New Songs

Eight-Ash Appeal

Load Original and Fuse with Hex Vocaloid Samples echo glitch chopped screwed remix 70 BPM half-speed syrup

Load Original and Fuse with Hex Vocaloid Samples echo glitch chopped screwed remix 70 BPM half-speed syrup, 5-layer cascade delay 0.37s per instance phase 0.63-rotation per layer Modulation×Frequency multiplied, Layers 1 echo trailing past-facing delay accumulating syrup, Layers 2+3 phase inversion crossing echo dissolving into present, Layers 4 + 5 foreshadow leading future-facing phase-inverted anticipation, Sub-bass 25-75Hz seismic slowed syrup crawling LFE maximum, Chop vocals sliced every 1-3 beats stutter fragments reassembled random, Screw pitch shift down 3-7 semitones slowed dragging thick, Glitch digital artifacts bit-crush stutters skips 8-bit corruption, Stutter vocal phrases repeated chopped looped fragmented backwards, Hi-hat chopped irregular placement stuttered no straight patterns, Bass wobble slowed 0.33x speed syrupy dragging beneath everything, Reverb deep cavernous slowed infinite decay long tail, Glitch artifacts 963Hz-9kHz digital corruption scattered, Right x4

Jazz 25 04 26 3v R3 v3

4 minutes duration

4 minutes duration, soft organic pulse, modern jazz, experimental, Complex and rich chords, Instruments : piano, saxo, transverse flute, with symphony orchestra, crystal clear mix,parallel chords, melodic polyphony.

Green Eyes

1961 romantic doo-wop ballad

1961 romantic doo-wop ballad, slow dance tempo (72–76 BPM), warm vintage mono production, heartfelt male lead vocal with smooth falsetto touches, rich male vocal harmonies singing “ooh” and “ahh” responses, tender guardian angel love theme, inspired by early American vocal groups, dreamy jukebox atmosphere, gentle electric guitar arpeggios, upright bass, brushed drums, soft piano triplets, occasional glockenspiel sparkle, emotional chord changes, innocent teenage devotion, moonlit street-corner serenade mood, melodic and sentimental chorus hook, analog tape warmth, classic oldies sound, authentic early 60s vocal group arrangement, romantic and nostalgic.

Eye Heart You (2)

male vocals

male vocals, , [Make the vocals very slow] [Drag out every vowel] [Add deep reverb] [Tempo: 40–55 BPM] [Accent: German accent, slightly harsh consonants, soft “r” sounds] [Sing the following lyrics:] , retro video game, metal, violin, piano, house, techno

Canción de dos almas (Remastered)

Cúmbia

Cúmbia

Idź boso

Experimental Fusion of 90s Boom-Bap

Experimental Fusion of 90s Boom-Bap, Mongolian Throat Singing & Industrial Techno, Tempo: 92 BPM, SOLE MALE VOCAL ONLY, Voice: Confident male baritone with East Coast hip-hop delivery, vocoded robotic ad-libs, and four-part Doo Wop harmonies, Instrumentation: Hard-hitting boom-bap drums, jazzy piano samples, and deep bass clashing with heavy industrial techno kicks and morin khuur horse-head fiddle loops, Elements: Shamanic ritual percussion, guttural throat singing samples, and a rhythmic Caribbean dembow pulse, Dusty vinyl crackle, dark cinematic tension, and hypnotic bass arpeggios, Arrangement: Menacing urban atmosphere building from a slow, soulful ballad feel into a gritty, explosive electronic ritual, Production: Grimy East Coast production meets futuristic Detroit Techno and ancient Mongolian traditions, High-fidelity 8K master, narrow stereo verses vs wide holographic choruses, Darkly satirical, commanding, and absurdly festive—a "najszczerszy surowiec" of linguistic chaos

Neon Lace and Lullaby (Remastered)

Indie pop ballad featuring a breathy female vocal lead with heavy plate reverb

Indie pop ballad featuring a breathy female vocal lead with heavy plate reverb, The arrangement centers on a clean, arpeggiated electric guitar with a chorus effect and a subtle tremolo, A deep

