New Songs

Second Childhood

Chamber hymn

Chamber hymn, slow and circular with overlapping vocal lines in 6/8 pulse; verse 1 starts sparse with solo voice and soft unison drones, verse 2 adds layered counterlines, chorus opens into stacked harmonies and call-and-response, bridge strips back to one lead with swelling choir on the last line. Close-mic intimate lead, doubled chorus, delayed vocal trails, subtle room bloom, gliding chimes between phrases, warm and spacious mix., light, hypnotic, world, lyrical

Skynet

New Age

New Age, Orchestra, soundtrack, electronic, ambient, 1980s, industrial, space

Unseasoned Influence

Genre: Doom Liturgical Maritime Chant

Genre: Doom Liturgical Maritime Chant, slow march tempo, deep male choir, abyssal ocean ambience, dissonant harmonies, overlapping ritual chants, minimal percussion, hypnotic repetition, no tonal resolution

Patience

atmospheric indie pop haunting female vocal ethereal dark cinematic Baroque pop

atmospheric indie pop haunting female vocal ethereal dark cinematic Baroque pop, dream pop, indie pop style melancholic piano led breathy vocals intimate slow burn emotional reverb heavy high quality studio mix

Любовь не игрушка

Russian club pop

Russian club pop, melodic club pop, 128 BPM, male lead vocals, chanty call-response chorus, sidechained kick, saw bass stabs, arpeggiated synth lead, filtered pad bed, plucked synth motif, handclap backbeats, breakdown-to-drop arrangement, quiet intro buildup, drop on hook, plate reverb, tape saturation, bittersweet longing

BOYS WILL BE BOYS

dance-pop

dance-pop, club, 118 bpm, synth bass, four-on-the-floor kick, electronic drums, vocal chops, synth pads, female vocals — playful, smiling, ironic, airy, english, dynamic build, concise structure, backing vocals: oh-oh, boys-boys, harmonies

Falling

An ethereal Shoegaze soundscape with a massive

An ethereal Shoegaze soundscape with a massive, towering wall of sound that feels like slowly sinking into an infinite abyss, Vocals are heavily echoed, merging with the wall of sound, Ultra-high density layers of heavily distorted guitars are saturated yet smooth, dissolving into a vast ocean of sound, Despite the extreme distortion and noise, the tones are clear, transparent like glass, like a quiet, clear lake hidden beneath chaos, Long, shimmering reverb lingers, soft swells of feedback, and gentle modulation create a weightless, immersive experience, The mix is ​​deep, enveloping, almost gravity-defying, drawing the listener inward, It avoids harsh sounds, keeping distortion creamy and fluid, and maintaining a delicate balance between noise and clarity, Subtle harmonic movements, slow evolution, and a dreamy atmosphere that is overwhelming yet pure, focusing on texture, resonance, and emotional depth, A beautiful descent into the infinity of sound

Reverse Sunrise

Indie pop ballad with slow-burn 6/8 pulse

Indie pop ballad with slow-burn 6/8 pulse, dark piano and brushed percussion in verse 1, pre-chorus lifts with sustained strings and low harmony pads, chorus opens into brighter chords and stacked vocal doubles, verse 2 adds soft acoustic plucks and a heartbeat kick, final chorus widens with choir-like oohs and a gentle cymbal bloom; intimate close-mic lead, short delay throws on the anchor line, warm and clean mix, light, lyrical

Hene - Alles Gute zum Geburtstag

German punk rock anthem

German punk rock anthem, raspy male vocals, emotional storytelling verses, driving electric guitars, punchy drums, melodic bass, big sing-along chorus, nostalgic but optimistic mood, 140 BPM, live band sound, retirement birthday song about freedom, motorcycle trips, love, football, hockey and enjoying life

My First Denmark Trip v1

Hardstyle at 162 BPM with anthem-sized lead stacks

Hardstyle at 162 BPM with anthem-sized lead stacks, bassboosted mastering, HD-EQ vocals, and a beatmaker melody over Reese bass. Denmark traditional motifs in a 5/4 shuffle groove, smooth flow, gentle piano and glockenspiel, deep saturated bass, modular synth pulses, dreamy reverb, mystical texture, robust but relaxed, peak-hype kept at half volume.

