New Songs

Summer Love

K-pop

K-pop, girl group, energetic, catchy, electronic, dance pop, heese, pop pop, binggeul binggeul, piano trio, strings, nostalgic, Swing jazz, walking bass, light brass, finger snaps, Tempo ~150 bpm, [Key: C major]

「びっくら天気」

Bright kids’ J-pop

Bright kids’ J-pop, bouncy midtempo with playful synths, acoustic guitar strums, and light percussion; verses stay small and talky, chorus bursts open with gang vocals and claps, occasional sound-effect backing vocals; cheerful female vocals, big smiley hook perfect for call-and-response

Сowpunk

Cowpunk song in the style of Blood On The Bluegrass by Legendary Shack Shakers. Male raspy low vocals

Cowpunk song in the style of Blood On The Bluegrass by Legendary Shack Shakers. Male raspy low vocals, strong Southern accent, energetic and humorous. Prominent punk harmonica leads riffs and solos. Fast tempo 160-180 BPM, rowdy, chaotic, playful, exaggerated punk-country energy. Include prolonged “A-a-a…” vocalizes

Hatter Foran Speilet

Pop [female backing vocals] [light synth arpeggio] [cash register FX + long echo fade out]

Pop [female backing vocals] [light synth arpeggio] [cash register FX + long echo fade out]

Keðjubrjótur

Cinematic gothic trap x mallsoft-heavy-vaporwave

Cinematic gothic trap x mallsoft-heavy-vaporwave, booming 808's, eerie, haunting ambience, lazy vocal delivery during verses with big anthemic chorus, droning guitar distortion throughout building urgency and panic, high fidelity

Evil Morty (Legionerus Version)

Genre: Ultra Heavy Ritual Metal / Blackened Death Metal + Abyssal Choir Tempo: 102–104 BPM (bold midtempo war-groove) Drums: Midtempo war-groove

Genre: Ultra Heavy Ritual Metal / Blackened Death Metal + Abyssal Choir Tempo: 102–104 BPM (bold midtempo war-groove) Drums: Midtempo war-groove, Crushing kick + snare like blunt strikes, Execution pause before every chorus hit, Simple but massive double-kick in drop sections, Rhythm Guitars (2): Drop F / Drop E, Ultra-fat palm-mutes, Repetitive groove-riff, Stop-start chugs for crowd impact, Bass: Distorted low-end wall glued to kick, Sub-layer pressure you feel in the chest, Lead Guitar: Short dissonant stabs, Feedback screams between vocal lines, No solos — only menace, Choir: Male abyssal mob-chant in unison, Layered like a marching execution crowd, Atmosphere: Low drones, Breath noise, Distant chains dragging, Vocals: Ultra-low growl in verses, Barked commands in pre-hook, Hook screamed by crowd + choir together

If I Don’t Come Home

A heartfelt worship song driven by a vibrant

A heartfelt worship song driven by a vibrant, moving bassline and dynamic drums lays down an energetic groove, Layered electric guitars and expressive piano add depth, swelling and receding with the song’s evolving dynamics, Soaring, powerful vocals convey a sense of awe throughout

Full Closet Fantasy

Pop [female backing vocals] [light synth arpeggio] A small upgrade you could add: [female backing vocals] stronger in the pre-chorus

Pop [female backing vocals] [light synth arpeggio] A small upgrade you could add: [female backing vocals] stronger in the pre-chorus, a [light synth arpeggio] in verse 2, and [cash register FX + long echo fade out] in the outro for a more immersive pop finish.

The Mob - Getta fuck out

funk Explosive golden-era boogie-woogie romp; piano front and center with a stomping left-hand bass and dazzling right-hand riffs

funk Explosive golden-era boogie-woogie romp; piano front and center with a stomping left-hand bass and dazzling right-hand riffs, Crisp swing kit locks with a walking upright bass, brass bursts and guitar stabs trading call-and-response with the piano, Bold, repeatedly returning piano hook functions as an instrumental “chorus, ” building in intensity each time, Arranged like a club band in a smoky back room, swaggering tempo, big-room dynamics, and a proud, vintage gangster strut, playful, dynamic, swing, extended cinematic structure 4 minutes

Anti fitness club

Pop rock with a bright

Pop rock with a bright, commercial production style. Distorted electric guitars play rhythmic power chords and palm-muted eighth notes. A clean electric guitar provides melodic counterpoint with arpeggiated figures. The bass guitar follows the kick drum with a driving, consistent eighth-note pulse. Drums feature a punchy snare and a steady kick pattern with frequent crash cymbal accents on transitions. High-energy female lead vocals are supported by layered group backing vocals in the chorus. The arrangement includes occasional synth pads for harmonic thickness. Tempo is 145 BPM in the key of E Major.