Você disse não (Remastered)

cumbia

cumbia

Summer Wind (v5.5)

high-velocity new wave

high-velocity new wave, electro-pop, 190 BPM, husky baritone female vocals, punchy analog drums, distorted synth stabs, sawtooth bassline, chorus guitar chops, gated snare, tape saturation, plate reverb, stereo delay, chant hooks, jagged punk energy, adrenaline rush, summer nostalgia

Cold Hands Open

Hip hop with electric textures: a stumbling intro built from chopped drum breaks

Hip hop with electric textures: a stumbling intro built from chopped drum breaks, off-grid kick accents, and stuttered 808 hits, then locking into a steadier boom-bap groove. Electric guitar riffs with wah and delay, crunchy synth bass, vinyl crackle, sharp snare, and layered turntable cuts.

Loving a Porcupine

Tense alt-pop with clipped sub-bass

Tense alt-pop with clipped sub-bass, dry rimshot clicks, and a one-note staccato guitar motif driving forward like a pursuit. Deadpan vocal delivery sits close-miked over sparse verse space, then pre-chorus opens with rising synth tension, distorted percussion accents, and tight sidechain compression for a breathless, barely-ahead feel.

The Overgrowth

Alternative rock with pop-punk influences. Distorted electric guitars play palm-muted power chords in the verses and open

Alternative rock with pop-punk influences. Distorted electric guitars play palm-muted power chords in the verses and open, ringing chords in the chorus. A clean electric guitar provides melodic counterpoint with arpeggiated figures. The bass guitar follows the kick drum with driving eighth-note patterns. Drums feature a heavy backbeat with prominent crash cymbal accents and sixteenth-note hi-hat patterns. Vocals are a clean, melodic male tenor with layered harmonies in the chorus. The tempo is 160 BPM in the key of G# minor.

Это не смешно? Isn’t it Funny? (RUSSIAN COVER)

90s alternative pop

90s alternative pop, confessional, irony-soaked, female vocal, raw belt vocals, distorted bass guitar, jagged rhythm guitar, live drum kit, tom-heavy fills, analog tape saturation, spring reverb, room mic snare, chorus pedal guitar, bassline hook, midtempo groove, bitter threat, tense swagger,memorable female vocal

✨✨✨Still Today🎂

Was gut daran war

Pop / Cinematic / Indie Duett

Pop / Cinematic / Indie Duett,

Zwischen den Zeiten

Radiator Water Boil

Male vocals

Male vocals

-Ameno-

minimal techno

minimal techno, just strait bars with a thumping beat, switching to different techno beats, clubready, melodic, fast, minimal, catchy, dark modern trap banger, experimental orchestra reverbs, dark orchestra, horror and creep vibe, strong beat and bass, drums, suspenceful, industrial percussion. dark creepy vocals, modern, catchie, pop banger, dark romantic, melodic, techno, melancholic, suspensful

Everything is Fine

Male vocals

Male vocals

DARK VELVET (Live) - LUNARMOON

Live pop / dark pop performance at a massive outdoor festival

Live pop / dark pop performance at a massive outdoor festival, mid-tempo but high-energy, hypnotic and ethereal; intro opens with distant crowd roar and hook teased through washed-out stadium reverb, verses carried by amplified raw female vocals over live drum kit, sub bass, congas and toms, with whispered harmonies bleeding into the arena. Pre-chorus tightens to palm-muted guitar, floor tom pulses and tense vocal stacks before exploding into a chorus built on a driving dembow-influenced groove, open hi-hats and claps, with big call-and-response girl-group lifts and [crowd sings along] moments. Five female leads trading lines, breathy to belted deliveries, wide stereo vocal stacks, echoing ad-libs, long plate and stadium tails. Live band arrangement with electric bass, synth pads, percussive hits, and occasional guitar swells, mixed for wide stereo image with loud cheering audience swells between phrases and over outro, polished yet raw festival mix.