قلبي يدوب

Female Egyptian vocal

Female Egyptian vocal, Arabic House + Egyptian Pop fusion. Deep reverb, warm emotional tone, modern Cairo night vibe. 4-on-the-floor beat, soft darbuka layers, sub-bass, airy pads. Smooth expressive vocal, romantic but club-friendly atmosphere. Catchy chorus with floating feeling. BPM: 110–118 Style Influence: 70–80 Weirdness: 10–20 Prompt: "Arabic House + Egyptian Pop fusion, female Egyptian vocal, deep reverb, sub-bass, airy pads, soft darbuka, modern Cairo night atmosphere, emotional but danceable, smooth expressive vocals, cinematic house feeling."

Secrets that we keep…

8D Sound Effekt

8D Sound Effekt, birds louds, neuronal Stimulation, Deep Healing House track with strong tribal drums, hypnotic rhythm, 432 hz Pulse, 528hz, Deep raw male vocal, Celtic flute layers, distant shamanic chanting. Driving, danceable, but mystical and spiritual. Mantra, trance-like atmosphere, otherworldly reverb. Focus on powerful drum patterns with an organic feel, Shaman’s House,

Hate I Love U (Guy Version)

Upbeat yet aching 2000s-inspired alt‑pop boyband production

Upbeat yet aching 2000s-inspired alt‑pop boyband production, layered male lead and backing harmonies, dreamy guitars, warm acoustic strums, emotive violin lines, steady kick drum pulse, subtle echoing delays, shimmering pads, regretful but anthemic chorus lift, rushing pre‑chorus tension that blooms into a catchy hook, male vocal call-and-response textures, daydreamy secret-lover atmosphere with a climbing, desperate emotional arc

달콤한꿈 [Sweet dream]

K-Pop R&B ballad. Clean electric guitar plays a syncopated

K-Pop R&B ballad. Clean electric guitar plays a syncopated, jazzy four-bar loop with seventh chords and subtle slides. A warm synth bass follows the guitar's root notes. The drums feature a crisp snare on 2 and 4, a tight kick pattern, and steady sixteenth-note hi-hats. Male vocals are smooth and breathy, utilizing falsetto in the chorus. A subtle Rhodes piano provides harmonic padding in the background. Key of G Major, 85 BPM, 4/4 time signature.

Sounds Like The Pasta Pirates

Dark Sea Shanty March

Dark Sea Shanty March,

“Have I been here before?”

Hip hop Alt Indie Female Vocals

Hip hop Alt Indie Female Vocals, Anthemic, Mystery

Beast Underground

cinematic

cinematic, japanese, rap, Metalcore, Trancecore, Post-Hardcore, Electronic Rock, Electronic, Techno, male vocals, female vocals

My Skin Homeland

Dark art-pop with a reverse sunrise feel

Dark art-pop with a reverse sunrise feel, slow-to-mid tempo and steady pulse; verse 1 opens sparse with low synths and dry kick, verse 2 adds muted percussion and bass movement, pre-chorus-like lift folds into a short chant chorus, bridge strips back to voice and drone before the final chorus brightens with stacked harmonies, reversed swells, and a rising pad. Close-mic lead vocal, doubled in the chorus, with soft gang vocals on the anchor phrase, crisp modern mix with a dark-to-bright arc., lyrical

Tangled In Smoke

rap

rap, Dark, moody hip-hop banger for a packed nightclub: booming sub-heavy drums and razor-tight hats, eerie pads and filtered keys weaving through the verses. Call-and-response between female and male vocals, almost conversational, sitting in a tense pocket. Hook explodes with stacked female harmonies and a gritty male double, bass swells and risers lifting the energy. Final chorus adds extra ad-libs, higher vocal melody, and widened synths for a climactic, sweat-drenched finish., hip-hop, low, female vocals, male vocals, moody emotional love

"Odszukaj mnie gdzieś tam "