New Songs

Midnight Velvet

Smooth Contemporary R&B

Smooth Contemporary R&B, Soulful Neo-Soul, deep groovy bassline, velvet male vocals, late-night atmospheric mood, lush synthesizers, 70bpm

On the Floor Like That

G-HOUSE

G-HOUSE, G-FUNK, WEST COAST RAP STYLE, AD LIBS, HOUSEBASS, EXPLOSIVE 808S, AGRESSIVE LEAD SYNTH, ACIDHOUSE LIQUIDY BASS, RUBBERY BASS VOCAL PITCH DOWN DEEP. , bouncy bassline

Яйца Отрезали (Remix)

Solo Classical Piano

Solo Classical Piano, Pure Acoustic Grand Piano, Single Instrument, Isolated Vocals, Minimalist, No Drums, No Percussion, No Bass, No Guitar, No Synth, No Electronic, No Beat, Silent Background, Unplugged, Raw Audio, 100bpm, Emotional

Midnight Echoes in the Static

Dreamy Indie Pop

Dreamy Indie Pop, Synth-pop, Lo-fi aesthetic, ethereal male vocals, lush reverb, nostalgic analog synths, chilled drum machine, melancholic, 80s retro-futurism, atmospheric

Son Bakışın

Organic house with Greek elements 2026

Organic house with Greek elements 2026, bouzouki lead melody, soft ethnic percussion, warm analog synths, Aegean Sea sunset vibe, melodic progressive drops, Cafe De Anatolia & Dim Angelo style, dreamy female vocals in Greek, groovy yet soulful, 120-124 BPM,turkish lyrics

Ночь качает

Where the Ivory Weeps

Dark Emotional Trap Soul / Alt R&B

Dark Emotional Trap Soul / Alt R&B, 85 BPM, A minor. Cinematic, nocturnal, introspective mood. Soft expressive piano lead (high trembling notes, melancholic), crying electric guitar textures with reverb/delay. Deep 808 sub-bass, minimal trap drums, crisp hi-hat triplets. Ambient pads, airy synths, spacious mix. Subtle basketball court ambience (echoing dribbles, distant bounce FX). Gradual emotional build → powerful chorus with layered vocals and wide stereo → stripped bridge (solo piano) → emotional climax. Vocals: male, refined, vulnerable, slightly raspy, poetic delivery, smooth phrasing. Haunting catchy topline, melancholic, immersive, modern production.

ANALOG ATTACK 5.0

BPM 115

BPM 115, 1982 Electro P-Funk, Instrumental, Analog Groove, Heavy Synth-Focused, Futuristic Funk, 80s Space Funk. ​Drums: Heavy 808 drum machine patterns, crisp and loud handclaps on the backbeat, tight robotic hi-hats, and deep booming kick drums. ​Bass: Driving Moog synth bassline, rubbery and fat low-end, rhythmic syncopated thumb-style synth bass. ​Keys & Synths: High-pitched melodic lead synths, shimmering cosmic poly-synths, staccato Clavinet stabs, and lush analog pad textures. ​Guitar: Rhythmic "chicken scratch" electric guitar, muted funk strumming with subtle chorus effect. ​Atmosphere: Space-age sound effects, metallic percussion hits, no vocals, pure instrumental groove.Heavy Analog Synth Bass, TR-808, Instrumental Battles, Minimoog, Prophet-5, ARP, No High-pitched Digital Sounds, Deep Male & Low Female Vocals, Operatic Soprano, Raw & Gritty, 80s Space Funk.

<< Ce que j'ai perdu >>

dark techno

dark techno, kick constant

半透明

J-Pop with elements of power pop and synth-rock. Features a bright

J-Pop with elements of power pop and synth-rock. Features a bright, female lead vocal with a clean, energetic delivery. The arrangement includes distorted electric guitars playing power chords and palm-muted eighth-note patterns, a driving drum kit with a prominent open hi-hat on the off-beats, and a melodic electric bass. Shimmering synthesizer pads and occasional staccato synth leads provide harmonic texture. The tempo is 175 BPM in 4/4 time. The production is polished with a wide stereo field and moderate compression on the master bus.

The Call of Yemanya orchestal mix 2

Prodigious opera orchesta

Prodigious opera orchesta, fast prodigious violins, tubualar bells arpegios, soprano interlude, piano arranges, clear production, clear voice.

