New Songs

O Ceu Esta Comigo

Gênero: Hip Hop Melódico • Trap Inspiracional Vocal: Voz feminina americana

Gênero: Hip Hop Melódico • Trap Inspiracional Vocal: Voz feminina americana, suave, emocional e confiante. Flow moderno com pequenas declarações em inglês Instrumental: Piano cinematográfico, pads atmosféricos, bateria trap, 808 profundo, hi-hats rápidos e strings suaves. Clima: Esperança, superação, coragem e vitória. Estilo: Moderno, emocionante, envolvente e cinematográfico Voice femile

Boomerang 🪃

Trap Soul

Trap Soul, R&B male vocals male voice r b 808s catchy edm glitchy

Staub an Knien

Lock and stock

outlaw biker country-rock

outlaw biker country-rock, tempo 102 bpm, 7/4 beat, Cb minor key, pentatonic phrygian scale progression, mischievous mood, male vocals 52 year old voice deep baritone c2 gritty, gibson les paul lead guitar, ibanes custom mastermade 6 string drop db tunes rythm guitars, Morgan PB 10 SHORT SCALE SB bass, agressive snare gated reverb, compressed heavy kick, hi-hat bell hits. Verses delivered back to back without dramatic breaks, perversely upbeat.

🇺🇦 Glass Vatra💛💙 Kyiv in my mouth

Psybient cyberpunk with 92 BPM half-time pulse

Psybient cyberpunk with 92 BPM half-time pulse, chopped downtempo drums, rolling sub, and bandura-like plucks threading through granular synth haze; verse floats in breathy close-mic fragments, pre-chorus opens with stacked whispers and rising drones, chorus lands on a hypnotic chant with doubled falsetto and spectral call-and-response. Ear candy: reversed chimes, frozen vocal grains, distant metal creaks, and a bloom of sub drops into each hook. Mix is luminous, wide, and iridescent., vocal, experimental, hypnotic

TÍTULO: Desde el mar se convirtió en sirena mitad agua mitad fuego

voice females Estilo: voice females Afrobeat soca fusion with punta garífuna and Palo de Mayo rhythms

voice females Estilo: voice females Afrobeat soca fusion with punta garífuna and Palo de Mayo rhythms, Caribbean tropical vibe, tribal percussion, energetic, dancefloor, summer anthem, female Latin Caribbean vibe ⸻ Prompt: Upbeat Afrobeat soca track at 108 BPM with strong Caribbean influence from punta garífuna and Palo de Mayo, Deep groovy bassline, syncopated drums, tribal percussion with live congas and hand drums, rhythmic shakers, and energetic bounce, Include traditional garífuna drum patterns and festive Palo de Mayo groove, Add conch shell sounds in the intro and transitions for a coastal tribal atmosphere, Melodic elements with marimba, kalimba, and tropical plucks, plus light brass hits in the chorus, Warm, rhythmic, hypnotic and danceable, Background chants like “eh eh”, “woi”, “ajá”, Ocean ambience subtly in the background, Female vocal in Spanish with Nicaraguan slang, confident, sensual and rhythmic delivery ruido de olas y musica caribeña + rggaeton flow dembow

Turn To The Devil

electronic

electronic, intense, electropop, hip hop, metal, beat, female vocals

Cafe Nhẫn V2

French Chanson

French Chanson, Folk-Pop, 98 Bpm, Fingerpicked Acoustic Guitar, Dark Violin Lines, Concertina Accents, Piano Arpeggios, Saxophone Arpeggios, Brushed Snare, Warm Bass Guitar, Analog Synth Pads, Widened Stereo Mix, Plate Reverb, Tape Saturation, Swung 6/8 Feel, Intimate Nostalgia, Bittersweet Lift, warm orchestral strings, innocent clear male vocal, cinematic emotional atmosphere , Call And Female Singers Response, Downbeat Lyric Phrasing, clear and sweet male singer, children’s accompanying

Let's Pretend (Version 2)

modern melodic metal

modern melodic metal, d-tuned guitars, syncopated chugs, emotional female vocals, melodic chorus hooks, clean bass guitar, punchy snare, gated drums, sidechain bass, crisp modern mix, sudden dropouts, bittersweet longing, defiant hurt

빈 들에 마른 풀같이 183 [Sacred Cyber Stadium Rave Ver.]

130BPM

130BPM,FastTempo,130BPM,FastTempo,130BPM,FastTempo,130BPM,FastTempo,130BPM,FastTempo,130BPM,FastTempo,130BPM,FastTempo,130BPM,FastTempo,130BPM,FastTempo,130BPM,FastTempo,130BPM,FastTempo,130BPM,FastTempo,130BPM,FastTempo,130BPM,FastTempo,130BPM,FastTempo,130BPM,FastTempo,130BPM,FastTempo,130BPM,FastTempo,130BPM,FastTempo,130BPM,FastTempo,130BPM,FastTempo,130BPM,FastTempo,130BPM,FastTempo,solo female vocal,Big room EDM and Gregorian chant Fusion,Town square festival,Massive open-air stadium acoustics,Piercing live brass,Screaming trumpet,Live stage microphone texture,Authentic backing chorus chant,Crowded audience roaring,Anthemic chord progression,Hard-hitting electro stomp,Exploding drop,Thunderous sub-bass,Loud distorted speaker wall,Maximum sound pressure,Blasting electronic kick,Super saw lead,Driving arpeggiated bassline,Rising sweep FX,Cinematic impact,Pounding sub-kick drive,Deep male monastic choir,Sacred solemn atmosphere,Orchestral timpani,Shamanic ritual framing,by hapines75