Elizabeth AI : Down in the chasm(5.5 remake)

The track opens with raw

The track opens with raw, rapid tremolo-picked guitars drenched in reverb, layered with atmospheric synth textures that evoke a bleak, cold landscape, Relentless blast beats underpin the aggression, Vocals switch between shrill black metal shrieks, guttural growls, and chilling whispers, with massive growls backing the anguished, despairing main line, The melody cuts through with sorrowful, minor-key phrasing, immersing the listener in a grim, nihilistic solitude, ‑lo-fi, ‑low quality, ‑emo, ‑emocore, ‑emotional, ‑core, ‑metalcore, ‑deathcore, ‑whiny vocals, ‑whine, ‑post-hardcore influence, ‑death metal, ‑power metal, ‑orchestral, ‑symphonic, ‑clean vocals, ‑clear vocals, ‑polished, ‑melody, ‑soft, ‑amateurish, ‑unskilled artist, ‑trap beats

The Mob - Offer you can't refuse

funk cinematic boogie-woogie hybrid ~175–195 BPM

funk cinematic boogie-woogie hybrid ~175–195 BPM, piano-led dominant identity, left hand drives relentless walking bass locked tightly with upright bass, right hand delivers bright bluesy riffs built around a bold instantly recognizable 3–5 note hook introduced within first 10 seconds and repeated as instrumental chorus throughout, crisp swing drum kit with sizzling ride, snappy snare, feathered kick and sharp hi-hat accents, brass section delivers tight punchy call-and-response hits with piano and guitar, rhythm guitar chanky percussive comping supporting groove, dynamic structure evolving from tight trio/quartet groove into full-band shout chorus explosions, breakdown sections with drums dropping to rim-clicks or silence while bass or piano continues to maintain tension, hook returns stronger after each breakdown, subtle cinematic orchestral layer (low strings, brass swells, sub impacts) enhancing transitions & peaks without overpowering groove, extended cinematic structure 4 minutes

残光フェードアウト

Slow & Mellow R&B / Sad Chill Pop / Deep Sub Bass / Emotional Breath Vocals / Urban Midnight Nostalgia

Slow & Mellow R&B / Sad Chill Pop / Deep Sub Bass / Emotional Breath Vocals / Urban Midnight Nostalgia

Broken Music Box

A cappella

A cappella,contemporary vocal group.Minor.70BPM.Mixed male and female vocals,harmonized choir,lead female vocal. Human beatbox (rhythmic),music box (delicate,clear,upfront melody). Emotional, nostalgic, intimate atmosphere about loss, memory, and a father’s presence through a broken music box.

Comeback

Rap wie Anbu Monastir und Garp

Rap wie Anbu Monastir und Garp

Maçonnerie mécanique

Elizabeth AI : Astaroth (5.5 remake)

The track opens with raw

The track opens with raw, rapid tremolo-picked guitars drenched in reverb, layered with atmospheric synth textures that evoke a bleak, cold landscape, Relentless blast beats underpin the aggression, Vocals switch between shrill black metal shrieks, guttural growls, and chilling whispers, with massive growls backing the anguished, despairing main line, The melody cuts through with sorrowful, minor-key phrasing, immersing the listener in a grim, nihilistic solitude, ‑lo-fi, ‑low quality, ‑emo, ‑emocore, ‑emotional, ‑core, ‑metalcore, ‑deathcore, ‑whiny vocals, ‑whine, ‑post-hardcore influence, ‑death metal, ‑power metal, ‑orchestral, ‑symphonic, ‑clean vocals, ‑clear vocals, ‑polished, ‑melody, ‑soft, ‑amateurish, ‑unskilled artist, ‑trap beats, ‑lo-fi, ‑low quality, ‑emo, ‑emocore, ‑emotional, ‑core, ‑metalcore, ‑deathcore, ‑whiny vocals, ‑whine, ‑post-hardcore influence, ‑death metal, ‑power metal, ‑orchestral, ‑symphonic, ‑clean vocals, ‑clear vocals, ‑polished, ‑melody, ‑soft, ‑amate

Aequo Animo

minimalist protest-hop; broken MPC drums

minimalist protest-hop; broken MPC drums, field recordings from warzones layered w/ ambient dread drones; dusty lo-fi percussion; filtered analog synth pulses; looped emergency radio clips, distorted megaphone FX, cracked vinyl textures; vocals ghostlike and flattened, surreal and sorrowful; sparse piano motifs that melt mid-bar; desert wind ambience, rubble crunch, empty street echo; glitchy dynamics, no chorus, slow burn structure; channeling apocalyptic poetry & underground resistance broadcast through static

🔥🔥🔥Hastma Feuer Ext 1🔥🔥🔥

Nu-Blusen-Trap female vocals male vocals duet mit tempo slomo parts nu-coolness dark empowernment nu-edm inspired dynamisch mit ausgeschaltetem oder kaputtem tempomaten doch von mir aus paar tomaten

Nu-Blusen-Trap female vocals male vocals duet mit tempo slomo parts nu-coolness dark empowernment nu-edm inspired dynamisch mit ausgeschaltetem oder kaputtem tempomaten doch von mir aus paar tomaten

The Mob - Hey, take five

funk cinematic boogie-woogie hybrid ~175–195 BPM

funk cinematic boogie-woogie hybrid ~175–195 BPM, piano-led dominant identity, left hand drives relentless walking bass locked tightly with upright bass, right hand delivers bright bluesy riffs built around a bold instantly recognizable 3–5 note hook introduced within first 10 seconds and repeated as instrumental chorus throughout, crisp swing drum kit with sizzling ride, snappy snare, feathered kick and sharp hi-hat accents, brass section delivers tight punchy call-and-response hits with piano and guitar, rhythm guitar chanky percussive comping supporting groove, dynamic structure evolving from tight trio/quartet groove into full-band shout chorus explosions, breakdown sections with drums dropping to rim-clicks or silence while bass or piano continues to maintain tension, hook returns stronger after each breakdown, subtle cinematic orchestral layer (low strings, brass swells, sub impacts) enhancing transitions & peaks without overpowering groove, extended cinematic structure 4 minutes