Midnight La La

Late 90s and early 2000s Eurodance mixed with sleek French house

Late 90s and early 2000s Eurodance mixed with sleek French house, electro-pop, and a heavy dose of reggae-dub infusion. The track is built on a relentless, punchy four-on-the-floor drum machine beat featuring a heavy kick, snappy claps, and energetic off-beat hi-hats, now layered with syncopated dancehall shakers and a prominent reggae rimshot groove. A driving, bouncy analog bassline provides a thick, grooving undercurrent, adapting a classic reggae syncopation that weaves around the heavy kick drum. Instrumentation features resonant synth leads, sweeping filter effects, and classic club stabs, perfectly balanced by rhythmic, upbeat reggae chord skanks drenched in analog tape delay and subtle dub sirens. The vocal performance is a breathy, sultry, and seductive female lead. Her delivery alternates between hypnotic, whispered spoken-word sections with a distinct European flair, rhythmic reggae-inspired vocal cadences, and catchy, repetitive melodic hooks trailing off in heavy dub-sty

the old rider

Indie folk with Americana influences. The arrangement features a prominent acoustic guitar playing a fingerpicked pattern in 4/4 time at 84 BPM in the key of G Major. A slide guitar provides melodic swells with heavy reverb and delay. The percussion consists of a steady kick drum on every beat with a light tambourine accent on the backbeat. A clean electric guitar enters later with arpeggiated chords. The bass guitar follows the root notes of the acoustic guitar with a warm

Indie folk with Americana influences. The arrangement features a prominent acoustic guitar playing a fingerpicked pattern in 4/4 time at 84 BPM in the key of G Major. A slide guitar provides melodic swells with heavy reverb and delay. The percussion consists of a steady kick drum on every beat with a light tambourine accent on the backbeat. A clean electric guitar enters later with arpeggiated chords. The bass guitar follows the root notes of the acoustic guitar with a warm, rounded tone. The structure is built on a repetitive four-chord progression with dynamic shifts created by the layering of string-like synth pads and additional guitar textures.

Mommy’s Lullaby ( Leonid Andruson, 1908)

Family Name

metal

metal, Jagged alternative/experimental metal with male vocals; stuttering stop-start riffs in drop tuning, palm-muted bursts and dissonant bends over tightly sidechained, punchy bass and precision drums. Verses ride manic, Middle Eastern–tinged scalar runs with angular syncopation and harsh, rhythmic shouts; choruses lurch into half-time with wide, ominous chords and strained melodic screams. Abrupt tempo flips and metric fake-outs punctuate theatrical spoken breaks; vocal layering stacks whispers, snarls, and soaring lines for maximum tension and release., experimental, vocal, raw, dynamics, alternative metal, dynamic

Crystal Glitch Resonance (Collab - Ayona Dreams)

j-rock emotional core inspired by TENBLANK “A Song for Us to Sing”

j-rock emotional core inspired by TENBLANK “A Song for Us to Sing”, deep dubstep, soaring vocal-like lead melodies, long expressive melodic phrasing, bright shimmering top-lines, powerful anthemic hooks, uplifting major-key chord progressions, dynamic band-like energy with driving drums and guitar presence, progressive emotional build-up and release, atmospheric electronic fusion, expressive glitch hop woven into the rhythm with evolving stutters and luminous pixelated artifacts, deep dubstep foundation with massive pure sine sub bass at 38–42 Hz, mono, ultra clean, long rounded ADSR, continuous weight and pressure shaping the track, physical and chest-hitting yet controlled, technoid precision with minimal forward pulse, warm airy textures, analog pads and crystalline layers, cinematic immersive soundscape, intimate yet expansive, emotional and luminous

I Don't Care

Space dance-pop with a heavy electronic influence. A processed female vocal lead features prominent pitch correction and doubling. The arrangement centers on a syncopated synth bassline and a four-on-the-floor kick drum. A bright

Space dance-pop with a heavy electronic influence. A processed female vocal lead features prominent pitch correction and doubling. The arrangement centers on a syncopated synth bassline and a four-on-the-floor kick drum. A bright, staccato synth pluck plays a rhythmic counter-melody. The percussion includes a crisp snare on the backbeat and shimmering hi-hats. A sidechain compression effect creates a pumping sensation on the synth pads. The track is in the key of G minor at 124 BPM.,HAAS, Synth glides glitches, Echoing, Doppler effect, {MAX{}]

Black Eye Club

death metal

death metal, horrorcore, growling, screaming, male vocals, heavy female vocals

The Bread Has Risen

baroque harpsichord

baroque harpsichord, basso continuo, chamber ensemble, polyphonic, contrapuntal, ornate, 17th century, minor key, toccata, fugue, lute, violin, cello

Beyond the last horizon

Modern hard rock with symphonic elements. Distorted electric guitars play syncopated power chord riffs and palm-muted eighth notes. A lead electric guitar performs melodic lines with vibrato and rapid alternate picking. Orchestral strings provide sustained legato pads and staccato rhythmic accents. The drum kit features a punchy snare

Modern hard rock with symphonic elements. Distorted electric guitars play syncopated power chord riffs and palm-muted eighth notes. A lead electric guitar performs melodic lines with vibrato and rapid alternate picking. Orchestral strings provide sustained legato pads and staccato rhythmic accents. The drum kit features a punchy snare, double-kick patterns, and frequent crash cymbal hits. A gritty male tenor vocal performs melodic lines with occasional rasp and belted high notes. The bass guitar follows the kick drum with a distorted, mid-forward tone. 155 BPM, 4/4 time signature, Key of B Minor.