Love in the Air Tonight

sweet jazz for sleep that calms you down with this good tune and like it's a love song for sleep like so you can sleep and your sleeping and if you hear it you will be dreaming about love make it like like that with this tune is the back and well it's like love (Tempo: Slow

sweet jazz for sleep that calms you down with this good tune and like it's a love song for sleep like so you can sleep and your sleeping and if you hear it you will be dreaming about love make it like like that with this tune is the back and well it's like love (Tempo: Slow, swinging, 76 BPM)(Instrumentation: A muted trumpet and a soft, walking bass line) make a male black voice it is a dirty soul voice for the night and love and calm like for sleep but love in the air

God Is In Control

Contemporary Christian Gospel pop ballad. A clean

Contemporary Christian Gospel pop ballad. A clean, bright acoustic piano plays syncopated chords and melodic fills. A tenor male vocal delivers the melody with a clean, dry production and occasional light vibrato. Backing vocals are powerful black choir type. The arrangement builds with a mid-tempo pop drum kit featuring a crisp snare and full steady kick. A melodic electric bass follows the piano's chord progression. Clean electric guitar provides rhythmic strumming and subtle atmospheric textures. The track is in the key of G major at 74 BPM in 4/4 time. Glue mix together Analog tape sound.

Dumm Low Virbration

dumm low virbration

dumm low virbration

Until You Go

Bedroom pop

Bedroom pop, lo-fi indie folk, slowcore, acoustic emo, DIY recording, sadboy, Instrumentals: The production must be extremely stripped back and raw, The instrumental consists solely of an unpolished, slightly muffled acoustic guitar playing a slow, melancholic, softly strummed chord progression, There are no drums, no bass, and no synths, It needs to sound like it was recorded in a quiet bedroom on a cheap microphone, featuring subtle room tone or tape hiss for an authentic, intimate DIY atmosphere, Vocals: Deliver the lyrics with a soft, delicate, and deeply melancholic male vocal, The performance should be sluggish, passive, and drenched in atmospheric reverb or room echo, making it sound slightly distant and lonely, It should feel like a fragile, sleepy whisper sung just inches away from the microphone, prioritizing raw emotion over pitch-perfect technique, the vocals should sound like they're coming from the next room over, unclear, ‑Pop, ‑Upbeat

Wake Up, Man

uplifting psychedelic Rock

uplifting psychedelic Rock, synthesised Southern Rock, stanky Blues, gritty, soul, telecaster bite loose drums bass with attitude smirk in the vocal tempo, varied effects, filthy analog distortion, dangerous rebellious tempo with high energy

You Don't Know

dubstep

dubstep, reggae groove, female vocals, distorted bass, syncopated snare ghosting, half-time drop, call and response hooks, stacked harmonies, plate reverb, analog saturation, sidechain pumping, breakdown build-ups, gritty guitar riffs, sub-bass impacts, 95 BPM, sparse verse dense chorus, catchy dance beat with variation so not repetitive, groovy, psychedelic

Screaming into the Void (Girl Punk Rock Version)

high-energy girl punk rock

high-energy girl punk rock, overdriven power chords and chunky palm-muted riffs, distorted bass locked to aggressive fast drums, tempo around 150 BPM with urgent forward push, raw shouted and sneered female vocals with gang-shouted hooks, tight verse grooves exploding into big anthemic choruses, crunchy lo-fi edges and subtle feedback swells, stage-chant breakdown moments and clapping hits, rebellious defiant mood with cathartic sing-along screams

x tensions v2 (Mashup)

Dark cinematic instrumental in Phrygian mode

Dark cinematic instrumental in Phrygian mode, slow 90 BPM with a tense pulse and syncopated hand percussion; verse-like sections ride a muted low-string ostinato, pre-drop strips to frame drum and drones, then the main theme enters with bent lead guitar and brass hits. Use reversed cymbal swells, low sub-rumbles, and a short octave-up chime turn before the hook return. Wide, shadowy mix with heavy low-end and sharp transients.

🇺🇦 Kyiv on My Tongue 💙💛

Indie-pop with driving midtempo pulse

Indie-pop with driving midtempo pulse, snapped percussion and shimmering synth-guitar; verse rides sparse bass and dry handclaps, pre-chorus opens with rising harmonies and filtered pads, chorus lands on wide drums and a singable gang-vocal chant. Lead vocal stays close-mic and vulnerable, with doubled hook words, short delay throws, reverse swells into transitions, and a bright punchy mix with an intimate center.

Вирус кармы

вокjazz rhythm philosophical psychedelic experimentальный транс

вокjazz rhythm philosophical psychedelic experimentальный транс, диссонантные гармонии duet male & female soul violin