New Songs

Succumb

Kwaito

Kwaito, Dark Progressive House, EDM, Detroit Techno, BPM=100, Raspy Female Vocals

«Между нот»

Russian Ethereal Folk

Russian Ethereal Folk, Neoclassical, Female Vocals, Warm Grateful Voice, Intimate, Respectful, Piano, Acoustic Guitar, Light Strings, 65 BPM, Melancholic Hopeful, Gratitude Theme, Silence Between Notes, Zlatentsia Style, Clear Russian Pronunciation, Warm Mic, Emotional Depth, No Male Vocals, Healing, Quiet Strength

Dog Eat Dog

Baile Funk

Baile Funk, Jersey Club, Funk Carioca, Dog Phonk, Experimental Dance

THE RAIN NEVER ASKED WHERE I WAS GOING

Markj sound -- Street Soul Nomad Wave

Markj sound -- Street Soul Nomad Wave

Dawn illusion

Paper Saints

ultra-heavy

ultra-heavy, raw, raspy, dirty, cracking, dark-punk, smoky, catchy, punkish raw, noise-pop, goth-wave, alternative-rock, the-jesus-and-mary-chain, driving, energetic, wall-of-sounds, multiple layered raspy low voices, background-choir (oh)

글쓰기 - כתיבה

a cappella vocal

a cappella vocal, only voice instruments, beatbox, harmonies, vocal-only performance, no instruments at all, emotional, without instroments, Voices only through the mouth, melodies, young woman voice, natural voices, fast tempo, energetic, emotional but energetic, emotional pop

【#Live】馬鹿じゃなかろかマンボ 原曲:テンペランス 作詞編曲:森本

live concert

live concert,mambo,hard latin rock,funk.minor.132BPM.low husky male bass vocal,live shout chorus,call and response.electric guitar(aggressive power chords),2nd electric guitar(rhythmic latin strumming),electric bass(driving slap groove),vibraphone(melodic latin comping),timpani(thunderous rolls and hits),trumpet(bold staccato bursts),conga(polyrhythmic latin patterns),bongo(rapid syncopated fills),latin big band(full ensemble punches).a woman vents her rage at a useless boss who takes credit and blames others,ending with a triumphant mambo shout

HASHEM ES BONDAD

Jewish power worship

Jewish power worship, Mizrahi dramatic folk. Majestic yet joyful, 100 BPM. Mode: Freygish (E Phrygian dominant). Acoustic guitar, oud, deep darbuka, soft strings, shofar sound (brass synth) on accents. Male lead, strong and clear, with echo on "Adonai es Rey". Congregation response. Structure: Intro (4 bars, solo oud + distant shofar) → Verse 1 (Psalm 93, 8 bars, soft to building) → Chorus ("Adonai es Rey", 8 bars, full percussion) → Verse 2 (Psalm 29, 8 bars, intense) → Chorus (add shofar accent) → Bridge (4 bars, "Kol Adonai" three times, each louder) → Final chorus (full ensemble, fortissimo) → Outro (4 bars, shofar fade).

Home Breaker

neo-psychedelic indie rock

neo-psychedelic indie rock, 84 BPM, falsetto lead vocal, close-mic spoken word, overdriven tube amp, droning baritone guitar, phaser guitar washes, vintage Hammond organ, dusty floor toms, brushed snare, tape saturation, slapback delay, spring reverb, mono drum room, low energy arc, abrasive confessional, two chord loop

仙人

Cinematic Chinese folk-fusion action score with propulsive 6/8 pulse and playful percussion

Cinematic Chinese folk-fusion action score with propulsive 6/8 pulse and playful percussion, blending erhu, dizi, guzheng, suona, frame drums, and clacking woodblocks. Intro starts sparse with plucked strings and a lone flute; verses build with rolling toms and octave erhu runs; climax hits with suona fanfare, gong crashes, and rapid string ostinatos. Bright, punchy, widescreen mix., musical

Simple Is Hard

indie pop

indie pop, singer-songwriter pop, 82 BPM, close-mic male vocals, accusatory spoken phrasing, cozy piano chords, fingerpicked acoustic guitar, muted upright bass, brushed snare, soft tambourine, plate reverb, tape saturation, intimate verses, wide harmony chorus, breakdown pre-chorus, bittersweet resolve

『天使のきまぐれ』　４

優しく説くような声で

優しく説くような声で, Cinematic Duo Grand Piano, NoTurbidity: Wide Stereo Clean Hi-Fi Imaging Cinematic La Campanella POP, Japanese Vocal Style: Delicate Sweet Deep Expressive Whisper Voice, Chorus Style: Capella Sweet Gentle Voice, Beat Style: Dance Beat, Melody Style NoTurbidity: Cinematic Orchestra Matal Rock, Duo Grand Piano.

Ba'al Breaker

jazz ballad

jazz ballad, late night swing, smoky baritone vocal, conversational phrasing, downbeat word accents, brushed snare, upright bass walking, Rhodes comping, muted trumpet lines, tenor sax fills, sparse piano voicings, tape saturation, room reverb, close mic vocal, dry drum mix, 78 BPM, bitter self-loathing, cathartic release

Sometimes I Just Need You

soulful

soulful, American folk, gritty, guitar, indie, ethereal, heartfelt, acoustic, drum and bass, chill

Du musst nicht kämpfen, nein, Du musst nur ganz präsent jetzt sein

[70 BPM Deep Ambient / Progressive Electronic]

[70 BPM Deep Ambient / Progressive Electronic], Native V5, 5 Ultra-HD, 96kHz, CORE: [Meditative slow analog arpeggio], [Deep warm 20Hz sub-pulse], [Soft cooling fans ambient], [Organic wood percussion, liquid bass swells, ethereal translucent pads], Wide 3D binaural soundstage, active L/R breathing movement, Intimate whispered vocals, 528Hz miracle frequency, Majestic, calm, sterile and spiritual, Produced by JOZEFDARIUSZ52

Roses On The Ground (Rework Version)

Progressive House with Trance influences. Features a prominent four-on-the-floor kick drum

Progressive House with Trance influences. Features a prominent four-on-the-floor kick drum, sidechained synth pads, and a driving saw-wave bassline. A high-pitched, processed female vocal lead carries the melody, often layered with heavy reverb and delay. The arrangement includes rising white noise sweeps, snare rolls, and a melodic synth lead that enters during the drop. The track utilizes a syncopated pluck synth riff and rhythmic vocal chops. Key: G minor. Tempo: 128 BPM. Time signature: 4/4.

The Guinai (theme song)

Pop

Pop, dance-pop

Debil

NYC Punk

NYC Punk, Punkrock, Protopunk, Punk’n’Roll, call&response, simple, straightforward, high speed, singalongs, multiple layered gritty female voices

母の手紙

[Audio: Ultra-Polished] [Mastering: Commercial Grade] [Acoustics: Studio Booth] Japanese spoken-word BGM

[Audio: Ultra-Polished] [Mastering: Commercial Grade] [Acoustics: Studio Booth] Japanese spoken-word BGM, Monologue, emotional letter reading, mother to daughter, close-mic dry vocal, 2000s TV drama score, nostalgic, anthemic, Slow Piano Ballads, 70 BPM, Minimal Beat, [Arrangement: Rich & Detailed] [High-End: Sparkling] [Reverb: Controlled]