New Songs

Midnight Pulse (Eclipse the Night), Vol. 2

Dark K-Pop

Dark K-Pop, cinematic electronic dance-pop, heavy sub-bass, atmospheric synths, haunting vocal layers, high energy, mysterious and edgy atmosphere, aggressive production

Αγαπημένη μου! (Blue Eyed Soul Remix)

Motown soul

Motown soul, blue eyed soul, 82 BPM, laid-back groove, fingerstyle electric bass, bouzouki lead phrases, Wurlitzer chord stabs, Hammond B3 swells, tenor sax fills, clean rhythm guitar, Motown tambourine, call and response choir, tape saturation, plate reverb, warm mono mix, late 60s studio grain, bittersweet longing, emotional crescendo, melodic guitar solo

Electric Moonlight Mirage

Psychedelic Pop

Psychedelic Pop, driving synth-pop bassline, alternative rock energy, trippy shimmering textures, male vocals, nocturnal atmosphere, 128 BPM, catchy dance-pop hooks

Since You Left the Light"Version Live"

genre: indie folk 40

genre: indie folk 40, vintage blues 30, americana roots 20, cinematic folk 10 bpm: 78 mood: warm melancholic, dusty, emotional, cinematic, live festival voice: female warm rough, controlled rasp, intimate→open chorus instruments: acoustic fingerpicking, slide guitar, harmonica low, double bass, brushes, light organ dynamics: whispered→build→explosive chorus→emotional ending quirkiness: 7 audience: loud festival crowd, cheers, claps, reactions during chorus, big applause after solo instrumental behind voice: V→III slide, IV→V bend, VI–V–III, III→V→VII→V instrumental solo after chorus:

HELL NO

Style-based song: Drift Phonk

Style-based song: Drift Phonk, Memphis 2022, Dark Trap, Houston 2021, Memphis Rap, USA 2016. The track features a male vocalist with a very deep, monotone, and cold baritone (C2-G3). The intro is strictly instrumental with a distorted 808 sub bass, a high-pitched cowbell melody, and a dark atmospheric pad. No vocals until the first verse. Instruments: 808 bass, cowbell, Roland TR-808 drum kit, dark synths. No guitars. Effects: Bitcrush, saturation, "screwed and chopped" outro, heavy sidechain compression. The bridge is minimalist and eerie. Overall tone is aggressive, cinematic, and street-wise.

Midnight Velvet

Smooth Contemporary R&B

Smooth Contemporary R&B, Soulful Neo-Soul, deep groovy bassline, velvet male vocals, late-night atmospheric mood, lush synthesizers, 70bpm

On the Floor Like That

G-HOUSE

G-HOUSE, G-FUNK, WEST COAST RAP STYLE, AD LIBS, HOUSEBASS, EXPLOSIVE 808S, AGRESSIVE LEAD SYNTH, ACIDHOUSE LIQUIDY BASS, RUBBERY BASS VOCAL PITCH DOWN DEEP. , bouncy bassline

Яйца Отрезали (Remix)

Solo Classical Piano

Solo Classical Piano, Pure Acoustic Grand Piano, Single Instrument, Isolated Vocals, Minimalist, No Drums, No Percussion, No Bass, No Guitar, No Synth, No Electronic, No Beat, Silent Background, Unplugged, Raw Audio, 100bpm, Emotional

Midnight Echoes in the Static

Dreamy Indie Pop

Dreamy Indie Pop, Synth-pop, Lo-fi aesthetic, ethereal male vocals, lush reverb, nostalgic analog synths, chilled drum machine, melancholic, 80s retro-futurism, atmospheric

Son Bakışın

Organic house with Greek elements 2026

Organic house with Greek elements 2026, bouzouki lead melody, soft ethnic percussion, warm analog synths, Aegean Sea sunset vibe, melodic progressive drops, Cafe De Anatolia & Dim Angelo style, dreamy female vocals in Greek, groovy yet soulful, 120-124 BPM,turkish lyrics

Ночь качает

Where the Ivory Weeps

Dark Emotional Trap Soul / Alt R&B

Dark Emotional Trap Soul / Alt R&B, 85 BPM, A minor. Cinematic, nocturnal, introspective mood. Soft expressive piano lead (high trembling notes, melancholic), crying electric guitar textures with reverb/delay. Deep 808 sub-bass, minimal trap drums, crisp hi-hat triplets. Ambient pads, airy synths, spacious mix. Subtle basketball court ambience (echoing dribbles, distant bounce FX). Gradual emotional build → powerful chorus with layered vocals and wide stereo → stripped bridge (solo piano) → emotional climax. Vocals: male, refined, vulnerable, slightly raspy, poetic delivery, smooth phrasing. Haunting catchy topline, melancholic, immersive, modern production.

