New Songs

Starlit Altar

rock

rock, psychedelic prog rock, bass-led arrangement, heavy groove, fuzz bass, distorted organ, tom-heavy drumming, long instrumental passages, unexpected transitions, call-and-response riffs, dynamic breakdowns, crescendo builds, tape saturation, analog warmth, spring reverb, 70s live room, wide stereo imaging, dark cosmic mood, emotional release, emotional, dynamic

Where would I be Without You?

earworm

earworm, emotional, intense, heavy impact, rock, fast, cello backbeat

My Little Dog & Me

Upbeat British folk-pop

Upbeat British folk-pop, bouncy ukulele + hand claps + whistling, 110-125 BPM, seagulls + crashing waves SFX, dog panting + barking, playful exasperated female vocal, comedic chase energy, spoken-word break for "come here you little pest!", ends with giggles and a dog licking mic SFX, like Kate Nash meets Dog Is Dead meets The Proclaimers

WALK, DON’T JUST TALK 005

Hypnotic Melodic Electronic Pop With R&B Inflection

Hypnotic Melodic Electronic Pop With R&B Inflection, Now With A Thicker, Club-Ready Groove And Lush Evolving Pads. The Beat Hits Harder With Reinforced Ukg-Inspired Drums, Layered Kick Patterns, Snappy Clap Stacks And More Pronounced Swung Hi-Hats For Extra Bounce And Movement. Deep Sidechained Sub Bass Locks Tightly To The Expanded Percussion, While Additional Percussive Synths And Processed Toms Create A Fuller Rhythmic Bed. Wide Atmospheric Pads Swell Around The Vocal, With Shimmering Chord Stabs, Evolving Drones And Airy Textures That Bloom In The Build-Ups And Drops For A More Immersive, Expanded Soundstage. The Cold, Intimate Female Vocal With Half-Spoken Delivery Stays Upfront And Seductive, Supported By Subtle Male Back-Vocal Hooks And Dense Stereo Harmonies, With Tasteful Delay And Reverb Tails That Ride The Enhanced Groove.

The Little Drummer Boy’s Hymn

A serene liturgical opera in a sacred classical style

A serene liturgical opera in a sacred classical style, unfolding with slow, flowing phrases and profound emotional warmth. Rich string orchestra, pipe organ, harp, and soft woodwinds support a luminous mixed choir and expressive operatic soloists. Gentle crescendos, soaring melodic lines, resonant harmonies, and spacious reverberation create an atmosphere of contemplation, devotion, and transcendence, moving gracefully between quiet intimacy and majestic grandeur.

NOITE SEM FREIO

Hard phonk

Hard phonk,crazy beat

Before The Admin

Pop punk and alt pop with soft-rock lift

Pop punk and alt pop with soft-rock lift, mid-tempo driving drums, punchy bass, bright synth arps, and a cinematic EDM swell; verse rides tight guitars and minimal keys, pre-chorus strips to vocal and pulse, chorus opens wide with stacked harmonies and snare lift. Tender female lead with doubles on key lines, airy ad-libs, delay throws on the hook, reversed swells into each chorus, warm sidechain shimmer, glossy but nostalgic mix., pop, female vocals, edm, soundtrack, pop punk, soft rock, ambient, nostalgic

Solange wir uns streiten

post-punk revival | trip hop fusion | alternative rock | male expressive vocal | mid tempo driving groove | tight rhythmic production | dry focused mix driving bass lines | punchy analog drums | broken beat trip hop influence | sharp electric guitar accents | minimal synth tension layers | rhythmic percussive textures | subtle electronic undertones dark analytical tone | social critique atmosphere | systemic tension | observational storytelling | controlled urgency dry vocal focus | close mic presence | tight mix clarity | forward rhythmic energy | short decay sound design

post-punk revival | trip hop fusion | alternative rock | male expressive vocal | mid tempo driving groove | tight rhythmic production | dry focused mix driving bass lines | punchy analog drums | broken beat trip hop influence | sharp electric guitar accents | minimal synth tension layers | rhythmic percussive textures | subtle electronic undertones dark analytical tone | social critique atmosphere | systemic tension | observational storytelling | controlled urgency dry vocal focus | close mic presence | tight mix clarity | forward rhythmic energy | short decay sound design

I Really Like You (Vintage Version)

modern 60s

modern 60s, classic 60s, retro, modern retro, old recording, old vinyl, room bleed, nostalgia, guitar, bass, vocal harmony

NEGAZIONE (2)

