New Songs

If I Don’t Come Home

A heartfelt worship song driven by a vibrant

A heartfelt worship song driven by a vibrant, moving bassline and dynamic drums lays down an energetic groove, Layered electric guitars and expressive piano add depth, swelling and receding with the song’s evolving dynamics, Soaring, powerful vocals convey a sense of awe throughout

Full Closet Fantasy

Pop [female backing vocals] [light synth arpeggio] A small upgrade you could add: [female backing vocals] stronger in the pre-chorus

Pop [female backing vocals] [light synth arpeggio] A small upgrade you could add: [female backing vocals] stronger in the pre-chorus, a [light synth arpeggio] in verse 2, and [cash register FX + long echo fade out] in the outro for a more immersive pop finish.

The Mob - Getta fuck out

funk Explosive golden-era boogie-woogie romp; piano front and center with a stomping left-hand bass and dazzling right-hand riffs

funk Explosive golden-era boogie-woogie romp; piano front and center with a stomping left-hand bass and dazzling right-hand riffs, Crisp swing kit locks with a walking upright bass, brass bursts and guitar stabs trading call-and-response with the piano, Bold, repeatedly returning piano hook functions as an instrumental “chorus, ” building in intensity each time, Arranged like a club band in a smoky back room, swaggering tempo, big-room dynamics, and a proud, vintage gangster strut, playful, dynamic, swing, extended cinematic structure 4 minutes

Anti fitness club

Pop rock with a bright

Pop rock with a bright, commercial production style. Distorted electric guitars play rhythmic power chords and palm-muted eighth notes. A clean electric guitar provides melodic counterpoint with arpeggiated figures. The bass guitar follows the kick drum with a driving, consistent eighth-note pulse. Drums feature a punchy snare and a steady kick pattern with frequent crash cymbal accents on transitions. High-energy female lead vocals are supported by layered group backing vocals in the chorus. The arrangement includes occasional synth pads for harmonic thickness. Tempo is 145 BPM in the key of E Major.

Elizabeth AI : Down in the chasm(5.5 remake)

The track opens with raw

The track opens with raw, rapid tremolo-picked guitars drenched in reverb, layered with atmospheric synth textures that evoke a bleak, cold landscape, Relentless blast beats underpin the aggression, Vocals switch between shrill black metal shrieks, guttural growls, and chilling whispers, with massive growls backing the anguished, despairing main line, The melody cuts through with sorrowful, minor-key phrasing, immersing the listener in a grim, nihilistic solitude, ‑lo-fi, ‑low quality, ‑emo, ‑emocore, ‑emotional, ‑core, ‑metalcore, ‑deathcore, ‑whiny vocals, ‑whine, ‑post-hardcore influence, ‑death metal, ‑power metal, ‑orchestral, ‑symphonic, ‑clean vocals, ‑clear vocals, ‑polished, ‑melody, ‑soft, ‑amateurish, ‑unskilled artist, ‑trap beats

The Mob - Offer you can't refuse

funk cinematic boogie-woogie hybrid ~175–195 BPM

funk cinematic boogie-woogie hybrid ~175–195 BPM, piano-led dominant identity, left hand drives relentless walking bass locked tightly with upright bass, right hand delivers bright bluesy riffs built around a bold instantly recognizable 3–5 note hook introduced within first 10 seconds and repeated as instrumental chorus throughout, crisp swing drum kit with sizzling ride, snappy snare, feathered kick and sharp hi-hat accents, brass section delivers tight punchy call-and-response hits with piano and guitar, rhythm guitar chanky percussive comping supporting groove, dynamic structure evolving from tight trio/quartet groove into full-band shout chorus explosions, breakdown sections with drums dropping to rim-clicks or silence while bass or piano continues to maintain tension, hook returns stronger after each breakdown, subtle cinematic orchestral layer (low strings, brass swells, sub impacts) enhancing transitions & peaks without overpowering groove, extended cinematic structure 4 minutes

残光フェードアウト

Slow & Mellow R&B / Sad Chill Pop / Deep Sub Bass / Emotional Breath Vocals / Urban Midnight Nostalgia

Slow & Mellow R&B / Sad Chill Pop / Deep Sub Bass / Emotional Breath Vocals / Urban Midnight Nostalgia

Broken Music Box

A cappella

A cappella,contemporary vocal group.Minor.70BPM.Mixed male and female vocals,harmonized choir,lead female vocal. Human beatbox (rhythmic),music box (delicate,clear,upfront melody). Emotional, nostalgic, intimate atmosphere about loss, memory, and a father’s presence through a broken music box.