ANALOG ATTACK 5.0

BPM 115

BPM 115, 1982 Electro P-Funk, Instrumental, Analog Groove, Heavy Synth-Focused, Futuristic Funk, 80s Space Funk. ​Drums: Heavy 808 drum machine patterns, crisp and loud handclaps on the backbeat, tight robotic hi-hats, and deep booming kick drums. ​Bass: Driving Moog synth bassline, rubbery and fat low-end, rhythmic syncopated thumb-style synth bass. ​Keys & Synths: High-pitched melodic lead synths, shimmering cosmic poly-synths, staccato Clavinet stabs, and lush analog pad textures. ​Guitar: Rhythmic "chicken scratch" electric guitar, muted funk strumming with subtle chorus effect. ​Atmosphere: Space-age sound effects, metallic percussion hits, no vocals, pure instrumental groove.Heavy Analog Synth Bass, TR-808, Instrumental Battles, Minimoog, Prophet-5, ARP, No High-pitched Digital Sounds, Deep Male & Low Female Vocals, Operatic Soprano, Raw & Gritty, 80s Space Funk.

<< Ce que j'ai perdu >>

dark techno

dark techno, kick constant

半透明

J-Pop with elements of power pop and synth-rock. Features a bright

J-Pop with elements of power pop and synth-rock. Features a bright, female lead vocal with a clean, energetic delivery. The arrangement includes distorted electric guitars playing power chords and palm-muted eighth-note patterns, a driving drum kit with a prominent open hi-hat on the off-beats, and a melodic electric bass. Shimmering synthesizer pads and occasional staccato synth leads provide harmonic texture. The tempo is 175 BPM in 4/4 time. The production is polished with a wide stereo field and moderate compression on the master bus.

The Call of Yemanya orchestal mix 2

Prodigious opera orchesta

Prodigious opera orchesta, fast prodigious violins, tubualar bells arpegios, soprano interlude, piano arranges, clear production, clear voice.

Midnight La La

Late 90s and early 2000s Eurodance mixed with sleek French house

Late 90s and early 2000s Eurodance mixed with sleek French house, electro-pop, and a heavy dose of reggae-dub infusion. The track is built on a relentless, punchy four-on-the-floor drum machine beat featuring a heavy kick, snappy claps, and energetic off-beat hi-hats, now layered with syncopated dancehall shakers and a prominent reggae rimshot groove. A driving, bouncy analog bassline provides a thick, grooving undercurrent, adapting a classic reggae syncopation that weaves around the heavy kick drum. Instrumentation features resonant synth leads, sweeping filter effects, and classic club stabs, perfectly balanced by rhythmic, upbeat reggae chord skanks drenched in analog tape delay and subtle dub sirens. The vocal performance is a breathy, sultry, and seductive female lead. Her delivery alternates between hypnotic, whispered spoken-word sections with a distinct European flair, rhythmic reggae-inspired vocal cadences, and catchy, repetitive melodic hooks trailing off in heavy dub-sty

the old rider

Indie folk with Americana influences. The arrangement features a prominent acoustic guitar playing a fingerpicked pattern in 4/4 time at 84 BPM in the key of G Major. A slide guitar provides melodic swells with heavy reverb and delay. The percussion consists of a steady kick drum on every beat with a light tambourine accent on the backbeat. A clean electric guitar enters later with arpeggiated chords. The bass guitar follows the root notes of the acoustic guitar with a warm

Indie folk with Americana influences. The arrangement features a prominent acoustic guitar playing a fingerpicked pattern in 4/4 time at 84 BPM in the key of G Major. A slide guitar provides melodic swells with heavy reverb and delay. The percussion consists of a steady kick drum on every beat with a light tambourine accent on the backbeat. A clean electric guitar enters later with arpeggiated chords. The bass guitar follows the root notes of the acoustic guitar with a warm, rounded tone. The structure is built on a repetitive four-chord progression with dynamic shifts created by the layering of string-like synth pads and additional guitar textures.

Mommy’s Lullaby ( Leonid Andruson, 1908)

Family Name

metal

metal, Jagged alternative/experimental metal with male vocals; stuttering stop-start riffs in drop tuning, palm-muted bursts and dissonant bends over tightly sidechained, punchy bass and precision drums. Verses ride manic, Middle Eastern–tinged scalar runs with angular syncopation and harsh, rhythmic shouts; choruses lurch into half-time with wide, ominous chords and strained melodic screams. Abrupt tempo flips and metric fake-outs punctuate theatrical spoken breaks; vocal layering stacks whispers, snarls, and soaring lines for maximum tension and release., experimental, vocal, raw, dynamics, alternative metal, dynamic