Klassen

Pop-rap

Pop-rap

Over Me Yet

Shoegaze

Shoegaze, Grunge-leaning rock influence, Experimental Alt, Experimental Alt, horrorcore, emo

Secret Symphony

late-night love song

late-night love song, intimate pop-rap, 92 BPM, brushed snare, Rhodes chords, muted bass guitar, fingerpicked electric guitar, analog synth pads, tape saturation, plate reverb, vinyl crackle, call-and-response hook, whispered ad-libs, bittersweet nostalgia, secret-keep energy

Electricity

,Very long Instrumental in the intro and in the outro, ,Whisper singing, the same rhythm synths throughout the song,harmonize, chaotic,dance-pop hyperpop,whisper in the chorus,hyperpop, and synth-heavy elements, Whispery Delivery hallucin,hallucination beat, weird synths, alternative pop ,Delivery, female voice, Electro beat , Close-Mic Energy, Underground , Underground Hyperpop Meets Dreamy Trap, electronic, glitchy drums chaosmonotone," dark, ,industrial electronicwall of sound,The track is characterized by a "sensuous beat," dreamy mood, heavy bass,and sophisticated depth,Airy vocals,soft vocal,,and electronic production, which fans have described as a blend of "dark cybercore" sensory pop dreamscape,high-quality, heavy bass,and , heavy bass, and a "glitchy" aesthetic,bedroom-pop vocals blended with polished,bedroom pop, sodt femalevocals, angelic atmospheric, emotionally distant,Ethereal Atmosphere, Dreamy Pads Melody, Dark R&B Pop (Sweet Sound), , Bedroom Pop – Whispery Delivery

Уезжай! (2.0)

Pop punk and alternative rock track featuring aggressive distorted electric guitars

Pop punk and alternative rock track featuring aggressive distorted electric guitars, driving acoustic drums, and melodic male vocals in Russian. The arrangement is built on palm-muted power chords in the verses that open up into wide, layered guitar walls during the chorus. A bright, punchy snare and active kick drum pattern maintain a high-energy 165 BPM tempo in 4/4 time. The bass guitar follows the root notes of the guitar progression with a gritty, overdriven tone. Occasional clean guitar accents and vocal harmonies add texture to the bridge and outro sections.

ULTRA-VIOLET

Duet vocal

Duet vocal, Nu-Disco, 120 BPM, C sharp minor key, 4-on-the-floor driving groove, slap bass lead, dry upfront vocal. Razor-sharp transient response, elastic slap bassline, 4-on-the-floor driving groove, high-gloss dance-pop syncopation. Math-pop melodic precision, hyper-compressed radio punch, pristine Swedish pop sheen, huge stadium vocal stacks, tight FM synthesis. Extreme ASMR whisper vocals, claustrophobic close-mic, heavy negative space, sparse minimalist dark pop.

A holy state is wedded life, And blest, where God joins man and wife.

Arabic Sufi invocation with meditative 6/8 flow; warm frame drums and soft darbuka play gentle circular rhythms; spacious qanun and airy ney phrases weave around a calm vocal lead; choral responses answer each line in tender call-and-response; reverb-drenched group hums and elongated vowels create a trance-like devotional atmosphere; dynamics grow slowly from intimate whisper to heartfelt collective prayer while keeping a contemplative

Arabic Sufi invocation with meditative 6/8 flow; warm frame drums and soft darbuka play gentle circular rhythms; spacious qanun and airy ney phrases weave around a calm vocal lead; choral responses answer each line in tender call-and-response; reverb-drenched group hums and elongated vowels create a trance-like devotional atmosphere; dynamics grow slowly from intimate whisper to heartfelt collective prayer while keeping a contemplative, spiritual energy

Место, которое есть

acoustic folk rock

acoustic folk rock, russian bard style, raspy melodic baritone, gravelly but warm male vocal, expressive theatrical delivery, clean acoustic guitar strumming, deep emotion, analog studio sound

Abyssus

Choir singing

Choir singing, Dark cinematic black metal, Gothic Metal, Dark Ambient, blackened doom, Dark male voice

Ghost to Forget

graceful

graceful, warm vocals, bass music, smooth, romantique, fantasy, danceable rhythm, piano and guitar, hawaiian, intricate, romántico, cinematic country-pop, 72 BPM, weeping pedal steel, finger picked acoustic guitar, brushed snare, ambient piano, octave electric bass, strings ostinato, lap steel swells, close-mic lead vocal, stacked chorus harmonies, plate reverb, tape saturation, wide stereo chorus, sparse verse arrangement, explosive chorus lift, cathartic bridge, brokenhearted dread, pleading resignation