Comeback

Rap wie Anbu Monastir und Garp

Rap wie Anbu Monastir und Garp

Maçonnerie mécanique

Elizabeth AI : Astaroth (5.5 remake)

The track opens with raw

The track opens with raw, rapid tremolo-picked guitars drenched in reverb, layered with atmospheric synth textures that evoke a bleak, cold landscape, Relentless blast beats underpin the aggression, Vocals switch between shrill black metal shrieks, guttural growls, and chilling whispers, with massive growls backing the anguished, despairing main line, The melody cuts through with sorrowful, minor-key phrasing, immersing the listener in a grim, nihilistic solitude, ‑lo-fi, ‑low quality, ‑emo, ‑emocore, ‑emotional, ‑core, ‑metalcore, ‑deathcore, ‑whiny vocals, ‑whine, ‑post-hardcore influence, ‑death metal, ‑power metal, ‑orchestral, ‑symphonic, ‑clean vocals, ‑clear vocals, ‑polished, ‑melody, ‑soft, ‑amateurish, ‑unskilled artist, ‑trap beats, ‑lo-fi, ‑low quality, ‑emo, ‑emocore, ‑emotional, ‑core, ‑metalcore, ‑deathcore, ‑whiny vocals, ‑whine, ‑post-hardcore influence, ‑death metal, ‑power metal, ‑orchestral, ‑symphonic, ‑clean vocals, ‑clear vocals, ‑polished, ‑melody, ‑soft, ‑amate

Aequo Animo

minimalist protest-hop; broken MPC drums

minimalist protest-hop; broken MPC drums, field recordings from warzones layered w/ ambient dread drones; dusty lo-fi percussion; filtered analog synth pulses; looped emergency radio clips, distorted megaphone FX, cracked vinyl textures; vocals ghostlike and flattened, surreal and sorrowful; sparse piano motifs that melt mid-bar; desert wind ambience, rubble crunch, empty street echo; glitchy dynamics, no chorus, slow burn structure; channeling apocalyptic poetry & underground resistance broadcast through static

🔥🔥🔥Hastma Feuer Ext 1🔥🔥🔥

Nu-Blusen-Trap female vocals male vocals duet mit tempo slomo parts nu-coolness dark empowernment nu-edm inspired dynamisch mit ausgeschaltetem oder kaputtem tempomaten doch von mir aus paar tomaten

Nu-Blusen-Trap female vocals male vocals duet mit tempo slomo parts nu-coolness dark empowernment nu-edm inspired dynamisch mit ausgeschaltetem oder kaputtem tempomaten doch von mir aus paar tomaten

The Mob - Hey, take five

funk cinematic boogie-woogie hybrid ~175–195 BPM

funk cinematic boogie-woogie hybrid ~175–195 BPM, piano-led dominant identity, left hand drives relentless walking bass locked tightly with upright bass, right hand delivers bright bluesy riffs built around a bold instantly recognizable 3–5 note hook introduced within first 10 seconds and repeated as instrumental chorus throughout, crisp swing drum kit with sizzling ride, snappy snare, feathered kick and sharp hi-hat accents, brass section delivers tight punchy call-and-response hits with piano and guitar, rhythm guitar chanky percussive comping supporting groove, dynamic structure evolving from tight trio/quartet groove into full-band shout chorus explosions, breakdown sections with drums dropping to rim-clicks or silence while bass or piano continues to maintain tension, hook returns stronger after each breakdown, subtle cinematic orchestral layer (low strings, brass swells, sub impacts) enhancing transitions & peaks without overpowering groove, extended cinematic structure 4 minutes

Bloody Mary

dark

dark, haunting song called “Bloody Mary” — I gave it a moody, cinematic vibe

Serenade

fantasy

fantasy, female vocals, pop, sad, sad pop Serenade

Not Buried, Just Planted

A heartfelt worship song driven by a vibrant

A heartfelt worship song driven by a vibrant, moving bassline and dynamic drums lays down an energetic groove, Layered electric guitars and expressive piano add depth, swelling and receding with the song’s evolving dynamics, Soaring, powerful vocals convey a sense of awe throughout

Piano Gilding - Music by ZL Zeal

neo classical pop

neo classical pop, tango waltz, 118 BPM, concert grand piano, left hand octaves, glissando runs, salon string quartet, harp flourishes, brushed snare waltz, syncopated bass ostinato, ragtime syncopation, cathedral plate reverb, stereo room mic, 1960s stereo bloom, crescendo arrangement, bittersweet nostalgia, stage glamour

Les aiguilles du temps

Cinematic orchestral pop with electronic elements

Cinematic orchestral pop with electronic elements, D minor, 120 BPM. Emotional French duet between a male tenor and female operatic soprano. The song features a spoken intro dialogue between two lovers, full of memory and forgiveness. A constant ticking clock sound runs through the track as a symbol of time. Orchestral strings (staccato + legato swells), melodic piano, deep synth bass in the chorus, cinematic drums with shimmering cymbals, and layered choir pads. The arrangement builds in intensity. In the bridge, a phone tone rings softly before silence. The finale blends choir “Ah…” harmonies with fading clock ticks. Theme: timeless love, forgiveness, and the melancholy of passing time.

Only in Ohio (Recording Cover)

Incorporate a pennywhistle playing the melody in the upper register of the track

Incorporate a pennywhistle playing the melody in the upper register of the track