New Songs

*"Living on the Edge"**remix

Fly Away With Me

70s-80s arena rock ballad

70s-80s arena rock ballad, starts with solo piano and ambient string synth pads, gradual build-up into full band arrangement with soaring electric guitar solos, analog polyphonic synth leads, rich vocal harmonies, melodic bass lines, acoustic-to-electric dynamic shift, lush ARP-style string ensemble textures, OB-style synth solos, emotional and cinematic progression, nostalgic and inspirational atmosphere, driving drums with gated reverb, stadium-sized soundscape

Spank Bank

neon-lit funk pop meets modern synthwave; slap bass

neon-lit funk pop meets modern synthwave; slap bass, bright Juno stabs, percussive claps/snaps, filtered wah guitar, smooth talkbox fills, playful syncopated drum groove, tightly layered harmonies, occasional falsetto ad-libs, phone notification samples, tongue-in-cheek storytelling, flirty mood, tight arrangement; crisp stereo spread; backing vocals with cheeky call-and-response, mix of spoken and melodic hooks, breakdown with retro gated reverb, swirling vocal effects, fast mute guitar fills, subtle vinyl crackle for warmth, shimmer fx on transitions, lush outro pad fade; kinetic, irreverent, sultry-fun energy throughout

Vampire's

Epic Cinematic Melody Dark Symphonic Rock – deep doom emotional vocals

Epic Cinematic Melody Dark Symphonic Rock – deep doom emotional vocals, cinematic strings, deep choir undertones)

Ashes of the Sun BG

[GENRES: Indian-Bulgarian Folk Rock Fusion

[GENRES: Indian-Bulgarian Folk Rock Fusion, Raga Rock, Ethno-Metal, Balkan Chant Rock] [STYLE: Hypnotic, Aggressive, Spiritual, Folk-Psychedelic] [MOOD: Fierce, Transcendent, Ritualistic, Mystical] [VOCALS: Male chant-lead, female Bulgarian polyphonic backing, Hindi-Bulgarian-English fusion lyrics] [INSTRUMENTATION: Distorted Guitars, Sitar, Tabla, Gaida (bagpipe), Kaval, Bulgarian Tambura, Dhol, Heavy Drums] [TEMPO: 95–105 BPM, tribal and asymmetric pulses] [PRODUCTION: Wide stereo, analog saturation, earthy reverb, heavy folk-rock contrast] [FX: Echo chants, wind effects, sitar swells, folk choir reverb], 432 Hz.

Oblivion

Epic Cinematic Melody Dark Symphonic Rock – deep doom emotional vocals

Epic Cinematic Melody Dark Symphonic Rock – deep doom emotional vocals, cinematic strings, deep choir undertones)

Бешено сердце бьётся

atmospheric haunting dark electronic

atmospheric haunting dark electronic, Female vocals, folk witch house

When We Turn To Rust

Genre: Hyperpop and experimental club music with elements of industrial grime and UK bass

Genre: Hyperpop and experimental club music with elements of industrial grime and UK bass, featuring ultra high-fidelity digital synthesis and brutally clean transients. Style: Chaotic and futuristic with pitch-bent vocal leads, unpredictable drop structures, and aggressive sonic shifts. Dense yet surgically controlled sound design with a rubbery elasticity. Mood: Sensory overload — simultaneously seductive, alien, and unsettling. Singer's Voice: Digitally manipulated high-pitched voice in a quasi-falsetto range, filtered and formant-shifted with wide stereo spread and metallic timbre. Instrumentation: Metallic synth stabs, reverse-engineered percussion, bouncy pitch-warped sub-bass, granular texture layers, no natural instruments, and vocal samples used rhythmically. Mastering: Ultra-compressed but wide and dimensional, with clinical top-end clarity, stereo exaggeration, and dynamic warping for maximum tactile impact.

Country Я Дробильщик (The Crusher’s Song) (Remix)

A bilingual song blending Russian and English alternates verses between the two languages. Soft piano and acoustic guitar support heartfelt vocals in Russian

A bilingual song blending Russian and English alternates verses between the two languages. Soft piano and acoustic guitar support heartfelt vocals in Russian, while English sections bring in gentle strings and light electronic textures. The chorus unites both languages with layered harmonies, building dynamics. Subtle rhythmic percussion lifts the bridges, and an expressive electric guitar solo adds depth before a quiet, acoustic outro. The arrangement seamlessly fuses each style, highlighting both cultures.

