clean electric guitar playing melodic lead lines and arpeggios, and a melodic electric bass. The drums use a standard kit with a prominent snare and steady hi-hat patterns. A baritone male vocal delivers the lyrics with a relaxed, conversational tone, occasionally shifting into a light falsetto. The track is in the key of G major with a tempo of 120 BPM in 4/4 time. The electric guitar uses a light chorus effect and subtle delay. The bass follows the chord roots with occasional melodic fills. The acoustic guitar provides a consistent rhythmic pulse with open-chord strumming.

O Quatorze de Maio (A Coroa de Búzios)

Samba de roda tradicional

Samba de roda tradicional, pandeiro, palmas, coro

"You Can't Do Anything Anymore"

Australian country storytelling ballad

Australian country storytelling ballad, 78 BPM, 4/4, acoustic guitar, steady kick drum, warm bass, sparse fiddle, light harmonica. VERY GRUFF rough-edged older male baritone vocal, weathered voice, half-spoken delivery, talk-sung phrasing, raw pub storyteller style, restrained emotion, no polished singing. SPOKEN WORD INTRO ONLY with minimal guitar underneath, absolutely no singing in intro. Conversational verses with gritty delivery, strong chant-like chorus hook, small-town Australian atmosphere, cinematic realism, reflective but tough, emotional spoken ending with long pause

Anime Beauty and Beast (Sad Trance House Remix)

sad melodic house and trance with emotional anime atmosphere

sad melodic house and trance with emotional anime atmosphere, layered electronic synths and bright arpeggios, energetic four-on-the-floor beat with dramatic bounce drops, expressive female and male vocals in a call-and-response style, soaring violin hooks blended with smooth EDM pads, powerful punk rock and hard rock inspired guitars in the choruses, dynamic builds and explosive drops, lush reverb and sidechain pumping for a cinematic yet club-ready feel

青い固定電話

A brooding intro of swirling analog pads and glitchy IDM percussion sets a dark ambient tone

A brooding intro of swirling analog pads and glitchy IDM percussion sets a dark ambient tone, When the Trap beat drops, distorted 808s pair with syncopated hi-hats and eerie vocal chops, The verses interlace fractured melodies and granular textures, building dense, shifting layers

Ashes in the Rain

Dark

Dark, hypnotic deep house at 168 BPM with a rolling 3/4 pulse and sub-heavy kick heartbeat, shimmering dub techno chord stabs, and moody electric piano comping in a hazy, saturated mix, Long tape echoes, spring reverb, and tape-warped guitar delays float around modular synth bleeps and low didgeridoo drones, creating a cinematic, dulcimer-tinged nocturnal atmosphere, Warm analog saturation and lo-fi drum machines support brushed percussion and acoustic contrabass for organic rhythmic movement, Detuned synth pads, filtered noise sweeps, and haunted, chopped sassy female vocal phrases rise and fall around the groove for a psychedelic deep house journey