Beatrix’s Blade

Desert Punk Blues

Desert Punk Blues, 132 BPM, E minor. Blues guitar, darbuka, bass, 808s craft gritty vibe. Female vocals, Beth Hart-style, 3s reverb, raw. FX: steel clank, sword hum. Outro hunts with Beatrix’s blade.

Sextine - L’amour discret

A poetic sextain-based composition (6×6 + 1)

A poetic sextain-based composition (6×6 + 1), built on the theme of “delayed emotional release”, using six rotating end-words: silence, regard, souffle, peur, courage, oubli. Emphasize emotional recurrence and poetic permutation with slow analog delays, introspective lo-fi harmonies, and expressive ambient synths. Highlight the tornada with subtle rhythmic shifts and melodic unraveling. Style: Délai Romantique Introspectif. Mood: melancholic, contemplative, obsessive, dreamy, transcendent. Use expressive female vocals.

hearing someone else's conversation on a cellphone from '06 (slushwave)

15-25 bpm slushwave

15-25 bpm slushwave, max echo max reverb, chillwave, lofi simple synthwave, slow wave, vaporwave-retrowave-coldwave-chillwave-hypermallwave, lofi crackling static harsh white noise, dark new age, dark spa music maximum echo eerie relaxation

I’M TOO SEXY

Dark Psychedelic Blues Rock]

Dark Psychedelic Blues Rock], [Late 1960s / 1969 Vibe], Female Soprano Vocals. Voice is high-pitched, piercingly clear, and incredibly powerful, delivered continuously with full, soaring intensity like a sustained, raw scream from start to finish. Yet, this voice is profoundly scarred by alcohol and brutally rough from excessive smoking, frequently catching, breaking, and fraying, creating an intermittent, choked quality. It expresses profound melancholy mixed with rebellious spirit, evolving from a narrative lament to a soul-shattering roar. Music features a fast medium tempo (around 120-130 BPM) with a distinct swing rhythm in a minor key. Instrumentation: Prominent, gritty acoustic guitar; raw, overdriven electric guitar; driving, undulating bass; loose, expressive drums; and a characterful, cheap vintage electronic organ. Subtle orchestral textures add depth and a dark atmosphere. Incorporates unique Japanese punk folk undertones, creating a raw, compelling, and utterly immersive s

Vampire's

Epic Cinematic Melody Dark Symphonic Rock – deep doom emotional vocals

Epic Cinematic Melody Dark Symphonic Rock – deep doom emotional vocals, cinematic strings, deep choir undertones)

Fading Ink

90s Pop

90s Pop, Female Vocals, Acoustic Guitar, Coffeehouse Folk Influence

Through the Flames To Get to You

Powerful hard rock and power pop fusion with soulful

Powerful hard rock and power pop fusion with soulful, emotional male Welsh rock vocals and powerful, gospel-inspired female vocals. Cinematic and high-energy style blending theatrical rock, dramatic orchestration, and epic emotional delivery. Include spoken intro: “Yeah... Lonewolf here... you see I do spicy tracks for fun, but I’d walk through hell and back to get to my baby.” Big electric guitars, soaring choruses, gritty soulful vocals, gospel-infused harmonies, rich instrumentation, thunderous drums, high-production value, and arena-rock intensity. Emotional, passionate, powerful

Mothlight

Hazy

Hazy, Dreamy, Male Vocals, Slow, Philosophical, Ambient Rock, Cinematic, Pink Floyd-Inspired, Emotional, Retro, Desaturated, Melancholic, Spacey, Ethereal, Psychedelic

"Too Late to Change My Mind"** remix

NBLM UL test

This is a spoken word audio track with two distinct male voices. Voice 1 is slightly lower in pitch and has a more deliberate

This is a spoken word audio track with two distinct male voices. Voice 1 is slightly lower in pitch and has a more deliberate, measured delivery, though still aggressive. Voice 2 is higher in pitch and more excitable and prone to interjection. Both voices employ a range of vocal techniques from conversational speaking to yelling and sarcastic tones. The sonic backdrop is minimal and non-melodic, primarily composed of distorted electronic noise, static, and what sounds like modulated feedback, creating a sense of unease. There is no discernible chord progression, defined rhythm, or traditional song structure. The production is raw, with the vocal tracks mixed prominently and the background noise providing a purely atmospheric, unsettling quality. The tempo is variable, dictated by the pace of the dialogue. Key is irrelevant as there are no pitched musical elements.

Dreaming of You

slow acoustic guitar

slow acoustic guitar, violins, and piano, FAST bass-heavy, fuzzy electro banger inspired by the energy and rhythm of "Venus" A TRIO OF FEMALE VOCALS